m1 (turm4)

PCAP Program December 2017

concept — Wed, 29 Nov 2017 09:07:16 GMT

Monday, 4 December, 2017

10.00 to 13.00WORKSHOP A2 mit Marika Schmiedt (Wien)

MEETING 5: Brainstorming,Projektorganisation und Entwicklung der Ausstellung

INTEGRATION NEIN DANKE!Perspektiven & WiderständeDie Ergebnisse werden beim jährlichen Rundgang der Akademie der bildenden Künste, am 25. Jänner 2018, in einer Plakatausstellung präsentiert. Den Abschluss und eine Zusammenfassung des Projektes, bildet die Präsentation einer Broschüre, im März 2018.

CV: Marika Schmiedt, geb. 1966, Künstlerin und Aktivistin. Seit 1999 Recherchen (Zeitzeugen und Gegenwart) zur Verfolgung von Roma und Sinti.www.marikaschmiedt.wordpress.com

Monday, 4 December, 2017

13.00 to 15.00Ind. Meetings, Grzinic office

Monday, 4 December, 2017

15.00 to 16.30

Seminar: Towards an historical-materialism of cinema: cinema and laborSeminar für Diplomand_innen und Dissertant_innen und PCAP (und auch workshop B3)Diana Bulzan, Phd in Philosophy student, prepared by Diana Bulzan in collaboration with Marina GržinićTopic(6): Modes of cinematic representation in Post WWII cinema.

a. addresses the rebirth of realism and the criticism put forth by A. Bazinb. reading material: „What is Neorealism?” and „«Cinematic Realism and the Italian School of the Liberation»”, in A. Bazin, ed. by B. Cardullo, André Bazin and Italian Neorealism, pp. 18 – 50.

Monday, 4 December, 201717.00 to 19.00Ind. Meetings, Grzinic office

Tuesday, 5 December, 201710.00 to 13.00Ind. Meetings, Grzinic office

Tuesday 5 December, 201714.00 to to 17.00

Conclusion: Reading the text by Étienne Balibar The Genealogical Scheme: Race or Culture? (published in 2011) as a reflection of the 30 anniversary of the publishing of the book RACE, NATION, CLASS: AMBIGUOUS IDENTITIES by Etienne Balibar and Immanuel Wallerstein (First published in Paris, 1988).discussion and open questionssites.uci.edu Presentations and discussion, reading

Tuesday, 5 December, 2017At 18.00

WHERE: PCAP (POST CONCEPTUAL ART PRACTICES) STUDY PROGRAM,Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien,1 OG Atelier Süd (M1)

Kim Kielhofner, CanadaLevi Orta, CubaSalome Tsagareishvili, Georgia

The presentation is possible thanks to the Artists-in-Residence program of the Austrian Federal Chancellery and KulturKontakt Austria.

Kim Kielhofner, CanadaTitle: Lessons on Collecting

Kim Kielhofner will present recent projects using her practice of video, text, and projected images. Functioning somewhere between voice over, commentary, and essay, her presentation will demonstrate her interest in modes of association, collection, and layered narratives.

CV: Kim Kielhofner is an artist working in Montreal. She studied at Central Saint Martins College of Art and Design and Concordia University. She makes videos, drawings, and books. Her work has been shown internationally at festivals and exhibitions, most recently at VOX (Montreal, 2015), Sporobole (Sherbrooke, 2017), LUX (London, 2017) and Dazibao (Montreal, 2017).

Levi Orta, CubaTitle: I'm the fool of the Right-Wing Political Art

Can we talk about Right-Wing Political Art? That kind of art really exists? As a political artist what should be my position? For these lecture, Levi Orta will sail on these questions through three of his artworks. Levi Orta’s works explores the creative component of politics, focusing on the inaccuracies of the art- political boundary. He reproduces mechanisms, strategies and behavior of political-artistic situations that have been filed, thus highlighting its most subversive undertone; always from a cynical stance that threatens the hegemonic.

CV: Levi Orta (born in 1984, Cuba), graduated from the Instituto Superior de Arte of Havana (2010), from Cathedra Arte de Conducta (2009) and the Home Work Program of Ashkal Alwan of Beirut (2016). In recent years, Orta has participated in exhibitions in several countries like Germany, Austria, EEUU, Spain, France, Israel, Brazil, Mexico, Canada, Croatia, United Kingdom, China, Japan, Lebanon and Cuba.

Salome Tsagareishvili, Georgia

Title: Waiting/Longing for — permanent state of mind and the main instrument to communicate reality

What is to be the part of ideologically constructed space? How can you built your national identity from the ruins of your expectations? Salome will interpret these rhetorical questions through the symbolic text of her images.

CV: Salome Tsagareishvili (born 1982, Georgia) is a painter from Georgia. In 2005 she graduated from Tbilisi State Academy of Arts, Faculty of Visual Arts. Since 2002 her paintings have been presented in various exhibitions in Georgia. She worked as an invited artist in feminist Art Studio "Spero" (2009-2010), Tbilisi. In 2012 She was an invited guest at Sinopale (International Sinop Biennial,Turkey); Her painting were exhibit at Mtskheta International Art Festival (2016), Georgia. Currently lives and works in Tbilisi, Georgia.

Monday, 11 December, 201715.00 to 18.00

Topic(7): Projection of the film by Roberto Rossellini Germany Year Zero (1948). Followed by a short discussion.a. quick recapitulation of Italian Neorealism.b. projection of a film from R. Rossellini – Germany Year Zero

Tuesday, 12 December, 2017individual or group work on the Rundgang projects, poster projects by Marika Schmiedt

Holidays starts 18.12.2017 until 5.01.2018.

Next 8.01.2018 at 13.00 PRESENTATIONS: diploma, Ma in critical studies and Rundgang student new works

PCAP Program November 2017

concept — Tue, 31 Oct 2017 08:58:01 GMT

PCAP Program November 2017

Wednesday 1 November 2017, national holiday

Thursday 2 November to Saturday 4 November, 2017RESEARCH TRAVEL PCAP to LINZ

Departure 2.11 2017 from WESTBANHOF, lobby meeting at 10.10.

Marwa Abou Hatab, Kreeta Aidla; Maira-Enesi Caixeta; Victoria Eliseykina; Samira Fux; Christian Guzy; Jamie Hadrovic; Neda Hosseinyar; Sarah Raffaela Jackel; Robert Jolly; Aaron Kimmig ; Leonie Rosa Knez; Mathias Kropfitsch; Grace Marta Latigo; Mika Maruyama; Elisabeth Tawanda Taruvinga Mtasa ; Daisy Nutting; Dominik Aron Szereday; Martin Weichselbaumer

The exhibition Beyond Territory, Raumschiff Linz, opening, 3.11.2017.The participation under the name of CRX/PCAP was organized by Robert Jolly, Maira Enesi Caixeta, supported by many in the process:location: Raumschiff, Linz, Austria (www.raum-schiff.at)3.11.2017 Eröffnung / Opening / Vernissage

Marwa Abou HatabMaira-Enesi CaixetaSamira FuxJamie HadrovicNeda HosseinyarSarah Raffaela JackelRobert JollyMathias KropfitschGrace Marta LatigoMika Maruyama

After the opening 3.11. 2017 program at Beyond Territory, Raumschiff Linz

Maira Enesi Caixeta, performance, title “Child of Nature”Mika Maruyama, lecture, title “Imaginary narrative and Politics Behind the Terrain”Screening program: Robert Jolly, video, Jamie Hadrovic, video, and Maira Enesi Caixeta animation done in collaboration.

Final thoughts on territory; a travelogue by those exhibiting through the works.

A view on what we do in Linz:2.11.2017 (Thursday) meeting with and at Maiz at 18.00Scharitzerstr 6-8 / 1. Stock.4020 Linz

... Selbstorganisation – Partizipation – Autonomie – Widerstand – Transformation – Utopie… ein unabhängiger Verein von und für Migrantinnen mit dem Ziel, die Lebens- und Arbeitssituation von Migrantinnen in Österreich zu verbessern und ihre politische und kulturelle Partizipation zu fördern sowie eine Veränderung der bestehenden, ungerechten gesellschaftlichen Verhältnisse zu bewirken.

3.11.2017 (Friday) The exhibition Beyond Territory, Raumschiff Linz, opening , program

4.11.2017 (Saturday) Visiting the Mauthausen Memorial

Mauthausen–Gusen concentration camp was the hub of a large group of German concentration camps that was built around the villages of Mauthausen and Sankt Georgen an der Gusen (Gusen) in Upper Austria, roughly 20 kilometers east of the city of Linz.From 1938 to 1945, the Mauthausen concentration camp was at the centre of a system of over 40 subcamps and was the main site of political, social and racist persecution by the National Socialist regime on Austrian territory. Of a total of around 190,000 people imprisoned here, at least 90,000 were murdered. The Mauthausen Memorial is a former crime scene, a place of memory, a cemetery for the mortal remains of thousands of those murdered here and, increasingly, a site of political and historical education. Its task is to ensure public awareness of the history of the Mauthausen concentration camp and its subcamps, the memory of its victims, and the responsibility borne by the perpetrators and onlookers. At the same time it seeks to promote public critical engagement with this history in the context of its significance for the present and future.

RETURN 4.11 2017 evening back to Vienna from Linz, train at 21.00 Linz to Vienna

Monday, 6 November 20179.15 until 11.00

Individual meetings, Grzinic office, contact me for an appointment

Monday, 6 November 201714.00 to 16.00

WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)

Marika Schmiedt und Sebastian Bubner (Künstler und Lehrer)

Im Rahmen der Workshop mit Gastvorträgen, Videoprojektionen und Arbeitssitzungen; Gastkünstlerin: Marika Schmiedt (Wien). Im Fokus steht eine künstlerisch-politische Intervention, in Zusammenarbeit mit der Akademie der bildenden Künste Wien, Fachbereich Konzeptuelle Kunst (Post-conceptual Art Practices).

Rassismus im Schulsystem zur Sprache bringen – Aspekte und emanzipatorische Strategien. In seinem Vortrag beschäftigt sich Sebastian Bubner mit den verschiedenen Arten und Weisen, institutionell, individuell, diskursiv – in welchen sich Rassismus im deutschen Schulsystem täglich stützt und hält. Als Sekundarschullehrer und Teamleiter des sogenannten Willkommensklassenbereichs (für Schülerinnen mit geringenDeutschkenntnissen) an einer Schule in Berlin hat Bubner Einblicke in die „Feinmechanik“ der Rassismusproduktion und ist gefordert, auf diesen Zustand zu reagieren. Anhand einiger Fallbeispiele werden die Bausteine des schulischen Rassismus erläutert und es wird dazu eingeladen, selbst über mögliche Interventionen und Umgehensweisen mit diesen Situationen und systemischen Voraussetzungen nachzudenken.

CV: Sebastian Bubner geb. 1968, ist Künstler und Lehrer und schreibt zu antidiskriminatorischen Themen.www.skipgan-blahstift-spitzer.blogspot.co.at

Monday, 6.November, 2017At 18.00

WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)

Meeting PhD in philosophy, discussions

Tuesday, 7 November 201716.30 to 19.30

WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)

SEMINAR/Workshop B3: Towards an historical-materialism of cinema: cinema and labor.Seminar für Diplomand_innen und Dissertant_innen und PCAP with Diana Bulzan, Phd in Philosophy student,prepared by Diana Bulzan in collaboration with Marina Grzinic

Topic (4): On the work of Bertolt Brecht and Walter BenjaminThis seminar would be centered on Bertolt Brecht and Walter Benjamina. main text: A Short Organum for the Theatreb. key concepts: epic theatre (and dialectical theatre), dialectical materialism, alienation as a method for acting, scientific vs. entertainment (the break Brecht sees as being introduced between epistemology and the arts with the emergence of the scientific age). Through all of this, Brecht’s conception of history needs to be made apparent.c. main text: Walter Benjamin The Work of Art in the Age of Mechanical Reproduction, alongside fragments from On the Concept of History.d. Walter Benjamin connection with Brechte. additional text: Walter Benjamin „The Author as Producer”

Monday, 13 November 2017

At 14.00

WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)PRESENTATIONS:

Franziska Kabisch, presentation new work in progress, diploma june 2018Juliana Melzer (new in the PCAP)Sara Bissen (1 year studying)

Reading the text by Étienne Balibar The Genealogical Scheme: Race or Culture? (published in 2011)as a reflection of the 30 anniversary of the publishing of the book RACE, NATION, CLASS: AMBIGUOUS IDENTITIES by Etienne Balibar and Immanuel Wallerstein (First published in Paris, 1988).sites.uci.edu

Tuesday, 14 November, 2017At 11.15 to 14.00individual meetings, Grzinic office

Tuesday, 14 November, 201714.00 to 17.00

WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)

Tuesday, 14 November, 2017At 18.00

WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)

Guest artists’ presentations:

Vida Guzmić, CroatiaAlexandru Raevschi, MoldovaMary-Audrey Ramirez, Luxembourg

Vida Guzmić, CroatiaTitle: Slippage of representation

Using audio, video and text I research forms of female visibility and presence without ever producing her’s image. With the interest on the passivity of the female character, the male gaze, masquerade, cut up methods, the aim is to examine the possible inverses of imposed representations in a collage of voices and collision of different visual impacts.

CV: Vida Guzmić (born 1986 in Zagreb, Croatia), graduated in 2012 Academy of fine arts, University of Zagreb, Croatia as Summa cum laude magister. She also completed Women's Studies Course, Center for Women's Studies (CWS) and Curatorial Platform programme, Zagreb, Croatia. Organizes projects, workshops and exhibitions in the art collective Space is tactics and Studio Pangolin. Her works has been shown in a number of exhibitions in Croatia and abroad.

Alexandru Raevschi, MoldovaTitle: Restoring the balance inside the Armenian and Japanese societies through artistic practices

Alexandru Raevschi will share his curatorial experience while realizing the project “Universe 69” in Armenia and Japan (a workshop and two exhibitions in Gyumri and Tokyo). The focus of the project was connected with the tragic events that took place in Armenia and Japan: the earthquake, which happened in Armenia on December 7, 1988 and the events that occurred in the aftermaths of the earthquake on March 11, 2011 in Japan. The curatorial project is as well connected toward a reflection on hyper patriarchal society settings in both contexts, Armenia and Japan, especially in reference to the Armenian society.

CV: Alexandru Raevschi is a Moldavian artist who is presently a PhD student at the Aalto University School of Arts, Design and Architecture, Helsinki, Finland. Current research projects focus on combination of biological science with art through climate change, politics of invisibility, search for the national identity and etc.

Mary-Audrey Ramirez, LuxembourgTitle: Scrolling/Crying/Cringing

Scrolling is a natural habit for us: constantly on the phone or computer, looking at ever renewing material, a simple post on the internet can make us feel happy or sad. Comfort and discomfort are so close that our attempts to define these categories leave us with further confusion. I'm interested in failure, disappointment, technological bugs, and uncertainties and try to explore this realm between the technological and natural for possible modes of interaction (or understanding).

CV: Mary-Audrey Ramirez is born 1990 in Luxembourg (city); she studied at Universität der Künste in Berlin with Thomas Zipp. In the past years she had two solo shows at Martinetz (Cologne) in 2015 and 2017. She also participated in group shows at Tropez (Berlin, 2017), Guido W. Baudach (Berlin, 2017), Svit (Prague, 2017), Haus Mödrath (Kerpen, 2017), Kai10 (Düsseldorf, 2017) or Kai Erdmann (Hamburg, 2016).

Monday, 20 November, 2017At 16.00

WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)

Presentation of Diploma January 2017: Miguel Gonzalez Cabezas

Monday, 20 November, 2017At 19.00

WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)

Marika Schmiedt und Marissa Lôbo (Künstlerin und Aktivistinen)

Im Rahmen des Workshops Intregration Nein Danke! mit Gastvorträgen, Videoprojektionen und Arbeitssitzungen; Gastkünstlerin: Marika Schmiedt (Wien). Im Fokus steht eine künstlerisch-politische Intervention, in Zusammenarbeit mit der Akademie der bildenden Künste Wien, Fachbereich Konzeptuelle Kunst (Post-conceptual Art Practices).

Der Vortrag wird sich mit Praktiken im künstlerischen und kulturellen Feldauseinandersetzen und andere Narrative erzeugen, die ungehorsam der folkloristischenKultur, der Integration und rebellisch, gegenüber Anpassung und „Weißmachung“ sind.

CV: Marissa Lôbo, koordinierte viele Jahre den Kulturbereich von maiz, wo sie Projekteentwickelte, die programmatisch Politik, Bildung und Kunst verbinden.Co-Kuratorin des Projekts „Bodies of Knowledge“ und Co-Leiterin von „kültüř gemma!“.2008, Studium für postkonzeptuelle Kunst an der Akademie der Bildenden Künste Wien.Seit 2014 Doktoratsstudentin der Philosophie.

Tuesday, 21 November, 2017

10.00 to 13.00 individual meetigs, Grzinic office

Tuesday, 21 November, 201714.00 to 17.00

WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)

Tuesday, 21 November, 2017At 18.00

WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)

Guest artists’ presentations:Dalila Gonçalves, PortugalMila Panić, Bosnia and Herzegovina

Dalila Gonçalves, PortugalTitle: Object and matterFrom experimental play Dalila Gonçalves tests the permeability of materials and processes of artistic practice and daily life.By using video, photography and installation she conceives objects that do not always imply real transformation of things but rather materializations of subtle unexpected, ironic, absurd and metaphorical use of matter. She plays with the very relation of “perception” and the idea of “evidence”.CV: Dalila Gonçalves (born 1982, Castelo de Paiva). Degree in Fine Arts - Painting from the Faculty of Fine Arts, University of Porto (FBAUP, 2005) and Master’s Degree in Visual Arts Education (MA) from the Faculty of Fine Arts and Faculty of Psychology and Education Sciences, University of Porto, 2009 . Regularly exhibits in Institutions and in Galleries in different countries of Europe and South America since 2006.

Mila Panić, Bosnia and HerzegovinaTitle: Landscape is a work of the mindLandscape is not a space.Landscape is not just a view. It is not a stage.Landscape is not static.CV: Mila Panić (born in 1991, Bosnia and Herzegovina). Graduated from Academy of Arts in Banja Luka (BiH) and hold the Master Degree of Fine Arts at Bauhaus-Universitat Weimar, Germany, department of Art in Public Space and New Artistic Strategies. Live and works in Berlin.

Monday, 27 November 201712.00 to 14.40INDIVIDUAL MEETINGS , Grzinic office

Monday, 27 November 201715.00 to 18.00

WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)

SEMINAR/Workshop B3: Towards an historical-materialism of cinema: cinema and laborSeminar für Diplomand_innen und Dissertant_innen und PCAP with Diana Bulzan, Phd in Philosophy student,prepared by Diana Bulzan in collaboration with Marina Grzinic

Topic(5): On the work of Thedor Adorno (and M. Horkheimer ) on the culture industry, and S. Kracauer.a. main text – The Culture Industry. Enlightenment as Mass Deception; b.the discussion will also be framed by the text „The Concept of Enlightenment” and will seek there the philosophical and political historical conditions for the unity and standardization that subtends the production of mass culture; c. S. Kracauer, the discussion will be around Theory of Film. The Redemption of Physical Reality; d. texts: „Space, Time and Apparatus: The Optical Medium Theory of Film”, in Gertrud Koch, Siegfried Kracauer: An Introduction (pp. 95– 113); e. chapters from Theory of Film. The Redemption of Physical Reality: „The Establishment of Physical Existence” (pp. 41– 60), „The Film of Fact” (pp.193 – 215), „The Redemption of Physical Reality” (pp. 300 – 313).

Tuesday, 28 November, 201715.00 to 19.00

WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)RUNDGANG TECHNICAL LIST

Presentation new work by Sarah Jackel

NEXT: DECEMBER 4, 2017

PCAP Program October 2017

concept — Thu, 28 Sep 2017 06:29:34 GMT

Monday, 2 October, 2017Meetings, internal preparation

Monday, 9 October, 2017

At 10.00 DIPLOME examAt Lehargasse

Monday, 9 October, 2017At 16.00START OF THE SEMESTER, NEW STUDENTS, ERASMUS, PLAN WORK and TRAVEL RESEARCH TO LINZ (2.11 to 4.11 2017)

Tuesday, 10 October, 2017At 10.00INTEGRATION NEIN DANKE!Perspektiven & WiderständeGastkünstlerin: Marika Schmiedt (Wien)

ZKF und Workshop A2, Online-Anmeldung Akbild

Workshop mit Gastvorträgen, Videoprojektionen und Arbeitssitzungen.Im Fokus steht eine künstlerisch-politische Intervention, in Zusammenarbeit mit derAkademie der bildenden Künste Wien, Fachbereich Konzeptuelle Kunst (Post-conceptual Art Practices).Geplant sind Arbeitssitzungen mit den Studierenden des AkBild.Die Arbeitssitzungen, beginnen am 10. Oktober 2017, dauern bis 16. Jänner 2018, und werden zweimal monatlich von 10.00 bis 13.00 (10.10., 23.10., 4.12., 9.1.2018 und 16.1.2018) im Atelierhaus / Fachbereich Konzeptuelle Kunst (Post-conceptual Art Practices) Wien stattfinden.

Im Rahmen des Workshops werden zwei Gastvorträge organisiert.6.11.2017: Gastvortrag Sebastian Bubner, Künstler und Lehrer um 14.00 Uhr20.11.2017: Gastvortrag Marissa Lôbo, Künstlerin und Co-Leiterin von „kültüř gemma!“um 19.00 Uhr

Die Ergebnisse werden beim jährlichen Rundgang der Akademie der bildenden Künste, am 25. Jänner 2018, in einer Plakatausstellung präsentiert. Den Abschluss und eine Zusammenfassung des Projektes, bildet die Präsentation einer Broschüre, im März 2018.

Zentrale Aufgabe des Projektes ist die Auseinandersetzung mit dem Spannungsverhältnis von Kunst- und Kultur und gesellschaftspolitischen Entwicklungen. Antiromaismus, Antisemitismus und Islamfeindlichkeit sind im Universitätsbetrieb keine Seltenheit. Die Intervention liegt auf der visuellen Kunst, dem Plakat, das sich als reflektierende „Integration“ verhält.

Marika Schmiedt, geb. 1966, Künstlerin und Aktivistin. Seit 1999 Recherchen (Zeitzeugen und Gegenwart) zur Verfolgung von Roma und Sinti.Die Auseinandersetzung mit der Situation von Roma vor und nach 1945 bildet einenSchwerpunkt der künstlerischen Arbeit.www.marikaschmiedt.wordpress.comMEETING 1:Projektvorstellung- und Organisation, Filmvorführung und Diskussion Gelem Gelem – Wir gehen einen langen WegMonika Hielscher, Matthias Heeder | D | 1991 | Dokumentarfilm | 85 min. German/English subtitles. Der Film “Gelem Gelem – Wir gehen einen langen Weg“ dokumentiert die Situation und den Widerstand von ca. 1500 Rrom_nja, die Anfang der 1990er Jahre von Deutschland nach Süd-Ost Europa abgeschoben werden sollten.Vor dem Hintergrund der deutschen Wiedervereinigung und der Euphorie vieler Bundesbürger_innen kämpften Rrom_nja-Familien unterschiedlicher Gruppen gemeinsam um ein Niederlassungsrecht in der Bundesrepublik. Mit Blockaden an Grenzübergängen, Hungerstreiks, einem Marsch quer durch Deutschland und der Besetzung des Kölner Doms machten Rrom_nja-Familien auf ihre Situation aufmerksam und traten für ein dauerhaftes Bleiberecht und ein würdiges Leben ein. Die Filmaufnahmen entstanden zwischen Herbst 1989 und Frühjahr 1991. Nach einer Reihe von gebrochenen Versprechungen, Abmachungen und Vertröstung der deutschen Regierung nahm die Widerstandsbewegung kein erfolgreiches Ende: Die meisten der protestierenden Menschen wurden abgeschoben. Die Spuren der Rromn_ja, die in der Dokumentation begleitet werden, verlieren sich in den Elendsvierteln von Süd-Ost-Europa.Tuesday, 10 October, 2017At 15.00 MEETING THOSE TAKING PART IN THE EXHIBITION LINZ RESEARCH TRAVEL

Tuesday, 10 October, 2017At 16.00 MEETING WITH NEW STUDENTS AND ERASMUS INTRO DETAILS WORK and SPACE(in charge Grzinic, Dimitrova)

Tuesday, 10 October, 201718.00 to 19.30

SEMINAR/Workshop B3: Towards an historical-materialism of cinema: cinema and labor.Seminar für Diplomand_innen und Dissertant_innen und PCAP with Diana Bulzan, Phd in Philosophy student, prepared by Diana Bulzan in collaboration with Marina Grzinic

INTRO: The main focus of the seminar will be the configuration between cinema and work. In this way, the emphasis on labour brings cinema within a historical-materialist horizon, engaging both the distribution of labour put into cinematic production, as well as representations of the working class or a reflexive engagement with the medium. The seminar thus plans to sketch this configuration by creating a theoretical itinerary that begins with the relation between cinema and the formation of the masses, only then to pass through the representations of alienation in post-WWII cinema, the political engagements of the New German Cinema, as well as granting a special emphasis on the political use of found footage before moving to issues regarding postcolonialism, labour and representation.TOPIC (1): Introduction into the topic and projection of a filmIntroduction to the concept of the seminar, followed by an introduction into the work of Dziga Vertov. Projection of Dziga Vertov’s Man with the Movie Camera. Planned text for this session – Leon Trotsky’s Vodka, the Church and the Cinema

Wednesday, 11 October, 2017at 10.00 until 12.00INDIVIDUAL MEETINGS, office Grzinic

Monday, 16 October, 2017

At 10.00 to 12.00Individual meetings, email for appointment, Grzinic office

At 12.00 until 17.00Presentation new students and Erasmus plus Miguel González Cabezas (MA in critical practice)STARTS AT 12.00

ERASMUS:Anna ZhukovaDaisy NuttingKreeta Aidla

FOLLOWING first semester presentations:Aaron KimmigLeonie Rosa KnezDominik Szereday

FOLLOWINGMiguel Gonzalez Cabezas (Ma in critical studies, diploma)

At 19.00 Mika Maruyama, PhD in Philosophy student in collaboration Marina Grzinic: main points of the big tour in contemporary art in 2017: Documenta, Munster, Venice Biennale

Tuesday, 17 October, 2017

At 9.00 to 11.00Individual meetings, email for appointment, Grzinic office

At 11.00 to 14.00

PRESENTATIONS continues

STUDENTS first semester

Javier Ezequiel CassaniVictoria EliseykinaElisabeth Mtasa TaruvingaPLUS at the endMEETING with all regarding the space in the back, kitchen to use in the back

Tuesday, 17 October, 201715.00 to 18.00

SEMINAR/Workshop B3: Towards an historical-materialism of cinema: cinema and labor.Seminar für Diplomand_innen und Dissertant_innen und PCAP with Diana Bulzan, Phd in Philosophy student, prepared by Diana Bulzan in collaboration with Marina Grzinic

Topic (2): Dziga Vertov and the October Revolution. Discussions around the notion of montage.a.main concepts of the seminar: Kino-Eye vs. intellectual montage; b. the discussion will start from re-viewing and analyzing sequences from Man with the Movie Camera, particularly focusing on Vertov’s distinction between the Kino-Eye and fiction film (also underpinning such concepts as unplayed film, life caught unawares and the communist decoding of reality) and on the inclusion of the film’s making process as labor within the film itself (as well as the juxtaposition in the film between editing labor and work scenes from a beauty parlor); c. the context of Soviet cinema; d. the notion of intellectual montage; e. the way Vertov was recovered by film practice in the 1960s: Kinopravda and cinéma vérité e. planned text(s) – „WE: Variant of a Manifesto”; „The Birth of Kino-Eye”; „From Kino-Eye to Radio-Eye”; f. if time allows, maybe projection of newsreels from Kinonedelja

Monday, 23 October, 201710.00-13.00INTEGRATION NEIN DANKE!Perspektiven & WiderständeGastkünstlerin: Marika Schmiedt (Wien)ZKF und Workshop A2, Online-Anmeldung Akbild

MEETING 2:Projektbesprechung- und Organisation, Filmvorführung und Diskussion Die Geschichte des Dritten Lagers in ÖsterreichDokumentation von Gerhard Jelinek und Walter Seledec | A | 2000/2016 | 45 min. (Deutsch) Das Dritte Lager bezeichnet in Österreich die politischen Bewegungen der deutschnationalen und nationalliberalen Wählerschaft. Die Wurzeln des Dritten Lagers reichen in die Zeit der k.u.k.-Donaumonarchie zurück, wo alle Bewegungen, von deutschvölkischen bis zu deutschfreisinnigen, die Vereinigung aller deutschsprachigen Gebiete in einem Großdeutschen Reiche forderten. Das kaiserliche Österreich, in dem die Deutschen zwar die politische und kulturelle Führung innehatten, aber nicht die absolute Mehrheit der Bevölkerung stellten, sahen die Deutschnationalen als Bedrohung des Deutschtums an. 1882 hatten Karl Lueger, Viktor Adler und Georg Ritter von Schönerer im Cafe Griensteidl das „Linzer Programm“ verfasst, das als Alldeutsches Manifest die ideologische Basis der Deutschnationalen in Österreich wurde. Die drei Männer symbolisieren die unterschiedlichen politischen Richtungen, die Österreich seit mehr alseinem Jahrhundert prägen: Christlichsoziale, Sozialdemokraten und Deutschnationale. Grundlage des Dritten Lagers ist eine Richtung politischen Denkens, die davon ausgeht, dass Österreich nach dem Verlust der nicht-deutschsprachigen Gebiete nach dem Ersten Weltkrieg keine Existenzberechtigung als eigener Staat gegenüber dem Deutschen Reich hätte. Nach Ende des Zweiten Weltkriegs wurden bei der ersten Nationalratswahl 1945 rund 700.000 ehemalige österreichische NSDAP-Mitglieder und anders Belastete ausgeschlossen. Als diese zur nächsten Wahl 1949 wieder zugelassen wurden, wurde der „Verband der Unabhängigen“ (VdU) gegründet, der bei der Wahl sehr erfolgreich war. Der Begriff „Drittes Lager“ wurde von da an für die Gruppe der deutschnationalen und nationalliberalen Wähler verwendet, analog zu den Lagern der konservativen ÖVP und dersozialistischen SPÖ. Nach der Unterzeichnung des Staatsvertrages 1955 erfolgte dann dieGründung der Freiheitliche Partei Österreichs (FPÖ) als Nachfolgeorganisation des VdU.

Monday, 23 October 2017AFTERMATHS and TRANSFORMATIONS: October Revolution 1917 Revisited23., 24., and 25. October 2017Conference, exhibition, film seminar, workshopAFTERMATHS and TRANSFORMATIONS: October Revolution 1917 Revisited is a joint collaboration of the Conceptual Art Studio Program (Post-conceptual Art Practices) at the Institute of Fine Arts, Academy of Fine Arts Vienna and the Department of Art History, University of Vienna.Academy of Fine Arts ViennaStudio Building, Lehargasse 8, 1060 Vienna, MZS, Multi-purpose-Space, 2. OG (Second Floor)15.30 Inaugural opening of the project, exhibition opening, and conference commencement

Greetings: Univ.-Prof. Dr. Andrea B. Braidt, Vice Rector for Art and Research

Presentation of the project:Noit Banai, Professor of Contemporary Art, University of ViennaMarina Gržinić, Professor of Conceptual Art, Academy of Fine Arts Vienna

Exhibition:Jamika Ajalon (USA): Umbuzi: why freedom, video, 2011Bojan Djordjev and Siniša Ilić (Belgrade): Orientation in 100 revolutions – pictorial, textual and video report, installation, 2017Muzaffer Hasaltay (Vienna): The choice / Decision, video, 2017Linda Porn Davis (Barcelona): Violence in Mass Media/ Feminist Days: Alliances and Sex Work, video, 2015Onur Serdar (Vienna): Liquid Machine, video, 2017

CONFERENCE (1.)Academy of Fine Arts ViennaStudio Building, Lehargasse 8, 1060 Vienna, MZS, Multi-purpose-Space, 2. OG (Second Floor), Film and TV Studio17.00Poetic performance: Spoken Word and Reflections by Njideka

Is the Night for Poets and Dreamers? Sisters of Utopia Seize the DayThe performance will consider art’s potential to change the world, while asking where this “stage” for change might appear. How are the dreamers dismissed? Is poetry for the lovers? Can the lovers change the world?CV: Njideka Stephanie Iroh (Vienna) is a London-born Black Austrian writer, artist and activist based in Vienna. In a combination of spoken word, performances and lectures, she deals with topics such as language, power relations, decolonization, Afrofuturism and the embodiment of knowledge.

18.30Lecture: Ilya Budraitskis (Russia)Heritage without heirs? The anniversary of 1917, the Kremlin’s historical policy, and commitment to the EventThis lecture will focus on the anniversary of the Russian revolution in the framework of contemporary Russian historical policy. The latter is based on the idea of a struggle to preserve a heritage that is under constant attack by external competitors and internal enemies. This is an artificially created version of national history as mythological time in which everything is repeated and people’s actions are deprived of all autonomy.CV: Ilya Budraitskis is a historian, political writer and curator, member of the editorial board of Moscow Art Magazine, platforms Openleft and LeftEast. He is the author of Dissidents among dissidents, 2017.

Tuesday, October 24, 2017AFTERMATHS and TRANSFORMATIONS: October Revolution 1917 Revisited23., 24., and 25. October 2017Conference, exhibition, film seminar, workshopTuesday, 24 October 2017
Academy of Fine Arts ViennaStudio Building, Lehargasse 8, 1060 Vienna, MZS, Multi-purpose-Space, 2. OG (Second Floor)10.00 until 19.00 Exhibition on view

10.00 until 14.30Academy of Fine Arts ViennaStudio Building, Lehargasse 8, 1060 Vienna, MZS, Multi-purpose-Space, 2. OG (Second Floor), Film and TV Studio

Film seminar proposed by Marina Gržinić and Tjaša Kancler

Lumumba (2000)1h 55min, dir. Raoul Peck

Godhead (2016)3.49 min, dir. Jamika Ajalon

¡Cuba Sí! [Cuba Yes!] (1961)53min, dir. Chris Marker

The Last Angel of History (1996)45min, dir. John Akomfrah

CONFERENCE (2.)Academy of Fine Arts ViennaStudio Building, Lehargasse 8, 1060 Vienna, MZS, Multi-purpose-Space, 2. OG (Second Floor), Film and TV Studio

15.30Lecture: Lina Ben Mhenni (Tunisia)The Tunisian Revolution, a success?In December 2010, Tunisians stood against the dictatorship in their country. In less than one month, they succeeded in ousting the dictator who had oppressed them for more than two decades. They thus announced the beginning of a series of revolt movements that shook the whole Arab region. Lina Ben Mhenni asks if these movements ‒ known as the “Arab Spring” ‒ are still an issue.CV: Lina Ben Mhenni is an activist, the author of the popular blog “A Tunisian Girl,” a human rights defender, former teaching assistant of linguistics at Tunis University (Faculty of Human and Social Sciences), freelance translator and writer.17.00Lecture: The New Barbizon Collective (Israel)[Zoya Cherkassky-Nnadi and Natalia Zourabova]

The Influence of Socialist Realism on the work of the New Barbizon Group

In this lecture, we will consider Soviet art, which for political reasons turned out to be outside Western artistic discourses. Post-Soviet artists considered it irrelevant. Today, artists and collectives such as the New Barbizon are increasingly turning to their Soviet heritage and rethinking its influence.CV: Zoya Cherkassky-Nnadi (1976, Kiev, Ukraine), immigrated to Israel in 1991. She lives and works in Tel Aviv-Yafo. Her works have been shown in Israeli art museums and galleries throughout Europe and in the US.CV: Natalia Zourabova (1975, Moscow) graduated with an MFA from The Russian Theatre Academy in 2000, and from The University of Fine Arts, Berlin, in 2003. In 2011, together with four others, she founded The New Barbizon Group. Zourabova’s paintings have been exhibited internationally.

18.30Lecture: Jeremy M. Glick (USA)

Haitian Revolutionary Repetitions: Thought, Praxis, PerformanceC.L.R. James’s classic 1938 study The Black Jacobins: Toussaint L’Ouverture and the San Domingo Revolution is organized by way of a triangulated narrative structure. James consistently and dialectically triangulates the Haitian Revolution with the coeval French Revolution and the Twentieth Century Russian Revolution. My talk will examine three sites: questions of self-determination in the Russian Revolution and Pan African legacies, insights from C.L.R. James narrative structure of The Black Jacobins, and Sergei Eisenstein’s engagement with the Haitian Revolution in his curriculum choices as professor at the film school in Moscow.CV: Jeremy Matthew Glick is Associate Professor of African Diaspora literatureand modern drama at Hunter College. He is also the Hunter College Chapter Chair of the PSC-CUNY Union. Professor Glick has recently received the Nicolas Guillen Philosophical Literature Prize for his 2016 book, The Black Radical Tragic from the Caribbean Philosophical Association.

Wednesday, October 25, 2017AFTERMATHS and TRANSFORMATIONS: October Revolution 1917 Revisited23., 24., and 25. October 2017Conference, exhibition, film seminar, workshopWednesday, 25 October 2017
Academy of Fine Arts ViennaStudio Building, Lehargasse 8, 1060 Vienna, MZS, Multi-purpose-Space, 2. OG (Second Floor)11.00 until 19.00 Exhibition on view

14.00 until 16.00University of Vienna, Department of Art HistoryGarnisongasse 13, Universitätscampus Hof 9, 1090 ViennaBuilding 9.2, Seminar Room 1 (Ground Floor)Workshop with students and the speakers from the conferenceCONFERENCE (3.)Garnisongasse 13, Universitätscampus Hof 9, 1090 ViennaBuilding 9.2, Seminar Room 1 (Ground Floor)

16.20 Closing remarksUniv.-Prof. Dr. Claude Theune-VogtDean, Faculty of Historical and Cultural StudiesUniversity of Vienna

16.30
Lecture: Piro Rexhepi (Macedonia)

On Islam and the Left: Overlapping Legacies of Muslim Decoloniality and Marxist PraxisThis lecture considers the intertwined histories of Muslim and Marxist decolonial politics by examining the archive of joint political practices and the relations between decolonial Muslim and socialist struggles. Rexhepi treats the legacies that have shaped the contemporary world so that the two histories are (problematically) regarded as mutually exclusive.CV: Piro Rexhepi holds a PhD in Politics from the University of Strathclyde and is a research fellow at the Max Planck Institute for the Study of Religious and Ethnic Diversity, Göttingen, Germany. He has teaching positions at the State University of New York, City University of New York and New York University.18.15Lecture: Aglaya K. Glebova (USA)Propaganda in Question. Photographing the Gulag under StalinCo-sponsored by the Kunsthistorische GesellschaftAlthough often described as invisible, the Soviet Gulags were extensively documented by the state. While these images are sanitized ‒ almost no images of the Gulag as atrocity have survived ‒ thousands of photographs of the camps are preserved in archives all over Russia. Few have been published or studied. This talk examines a range of works, from Aleksandr Rodchenko’s infamous photo-essay of the White Sea-Baltic Canal to virtually unknown photographic albums.CV: Aglaya K. Glebova is Assistant Professor in the departments of Art History and Film and Media Studies at the University of California, Irvine. She is currently the Axel Springer Fellow at the American Academy in Berlin. She completed her Ph.D. in Art History at the University of California, Berkeley, in 2014.

Thursday, October 26, 2017Holiday

Monday, October 30, 201715.00 to 16.30

SEMINAR/Workshop B3: Towards an historical-materialism of cinema: cinema and labor.Seminar für Diplomand_innen und Dissertant_innen und PCAP with Diana Bulzan, Phd in Philosophy student, prepared by Diana Bulzan in collaboration with Marina Grzinic

Topic (3): An introduction into the theory of Bertolt Brecht, followed by a projection of Kuhle Wampe, oder wem gehört die Welt.a. introduction to the work of Bertolt Brechtb. projection of Kuhle Wampe oder Wem gehört die Welt

Monday, October 30, 2017

WHERE: DEPOT, ViennaBreitegasse 3A-1070 Wien

At 19.00

THE DEMISE OF CAPITALISM: Public DomainPresentation and Discussion onYoshinori Niwa’s book TILL THE DEMISE OF CAPITALISM is organized around seven keywords emerging from his oeuvre: market economy, squatting, education, art festival, public spirituality, after the Cold War and abortion. He now puts forward the eighth keyword “public domain” with Italian artist Ryts Monet. Monet’s practices, such as Black Flag Revival, are regarding the economic crisis, while Niwa will refer to his ongoing project All Japanese players boycott at the Tokyo Olympic Games.

TILL THE DEMISE OF CAPITALISM:tillthedemiseofcapitalismen.tumblr.com

Ryts Monet, artist, IUAV University of Venice www.rytsmonet.eu/Yoshinori Niwa, artist, Tokyo / Vienna yoshinoriniwa.comModeration: Mika Maruyama, curator, Tokyo / Vienna

PCAP Program June 2017

concept — Wed, 31 May 2017 07:03:17 GMT

PCAP Program JUNE 2017

Monday, June 5, 2017Holidays

Tuesday, June 6, 2017Installment diplomas
(in charge Dimitrova, Hasaltay)

Monday, June 12, 2017
DIPLOMA EXAMSFROM PCAPChristian GanglVerena Melgarejo WeinandtJoanna Wilk

STARTS at 10.00 until 16.00(In charge Grzinic)

On MONDAY at 10.00 Schillerpark WILK

Monday, June 12, 2017
18.00 is the NIGHT schoolWhere: Volkskundemuseum Wien Laudongasse 15-19, 1080 Wien

The lecture/seminar organized by NIGHT SCHOOL www.nightschool.at The classroom remains the most radical space of possibility (bell hooks)Die Night School ist eine experimentelle Abendschule, in der von minoritären und marginalisierten, rebellischen und verletzlichen Positionen aus gedacht, gelehrt und gelernt wird. Diese kleine Schule öffnet jede Woche ihre Türen, um sich in hegemoniale Wissensregime einzumischen.

Night school speaker on Monday, June 12: Neferti X. M. TadiarCV: Neferti X. M. Tadiar is Professor of Women’s, Gender, & Sexuality Studies at Barnard College and Director of the Center for the Study of Ethnicity and Race at Columbia University. She is the author of the books, Things Fall Away: Philippine Historical Experience and the Makings of Globalization (2009) and Fantasy-Production: Sexual Economies and Other Philippine Consequences for the New World Order (2004), and co-editor with Angela Y. Davis of the collection, Beyond the Frame: Women of Color and Visual Representation (2005). Her current book project, Remaindered Life, is a meditation on the disposability and surplus of life-making under contemporary conditions of global empire. She is co-Editor of the New York-based Collective and international journal of cultural studies, Social Text.

Tuesday, June 13, 2017DIPLOMA EXAMS

STARTS at 10.00 until 16.00(In charge Grzinic)

On TUESDAY at 10.00basement LehargasseVerena Melgarejo Weinandt

at 11.002 floor lehargasseChristian Gangl

Tuesday, June 13, 2017

At 17.00WHERE: Studio Conceptual Art, (PCAP, Atelierhaus, Lehargasse 8, 1060Wien, 1OG Atelier Süd (M1)

GUEST TALK: JONATHAN BELLER (Pratt Institute, New York)

The Programmable Image: Some Implications

As Programmable Images convert attention economies into sites of informatic labor, what are the implications for strategic acts of social transformation?

CV: Jonathan Beller(Professor, Pratt Institute) works on the history of cinema, visual culture and the way in which the screen-image has altered all aspects of social life. These alterations range from the lived experiences of gender, sexuality and race, to the socio-economic reorganization of peoples, governments and the environment. His research and pedagogy is undertaken with a commitment to those struggling for liberation in what he calls “the world-media system.” Books and edited volumes include The Cinematic Mode of Production: AttentionEconomy and the Society of the Spectacle; Acquiring Eyes: Philippine Visuality, Nationalist Struggle and the World-Media System; andFeminist Media Theory (a special issue of The Scholar and Feminist Online). His current book projects are entitled The Message isMurder and Computational Capital. Beller also serves on the Editorial Collective of the internationally recognized journal Social Text, andis the current director of The Graduate Program in Media Studies.

Wednesday, June 14, 2017DIPLOMA EXAMS (Only SculptureBuilding)

At 9.00 to 13.00Grzinic office individual meetings

At 15.00 Habilitation presentation Axel Stockburger,Habilitationsvortrag, im Senatssitzungssaal .In English.

Wednesday, June 21, 2017

At 13.30 until 15.30Ind. meetings Grzinic office

At 16.00 Schillerplatzopening show akbild diplome june 2017

AKBILD 325 CELEBRATIONconcerts, performances,

Thursday, June 29, 2017At 16.00WHERE: Studio Conceptual Art, (PCAP, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

PCAP conclusion semester, talks and future steps

Friday, June 30, 201710.00Ceremony end of the semester, diplomas, awards

NEXTMONDAY 9.10.2017 at 16.00

PCAP Program May 2017

concept — Fri, 28 Apr 2017 18:33:10 GMT

May 1, 2017MAYDAY

Tuesday, May 2, 2017

At 15.00 to 18.00Where: Post-Conceptual Art Practices (PCAP), Atelierhaus, Lehárgasse 8, 1060 Vienna, 1. OG Atelier Süd (M1)Presentation works, students PCAPMaira-Enesi CaixetaGrace Marta LatigoRobert Jolly

Wednesday, May 3, 201710.00-11.00 ind. Meetings, Grzinic office

Monday, May 8, 2017

At 10.00Where: Post-Conceptual Art Practices (PCAP), Atelierhaus, Lehárgasse 8, 1060 Vienna, 1. OG Atelier Süd (M1)3 blocks, each time Monday-Tuesday; always from 10.00 to 14.008.‒9. May, 15.‒16. May and 22.‒23. May 2017

WORKSHOP“Animation Techniques Workshop: Thinking through animation the decolonial and queer realities” by Pablo Toulouse (as well WORKSHOP B3)First meeting: 8. May 2017 at 10.00

Pablo Toulouse with a focus on resistance and subculture on one side and the whole topic of research on queer identity, and postcolonial constructions on the other will provide a workshop for everybody at the academy how to use animation as a tool and weapon of mass and counter culture strategies. The workshop is in three blocks in May 2017. The first block is about basic animation techniques together with a short introductory history of animation with a specific focus on animation in political and social movements and animation as a tool of resistance. The second block will be dedicated to traditional animation techniques, chosen for the reason that these techniques are easy to learn and understand and they have very small costs of production. The third and last block will be the production of a short animation film developed by the whole group that took part of the workshop. It will have a strong point on how to create platforms and strategies that allow a self-organized group of people to create and produce animationsRequired previous knowledge: noneFor registration or any question, contact student mentor PCAP for the artist in residence Cecilia Tasso (cecilia.tasso@outlook.com)

Monday, May 8, 2017

18.00 is the NIGHT schoolWhere: Volkskundemuseum Wien Laudongasse 15-19, 1080 Wien

Night school speakers on Monday, May 8: Michelle Mattiuzzi

Tuesday, May 9, 2017

WORKSHOP“Animation Techniques Workshop: Thinking through animation the decolonial and queer realities” by Pablo Toulouse (as well WORKSHOP B3)Pablo Toulouse with a focus on resistance and subculture on one side and the whole topic of research on queer identity, and postcolonial constructions on the other will provide a workshop for everybody at the academy how to use animation as a tool and weapon of mass and counter culture strategies. The workshop is in three blocks in May 2017.

Tuesday, May 9, 2017At 18.00Where: Post-Conceptual Art Practices (PCAP), Atelierhaus, Lehárgasse 8, 1060 Vienna, 1. OG Atelier Süd (M1)

Screening Beyond Citizen Kane (1993, 105 min), proposed by Camila Rhodi, student mentor, summer semester 2017 in PCAP. Rhodi will present the film and moderate the discussion.Beyond Citizen Kane (1993) is a British documentary film directed by Simon Hartog, first broadcast on Channel 4 that investigate the power of TV in Brazil, and the power of TV Globo in particular. Beyond Citizen Kane is partly a history of TV in Brazil; partly an examination of Globo’s innovations and its cultural power; partly a revelation of how that cultural power was used to support successive right-wing regimes.Rhodi states that it makes a connection to the Uncensored program by PCAP, as the documentary was censored in Brazil. It also makes connections with the program of the Night School.

Monday, May 15, 2017At 10.00Where: Post-Conceptual Art Practices (PCAP), Atelierhaus, Lehárgasse 8, 1060 Vienna, 1. OG Atelier Süd (M1)3 blocks, each time Monday-Tuesday; always from 10.00 to 14.008.‒9. May, 15.‒16. May and 22.‒23. May 2017

Monday, May 15, 201718.00 is the NIGHT school (as well workshop A2)Where: Volkskundemuseum Wien Laudongasse 15-19, 1080 Wienwww.nightschool.at

TITEL: Der Zusammenhang zwischen Hip Hop Migration und Gangsta RapDie Lehrveranstaltung stellt eine Verbindung her von Hip Hop, Migration und Gangsta Rap.Partizipation:EsRAPBetül Seyma Küpeli

GästeNjidekaKutlu Yurtseven (MICROPHONE MAFIA), Köln

Wir diskutieren über die Frage von Rassismus, ausgedrückt nicht nur im Wort, sondern genauso durch Gesten und Blicke, und formulieren eine klare anti-rassistische Haltung.Wir benutzen Sprachen im Plural, um die Sprache als Instrument der Macht zu verstehen und den Imperativ der Integration zu diskutieren.

Die Wiener Rapperin Esra Özmen, besser bekannt als EsRAP, singt dazu:Österreich bildet fein uns zu Tschuschen aus,Rassismus hat man auch in Gesten und Blicken drauf,Versteckt im System, damit es keiner checkt,Sprache als MACHT, INTEGRATIONSPAKET

Njideka wird ihre Spoken Word Performance mit dem Titel A Diva’s Dish: Spoken Word and Utopia in a time of Wokeness and the Hashtags of Radicalisation präsentieren.

Die Veranstaltung wird von der Postkonzeptionellen Kunstpraxis (PCAP) unterstützt, einem Studiengang an der Akademie der bildenden Künste Wien ist. PCAP bildet eine Plattform für die Diskussion verschiedenster Themen von Kunst, Kultur und Politik. PCAP besteht auf einer Praxis aus trans-feministischen und migrantischen Positionen und für eine community-basierte Bildungsarbeit.

SPRACHEN: Deutsch, Englisch, Türkisch

KONTEXT:

Betül Seyma Küpeli (Dipl.Ing) geboren 1987 in Wien, studierte Architektur an der Technischen Universität Wien. Ihre Diplomarbeit beschäftigte sich mit dem Thema „Flüchtlingspolitik und räumliche Strategien in Österreich“. Ihre Arbeit beinhaltet städtebauliche Ansätze in Bezug auf Leerstandsnutzungen, bau- und planungsrechtliche Inhalte, die hinterfragt und bearbeitet werden. Seit 2014 studiert sie Post - Konzeptuelle Kunst an der Akademie der bildenden Künste Wien. Sie hat sowohl organisatorisch als auch kuratorisch an Projekten mitgewirkt. Dazu zählen Architekturworkshops, Performance mit Künstlergruppen und Videoarbeiten. Unter anderem beschäftigt sie sich mit Themen wie, gesellschafts-politische und sozio-kulturelle Verhältnisse im hardcore- neoliberalen Kapitalismus, urbane Substanz/Raum/öffentlicher Raum und ihre Aneignung bzw. ein anderes Verständnis von Stadt(-politik), die Beziehung zwischen Gesellschaft und Geschichte und Migration&Asyl.

Esra Özmen aka * EsRAP (* 21.Juni 1990 in Wien) ist eine Rapperin, bildende Künstlerin, Performerin, Songwriter, Kulturarbeiterin, Workshopleiterin in Rap/Gesang/Reimen/Texten. Sie absolvierte ihr Studium 2016 an der Akademie der bildenden Künste an der postkonzeptuelle Kunstklasse.

In ihren Projekten zeigt EsRAP, wie mit einem Medium wie Rap auf politische und gesellschaftliche Problemstellungen reagiert und Widerstand geleistet werden und wie man/Frau sich Gehör verschaffen kann. „Ist Rap die Stimme des Subalternen? Wer definiert sich als subaltern? Wer kategorisiert dich als subaltern? Sind Migrant_innen subaltern? Sind wir uns überhaupt bewusst, dass wir in bestimmte Teile kategorisiert werden?“ Im Zentrum stehen politische Aspekte, wichtige Punkte dabei sind: Migration, Bildung und Freiheit. Themenstellungen sind: die Frage nach meiner Idenität; Sprache und Rassismus im System; Rap als Widerstand; Bedeutung von Hip-Hop; Hip-Hop mehr als Musik; Genderfragen; Rap als Bewegung; Frausein in der Hip-Hop-Szene; der eigenen Geschichte bewusst sein in Bezug auf die Migrationsgeschichte.

Njideka ist eine in London geborene Schwarze österreichische Dichterin, Künstlerin und Aktivistin. In einer Kombination aus Spoken Word, Performance und Vorträgen behandelt sie Themen wie Sprache, Macht(verhältnisse), Dekolonisierung, Afrofuturismus und die Verkörperung von Wissen. Seit 2006 wird ihre politische Arbeit geprägt in der Beteiligung an und in der Zusammenarbeit mit (trans)nationalen Schwarzen, POC und migrantischen Selbstorganisationen. Njidekas Inspiration für Poesie liegt unter anderem in der Überlieferung von Afrikanischer Oral His*_Her*_Our_story (Geschichte/n, die mündlich überliefert werden) und teilt so Rhythmus, Reim und Wissen, über das geschriebene Wort hinaus, mit. Sie ist Mitgestalterin und Co-Kuratorin des Projektes Bodies of Knowledge - Multiplying Marginalised Subjectivities of Utopia through Art and Storytelling, das von SHIFT 2015 gefördert wurde.

Kutlu Yurtseven ist Rapper der legendären Microphone Mafia und Streetworker. Die Microphone Mafia gehört heute zu den Veteranen des deutschen HipHop. Rossario Pennino und Kutlu Yurtseven haben die Band 1989 mit zwei Schulfreunden gegründet. Seitdem haben sie für Gewerkschaften gespielt, sich immer wieder gegen Rassismus eingesetzt und stehen seit 2009 regelmäßig mit der Auschwitz-Überlebenden Esther Bejarano auf der Bühne—und verbinden dabei Rap in drei Sprachen mit jiddischen Partisanenliedern. Im Jahr 2016 sangen die 91-jährige Esther Bejarano, Rapper Kutlu Yurtseven und Joram, der Sohn von Esther Bejarano, bei einem Treffen der Europäischen Linken.

Kutlu Yurtseven hat sich, genau wie Vassilis Tsianos, immer wieder überlegt, Deutschland zu verlassen. Die unsäglichen Fragen, woher man kommt, wieso man so gut Deutsch spricht – sie können einem schnell zu viel werden. Aber Kutlu Yurtseven bleibt in Deutschland und versucht aufzuklären – mit Rap, mit Schulunterricht.

Tuesday, May 16, 2017At 10.00Where: Post-Conceptual Art Practices (PCAP), Atelierhaus, Lehárgasse 8, 1060 Vienna, 1. OG Atelier Süd (M1)3 blocks, each time Monday-Tuesday; always from 10.00 to 14.008.‒9. May, 15.‒16. May and 22.‒23. May 2017

Tuesday, May 16, 2017At 14.00 to 16.00WHERE: PCAP (POST CONCEPTUAL ART PRACTICES) STUDY PROGRAM,Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien,1 OG Atelier Süd (M1)Diploma presentations (June 2017)Verena Melgarejo WeinandtChristian Gangl

Tuesday 16, May 2017At 18.00WHERE: PCAP (POST CONCEPTUAL ART PRACTICES) STUDY PROGRAM,Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien,1 OG Atelier Süd (M1)

Artists talks Lina Albrikiene (Lithuania) and Olson Lamaj (Albania)

Organized by Post Conceptual Study Program (IBK).The presentations are possible thanks to the Artists-in-Residence program of the Austrian Federal Chancellery and KulturKontakt Austria.

Lina Albrikiene (Lithuania)

Title: Exploring Individual and Collective Memory

Lina Albrikiene is going to present her video and installation works by exploring personal and collective memory.

CV: Lina Albrikiene (b. 1984) is artist based in Vilnius (LT). From 2002‒2009 she was studying photography and media art at the Art Academy of Vilnius. During her studies she started working on memory issues that influenced her conceptual approach toward video, installation and photography. In 2011 Albrikiene got the Ministry of Culture Grand Prize for the young artist debut. The same year the artist was announced as the Grand Prize Winner at the “Young European Creators’ biennial” (Paris). At the moment Lina Albrikiene lives in Vienna doing her artist in residence program at Kultur Kontakt Austria.

Olson Lamaj (Albania)

Title: How Stars are Born?

Olson Lamaj will present some of his works that investi¬gate social and political issues related both to contemporary life in Albania and to more universal questions in the region. The coming from an ex-communist country has influenced his work that deals with political aspect of everyday life. In small and isolated countries the nationalistic debate has a big impact not only on life but even in shaping the landscape of the city. Lamaj will try to present the impact of political power in building new monuments or dealing with the past communist heritage.

CV: Olson Lamaj (b. 1985) is an Albanian artist living and working in Tirana. His work investigates social and political issues related both to contemporary life in Albania and to more universal and timeless systems of meaning extending beyond immediate conditions. As one of the co-founders of MIZA Gallery in Tirana, Lamaj’s own experience as an artist has been related to the establishment of artistic spaces and institutions in Tirana. Lamaj’s projects emphasize the semiotic oversaturation – and the mysterious, almost mystical qualities – ofobjects and images related to political ideologies of various kinds. His artworks function as a collective mythography of the present, laying the groundwork for the projection and creation of new myths.

Monday, May 22, 2017

Monday, May 22, 2017At 16.00WHERE: PCAP (POST CONCEPTUAL ART PRACTICES) STUDY PROGRAM,Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien,1 OG Atelier Süd (M1)Diploma presentation (June 2017)Joanna Wilk

Monday, May 22, 201718.00 is the NIGHT school (as well workshop A2)Where: Volkskundemuseum Wien Laudongasse 15-19, 1080 Wien

Night school speaker on Monday, May 22: Sônia Guajajara

Tuesday, May 23, 2017

At 14.00Where: Post-Conceptual Art Practices (PCAP), Atelierhaus, Lehárgasse 8, 1060 Vienna, 1. OG Atelier Süd (M1)PresentationsMathias Kropfitsch (MA in critical studies)Pato Wiesauer (student presentation)

Tuesday 23, May 2017At 18.00WHERE: PCAP (POST CONCEPTUAL ART PRACTICES) STUDY PROGRAM,Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien,1 OG Atelier Süd (M1)

Artists talks Gemma Anderson (United Kingdom) and Zun Ei Phyu (Myanmar)

Organized by Marina Grzinic, Post Conceptual Study Program (IBK).The presentations are possible thanks to the Artists-in-Residence program of the Austrian Federal Chancellery and KulturKontakt Austria.

Gemma Anderson (United Kingdom)

Title: Drawing as a way of knowing for art and science

This talk presents drawing as a way of knowing for art and science through the development and dissemination of drawing practices that extend understanding of, and engagement with, the diversity of natural form. Led by drawing practice, the approach encompasses a set of experimental methods including interdisciplinary collaboration, museum collection study and workshop design, often within the context of scientific institutions like the Natural History Museum. This artistic research has contributed to the development of two interlinked bodies of artistic research (and two new terms and practices) ‘Isomorphology’: the observational study of the shared forms and symmetries of animal, mineral and vegetable species, and ‘Isomorphogenesis’: the systematic representation of dynamic form through drawing.

CV: Gemma Anderson studied Fine Art Printmaking at the Royal College of Art and Falmouth University. She has collaborated on a number of innovative art/science projects including ‘Hidden Geometries’ with the Mathematics Department at Imperial College London; ‘Isomorphology’ and the ‘Cornwall Morphology and Drawing Centre’ with the Natural History Museum, London; and ‘Portraits: Patients and Psychiatrists’ (Wellcome Trust Arts Award 2009) in collaboration with psychiatrists and patients at Bethlem Royal Hospital. She completed a PhD in Arts at the University of the Arts London in 2015 and is currently a research fellow at the University of Exeter and associate Lecturer in Drawing at Falmouth University. Her book Drawing as a Way of Knowing in Art and Science (Intellect Press 2017) will be launched September 2017.

Zun Ei Phyu (Myanmar)

Title: Introduction to Myanmar and Myanmar contemporary art scene

Zun Ei Phyu will give an intro what is Myanmar contemporary arts and how Myanmar artists have to survive and learn for many perspectives of arts.

CV: Zun Ei Phyu is visual artist from Yangon, Myanmar. Since 2008 she works with installations, paper cutting transparent sheet painting and light projection (playing with shadows) and sometime as well with performance. She is a Medical Doctor working 2 a week at Charity Clinic, practicing as well art. She has been in several art residencies, among others in Japan (Tokyo), Indonesia (Ubud on Bali) and Malaysia (Kuala Lumpur). She took part in many international art exhibitions and festivals in Singapore, Japan, Hong Kong, Thailand, Malaysia, Indonesia, etc., exploring different culture and socio-economic conditions in different places.

Monday, May 29, 2017

at 10.00Where: Post-Conceptual Art Practices (PCAP), Atelierhaus, Lehárgasse 8, 1060 Vienna, 1. OG Atelier Süd (M1)

PCAP installment exhibition 30.05 at 17.00, even with presentations and talks

Hypermigrationculture: my education is your culturation!

Presentation of students’ animation works from the workshop by Pablo Toulouse and exhibition of students’ new projects at Post-Conceptual Art Practices

At 14.00Where: Post-Conceptual Art Practices (PCAP), Atelierhaus, Lehárgasse 8, 1060 Vienna, 1. OG Atelier Süd (M1)PresentationsMartin Weixelbaumer (diploma 2017/18)Mehrnoosh Roshanaei (Erasmus exchange student)

18.00 is the NIGHT school (as well workshop A2)Where: Volkskundemuseum Wien Laudongasse 15-19, 1080 Wien

Night school speakers on Monday, May 29: María do Mar Castro Varela and Nikita Dhawan

Tuesday, May 30, 2017

At 10.00 until 14.00Where: CONCEPTUAL ART PRACTICES) STUDY PROGRAM, Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)

RESEARCH SEMINAR (third session from 3) FOR DOCTORAL STUDENTS IN PHILOSOPHY open to all from the PCAP and larger Reading, discussion and reflection:Achille Mbembe. Necropolitics. Published in Public Culture, Winter2003 15(1): 11-40.

docs.google.com

IMPORTANT:::::::::Tuesday, May 30, 2017At 17.00

Where: Post-Conceptual Art Practices (PCAP), Atelierhaus, Lehárgasse 8, 1060 Vienna, 1. OG Atelier Süd (M1)

Hypermigrationculture: my education is your culturation!

Presentation of students’ animation works from the workshop by Pablo Toulouse and exhibition of students’ new projects at Post-Conceptual Art Practices

Students’ animation works from the workshop by Pablo Toulouse, artist in residence from Argentina
WORKS BYCatherina Franziska Lehnerer & Pato Wiesauer (animation: Magic is with in transition)Samira Fux, Sarah Jackel & Dana Rausch (animation: The tooth story)Pietro Desiró & Tim Zeiler & Nora Manthei (animation:shift(ing))Maira Caixeta & Mirabella Dziruni (animation: Cyber Reality)Ali Saadat (animation: Rabbit)Pablo Toulouse will revisit what was seen in the workshop and showing the material that has been produces out of it, in an open presentation. He will focus on one of the most prominent faces of animation, animation as praxis of resistance. Analyzing productions through history that developed new spaces for topics such as gender, sexual identities other than heteronormative ones, socio-economic issues such as structures of powerand capitalization of resources. Question to be envisioned is “Has animation grown to be a powerful story telling tool for marginalized topics?” and how it influenced generations with politics of metaphors?Workshop Student mentor: Cecilia Tasso

Exhibition of students’ new projects at Post-Conceptual Art PracticesWORKS BYSamira Fux (newspaper Unter Palmen, Nr. 2, in collaboration with Dana Rausch, 2017)Christian Guzy (installation, 2017)Betül Shayma Küpeli and Esra Özmen (Schools of Tomorrow, Berlin, 2017, report)Grace Marta Latigo and Cecilia Tasso (ich kündige!, stand-up-antiblog, 2017)

Catherine Lehnerer and Aniela Helen Guse (video installation Dieses Spiel ist kein Lebensersatz, 2017)Nora Manthei (Leinwand I, 55 x 52 x 200 cm, 2017)Mika Maruyama (traveling exhibition Behind the Terrain, Yogyakarta and Hanoi, 2017, report)Manuel Prammer (Heart bit and the new atelier space, 2017, report)Camila Rhodi (What if?, intervention, 2017)Mehrnoosh Roshanaei (video installation Yonder, 2017

ERASMUS SS 2017: Vienna in 4 months – a book projectArtist booklets byCatherine Lehnerer: fuck it - A MINI-ZINE FOR EVERYONENora Manthei: 15.02.2017 - 30.05.2017Mehrnoosh RoshanaeiGenevieve Strong

Muzaffer Hasaltay: video installation "Political Party", 2017Nase Zine, numbers 1 to 4

PARTY with food and drinks part of the event!

additionalDatum | 30.05.2017, 19.00 hOrt | Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 6, 1060 Wien, Prospekthof

Die Lebensgeschichte von Hélène Cixous, die als Kind jüdischer Eltern in Algerien aufwuchs, trägt die Spuren der großen politischen Konflikte des 20. Jahrhunderts. Die Existenz zwischen den Sprachen und den Kulturen zieht sich wie ein roter Faden durch ihr Werk und findet auch in ihrem philosophischen Denken, dass das Andere immer als konstitutiven Teil des Eigenen begreift, seinen Ausdruck. Die fundamentale Forderung nach Diversität und Differenz, die ihr Denken stellt, scheint heute im Hinblick auf den wachsenden Einfluss nationalistischer und neofaschistischer Strömungen dringlicher denn je. Peter Engelmann spricht mit ihr über ihre Biografie, ihr politisches und feministisches Engagement, ihre langjährige Freundschaft mit Jacques Derrida und die Hintergründe ihres Schreibens.

In Französisch mit deutscher Konsekutivübersetzung von Isolde Schmitt.

Eine Veranstaltung des Passagen Verlags in Kooperation mit der Akademie der bildenden Künste Wien. Gefördert durch das Institut Français.

Die GesprächsteilnehmerHÉLÈNE CIXOUS, 1937 als Tochter jüdischer Eltern im algerischen Oran geboren, ist eine französische Schriftstellerin, Dramaturgin, Essayistin, Feministin und Theoretikerin.

PETER ENGELMANN ist Verleger, Philosoph und Herausgeber zahlreicher Texte der französischen Philosophen der Postmoderne und Dekonstruktion.

Next June 6, 2017DIPLOME preparations