m1 (turm4)

PCAP program December 2011

ef — Sun, 27 Nov 2011 15:47:58 GMT

TIME TABLE WORK PCAP DECEMBER 2011

1.12.2011, Thursday

At 19.00 secession, opening, exhibited are David Maljkovic (Croatia), Attila Csörgõ (Hungary), Lecia Dole-Recio (USA).www.secession.atVereinigung bildender KünstlerInnen Wiener SecessionADDRESS: Friedrichstraße 12, A-1010 Wien

At 20.00 M1

Naz Gündogdu presentation,At 20 until 20.30 Naz reflections on the text she presented in the classAt 20.30 Naz presentation with a title »Hrant Dink assassination«

Hrant Dink (1954 – 2007) was a Armenian editor, journalist and columnist. As editor-in-chief of the bilingual Turkish-Armenian newspaper Agos. Dink was a prominent member of the Armenian minority in Turkey. Dink was best known for advocating Turkish-Armenian reconciliation and human and minority rights in Turkey; he was often critical of both Turkey's denial of the Armenian Genocide, and of the Armenian diaspora's campaign for its international recognition Dink was prosecuted three times for denigrating Turkishness, while receiving numerous death threats from Turkish nationalists. Hrant Dink was assassinated in Istanbul in January 2007, by Ogün Samast, a 17-year old Turkish nationalist. This was shortly after the premiere of the genocide documentary Screamers, in which he is interviewed about Turkish denial of the Armenian Genocide of 1915 and the case against him under article 301. While Samast has since been taken into custody, photographs of the assassin flanked by smiling Turkish police and gendarmerie, posing with the killer side by side in front of the Turkish flag, have since surfaced. The photos created a scandal in Turkey, prompting a spate of investigations and the removal from office of those involved. At his funeral, two hundred thousand mourners marched in protest of the assassination, chanting "We are all Armenians" and "We are all Hrant Dink". Criticism of Article 301 became increasingly vocal after his death.

2.12.2011, Friday

At 18.00Reflection on the class study travel to Budapest.

At 19.00Film program: SCREENING Teza and discussion, organized by Caceres and Lobo

6.12.2011, Tuesday10.00 to 12.00 preparation for the exhibition rundgang, CLASS MEETING with a overview of the works and space and program details rundgangINSTALLMENT works rundgang, January 2012: 16 and 17

12.00 to 14.00Neda HoseinyarAnna ShestakovaKatharina Wagner14.00 to 18.00Agne BagdziunaiteAnastasia BruelleChristian Diaz OrejarenaLaura Nitsch

8.12.2011, holiday

9.12.2011At 15:00 - 18:00, M1Emanzipatorische Interventionen als künstlerische Strategie 3, seminar by Can Guelcue

12.12.2011, Monday

14.00 to 17.00 seminar Borderlands – a theory workshop-seminar on border crossingThe workshop will be conducted by guest lecturer Ivana Marjanovic, PhD candidate at Academy of Fine Arts Vienna, part 1.DETAILS IN THE END OF THE PROGRAM DECEMBER.

At 17.00 visiting of the Rector and Vice-rectors in the class:

Eva Blimlinger, rector AkbildAndrea B. Braidt, vice-rector for art and researchKarin Riegler, vice-rector for teaching and promotion of early stage artists/researchers

Talks with the students, curricula, open questions administration, future proposals.IT IS VERY IMPORTANT YOU TAKE THIS POSSIBILITY TO INTERVENE AND DISCUSS. THE RECTORAT BODY IS VERY INTERESTED IN YOUR POINTS OF VIEW WHAT IS THE STATUS OF AKBILD, WHAT ARE THE STUDY PROBLEMS, OPEN INSTITUTIONAL QUESTIONS….

At 20.00 do 22.00 part of the seminar film screening, Coco Fusco and some other films on documentary on sex and prostitutionFilms, performances by Coco Fusco, organized by Caceres, Grzinic, Lobo, Marjanovic

13.12.2011, TuesdayAt 10.00 to 13.00 individual meetings, office Grzinic10.00 until 11.00 Meeting MA critical studies students, evaluation

14 to 20.00 seminar Borderlands – a theory workshop-seminar on border crossingThe workshop will be conducted by guest lecturer Ivana Marjanovic, PhD candidate at Academy of Fine Arts Vienna, part 2.DETAILS IN THE END OF THE PROGRAM DECEMBER.

At 20.00 until 22.00 part of the seminar film screening of Bamako by Abderrahmane Sissako, Mali, Africa, 2006, Length 120 minutes.

The film depicts a trial taking place in Bamako, the capital of Mali, amid the daily life that is going on in the city. In the midst of that trial, two sides argue whether the World Bank and International Monetary Fund, or perhaps corruption, are guilty of the current financial state of many poverty-stricken African countries.

14.12.2011 WednesdayM1, 15-18h KKPD seminar by Petja Dimitrova

15.12.2011 ThursdayM1, At 15:00Plattform Geschichtspolitik, seminar by Eduard Freudmann

16.12.2011, FridayM1, At 18.00Edi, Petja talk for installment works in the class exhibition…

FERIEN 19.12. 2012 until 7.01.2012FIRST WORKING day 9.01.2012 at 15.30, M1 student presentationsxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

PCAP (POST CONCEPTUAL ART PRACTICES)SEMINAR BY IVANA MARJANOVIC

Language: German and EnglishBorderlands – a theory workshop-seminar on border crossing

The workshop will be conducted by guest lecturer Ivana Marjanovic, PhD candidate at Academy of Fine Arts Vienna.

Border is a multiple category referring to many different conceptualizations. It can be viewed as a sight of economical management (global commerce) or biopolticial management (border controls, migration etc), a sight of regulation and control. In such context, it is argued that border is today less and less geographical linear demarcation and rather multiple entity that can be inner, outer, externalized and that can take the form of zones, regions, border lands (Étienne Balibar, Ugo Vlaisavljević). Also border is an ideological category, a site of protection of the conditions of reproduction of class, gender, “race” and other power relations producing divides. Finally, border is an unstable, contingent space of tension where the ordering field and its mechanisms are brought into question, opposed and where they can be bypassed and endangered by border-crossers and border dwellers in the spaces of the geo-political borders, in sights of struggles for knowledge and sights of political action (universities, books, lectures, exhibitions, no-border camps, protests, border-fuckers cabarets etc.)

Gloria Anzaldúa, queer theorist and writer defined border and borderlands in following way: Borders are set up to define the places that are safe and unsafe, to distinguish us from them. A border is a dividing line, a narrow strip along a steep edge. A borderland is a vague and undetermined place created by the emotional residue of an unnatural boundary. It is a constant state of transition. The prohibited and forbidden are its inhabitants. Los atravesados live here: the squint-eyed, the perverse, the queer, the troublesome, the mongrel, the mulato, the half-breed, the half-dead; in short, those who cross over, pass over, or go through the confines of the “normal.” (Anzaldúa, 2007 [1987]: 25).

and:

In the Borderlandsyou are the battlegroundwhere enemies are kin to each other;you are at home, a stranger,the border disputes have been settledthe volley of shots have shattered the truceyou are wounded, lost in actiondead, fighting back;.........To survive the Borderlandsyou must live sin fronteras*be a crossroads.

*sin fronteras – without borders(Anzaldúa 2007 [1987]: 216-217)

The workshop will be structured around reading of sections from the book “Borderlands/La Frontera: The New Mestiza” by Gloria Anzaldúa first published in 1987. Additionally the text by E. Patrick Johnson ‘Quare’ Studies, or (Almost) Everything I Learned about Queer Studies I Learned from My Grandmother will be discussed. Students are invited to prepare the texts and guide the readings but also to propose other theoretical texts that conceptualize border as a “threshold waiting to be crossed, a space rife with the seductive aura of transgression” (Sarai Reader 2007). The proposed texts would be discussed within the workshop. Film screening as collaboration with film program by Claudia Caceres and Marisa Lobo will be part of the workshop.

Subscription will be organized on the day of the course.

Please download reading material and read the texts before the workshop:

pcap-exchange.akbild.ac.at

user: ibk-dvdpassword: woxoc12S

Deadline for students’ proposals for additional texts for the readings is 5.12. Please send proposals to ivana@pips.at

PCAP program November 2011

ef — Mon, 31 Oct 2011 21:19:38 GMT

TIME TABLE WORK PCAP NOVEMBER 2011

4.11.2011, FridayAt 11.00 to 13.00 Individual meetings, Grzinic OfficeAt 14.00 M1, presentations PCAPOberlechner GeorgÖzmen EsraPalme PeterSchawalder MiroScheibelhofer SilviaKunz Simone

4.11.2011, FridayAt 20.00CONCLUDING THE READING OF TRINH MINH-HA, interview/text. The reading will be supported by the translation in German of her book. Language: English/German.9.11.2011, WednesdayAt 15:00 - 18:00 in M1KKPD, seminar by Petja Dimitrova

10.11.2011, ThursdayAt 15:00 in M1Plattform Geschichtspolitik, seminar by Eduard Freudmann

11.11.2011, FridayAt 15:00 - 18:00 in M1Emanzipatorische Interventionen als künstlerische Strategie 3, seminar by Can Guelcue

14.11.2011, MondayM1, At 15.30
Thomas Schoiswohl presentation/lecture diploma work /installation/ in the class:What means a political research in art?The diploma work by Thomas Schoiswohl is based on a conception of art research into history, activist intervention and political engagement in the post Nazi Austria. Thomas will guide us through all the most important points of his work!Mandatory for the first year students, Erasmus in the class and Ma students critical studies! Languages: English and German.

14.11.2011, MondayAT 17.30 we go to HISTORY /PERFORMANCE/FILM event for study reasons!Where: Filmcasino Vienna, entrance free.
ADDRESS: Margaretenstraße 78, 1050 WienOrganizd by GENERALI FOUNDATION.At 18.00Nervous Magic Lantern PerformanceKen und Flo JacobsAs part of the Vienna Art Week, Ken und Flo Jacobs will give a live presentation of one of the legendary Nervous Lantern Magic Performances.
In the mid-1970s, these experiments ultimately led him to develop the unique method he calls the Nervous System, a series of live performances with film projections he has continued to refine to this day.Using two modified projectors that show the same film with a slight delay between them, Ken Jacobs turns found footage—usually from old movies—into ceaselessly flickering and pulsating three-dimensional images. With the Nervous Magic Lantern system, which he developed in 2000, his work came to verge on abstraction: he creates abstract three-dimensional figures with nothing but the play of light and shadow. This technique represents Jacobs’s attempt to come as close as possible to the essence of film and evoke new sensory impressions while eschewing existing imagery.CV: The New York-based experimental filmmaker and “cinematic performer” Ken Jacobs (b. Brooklyn 1933) ranks with Maya Deren, Kenneth Anger, Stan Brakhage, Jack Smith, and Jonas Mekas as one of the pioneers of the New American Cinema of the 1960s and 1970s. As early as the late 1950s, he developed his own aesthetic-political filmic practice. His training in painting—he studied with Hans Hoffman—influenced his early films, in which an abstract expressionist language predominates, including, in particular, his early classic of American avant-garde cinema, Tom, Tom, The Piper’s Son (1969). Ken Jacobs’s work Capitalism: Slavery (2006) is on display in the exhibition Animism.14.11.2011, MondayAt 20.30 in M1Animation films and presentation works by David Kellner, who is working on his diploma for June 2012.

15.11. 2011 Tuesday

At 10.00 to 13.00 Individual meetings, Grzinic officeAt 13.00 presentations PCAPPhd in artsTanel RanderJaroslav VargaFirst year students:Hosseinyar NedaPotemkina AnastasiaShestakova AnnaTasci Reha RefikWagner Katharina

15.11. 2011 TuesdayAt 20.00 screening with discussion, film evening organized by Claudia Caceres and Marissa LoboTeza, 2008140 min (Ethiopia/ Germany)Director, Screenwriter, Editor: Haile GerimaLanguage: Amharic, German, English.German Subtitles

The film traces the anguished trajectory of an idealistic young intellectual named Anberber from his origins in a small village through his years as a medical student in Europe; his return to Ethiopia where he ends up a casualty of the Marxist military revolution that overthrew Emperor Haile Selassie in 1974; and his exile to West Germany, where he becomes a victim of racism.

16.11.2011 WednesdayAt 15:00 - 18:00KKPD, seminar by Petja Dimitrova21.11.2011, MondayTravel PCAP // BudapestPROGRAM WILL BE ANNOUNCED SEPARATELY

22.11.2011 TuesdayTravel PCAP // BudapestPROGRAM WILL BE ANNOUNCED SEPARATELY

23.11.2011 WednesdayTravel PCAP // BudapestPROGRAM WILL BE ANNOUNCED SEPARATELY

24.11.2011 ThursdayAt 15:00 in M1Plattform Geschichtspolitik, seminar by Eduard Freudmann25.11.2011 FridayAt 15:00 - 18:00 in M1Emanzipatorische Interventionen als künstlerische Strategie 3, seminar by Can Guelcue

30.11.2011, Wednesday

At 15:00 - 18:00 in M1KKPD, seminar by Petja Dimitrova

Borderlands – a theory workshop-seminar on border crossing

ef — Mon, 17 Oct 2011 11:37:42 GMT

Border is a multiple category referring to many different conceptualizations. It can be viewed as a sight of economical management (global commerce) or biopoliticial management (border controls, migration etc), a sight of regulation and control. In such context, it is argued that border is today less and less geographical linear demarcation and rather multiple entities that can be inner, outer, externalized and that can take the form of zones, regions, border lands (Étienne Balibar, Ugo Vlaisavljević). Also border is an ideological category, a site of protection of the conditions of reproduction of class, gender, “race” and other power relations producing divides. Finally, border is an unstable, contingent space of tension where the ordering field and its mechanisms are brought into question, opposed and where they can be bypassed and endangered by border-crossers and border dwellers in the spaces of the geo-political borders, in sights of struggles for knowledge and sights of political action (universities, books, lectures, exhibitions, no-border camps, protests, border-fuckers cabarets etc.)Gloria Anzaldúa, queer theorist and writer defined border and borderlands in following way: Borders are set up to define the places that are safe and unsafe, to distinguish us from them. A border is a dividing line, a narrow strip along a steep edge. A borderland is a vague and undetermined place created by the emotional residue of an unnatural boundary. It is a constant state of transition. The prohibited and forbidden are its inhabitants. Los atravesados live here: the squint-eyed, the perverse, the queer, the troublesome, the mongrel, the mulato, the half-breed, the half-dead; in short, those who cross over, pass over, or go through the confines of the “normal.” (Anzaldúa, 2007 [1987]: 25).

And:In the Borderlandsyou are the battlegroundwhere enemies are kin to each other;you are at home, a stranger,the border disputes have been settledthe volley of shots have shattered the truceyou are wounded, lost in actiondead, fighting back;…

To survive the Borderlandsyou must live sin fronteras*be a crossroads.

*sin fronteras – without borders(Anzaldúa 2007 [1987]: 216-217)

The workshop will be structured around reading of sections from the book “Borderlands/La Frontera: The New Mestiza” by Gloria Anzaldúa first published in 1987. Additionally the text by E. Patrick Johnson ‘Quare’ Studies, or (Almost) Everything I Learned about Queer Studies I Learned from My Grandmother will be discussed. Students are invited to prepare the texts and guide the readings but also to propose other theoretical texts that conceptualize border as a “threshold waiting to be crossed, a space rife with the seductive aura of transgression” (Sarai Reader 2007). The proposed texts would be discussed within the workshop. Film screening as collaboration with film program in the pcap organized by Claudia Caceres and Marissa Lobo will be part of the workshop.

DATES:

12.12.2011, Monday

14.00 to 20.00 seminar with Ivana Marjanovic, part 1

20.00 do 22.00 film screening in collaboration with Claudia Caceres and Marissa Lobo

13.12.2011, Tuesday

14 to 20.00 seminar with Ivana Marjanovic, part 2

PCAP program June 2011

ef — Sun, 05 Jun 2011 23:44:53 GMT

TIME TABLE WORK PCAP JUNE 2011

2.06 Thursday, holidays SEMPER CLOSED

3., 4., 5. 06, 2011 Friday, Saturday, Sunday
DIPLOMA INSTALLMENT, Edi, Petja in charge

6 to 11.06.2011, Monday to FridayHarun Farocki film seminar

9.6.2011, Thursday18:00 Platform History Politics/Eduard Freudmann

12, 13 .06.2011,Saturday, Sunday Monday, holidays

14.06.2011, TuesdayGrzinic, individual meetings, office, 16.00 to 19.00

DIPLOMA EXAMS 15, 16, 17.06.2011Grzinic in the commission

From the class

Christoph Kolar (16.06 at the Film Museum)Barbara Wilding (17.06, M1)Reinhard Uttenthaler (17.06, M1)Thomas Schoiswohl(17.06, M1)Okenna Okafor(17.06, M1)

DO NOT LITER; PLEASE DO NOT COOK on the 17.06 as that day the exams are in the class!

20.06.2011 Monday16:00 seminar/Petja Dimitrova

The diplomas will be in the space.

23.06, 2011Thursday18:00 Platform HistoryPolitics/Eduard Freudmann

27.6, 2011Monday16:00 seminar/Petja Dimitrova

28, 29., 30., 06.2011, exhibition of diploma works, open to general public

29.06.2011, WednesdayFluc party

30.06.2011, ThursdayAt 19.00M1, Muzaffer Hasaltay"die Klasse" videoperformanceDiscussion and general

1.07.2011, FridayAt 10.00 end of the semester with ceremony diplomants

Lecture: Cristian Nae

ef — Sun, 29 May 2011 19:59:06 GMT

hersonski

ef — Sun, 08 May 2011 20:50:50 GMT

Student presentations

ef — Sun, 08 May 2011 20:50:34 GMT

recoco

ef — Sun, 08 May 2011 20:50:14 GMT

sweet 1960s

ef — Sun, 08 May 2011 20:49:45 GMT

PCAP program May 2011

ef — Fri, 29 Apr 2011 11:51:14 GMT

TIME TABLE WORK PCAP MAY 2011

1.05.2011, SundayMAY DAY

2 and 3.05.2011, Monday/TuesdayEntry exams, first round (internal info for the class)From 9.00 to 19.00

2.05.2011. MondayM1, At 19.00 until 23.00

Open working process in the class. PREPARATION for the PANEL on the 13.05.2011 that will be on the 13.05!!! from 13.00 until 17.00 in Room M20, Academy of Fine Arts Vienna, Schillerplatz 3. See for the program what is under 13.05.2011!

On Monday, 2.05.2011, we will go through the texts and positions by prominent North African, Asian-European, Iran/USA curators and artists, that are taking part in the panels on the 13.05.2011.

The presentations on Monday, 2.05 at 19.00 will be done by the Editorial Group for Writing Insurgent Genealogies (Carolina Agredo, Sheri Avraham, Iris Borovcnik, Annalisa Cannito, Miltiadis Gerothanasis, Marina Grzinic, Niki Kubaczek, Marissa Lôbo, Ivana Marjanovic).

We will work about 3 to 4 hours and present each of the speaker and the points he or she or the group is developing. This will allow posing questions and engaging in the debates on the 13.05.2011 as a class and individually.

3.05.2011, TuesdayOpen space, ViennaAt 19.00

Opening of the show Widersprüche! Critical Agency and the Difference within and to the public talks by bini adamczak, Eduard Freudmann, Oliver Marchart and Nora Sternfeld

Adress: Open SpaceLassingleithnerplatz 21020 vienna

Lets meet there!

2 to 7.05.2011, Monday to FridayM1, from 10.00 to 18.00Farocki film seminar

5.5. 2011.2011, ThursdayAt 18.00, M1PLATFORM HISTORY POLITICS/Edi Freudmann

9.05.2011, Monday

11.00 to 13.00, INDIVIDUAL MEETINGS, office Grzinic, contact me

M1, at 15.00 until 20.00

Diploma presentations, second meeting, with debates and contextualizations

Barbara WildingReinhard UttenthalerThomas SchoiswohlOkenna Okafor

9.05.2011, MondayM1 at 20.30FILM SCREENING, a monthly film program conceived by Claudia Caceres and Marissa Lobo.

FILM: »A Film Unfinished”, 2010, IsraelDIRECTOR: Yael HersonskiRUNNING TIME: 90 minutesEnglish subtitles.

Organized in collaboration with Sheri Avraham and Tal Adler.Copy provided by Chui Yong Jian.

GUEST FOR THE AFTER FILM TALK: TAL ADLER, artist and curator, based in Vienna.

ABOUT THE FILM: “A Film Unfinished” has been generating buzz for its unorthodox approach to a familiar non-fiction subject: the Holocaust. “A Film Unfinished” is structured around footage from a quasi-documentary propaganda film called “The Ghetto,” shot by Nazi authorities in the Warsaw Ghetto in the spring of 1942. “The Ghetto” is a mix of candid and staged scenes of Jewish life, some of the staged scenes intended to demonstrate the callousness of rich Jews to the plight of their poor and starving Jewish neighbors. By weaving the footage together with Nazi bureaucratic records, outtakes, diaries of Ghetto residents, unauthorized footage from Nazi cameramen and recreations of Nuremberg Trial transcripts, Hersonski attempts to salvage the highly flawed but valuable “The Ghetto” as a historical document.
“There was a time when [the Germans] thought they were going to win this war. The documentation was intended to commemorate this victory and also to educate future generations about this race they had to annihilate to create a Third Reich,” said Hersonski. “Gradually it became evidence against them, so they tried to destroy it. The irony is that they were so good at documenting, they didn’t have the time to destroy everything.” (Hersonski)THE VIEWING OF THE FILMS IS STRICTLY FOR STUDY REASONS and for the possibility of a debate afterwards.

10.05.2011, Tuesday

10.30 to 12.00, INDIVIDUAL MEETINGS, office Grzinic, contact me

10.05.2011, TuesdayM1 from 12.00 to 15.00

ERASMUS PRESENTATIONSAgnes V. LugosiLukas Quietzsch

10.05.2011, TuesdayFACULTATIVE : Phd researches theory presentations

At 16:Where: der Vortragssaal des IKL in der Karl-Schweighofer-Gasse AKBILD

10.05.2011, TuesdayFACULTATIVE :MORE ABOUT THE SCREENING ON 9.05.2011

It is by coincidence to have a chance to go also for this public discussion.In charge: Edi Freudmann

WHERE: DÖW - Dokumentationsarchiv desösterreichischen WiderstandesDÖW Altes Rathaus, Wipplingerstraße 6-8 1010 WienWhen: 10. MAI 19 UHRww.doew.atDass es nicht immer um „Eingedenken“ (Walter Benjamin) geht,wenn der Nazismus und seine Verbrechen dargestellt oder behandeltwerden, zeigen zahlreiche künstlerische, wissenscha"liche undvor allem kulturindustrielle Produkte. Manchmal wird in oder mitihnen (unfreiwillig) die Barbarei gar reproduziert. Zuletzt verhalfetwa Yael Hersonskis „A Film Un'nished“ dem sadistischen Blickzu einem späten Sieg: Die unkritische Wiederverwertung von Nazi-Propaganda reproduziert diese.Andreas Peham (DÖW) spricht in seinem Vortrag über dieMacht der Bilder und die unheimliche „Schuld“ der Opfer undzeigt einige Filmausschnitte zum #ema, mit anschließender Diskussionsmöglichkeit.DÖW - Dokumentationsarchiv desösterreichischen WiderstandesDas DÖW versteht sich als Schnittstelle zu Wissenscha", Opferorganisationenund einer interessierten Ö%entlichkeit. Im Rahmenseiner Archiv- und Bibliotheksarbeiten wird Wissen über diejüngste Vergangenheit durch wissenscha"liche Beratung und aktiveGesprächskultur vermittelt.

12.05.2011, ThursdayGUIDED TOUR THROUGH THE EXHIBITION ReCoCo: Life Under Representational Regimes.THE GUIDED TOUR WILL BE DONE by the curator Joshua Simon.IN ENGLISH!

Where:
WUK Verein zur Schaffung offener Kultur- und Werkstättenhäuser1090 Wien, Währinger Straße 59

When : at 17.00Talk with Joshua Simon as well with some artists in the show is organized in collaboration with Tal Adler. It is a super option to see contemporary art works and meet new positions.ARTISTS IN THE EXHIBITION: Boaz Arad & Miki Kratsman (IL), Ariella Azoulay (IL), Lisa Biedlingmaier (CH), Diego Castro (D), Köken Ergun (TR), Francesco Finizio (USA/F), Thomas Galler(CH), Roee Rosen (IL), Anna Witt (A), Hannes Zebedin (A), Die Sammlung von Rudi Maier (D) „So geht Revolution“ - Werbung & RevolteCURATORS: Siri Peyer und Joshua SimonThe exhibition opens on the 11.05.2011 at 19.00 in wukThe 13.05.2011 FridayFrom 13.00 to 17.00., M20, Akbild SchillerplatzPANEL DISCUSSIONS under the topic: SWEET 1960s

We got an invitation to co-organize the panel/s and take part in the debates. The preparation of the readings will be on the 2.05, as announced, look 2.05, open to the class.

The panel is organized by tranzit.at in cooperation with the Post-Conceptual Art Practices (PCAP) Akbild.

ABOUT THE PROJECT AS FORMULATED ONLINE at tranzit : “The topic is SWEET 60s, that is a long term experimental curatorial, scientific and educational research project that investigates hidden territories of the revolutionary period of the 1960s regarded from contemporary artistic and theoretical perspectives. The curatorial and artistic focus lies on "post ideological societies" (in post-soviet, post socialistic, Eastern European, Middle Eastern West and Central Asian as well as North African countries and in a second phase in China and Latin America) and in making a comparative analysis and contextualization of the historical developments in arts culture and society of the 1960s and 70s and their subsequent effects on contemporary socio-political and cultural situations. “

PROGRAM/DRAFT (changes possible):

1.00pmIntroductionGeorg Schöllhammer, editor, author, curator and editor-in-chief based in Vienna / Austria.

1.30pmPanel 1Ruben Arevshatyan, artist, art critic and independent curator based in Yerevan / Armenia.Speaker from turkey / Turkey. (tbc)

2.30pmPanel 2Bassam el Baroni,curator and art critic from Alexandria / Egypt.Abdellah Karroum, independent art researcher, publisher and curator from Rabat / Morocco.Tirdad Zolghadr, independent writer/curator and teacher at the Center for Curatorial Studies, Bard College in New York / USA.

3.30pmPanel 3Olga Bryukhovetska, co-funder of the Visual Culture Reserach Center (VCRC) at the National University of Kyiv-Mohyla Academy (NaUKMA) in Kiev / Ukraine.Muratbek Jumaliev, artist from Bishkek / central Asian republic of Kyrgyzstan.Lali Pertenava, art historian and critic from Tbilissi / Georgia.Jahangir Selimkhanov, musicologist and music historian from Baku / Azerbaijan.

Moderating the talks by the Editorial Group for Writing Insurgent Genealogies (Carolina Agredo, Sheri Avraham, Iris Borovčnik, Annalisa Cannito, Miltiadis Gerothanasis, Marina Gržinić, Niki Kubaczek, Marissa Lôbo, Ivana Marjanović) at Post Conceptual Art Practices, Academy of Fine Arts Vienna

MORE ABOUT THE PROJECT:

The main focus of our project lies upon the still underexposed global cultural shift in the 1960s and its subsequent effects in countries that were skipped out from the historical explorations of that particular revolutionary period. The general perception of 1960s period is still being associated with western culture and with the formal fragmented replications of processes on the "peripheries" and "outskirts". Our project points at, reiterates, and re-narrates the still hidden geographies and societies of this cultural shift that most recently is getting rediscovered as a main influence for young artists in different localities around the globe.

In the early sixties, a hopeful spirit of modernism had moved into private ateliers in the art scenes of a lot of artscapes that then had be conceived as peripheral or provincial. In the so called Soviet Block, the existential fears from the period of the Stalinist dictate of realism had already elicited initial counter-reactions after 1956 in a reenactment of extremesubjectivism. In the totalitarian and colonial arts-capes of the Arab world and North and Central Africa as well as West and Central Asia new groups and positions that now emerged were joining an international artistic spirit of late modernist universalism and became able to feel accepted again in the international canon with their kinetic objects, light works, and theirstructural-geometric abstraction. In the second post-war decade, a generation of neo-constructivist artist on both sides of the Iron Curtain and the former colonies had formed a kind of international association.

During these years, the repressive climate was gradually loosened, and this made it possible to deal more freely with artistic means of representation - and also enabled a new approach to aesthetic work. In a way, neo-constructive modernism, the new abstraction, which functioned not only as a sign of the end of an area, but also as a kind of repression machine: the new modernism was also a substitute for the errors and oversights of as well fordism and socialism and their models of social modernization, criticized mass culture and its everyday objects, placed artistic work in an abstract space of work on the form, and was the vanishing point from the real world of the Cold War. The area of the neo-avant-gardes left tracesaround the globe. Yet it is still the one in the centers that has been canonized.

In contrast to the now accepted master narratives and historical canons of our project considers the processes of 1960s not as an eruption of a volcano with its fading away waves generating echoes in the rest of the world but as a certain general socio-cultural, political, economical condition evolving in global context, which determined the development of parallel modernities interrelated with the development of divers sociopolitical and culturalradical processes in every part of the world.External Links at.tranzit.orgThe event brings together key personalities involved in the project „Sweet 60s“, a long term experimental curatorial, scientific and educational research project that investigates hidden territories of the revolutionary period of the 1960s regarded from contemporary artistic and theoretical perspectives.

The curatorial and artistic focus lies on “post ideological societies” (in post-soviet, post socialistic, Eastern European, Middle Eastern West and Central Asian as well as North African countries) in making a comparative analysis and contextualization of the historical developments in arts culture and society of the 1960s and 70s and their subsequent effects on contemporary socio-political and cultural situations.

The participants will give an insight in their practice in regard to the project „Sweet 60s“ as well as a contextualisation within contemporary practices which will open up into a general discussion.

16.05.2011, MondayAt 16h KKPD Seminar by P.Dimitrova

17.05.2011, TuesdayM1 at 16.00 to 23.00Workshop title: Decolonizing Knowledge and Life through Theory and ArtThe workshop will be conducted by guest lecturer Ivana Marjanović, PhD candidate, Academy of Fine Arts Vienna.

LANGUAGE: German and English

The work that will be done as part of the workshop in the summer semester 2011 will be structured around the production of the book VOCABULARY OF DECOLONIALITY and it will consist of readings and discussions related to the book’s contributions.TEXTS:

Luzenir Caixeta - Minoritized Women Effect a Transformation in Feminism

María Galindo - Mujeres Creando

17.05.2011, TuesdayAlso in relation to the workshop texts we read in the past and presentlyM1 at 20.30 film program organized by Tjasa Kancler PHD student visiting us from Barcelona. Program on topics as postporn, and different strategies of resistance projects......postporn and different strategies of resistance projectsPROGRAM

If You Lived Here Still…._gentrification, bureaucratic complicity, increasing privatisation of the public sector; the limits in the representation of the socialVideo-interview with Martha RoslerThe (in)visibility of the socially underprivileged and the properties of the urban spaces they inhabit formed the starting point for Martha Rosler’s archive project If You Lived Here... first presented at the Dia Art Foundation in New York City in 1989, with which she undertook radical approach towards the systems and conditions underlying housing and homelessness such as gentrification, bureaucratic complicity or non-compliance and increasing privatisation of the public sector. For the exhibition at La Virreina, Centre de la Imatge in Barcelona (2010) the archive was complemented with local references to several collectives engaged in work with the housing crisis in the specific context of the city of Barcelona and by debates with representatives of collectives and local organizations on different forms of cultural activism and new strategies for social representation.Martha Rosler (New York, 1943)Since the early 1970s, through her numerous works and projects, traversing diverse working methods from documentary to performative, literary to organisational, Martha Rosler has progressively sought ways for socially engaged art practice and critical feminist position, to reconnect the private and public spheres, domestic space and media culture and the urban environment in confrontation with shifting political and economic realities.www.martharosler.net
Real Time (2003)_images, words and political praxis from the bodies of precariousnessVideo-interview with Maria RuidoFrom the 1970s onwards, inhabitants of “total work”, against traditional union movements, call for a withdrawal from production as a fundamental position of resistance. Video essay, Real Time, is located within this process of redefinition, stemming from the artist’s own experience as a cultural worker. The project reactivates some previously examined questions, and tries to think about the possibility/opportunity of constructing for the new working class its own visibility and a narrativity.

María Ruido (Orense, 1967)María Ruido has been developing interdisciplinary projects since 1996, about the social elaboration of the body and its location in the imaginaries of labour, as well as about the mechanisms for the construction of memory and its relation to the narrative forms of history. She presently lives in Barcelona, where she is lecturer at the Department of Media at Universidad de Barcelona. She is part of various study groups researching representation and its contextual relations.www.workandwords.net

Virgin Machine (1988)_’Don't say “I'm an S/M lesbian”, when you could be saying, "I fantasize eating out my manicurist on the bathroom floor with her mouth gagged by a rubber ball." Or, "I pinch my nipples when I masturbate until they're hard as points". And, "Fist me until the sweat drips off my lip. Isn't that much more enlightening?” (Susie Bright, Virgin Machine)Film by Monika TreutDorothee, a would-be writer and journalist, who leaves Germany for the Oz of San Francisco, searching for her long-lost mother and a cure for the malady of love. Installed in the Tenderloin, she peeps in on neighbours' bizarre sex rituals as well as does sightseeing of the more traditional kind. But encounters with male impersonator Ramona, charming Hungarian bohemian Dominique, and Susie Sexpert, barker for an all-girl strip show, lead to exploratory adventures of self-discovery and fun. When Dorothy surfaces like a dazzled tourist on the wilder shores of the city's lesbian community, she has discovered her true sexuality. . . . and left some illusions behind.Monika Treut (1954, Mönchengladbach)For nearly two decades, German filmmaker Monika Treut's films have depicted worlds that the mainstream media tends to treat as "deviant." Her work consistently explores challenging and controversial issues surrounding minority sexual and gender identities. Born in Moenchengladbach, Germany, Treut studied literature and political science in Marburg/Lahn and wrote her doctoral dissertation on the Marquis de Sade and Leopold von Sacher-Masoch. It has been published as The Cruel Woman: Female Images in de Sade and von Sacher-Masoch.

www.hyenafilms.com

My Sexuality is an Artistic Creation (2011)_ postporn; counter-practices and subversionDocumentary by Lucia Egaña RojasPostporn emerges in the 90’s with Annie Sprinkle as a response to conventional pornography and its incomplete and utilitarian representation of women sexuality.My sexuality is an artistic creation documents the postporn scene taking important place in Barcelona within the last decade. Through the archive material, DIY postporn videos, performances documentation and public space interventions, and seven interviews with artists and groups such as Diana pornoterrorista, María Llopis, Post-Op, Go Fist Foundation o La Quimera Rosa, Lucia traces the origins of this movement, their personal motivations and referents (Annie Sprinkle, The Volcano LaGrace, Cindy Sherman, Marina Abramovic, Beatriz Preciado, Judith Butler, Michel Foucault or Dona Haraway), to address the key issues on which postporn rotates. It is about the uncovering its causes, motivations and peculiarities, with the quest to build other forms of representation of sexuality where art and political activism are impossible to separate.

Lucía Egaña Rojas (1979, Münster/Chile) has worked as an independent artist and freelance activist. Most of her work is based on collaborative productions that question the construction of social imaginary in popular culture. Since 2004 she is funding member of desBASURAment, an ongoing group project that work in diverse locations with waste, and since 2009, minipimer.tv, a video streaming collective based in Barcelona.www.lucysombra.org

18.05.201, Wednesday
M1 at 10.00 to 15.00TEXTS:

Sylvia Marcos - Resistance, Agency and Spirituality: Zapatista women re-envision Their Struggle

Encarnación Gutiérrez Rodríguez - AFFECTIVE Value - On Coloniality, Feminization and Migration

Workshop title: Decolonizing Knowledge and Life through Theory and ArtThe workshop will be conducted by guest lecturer Ivana Marjanović, PhD candidate, Academy of Fine Arts Vienna.

LANGUAGE: German and English

Marjanovic will as well give an overview what was done until now, conclusion and plans for the next semester.19.05.2011 ThursdaysAt 18.00, M1PLATFORM HISTORY POLITICS/Edi Freudmann

SPECIAL SCREENING PROGRAM organized by Chui Yong Jian and Yeo Siew Hua.18, 19 and 20.05.2011

SINGAPORE FILMS: covering the themes of History, Politics and Censorship

Where M1Introduction and talk afterwards moderated by Chui Yong Jian and Yeo Siew Hua.English subtitles

PROGRAM18th 2011, WednesdayAt 18.00

Sandcastle by Boo Junfeng - www.imdb.com

19th 2011, ThursdayAt 19.00

Tanjong Rhu by Boo Junfeng - www.fridae.comUtama - Every Name In History Is I by Ho Tzu Nyen - www.transmediale.deHere by Ho Tzu Nyen - www.imdb.com

20th 2011, FridayAt 18.00Invisible City by Tan Pin Pin - invisiblecity.sgIn the House of Straw by Chris Yeo - 13littlepictures.com

23.05.2011, Monday,at 16h KKPD Seminar by P.Dimitrova

24.05.2011, TuesdayEdi, Petja, class work/some open questions, also by appointment/individually

30.05.2011, MondayM1, at 16.00 until 20.00Diploma presentations, third meeting, at 16.00 until 20.00, with debates and contextualizations

Okenna OkaforBarbara WildingReinhard UttenthalerThomas Schoiswohl

30.05, 2011, MondayM1, at 20.30

Presentation, documents, words, situations on changes in Tunisia 2011; images and narratives by those who took part in Tunisia conference: Iris Borovcnik, Annalisa Cannito, Chui Yong Jian and Miltiadis Gerothanasis

31.05.2011, Tuesday10.00 to 12.00, Grzinic office, individual meetings13.00 to 15.00 DIPLOMA STUDENTS, meeting with Marina, Edi and Petja, installment details, OFFICEAt 16 .00 until 19.00Students presentations:

Natasa Mackuljak,Willi HejdaAnd some other to be announced

31.05.2011, TuesdayM1, At 20.00 lecture

GUEST LECTURER: Cristian Nae, Iasi, RumaniaArt Critic & Ph.D. Lecturer,Department of Art History and Theory,"George Enescu" University of Arts, IasiTitle will be announced.

Screening: Bruce LaBruce

ef — Sun, 10 Apr 2011 21:45:28 GMT

student presentations

ef — Sun, 10 Apr 2011 21:44:59 GMT

PHD presentations

ef — Sun, 10 Apr 2011 21:44:27 GMT

PCAP program April 2011

ef — Tue, 05 Apr 2011 09:56:11 GMT

PCAP (POST CONCEPTUAL ART PRACTICES) STUDY PROGRAMProf. Marina GrzinicAcademy of Fine Arts, ViennaM1, first floor, Semper Depot, Lehargasse 8, Viennam1.antville.org

PCAP APRIL 2011, working schedule

4 to 9.04.2011, Monday to Friday , M1Film seminar by Harun Farocki

7.4. 2011, ThursdayAt 18.00, M1PLATFORM HISTORY POLITICS/Edi Freudmann

13.4. 2011, Wednesday

10.00 to13.00, INDIVIDUAL MEETINGS, GRZINIC OFFICE, contact me for the meeting

At 14.00 until 18.00, M1

At 14.00 DIPLOMA PRESENTATIONChristoph Kolar presentation diploma work for June 2011He will screen his film and we will discuss and comments

At 16.00 PhD RESEARCHER PRESENTATIONNika Autor, PHD art student at the Academy of Fine Arts Vienna, enrolled in the class. She will show 2 films both expose the regime that European Union is imposing on migrant population.

Postcards by Nika Autor, experimental film, PAL DVD, color, 9', 2010My work is the reaction to the relations of inequality, to unequal distribution of power that is being historically reproduced through the domination of power relations on both national and global level.

Report on the situation of asylum seekers in Republic of Slovenia, January 2008 – August 2009 by Nika Autor &Maja Cimerman, documentary film, PAL DVD, BW, 36'', 2010The film is trying to expose struggle and life of the asylum seekers in Slovenia. Asylum seekers are more and more becoming object of systematic physical and psychological violence. The Asylum Center has become an instrument for averting asylum seekers’ and dismantling the right to asylum, rather than being an instrument of their protection. Ever more present repression over asylum seekers coincides with the trend of asylum law. Film exposes the structure of the asylum legal regulation, it’s transformation, disappearance of the right to asylum, criminalization of asylum seekers, systematic physical and psychological violence over asylum seekers, the emergence of European apartheid system, system of production of “sans papieres” while pointing out the self-organization of asylum seekers themselves and the meaning of social centers and open autonomous spaces that self-organized asylum seekers and their supporters are using in their everyday organizing

13.4. 2011, Wednesday

At 19.00

Where: WUK Kunsthalle ExnergasseWähringer Straße 59A-1090 Wien

Panel discussionSeavas Abi and Sista, Build Communities of Resistance!“Kanak_innen Rap” as an Intervention into Debates on Policies of Migration?The so-called “Kanak_innen Rap” is street culture, performed by migrants and inscribed by their living circumstances, which deals with stories of “reality” and dreams, and criticizes exclusion and social problems. Which emancipatory rap projects exist beyond the reproduction of sexist, macho and homophobic imagery? How do they communicate anti-racist awareness, and to which extent are they identified as part of migration struggles? How does the park groove and what’s the message? These questions outline the field of investigation for the panel discussion which will gather anti-racist rap artists and activists.

14.04.2011, Thursday

10.00 to 12.00 INDIVIDUAL MEETINGS, Grzinic office, contact me for the meeting

14.04.2011, Thursday

At 13.00 until 14.30STUDENT PRESENTATIONSArin Zadoorian, presentation film, Bratislava study trip in November 2010Evgen Shevelenko, enrolled this semester in the class, will show his entry portfolio14.04.2011, Thursday

At 14.30 until 16.00DIPLOMA PRESENTATIONOkenna Okafor, work in process presentation of the diploma work, collaboration with Sheri Avraham and Marissa Lobo14.04.2011, Thursday

PhD RESEARCHER PRESENTATIONSPhD students with us in the PCAPAt 16.00Ana Vulic, from Belgium, presentation of Gender Performativity: Discourses on Diversity and its Constitutive Limits

At 17.30Seraina Renz, from Switzerland, presentation of Art, Bodies, and Politics: Body Art in Yugoslavia and the Post-Yugoslavian Republics

At 19.00Aneta Stojnic, from Serbia, presentation of the recent work: digital, performative

14.04.2011, ThursdayAt 21.00 SCREENINGMONTHLY FILM PROGRAM PCAP by Claudia Caceres and Marissa Lobo.Screening a film by Bruce LaBruce. Debate afterwards.Bruce LaBruce (1964) is a Canadian writer, filmmaker, photographer and underground gay porn director based in Toronto.18.04 to 30.04, 2011, HOLIDAYS

Exchange project

ef — Sun, 27 Mar 2011 20:53:14 GMT

Readings: Vocabulary of Decoloniality

ef — Sun, 27 Mar 2011 20:52:56 GMT

Student presentation

ef — Sun, 27 Mar 2011 20:52:24 GMT

Screening: Shoah by Claude Lanzmann

ef — Thu, 03 Mar 2011 23:11:11 GMT

PCAP program March 2011

ef — Thu, 03 Mar 2011 23:07:12 GMT

PCAP (POST CONCEPTUAL ART PRACTICES) STUDY PROGRAMProf. Marina GrzinicAcademy of Fine Arts, ViennaM1, first floor, Semper Depot, Lehargasse 8, Viennam1.antville.org

TIME TABLE WORK PCAP MARCH 2011

February 2011, holidays until 28.02.2011

28.02.2011 to 5.03.2011, Monday to FridayFilm seminar Harun Farocki

4.03.2011, FridayDIPLOMA exams

7.03.2011, Monday

15.30 to 16.30 Grzinic, office, individual meetings16.30 to 22.00, M1

At 16.30 Ivan Jurica, BRATISLAVA STUDENTS ARE COMING END OF THE MONTH; our program, party for themAt 17.00 Introduction Erasmus and Phd Students that will stay with us the semesterDiscussion watching films by Gangl; Borovcnik; Andy, Barbara, Joanna;Talk about The darker side of the academy (about the whole project); Arin installation; Saleh installation, Lisa Lnenicka installation, Alessandra dos Santos installation, Kader; works by new students Evgeniy (maybe he will be in the class)At 20.00 Vocabulary of decoloniality, text by Festus I (conclusion), Marjanovic

8.03.2011 Tuesday9.00 to 23.00Screening film Shoah (1985) by Claude Lanzmann. The film is cca 10 hour long documentary of the Holocaust. Lanzmann interviews survivors, witnesses, and ex-Nazis (whom he had to film secretly since though only agreed to be interviewed by audio).OPEN TO GENERAL PUBLIC.

In charge Eduard Freudmann

(SEE: We make pose to eat in between we will buy food and cook? )

10.3.2011, ThursdayAt 18.00 Platform historypolitics

14.03.2011, MondayAt 16.00 new students in the class, took party and program Bratislava students

At 17.00 to 21.00

PRESENTATION STUDENTS WORKS FOR DIPLOMA JUNE 2011

Tomash Schoiswohl

Reinhard Uttenthaler

With references to and reading of the their texts for the book project “Vocabulary of Decoloniality, as part of the workshop Decolonizing Knowledge and Life through Theory and Art. The workshop is conducted by guest lecturer Ivana Marjanovic, PhD candidate, Academy of Fine Arts Vienna.

15.03.2011, TuesdayAt 9.00 to 15.00 book editorial , kitchen

At 16.00 IG bildende kunst, exhibition with the class we go there and talk with the organizers of the project, watch and discuss

At 18.00 Open space, visiting a show , Oliver Ressler

16.03.2011, Wednesday

At 9.00 to 15.00 book editorial, kitchenAt 16.00 to 18.00 Grzinic, office, individual meetings

At 19.00OPENING EXHIBITION
„eine arbeit, die dass was sie reflektiert, nicht loswird” (a work that cant shake off what it reflects), exhibition’s subtitle: Auseinandersetzungen über Kontinuitäten und Brüche kolonialer,faschistischer und nazistischer Praktiken in Österreich //“Debating and contesting continuities and ruptures of colonial, fascist and Nazi practices in Austria.”

Where: Kunsthalle ExnergasseWähringer Straße 59A-1090 Wienwww.wuk.at

Ein Ausstellungsprojekt von und mit Petja Dimitrova, Lina Dokuzović, Eduard Freudmann, Can Gülcü und Ivan Jurica sowie mit Ljubomir Bratić/Richard Ferkl, Christian Gangl, Nina Höchtl, kegnschtelik – Yiddish Resistance 3.0, maiz - Autonomes Zentrum von & für Migrantinnen, Marcel Mališ, Ivana Marjanović, MigrafonA, Katharina Morawek, Plattform Geschichtspolitik, Recherchegruppe zu Schwarzer österreichischer Geschichte und Gegenwart, Marika Schmiedt.

21.03.2011, MondayEdi, petja

23.03. 2011, WednesdayEXHIBITION at Kunsthalle Exnergasse„eine arbeit, die dass was sie reflektiert, nicht loswird” (a work that cant shake off what it reflects), exhibition’s subtitle: Auseinandersetzungen über Kontinuitäten und Brüche kolonialer,faschistischer und nazistischer Praktiken in Österreich //“Debating and contesting continuities and ruptures of colonial, fascist and Nazi practices in Austria.”PROGRAM At 19:00 Präsentation der Ergebnisse des Workshops "Geschichtspolitische Kontinuitäten: Türk_innenritte vor und in Wien"

Where: Kunsthalle ExnergasseWähringer Straße 59A-1090 Wien

24.03.2011Thursday

At 14.00 info Conceptual Class entry exam AkbildAt 18.00 Platform historypolitics

28.03.2011, Monday

At 10.30 to 14.00 book editorial, kitchen

28.03.2011, MondayAt 16.00 to 21.00, M1READINGS AND DISCUSSIONS FOLLOWED BY SCEENING

Vocabulary of Decoloniality

At 16.00 to 21.00

Beyond the overarching Imaginary: Vocabularies, Parallels and Trajectories in Global Coloniality of Power by Festus Ikeotuonye
Who can speak? Decolonizing Knowledge by Grada Kilomba

The reading is organized in the framework of the workshop Decolonizing Knowledge and Life through Theory and Art. The workshop is conducted by guest lecturer Ivana Marjanovic, PhD candidate, Academy of Fine Arts Vienna.

Based on PCAP readings, a book project “Vocabulary of Decoloniality” was initiated by Marina Grzinic, Ivana Marjanovic and students of the Post Conceptual Art Practices class. The concept of the book has been developed as a collective process by the students. The book represents an attempt to transcend the class program and try to contextualize questions of knowledge, dissemination and activation through art and theory.

28.03.2011, MondayAt 21.00 SCREENING Paris Is Burning, 1990, 78 minutes, English languageThe film is among the 5 references listed by Kilomba that have marked her work.Paris Is Burning, directed by Jennie Livingston, filmed in the mid-to-late 1980s, has chronicled the ball culture of New York City and the various groups including African Americans, Latino gay, and transgender community involved in it. Ball culture, the house system, and similar terms describe the underground LGBT subculture in the USA in which people walk that means compete in dance and vogue and in various genres of drag (as gender and class) for prizes. Paris Is Burning is to be seen as an invaluable documentary of the end of the "Golden Age" of New York City drag balls, as well as a thoughtful exploration of race, class, and gender in America.Screening organized in collaboration with Claudia Caceres and Marissa Lobo, as part of their coordination of the film monthly program PCAP.

29.03.2011,TuesdayCLASS VISITING FROM BRATISLAVA Academy of Fine ArtsPROGRAMEXCHANGE PROJECT BETWEEN THE PCAP (Post-Conceptual Art Practices,Prof. Marina Gržinić), ACADEMY OF THE FINE ARTS, VIENNA andSTUDIO ILONA NÉMETH , ACADEMY OF THE FINE ARTS, BRATISLAVA

PART II

Vienna 29./30.3. 2011

Program:

Tuesday 29.3.2011

15.00 – 15.45 Visiting Museumsquartier

16.00 Meeting at the Academy of Fine Arts Vienna (Atelierhaus, Lehargasse 8, Vienna);M1, space PCAP

Welcome, Program Introduction

16.30 – 18.30 Students Presentations/exchange:

PCAP:•Annalisa Cannito - Italy: To unmask the subtle misuse of symbols; Intervention of the self-organized group "B/sogno collettivo"•Anonymous Group – Presentation of Deportation From Austria, Intervention and talking about the exhibition project that was organized in Vienna on (State) repression, and knowledge as copyriot•Alessandra dos Santos Silva – Photo work On Antiracism, Black Liberation

Studio Ilona Németh :•Ľudmila Horňáková: "Predpoveď" (Prediction): sound recordings and booklet•Lucie Mičíková: "Budúcnosť minulosti" (The future of the past): series of Polaroids"Pohľad z okna v Le Gras (View from the Window at Le Gras): single video, 8 hours•Kristián Németh: "Mreže" (Grille): single video, 8min."Prvé sväté prijímanie" (The First Communion): photography, altar-bread

18.30 – 20.00 Guided tour at the Academy with Platform Geschichtspolitik /Platform History Politics (Group) /English

At 20.00 Collective Food at M1, prepared by the class and the great cooking team PCAP

21.00 – 23.00 Performances/INTERNAL PartyStarting with performances by invited guests:•Peter Haselmayer: "How To Break Reality/Education For Children"•Performance by SubchorDJ music, karaoke

30.03.2011, WednesdayCLASS VISITING FROM BRATISLAVA Academy of Fine ArtsPROGRAM

11.00 Meeting in the city (both, PCAP & SIL)Special guided tour through the city by poet, performer Njideka Stephanie Iroh

13.00 – 15.00 Break; Individual Programs

15.00 – 17.00: WUK Kunsthalle Exnergasse; guided tour through the exhibition
„A work that can’t shake off what it refelects. Debating and contesting continuities and ruptures of , colonial, fascist and Nazi practices in Austria“ , English language

19.00 –„Der Drang nach Osten – History And Presence Of The Austrian Expansionist Policy”(Panel/Discussion)

Organized by Post Conceptual Art Practices, Academy of Fine Arts Vienna; STUDIO ILONA NÉMETH, ACADEMY OF THE FINE ARTS, BRATISLAVA and Ivan JuricaBratislava students, assistants, professors Ilona Nemeth and Anton Cierny, all together 20, visit. Entry, food, program, party.PROGRAM, PARTY IN THE CLASS

Where: WUK Kunsthalle ExnergasseWähringer Straße 59A-1090 Wien

PCAP program January 2011

ef — Thu, 06 Jan 2011 14:03:39 GMT

PCAP (POST CONCEPTUAL ART PRACTICES) STUDY PROGRAMProf. Marina GrzinicAcademy of Fine Arts, ViennaM1, first floor, Semper Depot, Lehargasse 8, Viennam1.antville.org

TIME TABLE WORK PCAP JANUARY 2011

20 December 2010 until 7 January 2011, HOLIDAYS

10-15, January, 2011, Monday -FridayHarun Farocki film seminar

January 2011, Thursday18.00Plattform Geschichtspolitik, Jour Fixe (general meeting)
January, 2011, MondayINSTALMENT RUNDGANG EXHIBITIONIn charge Edi and Petja
January, 2011, TuesdayINSTALMENT RUNDGANG EXHIBTION (finalization)In charge Edi and Petja
January 2011, Tuesday15.30 to 19.30Individual meeting, office GrzinicCONTACT ME FOR APPOINTMENT
January 2011, WednesdayPreopening exhibition PCAP! At 14.00
January 2011, Wednesday9.00 to 11.00Individual meeting, office GrzinicCONTACT ME FOR THE APPOINTMENT
January 2011, Friday10.00 to 15.00Editorial board book, meeting, office Grzinic
January 2011, Saturday11 to 15.00Editorial board book, meeting, office Grzinic

RUNDGANG PCAP 2011 PROGRAMO

January 2011, Wednesday at 14.00 PRE-OPENING EXHIBITION
January 2011, Thursday

16.00 h: Ausstellungseröffnung und Arbeitspräsentationen//OFFICIAL OPENING EXHIBITION and TALK ABOUT THE WORKS18.00 h: Decolonizing Knowledge and Life through Theoryand Art, Workshop konzipiert und organisiert von IvanaMarjanovic, Gastpräsentation: Rubia Salgado/maiz, Linz//GUEST TALK: Rubia Salgado/maiz, Linz

19.30 h: Interventionen und Führungen der Gruppe »Emancipatoryinterventions as artistic strategy« in Kooperationmit »Projekt Kunst und Kommunikation« von Nora Sternfeld//INTERVENTION AS ARTISTIC STRATEGY

20.00 h: Buchpräsentation Ljubomir Bratic´: PolitischerAntirassismus. Selbstorganisation, Historisierung als Strategieund diskursive Interventionen (Löcker, Wien 2010)//BOOKPRESENTATION: Ljubomir Bratic, Vienna

22.00 h- bis/until 1.00 »The darker side of the Academy«,Interventionsveranstaltungmit Musik und Getränken, Soli-Küche undDiskussionen.PARTY, TALKS, FOOD, from 22.30 to 1.00

January 2011, Friday

16.00 h: Lecture-Performance des StudentenMiltiadis Gerothanassis: »Greece, democracy, strategiesof commemoration« (Arbeitstitel eines Work-in-progress-Projekts).STUDENT LECTURE: Miltiadis Gerothanassis18.00 h: Decolonizing Knowledge and Life through Theoryand Art, Workshop konzipiert und organisiert von IvanaMarjanovic, Präsentationen: Njideka Stephanie Iroh sowieLisa Lnenicka und Annalisa Cannito (Studierende).GUEST LECTURE: Njideka Stephanie IrohSTUDENT PRESENTATIONS: Lisa Lnenicka und Annalisa Cannito

January 2011, Saturday

16.00 h: Interventionen und Führungen derGruppe »Emancipatory interventions as artistic strategy«in Kooperation mit »Projekt Kunst und Kommunikation«von Nora Sternfeld.INTERVENTION AS ARTISTIC STRATEGY

17.00 h: Decolonizing Knowledge and Life through Theoryand Art, Workshop konzipiert und organisiert von IvanaMarjanovic, Präsentationen: Tatiana Kai-Browne, VerenaMelgarejo Weinandt und Niki Kubaczek (Studierende).STUDENT PRESENTATIONS: Tatiana Kai-Browne, VerenaMelgarejo Weinandt und Niki Kubaczek

18.30 h: Präsentation der Installation »Iron Mask – WhiteTorture« von Marissa Lôbo im Dialog mit AlessandraKlimpelSTUDENT PRESENTATIONS: Marissa Lôbo, AlessandraKlimpel

January 2011, Monday and 25. January 2011, TuesdayDIPLOMA INSTALLMENT, students from other classes in PCAP space!!!!
January, 2011, Wednesday

At 16.00 until 20.00Reading, discussion, watching

Workshop Decolonizing Knowledge and Life through Theory and Art. Conducted by guest lecturer Ivana Marjanovic, PhD candidate, Academy of Fine Arts Vienna. Topic in this semester is readings of the text form the class book project VOCABULARY OF DECOLONIALITY.

READINGS with discussion:

Beyond the overarching Imaginary : Vocabularies, Parallels and Trajectories in Global Coloniality of PowerFestus Ikeotuonye

VOCABULARY OF DECOLONIALITY introduces the concept of decoloniality as an option for the contention of contemporary forms of subjugation under neo-liberal global capitalism that is based on historical colonialism and maintains continuities with it. Reading writers such as Frantz Fanon, bell hooks, Belinda Kazeem, Nicola Lauré al-Samarai, Walter Mignolo and Peggy Piesche and relating their ideas to the current state of capitalism, migration, racism, class, gender etc., the editors with the name “Editorial Group for Writing Insurgent Genealogies ” decided that it is necessary to reformulate the existing vocabulary and to re-propose new terminology and meaning connecting art and politics.

VOCABULARY OF DECOLONIALITY is a project initiated by the alumni and students of the Post-Conceptual Art Practices class at the Academy of Fine Arts in Vienna, PhD candidate Ivana Marjanović and Professor Marina Gržinić within the context of the project of theory and arts: “Seminar Decolonizing Knowledge and Life through Theory and Art” that has been organized in the class for Post Conceptual Art Practices class, Akbild, since 2009 by Ivana Marjanović. The Editorial Group for Writing Insurgent Genealogies consists of Carolina Agredo, Sheri Avraham, Iris Borovčnik, Annalisa Cannito, Miltiadis Gerothanasis, Niki Kubaczek, Marissa Lobo and Ivana Marjanović. The group was constituted through a hard process of reading, discussions and activation.

January, 2011, Wednesday

At 20.30 screening video film'Red Tours' Joanne Richardson / David Rych, 2010(Shown in the exhibition 'Der Drang nach Osten', Hit Gallery, Bratislava, curated by Ivan Jurica)

info: www.kuda.org

screening proposed and moderated by Kevin Dooley

January 2011 and 28.January 2011DIPLOMA 2 days: !!! Grzinic in the commission, take a chance and follow the exams! Do not litter in the space PCAP, do not cook, especially on the 28.01!!! as we will have students from other classes in our space presenting the diploma work!!

29.01.2011 to 28.02.2011 FERIEN/HOLIDAYS

28.02. 2011 START OF THE NEW SEMESTER!!MARCH 2011 we will watch on 8.03.2011 from 9.00 until 23.00: SHOAH by Claude Lanzmann, completed in 1985 about the Holocaust, it is long cca 10 hours, we will watch in its entirety. In charge for screening is Freudmann. We will have a pause for eating.

All what is going on in the class if not said differently is open to the academy as a whole and the most general public.