m1 (turm4)

HOLIDAYS

concept — Sun, 14 Dec 2008 11:21:31 GMT

WORK PRESENTATION

concept — Thu, 04 Dec 2008 11:39:02 GMT

Danilo Prnjat was born in 1982 in Herceg-Novi, Montenegro. He graduated at the Art Academy in Novi Sad (2006) and Interdisciplinary master studies – Theory of Art and Media, Belgrade, Serbia (2008). He is active in performance and inter-media research. In his projects he deals with a variety of problems connected with identity, nationalism and capitalism in countries of Balkan area as well.

POSTKOLONIALE KRITIK

concept — Thu, 04 Dec 2008 11:23:07 GMT

"In Bezug auf die Kontextualisierung verschiedener postkolonialer Artikulationen im Rahmen ihrer globalen Interdependenz istsomit in Abwandlung eines Spruches von Gayatri Spivak zu fragen "What sort of coding has produced this text?" (Spivak1990, 19). Spivaks Interesse richtet sich darauf, welche spezifischen Machtverhältnisse es einem Individuum ermöglichen,sich in einer bestimmten Logik zu beschreiben und zu erklären. (Gutierrez Rodriguez 2001)In diesem Sinne müssen wir in Bezug auf die Übertragung postkolonialer Ansätze in den deutschen Kontext mit SpivaksWorten also nicht nur fragen: Can the subaltern speak?, oder auch Can the subaltern speak German? Die Frage mussvielmehr lauten: But even if he or she has been talking on for centuries - why didn't anybody listen?"

german version:www.republicart.net

"In reference to the contextualization of various postcolonial articulations in conjunction with their global interdependence, thequestion - rephrased from a saying by Gayatri Spivak - must be raised, "what sort of coding has produced this text?" (Spivak1990, 19). Spivak's interest focuses on the specific power relations that enable an individual to describe and explain herself orhimself within a certain logic. (Gutiérrez Rodrigues 2001)In reference to the transfer of postcolonial approaches to the German context, in this sense we must not only ask with Spivak'swords: Can the subaltern speak?, or even: Can the subaltern speak German? Instead the question must be: But even ifhe or she has been talking on for centuries - why didn't anybody listen?"

english version:www.republicart.net

texts are also available as .docm1.antville.org

STUDENT PRESENTATIONS

concept — Thu, 04 Dec 2008 11:22:45 GMT

WRITING CENTRAL EUROPEAN ART HISTORY

concept — Thu, 04 Dec 2008 11:22:05 GMT

PROGRAM DECEMBER 2008

concept — Sun, 30 Nov 2008 17:14:14 GMT

STREAM WRITING CENTRAL EUROPEAN ART HISTORY

concept — Tue, 25 Nov 2008 12:43:02 GMT

STUDENT PRESENTATIONS

concept — Wed, 19 Nov 2008 19:08:54 GMT

14:00 student presentations

Tina Wimmer, fin, Aleksandra Aleksi?, Johannes Klemen& Adnan Popovi?

fin: auftakt, eine ode an die liebe, der engel der geschichte, jetzt, theorien des abfalls

Tina Wimmer:"because"artist: ina imaina ima: "in den 4 wochen werde ich experimentieren wie der raum und meinearbeiten aufeinander reagieren.alles vollpacken, ganz leerräumen - what ever"

WORK PRESENTATION

concept — Wed, 19 Nov 2008 19:03:27 GMT

Lala Raš?i? is born in Sarajevo 1977. Lives and works between Sarajevo and Zagreb. Graduated from Academy of Fine Arts,Zagreb. She spent a work period at the Rijksakademie van Beeldende Kunsten, Amsterdam 2003/04.Most recently, her solo exhibition Individual Utopias was presented at BOP Gallery, Zagreb, and Gallery KC, Belgrade, theperformance of the same title opened the City of Women exhibition: Natural Relations in ŠKUC gallery in Ljubljana (all 2008).Her solo show Everything is Connected in National Art Gallery of Bosnia and Herzegovina (2007), Sarajevo toured to Museumof Contemporary Art, Banja Luka and BOP Gallery, Zagreb. Solo shows also include exhibitions at Gallery Nova, Zagreb; ArtRadionica Lazareti, Dubrovnik; SC Gallery, Zagreb and Dik de Bruijne, Amsterdam.She has participated in group shows a.o. at La Centrale Electique, Brussels, Contemporary Art Center, Graz; EdinburghArt Festival; The Kitchen, New York; Overtones Gallery, Los Angeles and Platform Garanti Contemporary Art Center,Istanbul.She is the recipient of the 2006 Zvono award for best young artist for Bosnia and Herzegovina and 2007 first prize winner ofMuseum of Contemporary Art, Zagreb acquisition award for her installation Everything is Connected.Raš?i? develops her audio-drama inspired work thru scriptwriting, video, performance, installation and drawing. While maintainingthe entertainment and aesthetic quality in her work, the subverted message is no laughing matter. At a closer look, theseemingly humorous works are a satirical comment on contemporary society and the artit’s own environment.In charge of the presentation Adnan Popovi?.

WRITING CENTRAL EUROPEAN ART HISTORY

concept — Wed, 19 Nov 2008 18:54:22 GMT

“The lectures will focus on theoretical and methodological questions in order to confront very different approaches proposedby scholars coming from different experiences, with the central focus remaining on Central and Southern East European art.The main and common point of departure will be a relationship between East and West in which the East would not be recognizedas the (real) Other (as for example Asian culture), but rather as the close-Other or not-the-real-Other. It applies both tothe art production (ie. the subject of art historical analysis) — since Central and Southern East European art has been done inthe light of the Western one — as well as analytical language, considering our methods have also been ‘borrowed’ from theWestern theories. For scholars who are working on Central and Southern East European art history, particularly that ofmodern and contemporary, it is quite obvious that this sort of writing should differ from art history of other regions, particularlyfrom a Western art historical narrative. On the other hand, to construct Central and Southern East European art history withoutWestern references seems to be impossible. Thus, this sort of scholarship is somehow ‘hanging’ between Westernmodels, understood both as historical influences over regional art and as methods coming from the master narrative, which isof course Western by origins.” (Piotr Piotrowski)In charge of the seminar at the Academy of Fine Arts in Vienna: Marina Gržini?, Ivan Jurica and Ivana Marjanovi?.

Monday, 24. 11.

15:30 Introduction by Marina Gržini?15:45 Misko Šuvakovi? (University of Arts, Belgrade): Politics and Art after the fall of the Berlin Wall17:15 Discussion17:45 Pause18:15 Vojtech Lahoda (Charles University, Prague, Czech Republic):Regional Cubism? How to write on Cubism in East Central Europe20:00 Discussion

Tuesday, 25. 11.

09:30 Ljiljana Blagojevi? (University of Belgrade): Post-socialist Cities: Contested Modernism11:00 Discussion11:30 Pause12:00 Mart Kalm (Academy of Art, Tallinn): What is Estonian Architecture?13:30 Discussion14:00 Lunch break15:30 Edit András (Hungarian Academy of Sciences, Budapest):One-way traffic, two-way traffic or a dead end? Dynamism of Contemporary Art Discourse in the East-West Relation17:00 Discussion17:30 End notes

STUDENT PRESENTATION

concept — Mon, 03 Nov 2008 11:06:45 GMT

PROGRAM NOVEMBER 2008

concept — Sat, 01 Nov 2008 16:50:54 GMT

AKBILD CURATOR IN RESIDENCE

concept — Thu, 23 Oct 2008 08:35:28 GMT

Class, every year it is a new curator in residence part of the study program appointed by the Academy. It is a curator that visits the classes and prepare exhibitions in the DEMONSTRATION ROOM/BOX in the Academy, Schillerplatz.

For you is IMPORTANT, as you have a chance to study, learn about selection, present your work outside the class and see what means to be selected, what means NOT TO BE SELECTED, working with curators, evaluating a proper work, etc....

For the 2008/2009 it is Elsy Lahner from Vienna.

An online research gave me the idea of her work, she is in charge of the Geschäftsführung das weisse haus in Vienna. Some of the students from the Academy that took their diploma in the last 2 years are presented there. SHE WILL SAY MORE ON HER On the 28.10.2008

More she will say to us on the 28.10.2008 at 20.00. We will show to her the works. A selection of some positions. Those who are ready to show a work that is FOR you possible to be presented in a PUBLIC space, prepare the material and the talk around 15 minutes, MAXIUM. Plus prepare your data, email and DVD (with a name) and give to Eduard Freudmann on Monday, 27.10.2008. OR SEND HIM an EMAIL that you would like to show the things....

As it is a short time, she spends about 2 hours MAXIMUM in ONE CLASS, PREPARE YOUR WORKS ON ONE DVD, put clearly the data and your email...print a page of who you are, what you do!

THIS PROCESS OF PRESENTATION IS ESPECIALLY IMPORTANT FOR THOSE ALREADY STUDYING! Those who just entered, please come to see how the process is going on! You will do this next year as well!

The system on the 28.10.2008 is the following: Eduard Freudmann is in charge; previous year it was Petja Dimitova.

Elsy Lahner makes a short introduction in her work and what she wants to show...
Edi prepare a list and some of you have the talk/public presentation
ALL OF YOU GIVE TO EDI YOUR DVD, selected works, a page of your bio and the email!!!!

"Writing Central European Art History"

concept — Tue, 21 Oct 2008 13:22:47 GMT

"Writing Central European Art History" seminar

28.10.2008 16:00 and 29.10.2008 12:00

Writing Central European Art History is a special seminar/course, that was put together by ERSTE Stiftung and WUS with 7 academics/professors from the so called Central European art institutions and academies: Czech Republic, Estonia, Hungary, Poland, Serbia and Slovakia. It brings fresh inputs on academic art history and the perception on modernism and post-modernism in the former Eastern European territory.

download the texts here:
m1.antville.org

The reading is organised by Marina Gržinić, Ivan Jurica and Ivana Marjanović*The professors will hold lectures on November 24 and 25 2008 and January 8 2009.

download poster: 081028-29_PCAP_EEA(image/gif, 39 KB)

"AMERICAN BLACKOUT" (USA/2006)

concept — Tue, 21 Oct 2008 13:10:30 GMT

Ein stilistisch gesehen sehr kämpferischer Dokumentarfilm, der den fesselnden Werdegang der US-Kongressabgeordneten Cynthia McKinney (Demokratin aus Georgia) und die Unterdrückung der schwarzen Wählerstimmen historisch und während der jüngsten Präsidentenwahlen in Florida und Ohio eingehend beleuchtet. Die neueste Produktion aus dem Hause der News-Community Guerrilla News Network gewann beim Sundance Festival 2006 einen Special Award der Jury und beein- druckt sowohl durch Stil als auch durch den brisanten Inhalt: “Most people have heard of the voting irregularities that marred the presidential elections of 2000 and 2004. Some even know of the resulting challenges to the electoral votes by African-American congressional representatives. However, because the mainstream media shies away from reporting cases of imperiled democracy the public is left to believe these stories are at worst insignificant rumors or at best one-off incidents that result from an overburdened election system. American Blackout chronicles the recurring patterns of disenfranchisement witnessed from 2000 to 2004 while following the story of Georgia Congresswoman Cynthia McKinney, who not only took an active role in investigating these election debacles but also found herself in the middle of one after publicly questioning the Bush Administration about the 9-11 terrorist attacks. Some call Cynthia McKinney a civil rights leader among the ranks of Shirley Chisholm and Malcolm X. Others call her a conspiracy theorist and a 'looney.' American Blackout gains unprecedented access to one of the most controversial and dangerous politicians in America and examines the contemporary tactics used to control our democratic process and silence political dissent.” Mit besonderem Dank an Ian Inaba und gnn.tv! American Blackout (USA/2006) Buch/Regie: Ian Inaba; 92min; eng. OV.

Trailer: www.agit-doc.orgOrganized and presented by guest lecturer Daniel ErlacherDaniel Erlacher ist Musiker, Festivalveranstalter und Programmkurator des agit.DOC Dokumentarfilmprogramms im Forum Stadtpark Graz. Weiters ist er Initiator der Onlinecommunity g24.at und Labelbetreiber (widerstand.org). Seit 2005 ist er Mitglied des ProgrammForum Gremiums des Forum Stadtpark. Er war Co-Kurator des Film- und Musikprogrammes bei No Space Is Innocent im Steirischen Herbst 2006 und Mitbegründer des Elevate Festivals in Graz.

SEMINAR FILM UND KUNST - FAROCKI/GRIMM

concept — Sun, 12 Oct 2008 12:16:53 GMT

VISITING THE EXHIBITION "OVERLAPPING VOICES - ISRAELI AND PALESTINIAN ARTISTS"

concept — Mon, 06 Oct 2008 10:27:18 GMT

OVERLAPPING VOICES - Israeli and Palestinian Artists Essl Museum, Exhibition Hall Curators: Karin Schneider, Friedemann Derschmidt, Tal Adler, Amal Murkus Artists: Tal Adler, Shalom Amira, Anisa Ashkar, Asad Azi, Raed Bawayah, Eyal Ben-Dov, Zoya Cherkassky und Avdey Ter-Oganian, Ronen Eidelman, Shula Keshet, Jumana Manna, Parrhesia, rites-institute, Yoav Weiss, Osama Zatar, Manar Zuabi, Masha Zusman  This exhibition of Israeli and Palestinian artists offers a rare and interesting opportunity to discuss different artistic practices from a conflicted area.Both Israeli and Palestinian societies contain a vast range of people, cultures and positions with rich and intertwined histories. This exhibition tries to bring together some of these voices, which overlap and sometimes contradict the more common and clearer positions usually heard.  Some of the 22 art projects that include all artistic media are shown for the first time. Many of them are based on civil society structures, as many of the artists in this show are themselves social and cultural activists. Four of the projects created for the exhibition are a result of artistic collaboration between some of the artists and civil society organizations, Israeli and Palestinian, who present interesting visions for understanding of the region and its challenges.  An information lounge with maps, glossaries and books will give visitors the possibility to better understand the complexity of this region and its connections with Austrian history – in particular the displacement and annihilation of Europe’s Jews during the Nazi-regime.  tinyurl.com 

SCREENING OF "RFK MUST DIE" (UK/2008)

concept — Mon, 06 Oct 2008 10:24:09 GMT

5.Juni, 1968: Robert Kennedy gewinnt die Vorwahlen der Demokraten in Kalifornien und ist damit als Gegner von Richard Nixon als Präsidentschaftskandidat fix. Minuten später erfolgt der tödliche Anschlag des 24-jährigen Palästinensers Sirhan Sirhan. Sirhan kann sich jedoch bis heute nicht an die Schießerei erinnern - nicht einmal unter Hypnose. Führende PsychiaterInnen glauben er war ein „mandschurischer Kandidat“, also hypnotisch programmiert um Kennedy zu töten.Neu entdeckte Film- und Photoaufnahmen zeigen drei altgediente mutmaßliche CIA Agenten am Tatort, dem Ambassador Hotel in Los Angeles - ein Indiz für die Beteiligung der CIA am Anschlag. Dieser hoch bristante investigative Dokumentarfilm, basierend auf O'Sullivan's jahrelangen Recherchen für die BBC und den britischen Guardian, zeichnet ein neues und verstörendes Bild des tragischen Ereignisses vor 40 Jahren.

RFK Must Die (UK/2008)Buch/Regie: Shane O'Sullivan; 94min; eng. OV.Trailer: www.agit-doc.org

Organized and presented by guest lecturer Daniel Erlacher

Daniel Erlacher ist Musiker, Festivalveranstalter und Programmkurator des agit.DOC Dokumentarfilmprogramms im Forum Stadtpark Graz. Weiters ist er Initiator der Onlinecommunity g24.at und Labelbetreiber (widerstand.org). Seit 2005 ist er Mitglied des ProgrammForum Gremiums des Forum Stadtpark. Er war Co-Kurator des Film- und Musikprogrammes bei No Space Is Innocent im Steirischen Herbst 2006 und Mitbegründer des Elevate Festivals in Graz.

PRACTICE AND THEORY - CONTEMPORARY WORKS OF ART AS DISCOURSE, DISCOURSE AS A PARADIGM, PARADIGM AS A BRAINWASH THROUGH IDEOLOGY/HISTORY/KNOWLEDGE

concept — Mon, 06 Oct 2008 10:19:56 GMT

ART UNDER CONSTRUCTION: COMMEMORATING HALF A CENTURY OF EDUCATIONAL REFORM

concept — Mon, 06 Oct 2008 10:13:02 GMT

"IDEOLOGY AND IDEOLOGICAL STATE APPARATUSES" (1970)

concept — Mon, 06 Oct 2008 10:08:14 GMT

WHAT WE DO AND WHAT WE DO NOT WANT 2008/2009

concept — Tue, 30 Sep 2008 11:04:02 GMT

I WILL WRITE EVERY YEAR AND IN THE COURSE OF THE YEAR CONPTUAL EDUCATIONAL FRAMEWORKS PEOPLE CAN READ!!!

Ljubljana, 27.09.2008

Class,In few days starts the new school year 2008/2009. With Petja and Edi we worked for the entrance exams and 10 new students are accepted. They will show up on the 6. October, please come to the common meeting at 16.00 in our class, we present each other and start to work.

The program for OCTOBER 2008 will be sent in the next two days, and will be the mail no 4. As always each month program is posted the first of that month on our blog: m1.antville.org

I would like to put on paper some thoughts and also what I intend to send to you. Mail 2 and 3 I will announce TWO exceptional SEMINARS that will take part in 0ctober 2008/January 2009. I think you should take all of you these two courses, we are around 50 in the class NOW (with the new 10) and you should put these days in your calendar!

In mail 2 I will ANNOUNCE THE NEW FILM DOCUMENTARY program by DANIEL ERLACHER.In mail 3 I will ANNOUNCE THE SEMINAR on Central Europe Art History, that will be facilitated by me and two extra assistants Ivan Jurica and Ivana Marjanovic.

OUR "REGULAR" TUTOR is Okenna Okafor (Octiber2008-February2009). The proposal to have Okenna as TUTOR, the possibility to realize this proposal was possible by the extraordinary engagement by Can and Edi.

The party/ action and activation for Okenna(s) the 10.10.2008 it is a great effort, important and the only possible gesture to be done. In the past many amongst you, especially Lukas, Kevin, Petja, Edi, did a great job in helping him and keeping us "ANGRY" (that is good) for the shit situation in Europe regarding asylum, migrations, papers, RIGHTS...

This is not a list of who and what but just a modest recognition that we have to do something concrete or nothing changes....

I would like to say look through classes, change if necessary (IF NOT STAY WITH US) or just be with us -;, go for Erasmus exchange, and take the activities in OUR class seriously, come to the meetings, lectures, presentations. Please take the advantage of the seminars by Petja and Edi, and also Prof. Harun Farocki...

EACH OF YOU HAVE TO HAVE A PRESENTATION, the format is yours (BE MY GUEST, challenge us, and we will challenge you!) the dates will be proposed. But to show a proper work and be open for the discussion on the work is one of the priority of this class...

As always and this is firmly, those who comes to the lectures and seminars will be graded, the grade/mark is an outcome of a consequent dedication, the so called "quality" of the work is not graded (haha), but is DISCUSSED, CONTESTED and FRAMED in A LARGER CONTEXT.

Those who are not showing up simply to say will not be graded; those who works, reads, questions or just sit in the class and think, will be graded. I do not see obstacles to get the best mark. Thinking is a process, after every thinking and being silent it is a wish to talk, to explode, say that we are just without sense.

COME TO THE READINGS OF THEORY! DO NOT DISMISS THIS POSSIBILITY!

IF YOU HAVE ANY TROUBLE LET ME KNOW! EVERYTHING IS POSSIBLE TO BE SOLVED; RULES ARE ESTABLISHED PRECISELY TO QUESTION THEM. I am not a snob! It is not necessary a special introduction to contact me, not a perfect grammar knowledge to write to me and talk to me! But you have to have a politics and a concept regarding what you do and what you want! If not you have to form them in the course of studies.

I would like to thank for the work Petja and Edi, for what they did in the past (I change I will thank them in the beginning of every of the next 6 years and not in the end!), and I am already looking forward to our collective work, as said we see us officially 6.10. The whole program will be sent and as well put on our BLOG: check it regularly: m1.antville.org

EACH MONTH the program is posted there on the 1 of the month! So you can plan clearly each month in advance what you would like to do, 20 percent is always the plus and minus you have to trade with others, the 80 percent save for our classes and seminars and our common projects and work.

Next two mails ARE ANNOUNCING two exceptional seminars on film and theory. Both will be as well incorporated in the normal class monthly prepared program.

Marina Grzinic

PROGRAM OCTOBER 2008

mich — Sun, 28 Sep 2008 19:19:25 GMT

discussion PCAP book #3

ef — Tue, 03 Jun 2008 15:33:55 GMT

Zelimir Zilnik

ef — Tue, 03 Jun 2008 14:52:19 GMT

program june 2008

ef — Tue, 03 Jun 2008 14:49:02 GMT

AKBILD/ POST-CONCEPTUAL ART PRACTICESSEMPER DEPOT /M1Prof. Dr. GrzinicPROGRAMME JUNE 2008m1.antville.org

1. 2008/TuesdayAt 19:00 –ORT/PLACE: AKBILD, Semperdepot, M1,Lehargasse 6-8, 1060 WienOrdinariat für postkonzeptuelle Kunst (pcap) Prof. Dr. Marina Grzinic at AKBILD, Viennain Zusammenarbeit mit kinoki, www.kinoki.at

PRESENTATION Im Rahmen der LV: Kritische Künstlerische Praxis als Dissens von Petja Dimitrova/Eduard Freudmann

Zelimir Zilniks Kenedi-Trilogie Filmpräsentation und Gespräch. Anschließend Diskussion mit Želimir Žilnik, Kenedi Hasani und den Wiener Mitwirkenden Max Steiner, Philipp Eisenmann und Ethem Saygieder

KENEDI HEIRATET - Kenedi se zeniSerbien 2007, 80 minRegie: Želimir ŽilnikKamera. Miodrag MilosevicSchnitt: Vuk Vukmirovic, Branislav KlašnjaDarsteller: Kenedi Hasani, Salji Hasani, Beni Haliti, Max Steiner,Philipp Eisenmann, Sladjana Pavlica, Maksud Humo, Ethem Saygieder.

Wiener Erstaufführung des dritten Teils der „Kenedi-Trilogie“, mit der Zilnik die unermüdlichen Versuche des Rom Kenedi Hasani dokumentiert, nach der Vertreibung aus der EU entweder in Serbien Fuß zu fassen oder eine Hintertür zurück ins Euroland zu entdecken. Oft galgenhumoristische Studie über die Formung des Begehrens durch die Migrationspolitik. Zilnik beweist einmal mehr, daß Filmemachen eine Methode sein kann, mit Menschen gemeinsam Widerstand zu organisieren. Zilniks Protagonisten sind nicht Dargestellte, Abgefilmte, aber auch nicht einfach Selbstdarsteller. Mit und vor der unprätentiösen Kamera formulieren sie sich als soziale und politische Akteure.

– open to general Public –

ADDITIONAL: 5. 06.2008, ThursdayAt 19.00 ORT/PLACE: Depot , Breite Gasse 3, 1070 WienŽelimir Žilniks „Kenedi“-Trilogiekinokis mikrokino #152 (Teil 1)

Kenedi heiratet dokumentiert die unermüdlichen Versuche des Rom Kenedi Hasani nach der Vertreibung aus der EU in Serbien Fuß zu fassen oder eine Hintertür zurück ins Euro-land zu entdecken. Žilnik beweist, dass Filmemachen eine Methode sein kann, mit Menschen gemeinsam Widerstand zu organisieren.In Kenedi goes back home fungiert Kenedi, selbst von der Abschiebung betroffen, als Mittelsmann zwischen Filmteam und anderen unfreiwillig Heimgekehrten, die von ihren Erfahrungen berichten.Kenedi lost and found: Kenedi ist es gelungen, physisch in die EU einzureisen, doch ohne Chance, den entscheidenderen Teil der eigenen Existenz, den papierenen, auch hier zu etablieren.

19.00: Kenedi heiratet – Kenedi se zeni (Serbien 2007), R: Ž. Žilnik, 80 minAnschließend Diskussion mit Želimir Žilnik und den Mitwirkenden Kenedi Hasani, Philipp Eisenmann und Ethem Saygieder

21.30: Kenedi se vraca kuci – Kenedi goes back home(Serbien/Montenegro 2003), Regie: Želimir Žilnik, 74 min, serbisch/dt. OmeU

22.45: Kenedi lost and found (2005), Regie: Želimir Žilnik, 26 min

In Zusammenarbeit mit dem Ordinariat für postkonzeptuelle Kunst an der Akademie der bildenden Künste Wien

ADDITIONAL: 6. 06.2008, FridayAt 19.00 ORT/PLACE: Depot , Breite Gasse 3, 1070 WienJugoslawien: Wiederaneignung der Geschichtekinokis mikrokino #152 (Teil 2)

Aufstand in Jazak ist ein Protestfilm gegen die Exploitation der PartizanInnengeschichte in den millionenschweren Hochglanz schinken à la Sutjeska Last of the Zilniks schildert die Geschichte der Widerstandskämpferin Milica Shuvakovic, alias Masha, und ihrem Mann Konrad Žilnik, später als Volksheld gefeiert. Masha wird von den Deutschen festgenommen und bringt im Konzentrationslager ihren Sohn Želimir zur Welt, bevor sie ermordet wird.Lager Nis ist einer der großen kommerziellen, jugoslawischen antifaschistischen Filme. Gefangene des Konzentrationslagers Nis planen einen Ausbruch, in einer Nebenhandlung bringt eine Gefangene ihr Kind zur Welt, das aus dem KZ gerettet wird. Žilnik wurde nie zu einer Vorführung des Filmes eingeladen.

19.00: Aufstand in Jazak – Ustanak u Jasku(Jugoslawien 1972), Regie: Želimir Žilnik,18 minLast of the Zilniks – Zadnji Žilnik (Slowenien 2007), Regie: D. Anakiev, 61 minAnschließend Diskussion mit Želimir Žilnik und Dimitar Anakiev.

21.00: Lager Nis (Jugoslawien 1987), Regie: Miomir Stamenkovic, 92 min

In Zusammenarbeit mit PartizanInnenFilmForschungsBrigade

9.06.2008, Monday

15.30-16.30INDIVIDUAL MEETINGS (office, Ordinariat für postkonzeptuelle Kunst (pcap) Prof. Dr. Marina Grzinic at AKBILD, Vienna)Semper depot, 1 floor, Lehargasse 6-8, Vienna

SUGGESTION: 9.06.2008, MondayAt 17.00 (until 19.00) ORT/PLACE: Verein Dokumentationsstelle für ost- und mitteleuropäische Literatur Spengergasse 30-32, 1050 Vienna
LANGUAGE by Artemij Artemy Magun, PETERSBURG, RussiaTitle: The contemporary world: from the negative revolution to the negative empire.

LECTURE IN ENGLISH / Eintritts-Preis 0,00

URL www.doml.at
HOW TO GO THERE:UBAHN station: Pilgramgasse, Direction Rechte Wienzeile, SchonbrunnerstrasseCV: Artem Magun, Oxana Timofeeva, Alexei Penzin are philosophers that together with artists Tsaplya and Glucklya, Nikolai Oleinikov, Kirill Shuvalov, and Dmitry Vilensky and writers (David Riff, Alexander Skidan) form Chto delat collective platform. The platform was founded in the spring of 2003 in the action "The Refoundation of Petersburg." Since then, Chto delat has been publishing an English-Russian newspaper on issues central to engaged culture, with a special focus on the relationship between a repoliticization of Russian intellectual culture and its broader international context. www.chtodelat.org10, 11, 12.06. 2008; DIPLOMA EXAMS AKBILDSTARTS EVERY DAY at 10.00/OPEN TO STUDENTS. NO DIPLOMA FROM THE CLASS!!!ORT/PLACE:10.06.2008: PRATER;11.06, Schillerplatz;
12.06, Semper depot11 and 12. 06. 2008INDIVIDUAL MEETINGS:11.06.2008 at 9.00 until 10.00/office Grzinic12.06.2008 at 9.00 until 10.00/office GrzinicEDITORIAL MEETING/DISCUSSION BOOK PCAP 310. 06. 2008// ORT/PLACE: Semper depot, M1, class PCAPAt 20.00/PART 1Discussion, BOOK number 3, reading texts for the book publication, with the editorial board and writers…..12. 06.2008// ORT/PLACE: Semper depot, M1, class PCAPAt 20.00/PART 2Discussion, BOOK number 3, reading texts for the book publication, with the editorial board and writers…..

1. 2008 | DIENSTAG/////19.00h

Ort/Place: Institut für das Künstlerische Lehramt, Hörsaal 3. Stock, Karl Schweighofergasse 3, 1070 Wien

Nora Sternfeld: Das pädagogische Unverhältnis

Nora Sternfeld, Kunstvermittlerin und Kuratorin, Lehrbeauftragte am Institut für das künstlerische Lehramt, Teilhaberin von trafo.K. und schnittpunkt, Schwerpunkte: zeitgenössische Kunst, Vermittlung, Geschichtspolitik und Antirassismus

Drei Tätigkeiten bezeichnet Sigmund Freud als unmögliche Aufgaben: das Erziehen, das Regieren und das Psychoanalysieren. Alle drei Aufgaben implizieren ein Verhältnis. Sie können nicht am Reißbrett entworfen werden, sind niemals unabhängig von ihren AdressatInnen und somit nicht vollends planbar. Diese AdressatInnen sind dabei also keineswegs passiv – sondern tragen wesentlich zum Erfolg, zum Misserfolg ebenso wie zur Unmöglichkeit des Erfolges bei. Mit seiner Bemerkung macht Freud auf die Unmöglichkeit aufmerksam, nicht von dem Verhältnis, das für Politik, Pädagogik und Psychoanalyse konstitutiv ist, affiziert zu werden. Der Vortrag geht der Frage nach, ob in dieser Unmöglichkeit nicht gerade die Möglichkeit einer emanzipatorischen Pädagogik liegt. Er verfolgt die Spur nach dem pädagogischen Verhältnis in in der politischen Theorie von Jacques Rancière, Antonio Gramsci und Michel Foucault.

Konzipiert von Petja Dimitrova, Eva Egermann und Nora Sternfeld (als Kooperation des Instituts für das Künstlerische Lehramt und der Klasse für Postkonzeptuelle Kunstpraktiken (PCAP) an der Akademie der bildenden Künste Wien)

16.06 to 20.06.2008, Monday to FridayFILM SEMINAR prof. Harun Farocki

26.06.2008, Thursday

At 18.00
–ORT/PLACE: AKBILD, Semperdepot, M1,Lehargasse 6-8, 1060 Wien

MEETING CLASS DISCUSSIONAnd POSSIBLE FILM PROGRAM DOCUMENTARIES AND FEATURESSARAJEVO UNDER SIEGE (1992-1996); Produced by Bosnian film makers that stayed in Sarajevo during the war!To be announced

27.¸06. 2008, FridayAt 10.00DIPLOMA CERIMONYEND OF THE 2007/2008 SCHOOL YEAR;

NEXT START: OCTOBER 2008Ps. The presentation of the book Are you talking to me? Will be in June 2008, the place and modalities will be announced separately.

Research Trip: Bucharest Biennial 3

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4th Benjamin reading

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Excursion: symposium "Overlapping Voices"

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Program May 2008

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AKBILD/ POST-CONCEPTUAL ART PRACTICESSEMPER DEPOT /M1Prof. Dr. GrzinicPROGRAMME MAY 2008

1 May 2008EUROMAYDAY-PARADE 2008 at 14 UhrTreffpunkt: Marcus Omofuma Denkmal (U2: Museumsquartier / MariahilferStraße, 1070 Wien)mayday.lnxnt.org mayday.lnxnt.org

1. 2008 | MONTAG, 19.00hOrt: Institut für das Künstlerische Lehramt, Hörsaal 3. Stock, Karl Schweighofergasse 3, 1070 Wien

Paul Mecheril | Univ.-Professor für Interkulturelles Lernen und Sozialer Wandel an der Universität Innsbruck, Schwerpunkte: Migrationsforschung, Cultural Studies

__Rassismus als Bildungsraum

Diese zunächst vielleicht irritierende Aussage verweist darauf, dass „Rassismus“ als eine Perspektive zu verstehen ist, die die Gemeinsamkeit eines Bündels von Praxen der herabwürdigenden Unterscheidung auf der Ebene von Wir-Zuschreibungen deutlich macht, in denen Rassekonstruktionen implizit, seltener explizit bedeutsam sind. Mit rassistischen Unterscheidungspraxen werden „Andere“ bezeichnet und komplementär werden „Nicht-Andere“, also legitim und fraglos als Zugehörige bestimmt.Rassistische Ordnungen wirken somit nicht allein als „äußerliche“ Verteilung von Ressourcen, sondern sind auch in dem Sinne produktiv, dass sie auf Selbst-, Gegenstands- und Weltverständnisse einwirken: Rassismus bildet.Diese grundsätzliche Perspektive möchte ich in meinem Vortrtag erstens erläutern und diskutieren und zweitens über Konsequenzen nachdenken, die sich aus dieser Perspektive für pädagogisches Handeln und reflektieren ergeben. Hierbei schließe ich an Überlegungen an, die den Cultural Studies zugerechnet werden.

5.05 until 9.05 2008FILM SEMINAR, Prof. Harun Farocki

6.5. at 18.00SEMPER, M1Editorial Board Meeting BOOK 2As part of "Kritische Künstlerische Praxis als Dissens"Organized by Petja Dimitrova and Eduard Freudmann

1. 2008 Tuesday/Di. | 19.00hOrt: Klasse für Postkonzeptuelle Kunstpraktiken (PCAP), Atelierhaus Semperdepot, 1 Stk. Raum M1, Lehargasse 6-8, 1060 Wien

Marty Huber | Dramaturgin, Performancetheoretikerin und queere Aktivistin, Sprecherin der IG Kultur Österreich, Schwerpunkte: Performance und Politik Gender und Queer Theorie

__Kollektives Lernen: lesbisch-feministisch-queer

Kollektives lernen kann auch heißen sich in elliptischen Kreisen fortzubewegen. Anhand von biografischem Unterrichtsmaterial zwischen lesbischwulenantirassistischenfeministischen Aktivismen, widme ich mich der Frage nach undogmatischen, aber von notwendigen Massnahmen durchdrungene kollektiven und zeitlich fortlaufenden bzw. begrenzten Allianzen.

15.5. 2008Venue: Essl Museum, Klosterneuburg / Viennaexhibition opening: overlapping voices< ISRAELI AND PALESTINIAN ARTISTS

Opening: at 19.30.

At 18:30 shuttle-bus fromCafe MozartAlbertinaplatz 11010 Wienreturning at 21:30both ways --> 2euroreservation needed: 02243/370 50 150 or reisch@essl.museum

ISRAELI AND PALESTINIAN ARTISTSCurators: Karin Schneider and Friedemann Derschmidt (Rites-institute),Vienna; Co-Curators: Tal Adler, Amal Murkus, Israeloverlapping voices – ISRAELI AND PALESTINIAN ARTISTS< is an exhibitionmounted by the Essl Museum with a view to addressing an issue that is veryrarely presented. This exhibition tries to bring just a few of these voices, which overlap andsometimes contradict the more common and clearer positions usually heard.Many of the art works in the exhibition are based on Civil Societystructures, as many of the artists in this show are themselves social andcultural activists.

18.5. 2008 SUNDAY, from 14.00 to 18.00

GOING TO THE SYMPOSIUM to Essl Museum, Klosterneuburg / ViennaSYMPOSIUM - within the exhibition >overlapping voices<Organized group attending of the symposium by Petja Dimitrova and Eduard Freudmannas part of as part of "Kritische Künstlerische Praxis als Dissens."

DEPARTURE by shuttle-bus fromCafe MozartAlbertinaplatz 11010 Wien12:45tickets for free

The symposium is organized by ESSL Museum in collaboration with "Die Presse".Moderation Michael Fleischhacker

PANEL 1 Challenges that occured within Realising the ExhibitionPANEL 2 Homeland / HeimatPANEL 3 Women's Organisation "Achoti" (Sister): Arab-Jewish Feminism

Participants (amongst others):Karin Schneider and Friedemann Derschmidt (curators), Tal Adler (israeliartist and photographer), Amal Murkus (palestinian singer), Adel Manna(historian, director of the "Center for the Study of Arab Society in Israel"at the Van Leer Institute/Jerusalem), Shula Keshet (israeli artist), GudrunHarrer ("Der Standard"), Prof. Karlheinz Essl

21.05.2008/ WednesdayAt 16.00 M1/ meeting students going to Bucharest Biennale 3Meeting with details departure and organization

22.05.2008 to 26.05.2008RESEARCH TRIP TO BUCHAREST BIENNALE 3Departure from Vienna 22.05.2008; back to Vienna 26.05.2008

BB3 invited students of the Post Conceptual Art Practices (PCAP) at The Academy of Fine Arts in Vienna to propose a parallel event as part of the Biennale.

The result is a book project with the title Are you talking to me? Discussions on knowledge production, gender politics and feminist strategies, edited by feminist group h.arta (Maria Crista, Anca Gyemant, Rodica Tache) from Romania and Katharina Morawek (PCAP student). After an intensive editorial process the book presents PCAP students positions on questions of knowledge, EU and feminism. These positions are presented together with invited international writers and artists. The book is published by Löcker Verlag, Vienna, and financially supported by The Academy of Fine Arts in Vienna/Post Conceptual Art Practices and BB3.

PRESENTATION OF THE BOOK and student work AS PART OF BB3 on 25.05 2008,Bucharest.

Are you talking to me? Discussions on knowledge production, gender politics and feminist strategies.Editors: H.arta and Katharina MorawekPublisher: Löcker Verlag, Vienna in collaboration with the Academy of Fine Arts, Vienna and BB3, Bucharest.English; format: 12,5 x 20,5; pages: 252; black and white

Book contributions are by Carolina Agredo, Anna Artaker, Elke Auer, Zanny Begg, Petja Dimitrova, Lina Dokuzovic, Veronika Eberhart, Eva Egermann , Eva Cruells, Marina Grzinic, Simina Guga, Alex Hache, h.arta, Ana Hoffner, Reni Hofmüller, Maja- Lena Johansson, Ivan Jurica, Vida Knezevic, Katharina Koch, Lisbeth Kovacic, Ladyfest Romania collective, Lovekills, Roxana Marin, Ivana Marjanovic, Julia Mitterbauer, Emil Moise, Katharina Morawek, Crina Morteanu, Lilo Nein, Gerhild Perl, Alina Poşircă, Rosa Reitsamer, Joanne Richardson, Ana Sala, Karin Schneider, Sabine Sölkner, Esther Straganz, Andi Tennis, Lisa Torell, Nuria Verges, Julia Wieger, Veronika Wöhrer, Regina Wuzella, Vina Yun.

Students from PCAP travel to BB3 in order to deepen the intensity of collaboration with different spaces, and to learn from productive antagonisms in different situations and institutions. Taking part in the travel research project to BB3 from PCAP, Akbild are: Carolina Agredo, Lina Dokuzovic, Kevin Dooley, Veronika Eberhart, Juana Gonzalez,Can Gülcü, Muzaffer Hasaltay, Peter Haselmayer, Ivan Jurica, Johannes Klemen, Christoph Kolar, Katharina Morawek, Adnan Popovic, Lilo Reissert, Jasmin Schienegger, Christina Trachta, Ruth Weismann, Regina Wuzella and Petja Dimitrova, Eduard Freudmann, Marina Grzinic.

Tuesday, April 1, 2008

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Tuesday, April 1, 2008

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Tuesday, April 1, 2008

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Tuesday, April 1, 2008

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Tuesday, April 1, 2008

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PROGRAMME APRIL 2008

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AKBILD/ POST-CONCEPTUAL ART PRACTICESSEMPER DEPOT /M1Prof. Dr. GrzinicPROGRAMME APRIL 2008m1.antville.org

THIS MONTH THE CLASS SPACE WILL BE REBUILD (UNTIL MID of MAY 2008) CHECK EVERY WEEK CAREFULLY WHERE IS THE PROGRAM

1, April, 2008, TuesdayBEFORE GOING TO BB3 and in general lets see about gender, history, feminism:

VISITING THE EXHIBITION: MATRIX – gender | relations | revisions will display works from the collection of the City of Vienna that reflect on "gender" in a variety of ways. The exhibition shows works by some 40 artists from the last four decades and looks at their positions on gender/relations.

Organized by Petja Dimitrova and Eduard Freudmann.

PROTOCOL:1.04.2008 MEETING at 16.30 at MUSA: Museum auf Abruf (MUSA), 1010 Vienna,Felderstrasse 6-8, NEXT TO VIENNA CITY HALL, A-1082 ViennaAccessibility by public transportU2 (Rathaus), tram lines D, 1, 2 (Rathausplatz), 43, 44 (Schottentor)

FREE ENTRANCE!WHAT IS WRITTEN ONLINE:A central focus of the exhibition is on works in which artists stage themselves as the subject so as to demonstrate the current gender-based power structure and the inscription of social norms. A number of artists also explore the human body (often their own) and its visual representation. Works on sex that elude unequivocal interpretation and defy dichotomisation into "female" and "male" expand the possibilities for reflecting on gender relations.

The exhibition deliberately abstains from presenting a genealogy of "feminist art" as a timeline of development but instead chooses to place its emphasis on the motif of repetition. The works selected from the collection of the City of Vienna form a dense network of references in which motifs, questions and topics from different directions meet and form links and unexpected connections, only to drift apart again and sometimes also to contradict each other.

Featuring works by: a room of one's own, Renate Bertlmann, Christa Biedermann, Andy Chicken, Katrina Daschner, Carla Degenhardt, Carola Dertnig, Ines Doujak, Friedrich Eckhardt, VALIE EXPORT, Alex Gerbaulet, Ingeborg G. Pluhar, Eva Grubinger, Maria Hahnenkamp, Ilse Haider, Oliver Hangl, Lotte Hendrich-Hassmann, Matthias Herrmann, Lisa Holzer, Edgar Honetschläger, Ursula Hübner, Anna Jermolaewa, Birgit Jürgenssen, Dejan Kaludjerovic, Elke Krystufek, Friedl Kubelka, Marko Lulic, Sabine Marte, Marc Mer, Michaela Moscouw, Ulrike Müller, Sabine Müller, Margot Pilz, Michaela Pöschl, Karin Raitmayr, Sascha Reichstein, Lois Renner, Dorota Sadovská, Hans Scheirl, Markus Schinwald, Christoph Schmidberger, Stefanie Seibold, Magda Tothova

2, April, 2008 TuesdayAt 16.00 at …… SPACE WILL BE ANNOUNCEDTALK ABOUT THE conference and the contributions on 16.04.2008.”Why do I wanna talk about that and why exactly about that..? “

FOLLOWING: Back to history: READING TEXT: Walter Benjamin Thesis on History,SENT TO THE LIST! reading in 3 steps: 2.04, 15.04 and 28.04…..2008

7, April 2008, MondayAt 16.30 WUK Kunsthalle ExnergasseWähringerstraße 59, 2. Stiege, erster Stock1090 WienFREE ENTRANCE, organized by Petja Dimitrova and Eduard FreudamnnEXHIBITION GUIDE and TALK with Charlotte Martinz-Turek und Luisa Ziaja

Title: HAVE THE CAKE AND EAT IT, TOOInstitutionskritik als instituierende PraxisKünstlerInnen: Agentur, Bini Adamczak/Persson Baumgartinger, ZannyBegg/Oliver Ressler, Zanny Begg/Dmitry Vilensky, Chto delat?, MarceloExpósito/Nuria Vila, Anna Sigmond Gudmundsdottir/Tone Hansen/MaritPaasche, Martin Krenn, Lia/Dan PerjovschiGestalterInnen: Toledo i DertscheiKuratorinnen: Charlotte Martinz-Turek und Luisa Ziaja

7, April 2008, MondayAt 19.00 WUK Kunsthalle ExnergasseWähringerstraße 59, 2. Stiege, erster Stock1090 WienFREE ENTRANCE, German and EnglishBuchpräsentation

New Feminism. World of Feminism, Queer and Networking Conditions.

Hg. Marina Grzinic und Rosa Reitsamer, Löcker Verlag, Wien 2008.

Bei der Buchpräsentation sprechen die Autorinnen

MAIZ (Rubia Salgado) und Klub Zwei (Jo Schmeiser) /Eva Egermann und Kati Morawek /Lisa Rosenblatt /Marty Huber /Katharina Miko und Karin Sardadvar unddie Herausgeberinnen Marina Grzinic und Rosa Reitsamer

Über das Buch Das Buch mit 41 Beiträgen von 60 Theoretikerinnen, Künstlerinnen und Aktivistinnen (474 Seiten) ist eine Anthologie mit feministischen, lesbischen und queeren Positionen, die für einen „New Feminism“ eintreten und kämpfen. “New Feminism” eröffnet die Diskussion an den Schnittstellen der gegenwärtigen Veränderungen im Feminismus, indem die Akteurinnen nach den Bedingungen innerhalb des globalen Kapitalismus fragen, welche Konzepte und Paradigmen in Bezug auf Arbeit, Migration, Kapital und Demokratie verändern. Im Buch fragen wir nach einer dringenden Einführung von Themen und Agenden in die feministische Theorie und Praxis, die gegen Frauenhandel und Migrationsregime eintreten und mögliche neue Modelle für ihre Repräsentation und Artikulation reflektieren.

“New Feminism” ist ein Begriff, der zunächst eine vereinfachende Kontinuität der feministischen Bewegung aufbrechen will und neue Handlungsmöglichkeiten und Themen innerhalb der Bewegung einzuführen anstrebt. Wenn wir eine neue Genealogie etablieren wollen, ist es notwendig, diese außerhalb der bekannten Muster der Übersetzung anzusetzen, die von unbekannten Territorien in die renommierte internationale Arena verlaufen, wobei unbekannte Räume in vertrautes Vokabular übersetzt werden. Wir wollen mit diesem Prozess brechen, und fragen jene, die in ihren Räumen engagiert sind, um die Formulierung ihres Engagements und ihrer Reflexion. Wir schlagen einen politisch motivierten Bruch mit der Geschichte und Gegenwart des Feminismus vor.

Wir wollen die bereits etablierte Mainstream-Geschichte, ihr Vokabular und die Herstellung von Bedeutungen im Feminismus in Frage stellen. Die Idee war daher, eine „Deklaration“ mit wichtigen Positionen und Standpunkten zu präsentieren, die nicht länger als „geografische Extravaganzen“ wahrgenommen werden sollten, sondern vielmehr als eine klare Repolitisierung der feministischen Bewegung. (Marina Grzinic/Rosa Reitsamer)

Die Buchpräsentation ist von der Klasse für Post-konzeptionelle Kunstpraxen an der Akademie der bildenden Künste Wien mitorganisiert.

8, 04. 2008, TuesdayDEMO RAUM, film screening by students of the class

9,04.2008, WednesdayAt 19.00 Lecture by Jakob JAKOBSEN, CopenhagenTalk about education, self-organization.

Jakobsen is with 50 students from Funen Art Academy, Odense in Vienna and visit the Academy.

WHERE: Institut für das künstlerische Lehramt/ Institute forEducation in the Arts Karl-Schweighofergasse 3, 1070 Wien, 3. Stock |Gr. Hörsaal

Organized by the Department for Post-conceptual art practices, Akbild and the Faculty for Art Education at the Academy of Fine Art, Vienna.

7 April to 11 April 2008, Monday to FridaySPACE WILL BE ANNOUNCEDFILM SEMINAR prof. HARUN FAROCKI

15 April 2008, TuesdaySPACE WILL BE ANNOUNCEDAt 16.00 program of readings and talks, individual discussions

16 April 2008, Wednesday

From 10 to 14 GRZINIC OFFICE INDIVIDUAL MEETINGSSend an email for the meeting

16 April 2008, Wednesday

AT 16.00 at Mehrzwecksaal/semper depot, Akbild

WHO: THEORY AND PRACTICE - A Contemporary Work Of Art As A Discourse;Discourse As The Paradigm Between Ideology/History/Knowledge?CONFERENCE / PANELS

Self-organized student conference. Some thesis proposed by Ivan Jurica:

Art/science - erforschend-schöpferisch oder schöpferisch-forschend arbeitend? (Is an artist a scientist or reverse..?)
New paradigms of knowledge?
Critical analysis of social, economical and political conditions of art culture in the context of transition processes
Feeding the propaganda machine; aesthetics & exploitation
Being successful through political incorrectness...?

Taking part students from the Akbild, Vienna and guests.

21 April to 25, April, Monday to FridaySPACE WILL BE ANNOUNCEDFILM SEMINAR prof. HARUN FAROCKI

21 April to 25 April, 2008HEARINGS, professors Akbild, Schilerplatz

28 April 2008, MondaySPACE WILL BE ANNOUNCEDAt 18.00, Benjamin; self-reflection; Bucharest Biennale, resume and program

Wednesday, March 5, 2008

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Wednesday, March 5, 2008

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Wednesday, March 5, 2008

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Wednesday, March 5, 2008

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Reading: Rada Ivekovic

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Presentation: Ivana Marjanovic + Eduard Freudmann

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Program March 2008

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AKBILD/ POST-CONCEPTUAL ART PRACTICES

SEMPER DEPOT /M1

Prof. Dr. Grzinic

PROGRAM MARCH 2008

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Rundgang Program

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ichbinkeineküche!

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