m1 (turm4)

PCAP program December 2012

concept — Thu, 29 Nov 2012 00:01:46 GMT

PCAP (POST CONCEPTUAL ART PRACTICES) STUDY PROGRAMProf. Marina GrzinicAcademy of Fine Arts, ViennaM1, first floor, Semper Depot, Lehargasse 8, Viennam1.antville.org

PCAP program December 2012

3.12.2012, Monday

At 11.00, M1Meeting, discussion, the conference in the academy: dildo, anus, power; what is the state of things: refugee protest camp in Vienna.Continuation reading Robert Fine text: Fighting with phantoms: a contribution to the debate on antisemitism in Europe

At 16.00, M1Presentations:David KellnerChui Yong JianRoman AbulkhanovErol Lütfiye Ezgi

4.12.2012, TuesdayIndividual meetings: 9.00 to 11.00, Grzinic, office

At 11.00 until 14.00, M1GENERAL MEETING: open questions, Rundgang, program, exhibition, lecturesDiscussion class, space usage, open pointsList for the Rundgang, basic work description, and technical needs, lecturesOpen question

10.12.2012, MondayAt 16.00, M1

Presentations:Diaz Orejarena ChristianAndreas Scherz
Refik Reha TasciSongül SönmezClaudia Tomassetti

11.12.2012, TuesdayIndividual meetings: 9.00 to 11.00, Grzinic, office

At 11.00, M1

Presentations:Lisa LnenickaPeter PalmeNaz Gündoğdu

11.12.2012, Tuesday

At 18.30, Galerie IG BK
Galerie IG BILDENDE KUNSTWHERE: Gumpendorfer Straße 10-121060 Wien

Project AIDS/HIV ALS (ANDERE) FORM DER GOUVERNEMENTALITÄTAIDS/HIV As (Another) Form of Governmentality

Dieses künstlerische Forschungsprojekt (kuratiert von Miltiadis Gerothanassis und Ivan Jurica) fokussiert auf AIDS/HIV, aber nicht in Form einer pathologischenAnalyse der Krankheit, sondern im Sinne eines ideologischen Begriffs. Es versucht, Prozesse freizulegen, die AIDS/HIV mittlerweile zu einer Marke und einem(hetero)normativen Instrument innerhalb der kapitalistischen Gesellschaften transformiert haben.

18:30 Opening EXHIBITION19:30 Screenings:Iman Ithram: Schwarzes Rechteck 1 (1 Min 20; 2012)Schwarzes Rechteck 2 (1 Min 40; 2012)Schwarzes Rechteck 3 (2 Min; 2012)Marissa Lôbo: Fuck Europe! Here is talking Super Puta Pradastern!(German/Portuguese., ca. 20 Min.; 2012)Marina Gržinić, Aina Šmid, Zvonka T. Šimčič:RELATIONS. 25 YEARS OF THE LESBIAN GROUP ŠKUC-LL Ljubljana(Slovenian, Serbian and Croatian, Engl. subtitles; 84 Min. 02 Sec.; 2012)

These films/videos are part of the project and shown in a premiere screening; followed by artist’s presentations and talk. Other, in the project participating artists, will be also present.

12.12.2012, WednesdayAt 15.30 to 17.30, M1

Guest- workshop: Karin Stögner, ViennaSecond workshop meeting with Karin Stögner that proposed the text Robert Fine Fighting with phantoms: a contribution to the debate on antisemitism in Europe.MORE DETAILS AND ORGANIZATION of the workshop by the student working group in the class.

CV: Dr. Karin Stögner, Studium der Soziologie und Geschichte (Mag.a rer. soc. oec.) sowie der Romanistik und Anglistik (Mag.a phil.) in Wien und Paris; Doktorat in Soziologie; seit 2002 wissenschaftliche Mitarbeiterin am IKF; Redakteurin der Österreichischen Zeitschrift für Politikwissenschaft; Lektorin an der Universität Wien; 2009-2011 Marie Curie-Fellow an der Central European University in Budapest.

12.12.2012, Wednesday

At 18.00 to 20.00WHERE: Akademie der bildenden Künste WienSchillerplatz 3, SPACE/Raum M13

Lecture by Araba Evelyn Johnston-ArthurThe Revolution will not be lectured. Transatlantische Perspektiven zu Universitaeten als umkaempfte Orte der (Neo)kolonisierung und Dekolonisierung

Eingebettet in historische Perspektiven auf transatlantische Gegenwarten untersucht der Vortrag die Universität im Spannungsfeld zwischen (neo)kolonialer, patriarchaler Institution und Ort vielschichtiger Widerstände.Die marginalisierte globale Dimension der Kämpfe und Kritiken schwarzer Menschen dient dabei als zentrale Ausgangslage. Kritisch durchleuchtet werden unter anderen Institutionalisierungsprozesse aktivistischer Positionen.Dabei werden Fragen nach den Unsichtbarkeiten und Wirkweisen (neo)kolonialer, rassistisch-sexistischer Machtverhältnisse innerhalb von vorgeblich kritischen Programmen wie die der CriticalWhiteness Studies und Postkolonial Studies und ihrer Rezeption im deutschsprachigen Raum gestellt.

14.12. 2012, Friday

At 19.00, M1Project AIDS/HIV ALS (ANDERE) FORM DER GOUVERNEMENTALITÄTAIDS/HIV As (Another) Form of GovernmentalityScreening filmPhiladelphia,1993 (English, German subtitles)Directed by Jonathan Demme. Actors: Tom Hanks, Denzel Washington.When a man with AIDS is fired by a conservative law firm because of his condition, he hires a homophobic small time lawyer as the only willing advocate.

18.12.2012 holidays, until 6.01.2013

7.01.2013 at 11.00, m1, presentations, students projects

PCAP program November 2012

concept — Sat, 27 Oct 2012 18:14:41 GMT

PCAP (POST CONCEPTUAL ART PRACTICES) STUDY PROGRAMProf. Marina GrzinicAcademy of Fine Arts, ViennaM1, first floor, Semper Depot, Lehargasse 8, Viennam1.antville.org

PCAP program November 2012

1.11.2012, Thursday, holiday5.11.2012, MondayM1: at 16.00CLASS GENERAL ASSEMBLY: preparation Rundgang, program and exhibition; other initiatives; open questions.M1: CONTINUATION READING: Fighting with phantoms: a contribution to the debate on antisemitism in Europe (2009) by Robert Fine

6.11.2012, Tuesday9.00 to 14.00 individual meetings, Grzinic office, contact me by e-mailM1: at 13.45//start at 14.00 GENERAL MEETING, ALL THOSE DOING DIPLOMA January, April, June 2013 and November 2013/optionally January 2014 (time table presentations, space division, planning work and installment).M1: at 15.00Erasmus students’ presentationAndrée AmmonM1: at 16.00CONTINUATION READING: Fighting with phantoms: a contribution to the debate on antisemitism in Europe (2009) by Robert Fine

M1: at 19.30 within the series IMAGES, HISTORIES, DISCOURSES and POLITICS PROGRAM, SCREENING with discussionCatastroika: the disastrous wholesale of the Greek state(2012) 87 min, DocumentaryBy Aris Chatzistefanou, Katerina Kitidi.The creators of Debtocracy, analyze in Catastroika the shifting of state assets to private hands. They travel round the world gathering data on privatization and search for clues on the day after Greece's massive privatization program.

12.11.2012, MondayM1: at 16.00CONTINUATION READING: Fighting with phantoms: a contribution to the debate on antisemitism in Europe (2009) by Robert Fine

13.11.2012, Tuesday9.00 to 14.00 individual meetings, Grzinic office, contact me by e-mailM1: at 15.00CONTINUATION READING: Fighting with phantoms: a contribution to the debate on antisemitism in Europe (2009) by Robert Fine

M1 at 19.30 within the series IMAGES, HISTORIES, DISCOURSES and POLITICS PROGRAM, SCREENING with discussion'Pink and Grey,' film, a play about transsexual people in TurkeyBy Sibel Utku Bila / AFP , ANKARA2008, 30 min.A unique play in an Ankara theater with little-known actors - transsexuals and homosexuals raising their voices against discrimination. The play, Pink And Grey, shines a spotlight on the plight of transsexuals in Turkey, in the latest initiative of a fledgling, but increasingly vocal movement for rights by a community long ostracized and often harassed.

11.2012, Wednesday18-20 the darker side of the academy(Initiative von Studierenden)Where: Akademie der bildenden Künste WienSchillerplatz 3, 1010 Wien, Raum M13

„the darker side of the academy“ war eine Interventionanlässlich des Rundgangs 2011 die dasZiel hatte das Selbstbild der Akademie als kritischeund fortschrittliche Bildungsinstitution anzugreifenund rassistische Realitäten zu bennen. Wir zeigten,dass für Migrant_innen auch diese Institution keineAusnahme im gesetzlich festgeschriebenen Rassismusbildet. Und dass die Akademie bürokratische Hürdenund systematische Diskriminierungen reproduziert, weilsie statt strukturellen Maßnahmen nur die informelleUnterstützung von engagierten Mitarbeiter_innen,Freund_innen und Kolleg_innen entgegenzusetzen versucht.Beim Antirassismus, wie wir ihn verstehen, gehtes nicht (nur) darum, solidarisch zu sein, zu helfen, zuunterstützen und „nett“ zu sein, sondern vor allem darum,permanent zu verhandeln, aus welcher Position wirjeweils agieren und anhand dieser Auseinandersetzungengemeinsame Wege der Aktion zu finden.

21.11.2012, WednesdayM1: 16.00Presentations:Annalisa Cannito (diploma June 2013) presentation »Teatro Valle (Valley Theater) state of the things«

Teatro Valle (Rome, Italy) was shut down in 2010 as part of the Italian government's budget cuts for the arts in general. In June 2011, amidst rumors that the theater was to be privatized the building was occupied by a group of protesters consisting of actors, musicians, directors, technicians, and creative staff. As of June 2012, the theater remained occupied by the group.

Muzaffer Hasaltay (diploma June 2013); presentation diploma work process

22.11.2012, Thursday

9.00 to 13.00 individual meetings, Grzinic office, contact me by e-mail

AT 15.00 hSTARTING THE PROJECT Dildo Anus Macht: Queere AbstraktionTAKING PART 22, 23, 24, 11.2012 in the project as a class.PRE: registration required for attending the conference:queer_registration@akbild.ac.atPRE: Registrierung für die Teilnahme an der Konferenz ist erforderlich:queer_registration@akbild.ac.at

WHERE: Academy of Fine Arts Vienna, Schillerplatz 3, 1010 Vienna//AULAAT 15.00, AULA AKBILD Eröffnung / Opening:

Andrea B. Braidt (Vice-Rector for Art Research, Academy of Fine ArtsVienna) and Hans Scheirl (Professor for Contextual Painting, Academy ofFine Arts Vienna)

15.30 h

Vortrag / LectureTim Stüttgen (Berlin), Post/Porn/Politics

16.00 h

Vortrag / LectureDiedrich Diedrichsen (Professor for Theory, Practice and Communicationof Contemporary Arts, Academy of Fine Arts Vienna), Plastik PuppePenthouse

17.00 hVortrag / Lecture

Johnny Golding/de Philo (BIAD Professor of Philosophy & Fine Art andDirector of the Centre for Fine Art Research (CFAR), The School of Art,Birmingham City University)

XHIBIT

18.00 h

Kurator_innenführung / Curator’s guided tour

Christiane Erharter, Dietmar Schwärzler, Rosa Arbeit auf GoldenerStraße / Pink work on golden street

AULA

19.00 h

Erfrischungen / Refreshments

brutTheater im Konzerthaus, Lothringerstraße 20, 1030 Vienna

20.00 h

Performance programmeswans reflecting elephants, by Stefanie Seibold (Performative Art andSculpture, Academy of Fine Arts Vienna) and students from the AcademyOf Fine Arts Vienna

22.00 h

Chubby Chubby Boom Boom, Club by Hyo Lee

23.11.2012, Friday

PROJECT Dildo Anus Macht: Queere AbstraktionAcademy of Fine Arts Vienna, Schillerplatz 3, 1010 Vienna

AULA

11.00 h

Vortrag / LectureAntke Engel (Institute for Queer Theory, Hamburg/Berlin)

12.00 hVortrag / Lecture

Eliza Steinbock (Lecturer in Literature, Arts, Media/Cultural Studiesand a research fellow at the Centre for Gender and Diversity atMaastricht University), Disfiguration: On Violence and Negativity inQueer Art

AULA / M20

13.00 h

WorkshopsMaria Llopis (girlswholikeporn, Valencia), Orgasm Workshop and GinMüller (Vienna), Queer Performance Workshop

AULA

15.00 h

Kaffeepause / Coffee Break

16.00 h

Präsentation der Workshop-Ergebnisse / Presentation of workshop results

17.00 h

Roundtable

Dildo Anus Macht: Queere Abstraktion with Hans Scheirl (Professor forContextual Painting, Academy of Fine Arts Vienna), Hanna Hacker(Professor for Social and Cultural Development Studies, Institute forInternational Development, University of Vienna), Marina Gržinić(Professor for Conceptual Art, Academy of Fine Arts Vienna), TimStüttgen (Berlin)

TOP KINO, RAHLGASSE 1, 1060 VIENNA

Filmvorführung / Screening

20.00 h

Dandy Dust (Hans A. Scheirl, A/GB 1998)

22.00 h

Short Film Programme curated by Tim Stüttgen (Berlin)

24.11.2012, SaturdayPROJECT Dildo Anus Macht: Queere Abstraktion

Academy of Fine Arts Vienna, Schillerplatz 3, 1010 Vienna

AULA

11.00 h

Vortrag / Lecture

Ivana Marjanovic (Kontekts Collective, Belgrade/Vienna)

12.00 h

Ausschreibungspräsentationen / Call for Participation Presentations

Bernadette Anzengruber (Artist, Vienna), The Weight of ThoughtNicole Sabella, Janine Schneider, Dorothea Zeyringer (Artists, Vienna),AnusMareike Bernien, Moira Hille, Kerstin Schroedinger (Artists, Vienna),428 min. on SkypeNina Prader (Artist, Vienna), Masturbation, Diva Cup, TheExamination

Florian Buder (Artist, Vienna), Bikini

Liesa Kovacs, Nick Prokesch (Artists, Vienna), Policeman

Karin Ferrari (Artist, Vienna), Baphomet

Siriluck Sinarak (Artist, Vienna), Fucking Thailand

Ana Hoffner (Artist, Vienna), Queering (Post) War Representation: Onambivalent desire for proximity in the images of the camp

15.00 hVortrag / Lecture

Judith/Jack Halberstam (PROFESSOR OF AMERICAN STUDIES AND ETHNICITY,GENDER STUDIES, AND COMPARATIVE LITERATURE, USC Los Angeles), QueerAbstraction

16.00 h

Kaffeepause / Coffee Break

17.00 h

Vortrag / LectureTejal Shah (artist, Mumbai)

18.00 h

Vortrag / LectureRenate Lorenz (Professor for PhD in Practice, Academy of Fine ArtsVienna), Queer Art

19.00 h

Erfrischungen / Refreshments

MAREA ALTA, GUMPENDORFERSTRAßE, 1060 VIENNA

22.00 h

performance and glamorous party nightKlub Mutti, with/curated by Andreas Riegler (artist, Vienna)

xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxNext meeting class: 3.12.2012

PCAP program October 2012

ef — Tue, 02 Oct 2012 09:38:40 GMT

PCAP (POST CONCEPTUAL ART PRACTICES) STUDY PROGRAMProf. Marina GrzinicAcademy of Fine Arts, ViennaM1, first floor, Semper Depot, Lehargasse 8, Viennam1.antville.org

PCAP OCTOBER 20122.10.2012, TuesdayAt 17.00M1: general meeting, presentation new students, Erasmus, discussion about the work in 2012/2013At 20.00M1: Within the series IMAGES, HISTORIES, DISCOURSES and POLITICS PROGRAM, SCREENING with discussion:Katia Sepulveda (Chile), work Pascha Revolution, 2011 (Performance, Köln, Germany)Voina group (Russia), work Kissing the police, 2011TaShia Asanti (USA), Rashida X, 1997

3.10.2012, WednesdayAt 14.00M1: talk with new studentsAt 16.00M1: READING English/German Text: WHITNESS by Araba Evelyn Johnston-Arthur (the text is added to the program both versions)At 20.00Mit historischen Bildern arbeitenWHERE: Brick 5Fünfhausgasse 51150 Wien

Der vorletzte Abend der Programmreihe: Her mit den Bildern! widmet sich einer zentralen Frage von Bildpolitik und Bildproduktion. Im Rahmen einer Podiumsdiskussion wird die Bedeutung des Archivs und die Auseinandersetzung mit Geschichte im österreichischen Dokumentarfilm nach der Jahrtausendwende zur Debatte gestellt.

Gäste:Monika Bernold (Historikerin, Kultur- und Medienwissenschafterin. Forschungsschwerpunkte u.a. : Geschichte und Theorie der visuellen Kultur, Feministische Film- und Medienwissenschaft, sowie Geschlechter-, Konsum- und Mediengeschichte des 20./21. Jahrhunderts)Kenan Kılıç (Autor und Regisseur zahlreicher Filme. Zuletzt: "Gurbet. In der Fremde", eine Oral-History Filmchronik über die erste Generation türkischer Arbeitsmigrant_innen in Österreich, A 2008).Cordula Thym (Cutterin, Tontechnikerin und Regisseurin. Zuletzt: "Verliebt, Verzopft, Verwegen. Geschichten lesbischer (Un-)Sichtbarkeiten im Wien der 1950er und 1960er Jahre", A 2009, gem. mit Katharina Lampert)Klub Zwei (Simone Bader und Jo Schmeiser arbeiten seit 1992 als Künstlerinnenkollektiv. Im Zentrum ihrer Arbeiten steht die Auseinandersetzung mit aktuellen gesellschaftspolitischen Themen, medialen Darstellungen und Repräsentationen)

Moderation:Dietmar Schwärzler (Film- und Medienvermittler mit einem Rechercheschwerpunkt zur kleinen filmischen Form. Er kuratiert derzeit die Produktion von INDEX, eine DVD Edition zur österreichischen und internationalen Film- und Medienkunstgeschichte).8.10.2012, MondayAt 16.00 reading and discussion in the class WHITNESS by Araba Evelyn Johnston-Arthur
At 20.00AUSTROMEX: MELODROM/THE MAKING OF A REBELLIOUS TELENOVELAWHERE: brut im Künstlerhaus/Karlsplatz 5, 1010 WienMELODROM/THE MAKING OF A REBELLIOUS TELENOVELA setzt einen groß angelegten künstlerischen Rechercheprozess fort, der 2010 mit der Erfolgsproduktion WHO SHOT THE PRINCESS? BOXSTOP TELENOVELAS im brut begann. Diesmal geht es dem austro-mexikanischen Künstler_innenkollektiv um den Produktionsprozess einer rebellischen Telenovela. Die leidenschaftliche Erprobung des eigenen politischen Begehrens führt die Gruppe zurück in eine unbekannte queer-kommunistisch gelesene Vergangenheit: Der mexikanische Telenovelastar Flor Edwarda Gurrola, die Performancekünstlerin Katia Tirado und der Aktivist Chris Thaler sind auf der Suche nach dereigenen rebellischen Geschichte und nehmen dazu Kontakt mit global agierenden Aktivist_innen auf. Im Kampf gegen ihren eigenen „Producer“ gerät die Recherche des Teams zur virtuellen Reise in Diskurswelten von politischem Handeln, (un-)möglicher queerer Kollektivität und einem unbekannten „She Guevara“-Mythos. Am 5. Oktober nach der Performance: Chill out mitLatino sounds by DJ Colectivo. Von und mit Gin Müller, Flor Edwarda Gurrola, Katia Tirado, Tiosha Bojorquez, Chris Thaler, Nils Olger, Jan Machacek, Martin Zistler, Tom Waibel, Bini Adamczak, Sabine Marte, Micha González, Fran Ilich, Markus Hausleitner, Katarína Csányiová, Rupert Müller, Vladi Tschapanov, Oliver Stotz, Sebastian BrunnerAFTER IN/FORMAL TALK WITH THE AUTHOR/S.9.10.2012, Tuesday10.00 to 13.00 INDIVIDUAL MEETINGSOffice Grzinic, contact me by mailAt 14.00 meeting new studentsAt15.00DISCUSSION PERFORMANCE from 8.10.2012READING English/German Text: WHITNESS by Araba Evelyn Johnston-Arthur (the text is added to the program both versions)Presentation works by new studentsDavid NadjaYilmaz CagdasWeichselbaumer MartinShort presentation project planet x by Erol Lütfiye Ezgi

15.10.2012, MondayAt 16.00 M1: Within the series IMAGES, HISTORIES, DISCOURSES and POLITICS PROGRAM, SCREENING with discussion:Night and Fog (French: Nuit et brouillard) is a 1955 French documentary short film. Directed by Alain Resnais, it was made ten years after the liberation of Nazi concentration camps, 1955, 32 minutes.

16.10.2012, Tuesday10.00 to 13.00 INDIVIDUAL MEETINGSOffice Grzinic, contact me by mailAt 14.00 meeting new studentsAt15.00

Erasmus students’ presentations:Ross Megan ClareMoreira de Oliveira Ana CatarinaKilmurry-Webley Nina Rosa

READING text: Fighting with phantoms: a contribution to the debate on antisemitism in Europe (2009) by Robert Fine

M1: Within the series IMAGES, HISTORIES, DISCOURSES, POLITICS PROGRAM, SCREENING with discussion: Lizzie Borden: Born in Flames (USA), 1983 (80.00 min). Made guerrilla-style in 16mm Borden’s has her militant Women’s Army taking CBS video techs at gunpoint, forcing them to interrupt the U.S. president’s would-be pacifying offer of “wages for housework” with a special news bulletin from the black radical feminist underground.22.10.2012, MondayAt 16.00, M1, READING text: Fighting with phantoms: a contribution to the debate on antisemitism in Europe (2009) by Robert Fine

At 18.30: Akademie der bildenden Künste Wien, Schillerplatz 3, 1010 Wien, AulaArchitekturen des NationalsozialismusEin konzeptkünstlerisches ForschungsprojektPodiumsdiskussion anlässlich der Präsentation des Künstlerbuches von Maria Theresia Litschauer in Kooperation mit dem Institut für Zeitgeschichte der Universität Wien und der Akademie der bildenden Künste WienTeilnehmer_innen | Maria Theresia Litschauer, Konzeptkünstlerin und Autorin; Oliver Rathkolb, Zeithistoriker; Christian Reder, Kulturwissenschafter; August Sarnitz, Architekt und ArchitekturhistorikerModeration | Eva Blimlinger, Rektorin und HistorikerinIn der Problematisierung der NS-Bau- und Planungstätigkeit in Österreich schien ein breit angelegter, nicht exemplarisch auf singuläre Bauten oder Großplanungen als Vorzeigeprojekte nachhaltiger NS-Propaganda beschränkter Ansatz lohnend; Fokus des Kunst, Architektur und Zeitgeschichte transdisziplinär verschränkenden Konzepts, das Forschung als künstlerische Praxis und Kunst als Wissensproduktion entfaltet, war vielmehr, das gesamte architektonische und städtebauliche Spektrum eines exemplarischen Gebiets sichtbar und im Spiegel der Bautätigkeit, einschließlich der Architekten und ihrer "biografischen Verflechtungen" mit Partei und totalitärem Staat, die raumordnenden Zusammenhänge von Architektur, Ideologie und Politik deutlich zu machen." (aus der Einleitung zum Buch).Weitere Informationen: www.akbild.ac.atAbbildung: Cover des Buches, Maria Theresia Litschauer: Architekturen des Nationalsozialismus, Die Bau- und Planungstätigkeit im Kontext ideologisch fundierter Leitbilder und politischer Zielsetzungen am Beispiel der Region Waldviertel 1938-1945, Ein konzeptkünstlerisches Forschungsprojekt.23.10.2012, Tuesday10.00 to 13.00 INDIVIDUAL MEETINGSOffice Grzinic, contact me by mail

At15.00READING text: Fighting with phantoms: a contribution to the debate on antisemitism in Europe (2009) by Robert Fine

At 19.00 Within the series IMAGES, HISTORIES, DISCOURSES, POLITICS PROGRAM, SCREENING with discussion: Operation Spring ist ein Dokumentarfilm von Angelika Schuster und Tristian Sindelgruber aus dem Jahr 2005, 90 min. Der Film setzt sich kritisch mit den als Operation Spring bezeichneten Razzien der österreichischen Polizei auseinander, die sich im Mai 1999.GUEST IN THE CLASS, after screening discussion: Charles OfoeduCharles Ofoedu, erstes afrikanisches Mitglied des österreichischen PEN.CLUBs, lebt und arbeitet als freischaffender Journalist, Künstler und Schriftsteller in Wien und ist derzeit im Caritas Flüchtlingsheim beschäftigt. Zu seinen in Österreich erschienen Arbeiten zählen: „Morgengrauen“ (Literarischer Bericht, 2000), „Geistauge“ (Gedichtesammlung, 2000).

26.10.2012, Friday, holiday

SUGGESTIONs:Dienstag, 30. Oktober, 19.00

WHERE: DepotBreite Gasse 3A - 1070 Wienwww.depot.or.at

Asyl: Gibt es eine europäische Solidarität?Time to Talk

In Griechenland, Italien und Spanien landet der Großteil der Menschen, die nach Europa flüchten. Die Behörden in den Ankunftsländern sind überfordert und bitten um Unterstützung. Wie steht es um eine europäische Solidarität wenn es um Asylfragen geht und um die Wahrung von grundlegenden Menschenrechten? Wird das mit Jahresende in Kraft tretende Gemeinsame Europäische Asylsystem CEAS tatsächlich Verbesserung bringen für die AsylwerberInnen und Unterstützung für die Hauptankunftsländer?

Alessandra Sciurba, Aktivistin und Soziologin, Lampedusa / Padua Anny Knapp, asylkoordination österreich Alev Korun, Nationalratsabgeordnete, Die Grünen Josef Weidenholzer, Abgeordneter zum Europäischen Parlament, SPÖModeration: Corinna Milborn, Journalistin und Autorin

Part of the "Crisis in Europe" debate series, organized by the European Network of Houses for Debate Time to Talk, with the support of the Open Society Institute.

Mittwoch, 31. Oktober, 19.00WHERE: DepotBreite Gasse 3A - 1070 Wienwww.depot.or.atEpistemischer UngehorsamBuchpräsentation

Mit Walter Mignolo wird ein zentraler Autor der lateinamerikanischen Dekolonialismus-Debatte vorgestellt. Epistemischer Ungehorsam ist ein Projekt, das - wie jeder Ungehorsam – mit einer Infragestellung bestehender Regelsysteme beginnt. Es geht dabei nicht nur um die Philosophie, sondern um eine theoretische und praxisbezogene Option gegen das Okzidentale in Form einer radikalen Dekolonialität.

Jens Kastner, Soziologe und Kunsthistoriker Ruth Sonderegger, Philosophin, Akademie der bildenden Künste Wien Tom Waibel, Philosoph und Übersetzer

Mignolo, Walter D.: Epistemischer Ungehorsam. Rhetorik der Moderne, Logik der Kolonialität und Grammatik der Dekolonialität. Übersetzt und eingeleitet von Jens Kastner und Tom Waibel. Wien: Turia + Kant 2012

PCAP Program June 2012

concept — Thu, 31 May 2012 06:34:12 GMT

PCAP Program June 2012

4.06.2012, MondayM1 at 15.30

Erasmus presentationHacer Kıroğlu (Istanbul)

4.06.2012, MondayM1 At 16.30 until 18.30 Presentation research project(Within the series IMAGES, HISTORIES, DISCOURSES, POLITICS PROGRAM)

Christian Nae, Iasi/BucharestTITLE: Ideology Critique and Subjectivity Production in Eastern-European Conceptual art

Christian Nae is Art Critic & Theorist and Ph.D. Associate Professor, "George Enescu" University of Arts; Iasi/Bucharest, Romania. Nae is in Vienna for a research on ideology and subjectivity.

A short summary of the presentation: Nae tries to articulate at this point the tensions in the new production of subjectivity opened up by conceptual art in relation to the linguistic field, immaterial labor and ideology. He works on a larger project on performativity, ideology and conceptual art and as well focuses on the projects connected to the "occupy" movement and the spontaneous forms of collectivity and subjectivity. What are the forms of subjectivation and thus, what forms of resistance to a political arrest of these collective energies have been developed by the conceptual treatment of visuality? If conceptual art has been criticized by Benjamin Buchloh on the Adornian grounds of its too easy replication of capitalist structures of abstract production, how can aesthetic autonomy be reconciled with conceptual art in former Eastern Europe as a strategic use in order to obtain a specific notion of the autonomy of the self, starting from the idea that a specific politics of form has been then put into practice? What can we learn today from this long gone politics of form, pertaining for the "long sixties", and how can they be reconciled with formats of collective production and biopolitical governance active in "the long nineties" and whose collapse we are facing today?

4.06.2012, Monday(Within the series IMAGES, HISTORIES, DISCOURSES, POLITICS PROGRAM)At 19.00, DEPO, Breitegasse 3 | 1070 Wien

SCREENING FILM AND DISCUSSIONOne woman - One Century, by ZELIMIR ZILNIK, Serbia 2011, 110 minutes

kinokis mikrokino #192Želimir Žilniks neuester Dokumentarfilm begleitet die hundertjährige Dragica Vitolović Srzentić auf einer Reise nach Moskau, wo sie 1948 als Botin Stalin die diplomatische Note überbracht hatte, mit der Tito die Unterwerfung unter das sowjetische Kommando verweigerte. Die Zeitzeugin, die als Partisanin gegen die Nazis gekämpft hatte, aber in den 50er Jahren als Dissidentin in Haft saß, lässt ein Jahrhundert jugoslawischer Geschichte Revue passieren.Nach dem Film Diskussion mit Želimir Žilnik, after the film talk with the director!5.06.2012, TuesdayAt 9.00 individual meetings, Grzinic office

5.06.2012, TuesdayM1 at 10.00 until 13.30GUY DEBORD, the society of spectacle, final reading and discussion of main points.

5.06.2012, TuesdayM1 at 14.00, presentation (until 15.30)Veda PopoviciNationalism and Art: building collective identity in Romanian Art in the Ceausecu period

Who are we? is a question that has haunted intellectual imagination from the Romanian cultural space since 18th century. Always directly referring to Western Europe, the obsessive quest for place and power, for liberation and belonging has, over time, materialized into fascist politics, ethnical ontologies, internal colonization, self-colonization and the recent absolute trust in EU institutions. This presentation takes as a case study the articulation of national identity in art in Romania's 70s and 80s to understand the intricate workings of collective self-representation, identity politics and the rise of new-nationalism in the contemporary Romanian context.

Veda Popovici (born 1986, Romania) works as artist, theoretician and activist mostly in a dilettante manner. Her interests include collective representations in art, possibilities of creating the common, colonial histories. Currently, she is a PhD Candidate at the University of Art in Bucharest with a research on nationalism in Romanian art of the 1970s and 1980s. She lives and works in Bucharest.

5.06.2012, TuesdayAt 16.00 Galerie IG BILDENDE KUNSTGumpendorfer Straße 10-121060 Wien

Führung/Gespräch/Diskussion unter Mitwirkung teilnehmender Künstler_innenVERGANGENHEIT "NICHT AUF SICH BERUHEN LASSEN"Künstlerische Strategien im postnazistischen Alltag

Mit Tal Adler/Karin Schneider// Lisa Bolyos/Katharina Morawek// Christian Gangl// Marika Schmiedt

5.06.2012, TuesdayM1, At 18.30 until 21.30 WORKSHOP with dr. Danila Mayer(Within the series IMAGES, HISTORIES, DISCOURSES, POLITICS PROGRAM)Title: Looking for "the Congo"The workshop will present images, texts, analysis colonialism and coloniality, art and politics.

Dr. Danila Mayer is anthropologist and artist. She lives in Vienna and writes on cities, youth, and art. She is the author of Park Youth in Vienna (LIT 2011), and producer of Menschen in Städten, a video project on urban life.7.06.2012, Thursday HOLIDAY

8.06 2012 diploma installment9.06 2012 diploma installment10.06 2012 diploma installment11.06 2012 diploma installment

12.06.2012, TuesdayAt 18.00 PLANET - PLANETA - GEZEGEN 10, Pernerstorfergasse 12, 1100 WienKEINE KRIMINALISIERUNG VON POLITISCHEN WIDERSTAND NO CRIMINALISATION OF POLITICAL RESISTANCEA forum/platform, discussion with formulating a statement in solidarity with 4 activists that will go again on trial in the very near future.Organized by Marissa Lobo and activist groups.

13.06 2012, Wednesday, DIPLOMA EXAM14.06 2012, Thursday, DIPLOMA EXAMFROM THE CLASS: Lisa Bolyos15.06 2012, Friday, DIPLOMA EXAM

21.06.2012, ThursdayAt 12.00 until 18.00 Plattform Geschichtspolitik

25.06.2012, MondayAt 15.00 until 18.00 Plattform Geschichtspolitik

26, 27, 28 and 29.06EXHIBITION DIPLOMAS for the larger public

27.06.2012, WednesdayM1, At 10.30 to 14.00

Presentation of the film-work in process by Georg OberlechnerEsra Özmen (Esrap): presentation of new worksProjection film by Alain Resnais/within the series IMAGES, HISTORIES, DISCOURSES,POLITICS PROGRAM

28.06.2012, ThursdayAt 14.00 until 19.00 Plattform Geschichtspolitik29.06.2012, FridayAt 10.00 ceremony diplomas!July entry exams, start October 2, 2012

PCAP program May 2012

ef — Wed, 02 May 2012 11:50:54 GMT

PCAP Program May 2012

May 1, 2012, TuesdayMAY DAY

May 3, 2012, ThursdayAt 11.00 until 19.00 Plattform Geschichtspolitik, seminar by Eduard Freudmann

May 8 , 2012, TuesdayAt 16.00Discussion on the talk by Scottini in the salon for books, Vienna and conclusion of the reading of his text (we started the reading on the 25.04).Followed by an intro into The Society of the Spectacle book by Guy Debord, we go transversally through the book and continue next meeting. We also watch the film that was done based on the book. Pdf attached, proposed by Peter Haselmayer.

May 8, 2012, Tuesday

At 19.00 IMAGES, HISTORIES, DISCOURSES, POLITICS FILM PROGRAM and discussion watching the Situationist Guy Debord film La Société du Spectacle (Society of the Spectacle), black and white film done in 1973 based on Debord 1967 book of the same name and making a parallel to Dusan Makavejev Sweet Movie (1974). Dusan Makavajev is a (former-)Yugoslav film director.Intro and discussion prepared by Peter Haselmayer, performance artist and activist, Vienna.

May 9, 2012, Wednesday

9.30 until 11.00, INDIVIDUAL MEETINGS, office Grzinic, contact me

At 11.00 until 14.00 The Society of the Spectacle by Debord we continue going through the book and comments.

May 9, 2012, Wednesday

At 19.00, organized by Willi Hejda

Filmscrening und Diskussion

BORDERS. Grenzen sind überall – ob verschleiert oder offensichtlich, einschränkend oder einhüllend.

Yilmaz Vurucu/Drehbuch/Regie/Produktion

Ahmad Abu Kharma/Hauptdarsteller/Kamera

Aisha Eisa/Hauptdarstellerin/Kamera

Bahanur Nasya/Produzentin

“Borders” erzählt die schicksalhafte Geschichte eines jungen Paares, welche auf Grund politischer Unruhen ihre Heimat verlassen haben und nun versuchen in einer Metropole ein neues Leben zu beginnen. Schnell müssen sie jedoch feststellen, dass das Überqueren der physischen Grenze erst der Anfang war und sie den scheinbar unüberwindbaren nationalen, moralischen wie auch sozialen Grenzen gegenüberstehen. Dieser Film besticht nicht nur durch die Brisanz dieser aktuellen Thematik sondern auch durch seine einzigartige Erzählart aus der “Ich-Perspektive”.

ENGLISH: Borders are all around us. Some obvious, some not.

A young Middle Eastern couple escapes the turmoil of their homeland and end up in a European metropolis. Oblivious to the realities of their new setting, constructing a new life seems within reach, even if it does require hard work and a few sacrifices. Their dreams come to a crushing halt when they’re confronted with the harsh reality of life on the streets. Lacking knowledge of the local language and devoid of any contacts, they are forced to fend for themselves as they devise unique methods of survival. Yet their time, patience, and energy is running out, and the dire situation is taking its toll on their already strenuous relationship.

For the first time in their lives, they’re forced to confront social, racial, and moral boundaries. Crossing the physical border was just the beginning. In his third short film, Director Yilmaz Vurucu experiments with a unique story telling technique; the film takes place from a first person perspective, through the eyes of the main characters.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxAfter the film discussion:

Yilmaz Vurucu Writer/Director/Producer/EditorBahanur Nasya Co-Producer/Make-up/Production AssistantAnd maybe Aisha Eisa and Ahmad Abu Kharma from the cast (not fixed yet)

10.05 2012, Thursday10.00 to 12.00, INDIVIDUAL MEETINGS, office Grzinic, contact me

SPECIAL 10.05.2012 at 15.00 in the Akbild, SEMPER DEPOT starts Screen strike conference, gender, medien kritik. Look posters for program.

SPECIAL11.05. 2012 at 9.00 and 11.15Screen strike conference, gender, medien kritik. A panel and workshop will be in the class space as well, the main organizer of the event is the academy.

14.05 2012, Monday

At 17.00 IMAGES, HISTORIES, DISCOURSES, POLITICS FILM PROGRAM and discussion watching regarding the relation to borders and work: real time Images, words and political praxes from the bodies of precariousness: notes for a discourse theory, by Maria Ruido, 40 minutes, 2003.It is within this climate of redefinition and based on my own experience as an immaterial worker in the field of culture that real time has come into being. Reactivating certain questions already addressed in the past, the project seeks to investigate the possibility/opportunity of building a visibility and a narrativity suitable to the new working class (which, echoing certain authors, we could call cognitariat), far removed from classic militant cinema or well-meaning television documentary. At the same time, it reflects on the capacity for generating effective political forms through texts (words and images), which remove action strategies from the field of productive work and reinsert them, as Paolo Virno observes, into the public sphere.- Ruido

At 20.00 IMAGES, HISTORIES, DISCOURSES, POLITICS FILM PROGRAM and discussion Nuit et brouillard, NIGHT AND FOG, by Alain Resnais, 1955, French documentary short film, 32 min.

Directed by Alain Resnais, it was made ten years after the liberation of Nazi concentration camps. The documentary features the abandoned grounds of Auschwitz and Majdanek, while describing the lives of prisoners in the camps. Resnais was originally hesitant about making the film and refused the offer to make it until Cayrol was contracted to write the script. The film was shot entirely in the year 1955 and is composed of contemporary shots of the camp and stock footage. Resnais and Cayrol found the film very difficult to make due to its graphic nature and subject matter. The film faced difficulties with French censors unhappy with a shot of a French police officer in the film, and with the German embassy in France, which attempted to halt the film's release at the Cannes Film Festival.

15.05 2012, Tuesday

10.00 to 12.00, INDIVIDUAL MEETINGS, office Grzinic, contact me

At 17.00Presentation of the work by Anastasia Potemkina, and Anastasia Ryabova artist in residence from Russia at kultur kontakt.

At 20.00 IMAGES, HISTORIES, DISCOURSES, POLITICS FILM PROGRAM and discussion Ici et Ailleurs/Here & Elswhere. Directed by Jean-Luc Godard, Jean-Pierre Gorin, Groupe Dziga Vertov and Anne-Marie Mieville, 53 minutes, 1976.Initially begun as a documentary about Palestinian revolutionaries, Ici et Ailleurs (in English, Here and Elsewhere) was ultimately transformed into an hour-long filmed essay addressing the relationship between politics and image, the problems of documentary filmmaking, and the danger of media saturation. Collaborators Jean-Pierre Gorin and Anne-Marie Melville began the film with funding from Palestinian forces, under the title Victory, intending to create a sympathetic portrait of the revolutionaries as a true people's movement. Not long after the filmmakers' return to France, however, most of their subjects were killed in warfare, and the issues behind the film no longer seemed so simple. At this point Jean-Luc Godard joined the production, helping create a series of scenes focusing on the life of a middle-class French family; this is the "Here" portion of the film, with Palestine as "Elsewhere." By editing together documentary and fictional footage, and commenting on these images through photo collages, title screens, and other reflexive techniques, the film questions the association between political thought and the structures of fiction. Ultimately, Ici et Ailleurs seems suspicious of all images, even its own; the suggestion is that all films, especially documentaries, present a false, constructed vision of reality.

21.05.2012, Monday

At 16.00Presentation project Budapest travel, students from the class formed a group and made a documentation. Students that took part in the project: Sophie Haas, Philip Leitner, Claudia Tomassetti

At 18.00 until 22.00Presentation Lisa Bolyos and David KellnerDiplomas in June 2012

22.05.2012, TuesdayAt 11.00 until 14.00 INDIVIDUAL MEETINGS, office Grzinic

AFTERNOON (time will be announced): seminar part 2 with guest Karin Stögner.ORGANIZED BY THE WORKING GROUP CLASS PCAP

Karin Stögner: Studium der Soziologie und Geschichte (Mag.a rer. soc. oec.) sowie der Romanistik und Anglistik (Mag.a phil.) in Wien und Paris; Doktorat in Soziologie; seit 2002 wissenschaftliche Mitarbeiterin am IKF; Redakteurin der Österreichischen Zeitschrift für Politikwissenschaft; Lektorin an der Universität Wien; 2009-2011 Marie Curie-Fellow an der Central European University in Budapest. Forschungsschwerpunkte: Frauenforschung, Antisemitismusforschung, Nationalsozialismus und Holocaust, Geschichtsphilosophie, Kritische Theorie.

WORKING GROUP CLASS PCAP readings: Wednesdays in May: 2.05; 9.05 (only 15.00-18.00); 16.05, 23.05, 30.05. It will be announced on the list.

24.05.2012 ThursdayDonnerstag, 24. Mai 2012, 19.00ANOUNCED online DEPOT: www.depot.or.atWhere: DepotBreite Gasse 31070 WienEpistemischer Ungehorsam: BuchpräsentationMit Walter Mignolo wird ein zentraler Autor der lateinamerikanischen Dekolonialismus-Debatte vorgestellt. Epistemischer Ungehorsam ist ein Projekt, das - wie jeder Ungehorsam - mit einer Infragestellung bestehender Regelsysteme beginnt. Es geht dabei nicht nur um die Philosophie, sondern um eine theoretische und praxisbezogene Option gegen das Okzidentale in Form einer radikalen Dekolonialität.

Jens Kastner, Soziologe und KunsthistorikerRuth Sonderegger, Philosophin, Akademie der Bildenden Künste WienTom Waibel, Philosoph und Übersetzer

27.28.05.29.05. 2012 HOLIDAYS

PCAP Program April 2012

concept — Thu, 12 Apr 2012 15:52:54 GMT

16.04.2012, entry exam academy17.04.2012, entry exam academy

17.04.2012, TuesdayM1, at 19.00 student presentationMuzaffer Hasaltay, presentation of new works and of working process film preparation for the diploma

18.04.2012, WednesdayINDIVIDUAL MEETINGSFrom 10.00 to 13.00, Grzinic, office contact me for a talk

18.04.2012, WednesdayAt 15.00 meeting at the FRONT/AULA OF Wien MuseumAdress: KarlsplatzWe go to see the show, if you did not go there on the 13.04 with Augustin in your hand for free!Exhibition: Besetzt!Kampf um Freiräume seit den 70ernDer Sommer 1976 ist heiß.Mit der Besetzung der "Arena", des ehemaligen Auslandschlachthofes in St. Marx, beginnt ein "Happening der 100 Tage", das Wien aufrüttelt. Erstmals treten neue politische und gegenkulturelle Bewegungen in den Blickpunkt einer breiten Öffentlichkeit.

HAVE YOUR STUDENT ID, the price is 6 euro, you pay 3.00 and we invest another 3.00 from the budget.

18.04.2012, Wednesday

At 19.00, M1Erasmus presentations:Nuray DemirIsabell GrossElisabeth Kihlström

19.04.2012, Thursday

At 15.00, M1Discussion in the class, past workshop, to think further, to open the space of working and thinking

19.04.2012, Thursday

At 18.30OPEN SPACE, OPEN SYSTEMSLassingleithnerplatz 21020 ViennaAustria

We have a talk with the PROJECT CURATORS: Frida Carazzato & Maria Garzia and present artists

Exhibition: TRANSIT SPACEMarked by colonial history and later processes of decolonialisation, the Mediterranean area is still having to struggle with political and territorial conflicts and with the ongoing fall of dictatorial regimes, which now brings to light the opposites that were previously hidden under a precarious balance. A region that presents itself as a bridge between the peoples, while on the other hand also being a region of cross-overs between all the populations that are driven to escape unequal economic developments.Participating artists:Artists in the show:/barbaragurrieri/groupTaysir BatnijiEsra ErsenMario RizziZineb Sedira

20.04.2012, FridayDIPLOMA: DORIAN BONELLI

24.04 2012, Tuesday

M1, At 15.30 student presentation, Muzaffer Hasaltay, part 2 (film work for the diploma)

24.04 2012, Tuesday

M1, At 17.30: IMAGES, HISTORIES, DISCOURSES, POLITICS FILM PROGRAM and discussionJean-Luc-Godard, Allemagne 90 neuf zéro (Germany Year 90 Nine Zero), France, 1990, 62 min, color, with actors Eddie Constantine and Hanns Zischler , Claudia Michelsen, etc.summary: Characterized by deconstructivism and philosophical references and by briefly exposing the good, bad, and ugly periods of the country's history, this post-modern film portrays the abstract need for guidance of Germany following the fall of the Berlin Wall.

25.04.2012, Wednesday

INDIVIDUAL MEETINGSFrom 10.00 to 12.00, Grzinic, office contact me for a talk

25.04.2012, Wednesday

At 12.00 reading and discussing until 15.30.

Reading text by Marco Scottini, you found the text summary at the attached www, copies will be available from 24.04 and also send as pdf.

www.no-order.net

(We go at 18.00 from Ana Hoffner to the presentation of Marco Scottini, the place is Salon für Kunstbuch at 21er Haus, Schweizergarten, Arsenalstraße 1, 1030 Wien.)

25.04.2012, Wednesday

At 16.30 visiting the show of Ana Hoffner and talk with her also about performance art and performativity

We meet at 16.30, punctually:Ve.Sch - Verein für Raum und Form in der bildenden KunstSchikanedergasse 11, A-1040 Wien www.vesch.orgReenactment, Intervention und Lectureperformance sollen versuchsweisesolche konzeptuellen Rahmen sein, damit ein Gefüge aus Körper,Begehren, Rhythmus, Ermüdung, Folter, Widerspruch, rassisiertperverser Sexualität, Begrenzungen und Affekten erscheinen kann. Inder Ausstellung werden Dokumente einer aus diesen Versatzstückenzusammengestellten performativen Praxis gezeigt. Sie sollen auf einequeer migrantische survivability verweisen und sie im politischen Feld verankern.

25.04.2012, Wednesday

At 18.00 we go to the 21er Haus, Vienna at 19.00 we listen at the presentation ofMarco Scotini on questions of contemporary art, neoliberal capitalism...as a class we were invited as well to come specifically and engage….We read earlier that day his text.

Wednesday, 25 April, at 19.00Salon für Kunstbuch at 21er Haus, Schweizergarten, Arsenalstraße 1, 1030 Wien.

FREE ADMISION!

ABOUT THE TALK:NO ORDER - Art in a Post-Fordist SocietyTalk and discussion withMarco Scontini who will present the bookzine „NO ORDER. Art in a post-fordist society“ dedicated to contemporary art, education, politics and culture.

Moderation: Ana de Almeida/Maria Elena Rodriguez

No Order is an investigation project published as a bookzine that focuses on the relationships between contemporary art and capitalism's production processes. In its first issue Art in a post-fordist society it assembles different perspectives on the interconnections between art, education, culture, politics, market and display, as well as on geopolitics in the post-industrial context. It explores the influence of the social and economical changes brought up by new forms of production in the scope of artistic practices bringing forward questions concerning authorship, representation, use value and exchange value in a contemporary context. The bilingual publication(English-Italian) is structured in three main sections: Time Zone, dedicated to a mapping of emerging artistic systems, Play Time on market and display and Time Machine which offers a revision of connections between time and productivity.

Hosted by Marco Scotini, editor in chief of No Order, curator and art critic based in Milan, the presentation in Salon für Kunstbuch in the 21er Haus will explore the political and social changes that have occurred since the release of No Order in 2010 in order to reexamine new and overlapping modes of production, distribution and reception of contemporary art circuits.

Marco Scotini is the Director of the Department of Visual, Performing and Multimedia Arts and Director of the MA of Visual Arts and Curatorial Studies at NABA in Milan. He is Director of the Gianni Colombo Archive (Milan), and one of the founding members of Isola Art and Community Center in Milan. His writings can be found in pblications such as Moscow Art Magazine, Springerin, Flash Art, Domus, Manifesta Journal, Brumaria, Chto Delat/What is to be done?, and Alfabeta.DEUTSCH: Mittwoch, 25. April 2012, 19 Uhr; Salon für Kunstbuch at 21er Haus, Schweizergarten, Arsenalstraße 1, 1030 Wien.

No Order - Art in a Post-Fordist SocietyVortrag und DiskussionGast im Salon: Marco ScotiniModeration: Ana de Almeida / Maria Elena Rodriguez

No Order ist ein Forschungsprojekt, das als Publikationsreihe die Beziehungen zwischen zeitgenössischer Kunst und kapitalistischen Produktionsverhältnissen untersucht. Unter dem Titel "Art in a Post-Fordist Society" versammelt die erste Ausgabe verschiedene Perspektiven auf die Verflechtungen zwischen Kunst, Bildung, Kultur, Politik, Markt und Display ebenso wie Überlegungen zur Geopolitik im postindustriellen Zeitalter. Sie erkundet den Einfluss der sozialen und ökonomischen Veränderungen, die sich durch neue Produktionsformen im Bereich der künstlerischen Praxis ausbilden, und stellt damit Fragen in Hinblick auf Autorschaft, Repräsentation sowie Gebrauchs- und Tauschwert in einem zeitgenössischen Kontext.Das zweisprachige Themenheft (Englisch/Italienisch) ist in drei Abschnitte gegliedert: Time Zone, der sich einer Kartografie neu entstehender künstlerischer Systeme widmet, Play Time mit den Schwerpunkten Markt und Display sowie Time Machine, der neue Perspektiven auf die Zusammenhänge zwischen Zeit und Produktivität vorstellt.

Marco Scotini ist freischaffender Kurator und Kunstkritiker. Er ist Gründungsmitglied des Isola Art Centers und leitet das Visual Arts Department an der Nuova Accademia di Belle Arti (NABA) in Mailand.

PCAP program March 2012

ef — Fri, 02 Mar 2012 10:24:47 GMT

1.2 to 1.3.2012 WINTER HOLIDAYS

7.3. 2012 WednesdayAt 16.00 until 22.00, M1At 16.00 talk about the Rundgang program , Auction project, future planes

7.3. 2012 WednesdayAt 19.00 IMAGES, HISTORIES, DISCOURSES, POLITICSFILM PROGRAM: BAMAKO, 2006, 115 minutes, Mali/France/United StatesBamako is a 2006 film directed by Abderrahmane Sissako. The film depicts a trial taking place in Bamako, the capital of Mali, amid the daily life that is going on in the city. In the midst of that trial, two sides argue whether the World Bank and International Monetary Fund, or perhaps corruption, are guilty of the current financial state of many poverty-stricken African countries

8.3.2012 Thursday

At 10.00 until 14.00 INDIVIDUAL MEETINGS, Grzinic officeContact me, mostly full

8.3.2012 ThursdayAt 14.00TEXT/BOOK ARIELLA AZOULAY: THE CIVIL CONTRACT OF PHOTOGRAPHY, READING MARCH/APRILAriella Azoulay teaches visual culture and contemporary philosophy at the Program for Culture and Interpretation, Bar Ilan University, Tel Aviv District, Israel. She is the author of Once Upon A Time: Photography Following Walter Benjamin and Death's Showcase: The Power of Image in Contemporary Democracy, winner of the 2002 Infinity Award for Writing presented by the International Center for Photography for excellence in the field of photography (MIT Press, 2001).

In this groundbreaking work, Ariella Azoulay provides a compelling rethinking of the political and ethical status of photography. In her extraordinary account of the "civil contract" of photography, she thoroughly revises our understanding of the power relations that sustain and make possible photographic meanings. Photography, she insists, must be thought of and understood in its inseparability from the many catastrophes of recent history.

But the crucial arguments of the book concern two groups whose vulnerability and flawed citizenship have been rendered invisible due to their state of exception: the Palestinian noncitizens of Israel and women in Western societies. What they share is an exposure to injuries of various kinds and the impossibility of photographic statements of their plight from ever becoming claims of emergency and calls for protection. Thus one of her leading questions is the following: Under what legal, political or cultural conditions does it become possible to see and to show disaster that befalls those flawed citizens in states of exception?

The book brilliantly examines key texts in the history of modern citizenship, such as the Declaration of the Rights of Man and of the Citizen, together with relevant works by Giorgio Agamben, Hannah Arendt, Olympe de Gouges, and Jean-François Lyotard; it rigorously analyzes Israeli photographs of violent episodes in the Occupied Territories—work by Miki Kratsman, Michal Heiman, and Aïm Deüelle Lüski—and it interpretively engages photographs of women from those of Muybridge to recent images from Abu Ghraib prison. At the same time Azoulay provides new critical perspectives on well-known texts such as Susan Sontag's Regarding the Pain of Others and Roland Barthes's Camera Lucida.

At 18.00 Presentation Dorian BonelliFor Diploma April 20

At 20.00 IMAGES, HISTORIES, DISCOURSES, POLITICSFILM PROGRAM: GERMANY IN AUTUMN/DEUTSCHLAND IM HERBST, 1978, 125 minutes, by Henrich Boll, Alf Brustellin, Hans Peter Cloos, R.W. Fassbinder, Alexander Kluge, Maximiliane Mainka, Beate Mainka-Jellinghaus, Edgar Reitz, Katja Rupe, Volker Schlöndorff, Peter Schubert, Bernhard Sinkel and Peter Steinbach.Deutschland im Herbst (Germany in Autumn), is a German film-collage, an omnibus film, it collectively covered the social atmosphere during the time of the RAF, while offering different critical perspectives and arguments pertaining to the situation. Made by 13 German directors and writers who attempt to assess the political state of Germany in the autumn of 1977, when Hans-Martin Schleyer, the German industrialist was kidnapped and murdered. Followed almost immediately in the maximum-security Stuttgart-Stammheim prison three members of the Baader-Meinhof group made allegedly a suicide.

9.3.2012 FridayAt 14.00 SYMPOSIUMUniversalisms in crisis/post-colonial challengesStarts at 14.00AKBILD, Schillerplatz

10.3.2012 SaturdayAt 14.00 SYMPOSIUMUniversalisms in crisis/post-colonial challengesStarts at 14.00AKBILD, Schillerplatz

15.03.2012 ThursdayAt 15.00 until 18.00 Plattform Geschichtspolitik

19.03.2012 Monday

At 14.00 TEXT:/BOOK ARIELLA AZOULAY: THE CIVIL CONTRACT OF PHOTOGRAPHY, READING MARCH/APRIL

At 17.00 Presentation: Lisa BolyosDIPLOMA WORK, for June 2012

19.03.2012 MondayAt 19.00 IMAGES, HISTORIES, DISCOURSES, POLITICSFILM PROGRAM: The Battle of Algiers, 1966, 121 minutesIt was directed by Gillo Pontecorvo. The film has been critically celebrated and often taken, by insurgent groups and states alike, as an important commentary on urban guerilla warfare. Algeria was eventually liberated from the French, but Pontecorvo relegates that to an epilogue. He concentrates instead on the years between 1954 and 1957 when the freedom fighters regrouped and expanded into the casbah, only to face a systematic attempt by French paratroopers to wipe them out. His highly dramatic film is about the organisation of a guerrilla movement and the methods used to annihilate it by the colonial power.

20.03.2012, Tuesday

At 10.00 until 13.00 individual meetings, office contact me

At 14.00TEXT/BOOK ARIELLA AZOULAY: THE CIVIL CONTRACT OF PHOTOGRAPHY, READING MARCH/APRIL

At 19.00 GUEST: Rael Artellecture title:"Life in the Forest" and other projects

My presentation is about my projects which are developed as curatorial strategies to facilitate exhibition-making, knowledge-production and (self-)education. Projects are designed especially to the specific socio-political contexts where they take place trying to draw parallels with local situation and wider international condition. "Public Preparation", ART IST KUKU NU UT and "Your Periphery Is My Centre" will be under discussion.

RAEL ARTEL (b 1980) is an independent curator based in the forests of Estonia. She graduated from the Institute of Art History at the Estonian Academy of Arts in 2003, and participated in the Curatorial Training Programme in De Appel, Amsterdam (2004–05). Since 2000, she has contributed to a number of magazines in Estonia and elsewhere, and curated shows in Estonia, as well as in Amsterdam, Lisbon, New York, Riga, and Warsaw. In 2004–2008 she ran and moderated her experimental project space Rael Artel Gallery: Non-Profit Project Space. In 2007 she initiated "Public Preparation", a platform for knowledge-production and network-based communication, she is an artistic director of festival of contemporary art ART IST KUKU NU UT in Tartu, Estonia. More info about the project could be found at www.publicpreparation.org and www.artistkukunuut.org.

26.03.2012, MondayM1, At 15.00 Tanel Rander presentation project

26.03.2012, MondayM1, At 16.30 GUEST PRESENTATION:

Artist: Mladen Bundalo (Bosnia and Herzegovina)Art Residency in ViennaPRESENTATION OF HIS WORKS

At 20.00 IMAGES, HISTORIES, DISCOURSES, POLITICSFILM PROGRAM: Episode 3: 'Enjoy Poverty' , 2009, 90 min
Dutch artist Renzo Martens, who spent two years filming the documentary in the Democratic Republic of Congo, calls it a work of art where he instructs the people he meets to see their poverty as a natural resource like gold or copper. His interaction with them is detached, his voice monotone, a white man strolling through a landscape and in an environment he could not possibly ever understand and nor does he pretend to. The film attempts to expose and lay bare the inherent viciousness of poverty’s status quo? It draws parallels between the economics of poverty and the psychology of western consumption and aid.

27.03.2012, Tuesday10.00 to 13.00 individual meetings, Grzinic office

27.03.2012, TuesdayAT 14:00-18:00 - Reading with guest lecture: Karin Stögner"The dialectic of enlightenment" by Theodor w. Adorno and Max Horkheimer

Studium der Soziologie und Geschichte (Mag.a rer. soc. oec.) sowie der Romanistik und Anglistik (Mag.a phil.) in Wien und Paris; Doktorat in Soziologie; seit 2002 wissenschaftliche Mitarbeiterin am IKF; Redakteurin der Österreichischen Zeitschrift für Politikwissenschaft; Lektorin an der Universität Wien; 2009-2011 Marie Curie-Fellow an der Central European University in Budapest.

Forschungsschwerpunkte: Frauenforschung, Antisemitismusforschung, Nationalsozialismus und Holocaust, Geschichtsphilosophie, Kritische Theorie.

www.ikf.ac.at

ORGANIZED BY THE WORKING GROUP CLASS PCAP

At 18.00 Presentation Dorian Bonelli, 2 time,For Diploma 20.04.2012

At 20.00 IMAGES, HISTORIES, DISCOURSES, POLITICS

FILM PROGRAM: Brutalität im Stein (Brutality in Stone), 1960/61, 12 minutesDirected by Alexander Kluge, Peter SchamoniIn the short film Brutalitaet in Stein Alexander Kluge and Peter Schamoni demonstrate how Nazi architecture used dimensions of inhuman and super-human scale to bolster the regime's politics of the same kind. Shots of huge neo-classical architectural structures from the Nazi period are confronted with equally anti-human national-socialist language as a voice-over.

29.03.2012 ThursdayAt 15.00 until 18.00 Plattform Geschichtspolitik, seminar by Eduard Freudmann

31.03 to 15.04 EASTER HOLIDAYSWE START 16.04 2012

PCAP program January 2012

ef — Thu, 22 Dec 2011 20:51:30 GMT

TIME TABLE WORK PCAP JANUARY 2012

9.01.2012 Monday

At 15.00 until 19.00 PRESENTATIONS

WagnerAleksic/MackuljakAndrushenkoBinder20.00 Butler/hooks reading Paris is Burning or Film Bamako projection

10.01. 2012 Tuesday

At 10.00 INDIVIDUAL MEETINGS, office Grzinic(Jaro Varga)At 13.00 until 19.00 PRESENTATIONSCaceresHejdaMelgarejoScherzSonmezTomassetti

At 20.00 PhD student Seraina Renz research work presentation

11.01. 2012 WednesdayAt 10.00 to 14.00 PRESENTATIONSHauerWilkZadoorianChui Yong Jian

11.01. 2012 WednesdayM1, 15-18h KKPD by Petja Dimitrova

12.01. 2012 ThursdayAt 15:00 in M1Plattform Geschichtspolitik, seminar by Eduard Freudmann16.01.2012 Monday installment RUNDGANG 13.00 to 23.0017.01.2012 Tuesday installment RUNDGANG 10.00 to 23.0018.01 .2012 WednesdayAt 16.00 presentations MA critical studies students in the classNina PraderMaria RodriguezJulia TirlerKonrad Wolf

At 20.00 preparation rundgang19.01.2012, Thursday rundgang16.00–24.00 hSemper Depot, Raum M1

16:00 Eröffnung der Ausstellung der Klasse für konzeptuelle Kunst

18:00 Vortrag des Studierenden Chris GanglTitel: re_member as (re)process. zur künstlerischen Produktion und historischen Verantwortung im PostnazismusChris Gangl studiert konzeptuelle Kunst an der Akademie der bildenden Künste in Wien. Seinem Selbstverständnis nach, ist er Aktivist_in im Kampffeld geschichtspolitischer Kunstproduktion und engagiert sich seit 2009 in der Plattform Geschichtspolitik.

20:00 Vortrag der Studierenden Iris Borovčnik, Annalisa Cannito, Chui Yong Jian und Miltiadis Gerothanasis in Zusammenarbeit mit dem Tunesischen Künstler Kollektiv Ahl al Kahf gegründet in Tunis.

Titel: On the Tunisian Revolts

Die Studierenden nahmen im April 2011 an einer internationalen Tagung in Tunesien teil, die von Aktivist_innen der auch gegenwärtig nicht abgeschlossenen Tunesischen Revolution (Sidi Bouzid Revolution) und Aktivist_innen des italienischen Unicommon-Netzwerks organisiert wurde. Interviews und Gespräche die in dieser Zeit entstanden sind, sowie Gedanken über Möglichkeiten und Ambivalenten des Internationalismus, der Informationsverteilung und des politischen Widerstandes, werden präsentiert und diskutiert. Welche Rolle spielt Kunst während politischer Umstürze? Die künstlerische Gruppe Ahl al Kahf wird mit uns ihre Erfahrungen und Praktiken in Zeiten des Aufstands teilen.

22:30 Rap-Performance: EsRapIhr Rap-Leben. „Das schüchterne Mädchen, das Angst hatte, vor ihrer Klasse einen Vortrag zu halten, wurde abgelöst von dem Mädchen, das immer schon in ihr war, denn sie hatte ihren Weg gefunden sich selbst Ausdruck zu verleihen, durch die Musik, durch Rap.“ (EsRap)

20.01.2012, Friday rundgang10.00–20.00 hSemper Depot, Raum M1Ausstellung der Klasse für konzeptuelle Kunst mit Screenings und Installationen.

Klasse für konzeptuelle Kunst/Klasse Performative Kunst und Bildhauerei20.01.2012Aula, SchillerplatzVon 16h bis 21h

AAAAR: Artists Activists Auction against Racism

Titel: Bring dein Geld, wir haben die Kunst.

Eine Kunstauktion um strukturell rassistische Diskriminierungen zu(zer-)stören.

Die gesammelten Kunstwerke und das ersteigerte Geld werden verwendetum aktiv gegen die rassistische Gesetzgebung und deren bürokratischenHürden in Österreich vorzugehen. Unterstütze die A(u)ktion mit deinen Kunstwerken, deinem Geld und/oder deiner Zeit und deinem Engagement!Wir sehen uns bei der A(u)ktion!

21.01.2012, Saturday rundgang12.00–20.00 hSemper Depot, Raum M1Ausstellung der Klasse für konzeptuelle Kunst mit Screenings und Installationen.14:00 Präsentation des Seminars von Can GülcüTitel: Emanzipatorische Interventionen als künstlerische Strategie 3Interventionen sowie Präsentation von Projekten.

16:00 Gastvortragende: Danila MayerTitel: Parks and Pavilions: Notes on exclusionDanila Mayer, a.k.a. Iman Ithram, Autorin von Park Youth in Vienna: A Contribution to Urban Anthropology (LIT 2011). Seit mehreren Jahren beschäftigt sie sich mit Kunstszenen und globalen Kunstmärkten. Ihre Recherche beinhaltet eine Reihe verschiedener Methoden, etwa empirische oder visuelle (Interviews, teilnehmende Beobachtung, Video, Fotografie).

18:00 Vortrag der Studierenden Marissa Lôbo, Iris Borovčnik und Alessandra dos Santos SilvaTitel: Sexual politics revisitedDer Vortrag beschäftigt sich mit Machtrelationen und der Reproduktion von Sexismus und Rassismus im Rahmen von Kunst und Bildung. Marissa Lôbo ist schwarze Aktivistin (maiz, Linz) und Performance-Künstlerin. Iris Borovčnik ist Aktivistin und Künstlerin. Alessandra dos Santos Silva ist schwarze Performance-Künstlerin, Linz und Wien.

22.01.2012, Sunday rundgang12.00–20.00 hSemper Depot, Raum M1Ausstellung der Klasse für konzeptuelle Kunst mit Screenings und Installationen.

25.01.2012, Wednesday

15-18h KKPD seminar by Petja Dimitrova

26.1. 2012, ThursdayAt 15:00 in M1Plattform Geschichtspolitik, seminar by Eduard Freudmann