m1 (turm4)

PCAP Program December 2013

concept — Thu, 28 Nov 2013 23:20:24 GMT

PCAP Program December 2013

2.12.2013, Monday

At 16.00 until 19.00PRESENTATION Erasmus works:Sevim Sancaktar

PRESENTATION MA in critical studies, diploma, January 2014Thomas Schoiswohl

19.00 to 20.00 pause

At 20.00PRESENTATION DIPLOMAS for JANUARY 2014Adnan Popovic, screening animation films, discussion

3.12.2013, Tuesday

At 9.00 until 12.30Individual meetings, Grzinic office

At 12.30 meeting rundgang, technical things and program details

At 14.00 BEGINS PRESENTATION DAY:

At 14 to 16.00

Presentation student worksMiriam RaggamMatthias Kendler

16.00 to 17.00 pause

17 to 19.00Presentation student worksChristian Diaz Orejarena

PRESENTATION DIPLOMAS for JANUARY 2014Chui Yong Jian

19.00 to 20.00 pause

At 20.00 to 22.00PRESENTATION

STUDENT WORKSXhejlane Ibishi

DIPLOMAS for JANUARY 2014Marissa Lobo

4.12.2013, Wednesday

At 9.00 to 12.00 individual meetings, Grzinic office

At 13.00 to 15.00Lecture at Suzana Milevska (AKBILD) course by Marina Grzinic

AT 19.00

WHERE:KEX Studio, WUK KinoWähringer Straße 591090 Vienna (AT)www.kunsthalleexnergasse.wuk.at

At 19.00 OPENING: Select and Dispossess - Festival mit CinenovaCurated by Karolin Meunier, Sandra Schäfer, Kerstin Schroedinger and other members of the Cinenova Working Group (Cay Castagnetto, Emma Hedditch, Charlotte Procter, Irene Revell, Marina Vishmidt)

19:30 Begrüßung mit CinenovaFilm program: Now Pretend; Keep your laws off my body; Arrows; Hey Mack (+ one more film)21.00 Musik

Cinenova ist eine ehrenamtlich geführte Organisation in London, die sich der Erhaltung und Distribution feministischer Film- und Videoproduktionen widmet. Cinenova entstand 1991 aus dem Zusammenschluss von Circles und Cinema of Women, die beide in den frühen 1980ern gegründet wurden. Aktuell sind über 500 Titel im Verleih, darunter Experimental- und Spielfilme, Künstlerfilme und –videos, Dokumentationen und Lehrfilme von den 1920ern bis heute.

Das Festival stellt die Sammlung von Cinenova vor, sowie die kollektive Praxis der Organisation. Ein Ausgangspunkt bildet die historische Perspektive mit Fokus auf Interview/Gespräch im Film. Ein zweiter Aspekt ist dabei die Frage, wie geopolitische Hegemonien von Aspekten wie Race, Gender und Nationalität durchdrungen sind.Diese Reihe von Filmvorführungen und Veranstaltungen, erarbeitet in Zusammenarbeit mit lokalen Gruppen und Personen, versucht verschiedene Zugänge zur Produktion und Distribution von Kultur durch Film- und Videoproduktionen zu eröffnen.5.12.2013, THURSDAY//Donnerstag, 05. Dezember

AT 19.30

WHERE:KEX Studio, WUK KinoWähringer Straße 591090 Vienna (AT)www.kunsthalleexnergasse.wuk.at

At 19.30 Filmvorführung/ SCREENING OF THE FILM Scuola Senza Fine (in English: SCHOOL WITHOUT END) by Adriana Monti, Italian, English subtitles, 1983, 16mm transferred on digital support, 40 min

Diskussion mit der Klasse Post Conceptual Art Practice (AkBild) at KEX Studio, WUK KinoIn charge of the discussion from the Post Conceptual Art Practice class: Aleksandra Aleksic, Catalina Ravessoud

ABOUT THE FILM Scuola Senza Fine (in English: SCHOOL WITHOUT END) by Adriana MontiScuola Senza Fine (in English: SCHOOL WITHOUT END) by Adriana Monti shows how an educational experiment (150 hours of school) was implemented in Italy beginning of 1974, available to factory workers and farmers initially, and expanding to include women a couple of years later. The courses were non-vocational; they were not intended to improve one’s productivity at work, but rather to allow for personal and collective growth. The courses sought to help workers reflect not only upon their working conditions but also on their lives. A large part was devoted to the re-elaboration and reinterpretation of what was defined as the "lived experience" of those attending: their experiences with work, emigration, cultural and language discrimination, union struggles, etc.The film was produced in collaboration with these students as part of their studies for the class, turning the curriculum's questions about the representation of women into questions about the representation of themselves.Adriana Monti writes in her introduction to the film:"After I had been working with a particular group of housewives for a year we started shooting the film Scuola Senza Fine (literally School Without End) almost casually, in 1979. I was able to get equipment free of charge and money to pay for the film was made available.Rediscovering the pleasure of reading and studying was reliving their adolescence. It was important for them to have teachers to whom they could tell in writing what they had done and thought, their past history and plans for the future.The film shows how the women related to each other at that time and the special closeness each woman felt for every other – perhaps because they came from the same place, or shared the same ideals and way of thinking, or, simply, because they were fond of each other. For many women, rediscovering the mother/teacher relationship meant being able to express thoughts which had often been undervalued or disregarded (most of the housewives attending the course had given up their education to go to work or had not been able to make use of the knowledge they had already, because they stayed at home after getting married). The opportunity to relive that relationship in a learning situation stimulated a very interesting kind of writing and thought."

12, 6.12 and 7.12.2013 CLASS SPACEGender Studies Conference// SEMINAR WORKSHOP, guests

Thursday, 5 December:15.30 - 19.00

Friday, 6 December:8.00 - 20.00

Saturday, 7 December:8.00 - 19.00

9 to 14.12.2013

FILM CLASS SEMINAR, prof. HEISE

IMPORTANT: ferien/holidays 16.12.2013 TO 5.01.2014Next meeting PCAP: 13.01.2014 at 16.00Before film class program from 6 to 11.1.2014

xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxEXTRA: OTHER events CINENOVA in WUK

Saturday, 7.12.6 pm KEX Studio, Films and Anti-LectureJamika Ajalon, talk with Marion Porten

8.30 pm WUK Kino, Two First Films, Film programme by Madeleine Bernstorff:Ruth Novaczek, Babette Mangolte, 16 mm

Tuesday, 10.12. KEX Studio, film on displayChristine Booth, “For Good”

Wednesday, 11.12. KEX Studio, film on displayNgozi Onwura, “The Body Beautiful”

Thursday, 12.12. KEX Studio, films on displayAmy Harrison, “Guerrillas In Our Midst”, SI.SI. Klocker, “Die Frau, die Arbeit,die Kunst und das Geld!”

Friday, 13.12. KEX Studio, films on displayNew Zealand 1990s Special7 pm Scattering as Behavior Toward Risk,Film programme, discussion with Marina Vishmidt: Heidi Tikka, Sandra Lahire, Lis Rhodes

Saturday, 14.12.7 pm KEX Studio, soup8 pm WUK Kino, Too lacerated and fractured tofit into these neat scenarios, Film screeningand discussion with Sandra Schäfer: Heiny Srour, “Leila and the Wolves”, 16 mm

PCAP Program November 2013

concept — Thu, 31 Oct 2013 19:46:18 GMT

PCAP Program November 2013

4.11 to 9.11.2013RESEARCH TRAVEL OF PCAP TO ATHENS, GREECE

Students: Ye La An, Sarah Binder, Nadja David, Miltiadis Gerothanasis, Naz Gündoğdu, Willi Hejda, Imayna Caceres, Neda Hosseinyar, Daria Kirillova, Niki Kubaczek, Nataša Mackuljak, Esra Özmen, Ceylan Aslıhan Öztürk, Jamila Schamanek, Songül Sönmez, Aneta Stojnić, Reha Refik Tasci, Claudia Tomassetti, Anna Stina Treumund, Irene Wallner, Martin Weichselbaumer, Arin ZadoorianAss. Prof: Petja Dimitrova, Muzaffer HasaltayProfessor: Marina Grzinic

PROGRAM

4.11.2013, MONDAY8.30Departure. Take S7 from Wien Mitte Metro to Vienna airport. Costs 4.20 Euro.9.30Meeting LOBBY VIENNA AIRPORT, in front of McDonalds; going together to group check in.HAVE YOUR IDENTITY CARD, PASSPORTS, VISAS! and STUDENT CARD;USB keys with your work for the presentations, cameras to record and taking photos.11.20Departure from Vienna airport TRAVEL A3 88114.35Arrival Athens Int. airport El. Venizelos. Minivan takes us from Athens airport to youth hostel (Paid!)YOUTH HOSTEL ACCOMMODATION:Athens International16 Viktoros Hugo Str., 104 38 Athens30-210-5232540, info@athens-international.com17.00City / gallery tour w artist-performer Aristi Costopoulou

5.11.2014, TUESDAY

10.00Visit to Acropolis archeological space. (Tickets booked are already paid, just go to the ticket office and pick up the tickets for zero payments).How to go to AcropolisTake the metro red line in direction to “Agios Dimitrios”. Get off at “Acropolis” station (after 4 stops). Ask there for the entrance of the Acropolis archeological place, it is a 4 min. walk. The Museum of Acropolis will be right beside.12.00City and gallery tour with artist-performer Katerina Fanouraki; going to Plaka, the old historical neighborhood of Athens, clustered around the northern and eastern slopes of the Acropolis.

Visiting of the exhibition Christian Boltanski, Eyes at The Onassis Cultural Centre.

17.00Going to “Steki Metanaston” (Immigrants’ Place. Address: Tsamadou 13), meeting and discussion with immigrants and others who are part of the Steki. Representatives from LOA (Lesbian Group Athens (Lesviaki Omada Athinas - AOL) www.loa.gr) and members from the LGBT group “Ouranio Toxo” (Rainbow) will be there.Maybe Yiannis Albanis will join you. Yiannis Albanis is an activist on human rights and represents the Network for social and political rights.From Steki Vana Kostayola spoke with Nasim and from LOA with Xaris!20.00Film screening at “Steki Metanaston”The film is called “RUINS” and it is on the HIV women and their manipulation as part of the crisis. Trailer (in Greek): youtu.beRUINS: “Α documentary about a shocking case of HIV criminalization in Greece. The story of the persecution of HIV-positive women who were detained by the Hellenic Police, forcibly tested, charged with felony, imprisoned and publicly exposed, when their mug shots and personal data were published in the media in the run-up to the country’s 2012 national elections.”

6.11.2013, WEDNESDAY

11:00 – 16:00Meeting at Athens Fine Art School with Vassilis Vlastaras, associate professor and Kostis Stafylakis, art theorist and artist. Together they run the project “Unit of Innovation”.Address: Peiraios 256, Moschato TavrosMetro from “Metaxourgio”, direction “Agios Dimitrios”.Get off at “Omonoia” (first stop) to change the line (from red to green). Take the green line with direction “Piraeus”. Get off at station “Kallithea” (5th stop from “Omonia”). From there to the Athens Fine Art School is a 10 min. walk.STUDENT PRESENTATIONS from both sides!PCAP presentations:Naz Gündoğdu/ Niki Kubaczek,Esra Özmen,Nataša Mackuljak/Miltiadis Gerothanasis

At 19.00

Theater Ebros, visiting and short discussion on the situation at Ebros self-managed theater; visit during their presentation on the subject of Creative Commons.

7.11.2013, THURSDAY

12.00Meeting at The Panteion University of Social and Political Sciences, Athens.12.00 with Voula Touri around and12.30 with Maria Karamessini, Maria Stratigaki (www.mariastratigaki.gr) and maybe Athena Athanasiou (panteion.academia.edu).These professors are working on immigrants, LGBT, biopolitics, (un)employment etc.

15.30 to 21.00 Athens Biennale with and CAMP with Kostis Stafylakis, art theorist, artist and discussion on art and activist practices neo-fascism in Greece and the Greek riots

8.11.2013, FRIDAY

11.30 meeting at BIOSContact person at BIOS: Gabriela TriadafuliAddress: Panagi Tsaldari, AthensMeeting with the artist Demi Kaia

DEPARTURE TO VIENNA FRIDAY 8.11.2013At 14.00From youth hostel, minivan takes us to airportTRAVEL A3 880 08NOV ATHVIE HK26 1635Arrival in Vienna at 17.50

CONCEPTUALIZATION/ORGANIZATIONTRIP TO / IN ATHENSConceptualization/ content/ research trip Athens:Vana Kostayola and Marina Grzinic (with help by numerous friends, artists, theoreticians and activists).Proposal trip: Neda Hosseinyar and Arin ZadoorianDocumentation of the trip: Ye La An, Irene Wallner.Orientation in Athens and help in situ: Miltiadis Gerothanasis.Technical help and documentation and presentations support: Muzaffer Hasaltay.Work on money, travel and accommodation: Petja Dimitrova, Marina Grzinic, Vana Kostayola.END PCAP TRAVEL, Athens

9.11.2013, SATURDAY installment diplomas10.11. 2013. SUNDAY installment diplomas11.11.2013, MONDAY installment diplomas

12.11.2013, TUESDAY

Until 15.00 Installment diplomas

16.00 to 19.00

Erasmus presentations:

Ceylan ÖztürkAhmed Al-Nawas

12.11.2013, TUESDAY
At 20.00Post Conceptual Art Practices (PCAP) -Open Critical Debates on Visual and Theoretical productions: “Images, Theory, Politics, and Activism”

Seminar consisting of three lectures with the title Conceptual art and techno-bodies ("cyborg" and "queer" in the new technology environment) by Aneta Stojnic, PhD, theoretician, artist and curator, Belgrade, Serbia

Lecture no 2: re-elaborating the "Cyborg manifesto" (D. Haraway, 1984)

Aneta Stojnic is currently Ernst-Mach Scholarship holder for a research project at the Academy of Fine Arts in Vienna, Conceptual Art study program, IBK.

The lectures focus on the construction of the social, cultural and personal identity in media-dominated environment, relating to the contiguity between "cyborg" and "queer" and its implications in the new technology environment. The cyborg entity deconstructs the binary relations between object and subject, nature and culture, being and non-being, organism and machine, male and female, possibility and impossibility of taking controls own once own body.

The lecture no. 2 will re-elaborate the "Cyborg manifesto" (D. Haraway, 1984), after 30 years in the first world the question of the body as a social construct is more relevant than ever. The technological environment that is here at stand is neither politically nor ideologically innocent. In the contemporary world, information communication technologies are defining the condition of neoliberal globalization. Therefore we need to constantly re-articulate our position when we interact with(in) technology. We need to "queer the cyborg". In this light Stojnic will offer a historical analysis starting from occurrence of the concept of cyborg in fiction to the present moment of "cyborg society". Her thesis is that unlike cyberpunk distopian fictions where the cyborgs represented the margins of the society i.e. the asymmetrical others, today the possibility of "cyborgization" of once own body becomes the privilege of those who can afford it. Contemporary cyborgs have become the first in relation to whom are constructed the imperfect, dispensable, mortal others.

13.11.2013, WEDNESDAY

At 14.30 reflection class travel Greece

16.00 to 19.00Presentation MA critical Studies and Erasmus

Anna-Stina TreumundAlain Volpe

At 19.00Working with diplomants. Exam 14.11.2013.

14.11.2013, THURSDAYDiploma examsAnnalisa CannitoNataša Mackuljak

18.11.2013, MONDAY

15.00 until 17.30

Seminar/workshop with Gin MuellerTITLE: Queer Performance and Activism in public Space

4 days from 18 to 21.11.2013; EACH DAY starts at 15.00 until 17.30

Der Titel zu Workshop und Text verweist zum einen auf verschiedene theoretische Bezugspunkte wie den Begriff „queer“, die „Performance“ bzw. das „Performative“; und zum anderen auf Praktiken zur Artikulation von Widerstand/Protest/Dissens in öffentlichen Räumen. Die Auseinandersetzung mit Performativität bezieht sich in diesem Horizont auf die Suche nach Möglichkeiten, in inszenierte gouvernementale Ordnungen (nach Foucault sogenannte »Techniken des Regierens«), einzugreifen. Öffentliche und städtische Räume sind von bestimmten Inszenierungs- und Repräsentationsformen geprägt, und als sogenannter „Konfliktraum“ bieten sie auch Möglichkeiten für politische Interventionen. In dem Workshop werden verschiedene Strategien von queerem Aktivismus und politischer Praxis vorgestellt und ausgewählte Anwendungen und Szenarien diskutiert (queere Protestformen, Kommunikationsguerilla, Adbusting, Interventionen, usw). Ziel ist bestimmte Begriffe, Texte, Zugänge vorzustellen und mit Beispielen zu diskutieren.

Gin Mueller (Dr.Phil.) lives in Vienna. Works as a dramaturge, Performer, Theorist, Lecturer at the University of Vienna. In April 2008 Gin Mueller book was published: „Possen des Performativen, Theater, Aktivismus und queere Politiken“, republicart 7, Wien: Turia+ Kant, 2008. Recent Theatre/Performance/Film-Productions: „Rebelodrom – Aktionslabor für politische Interventionen“ (brut, Wien 2013)„ Melodrom – The Making of a rebellious Telenovela“ (Mexico City, brut_Wien, 5.10.2012/14), „Who shot the Princess?, Boxstop Telenovelas“, Mexico City (Juli, August 2011), Graz (6.9. 2011), Wien (16.-24.9. 2011), „Orlanding the dominant, a queere Burlesque“ (Jänner 2008), etc.

Open to the entire academy and organized in collaboration with the Netzwerk and Conceptual Art dpt, Akbild.Der Workshop ist für alle Studierenden zugänglich und findet im Rahmen des Studienprogramms der Klasse Konzeptuelle Kunst in Kooperation mit dem Netzwerk für Frauenförderung statt.

19.11.2013, TUESDAY15.00 until 17.30

Seminar/workshop with Gin MuellerTITLE: Queer Performance and Activism in public SpaceOpen to the entire academy and organized in collaboration with the Netzwerk and Conceptual Art dpt, Akbild.Der Workshop ist für alle Studierenden zugänglich und findet im Rahmen des Studienprogramms der Klasse Konzeptuelle Kunst in Kooperation mit dem Netzwerk für Frauenförderung statt.

20.11.2013, WEDNESDAY15.00 until 17.30

20.11.2013, WEDNESDAY

At 19.00Where: DepotBreite Gasse 31070 WienSee www.depot.or.atPRESENTATION BOOK

Utopia of Alliances, Conditions of Impossibilities and the Vocabulary of Decoloniality. Löcker Verlag, Wien 2013Edited by the Editorial Group for Writing Insurgent Genealogies

The book is the outcome of processes of studying, learning and de-learning, established in the Post-Conceptual Art Practices class at the Academy of Fine Arts in Vienna. What’s at stake here is to reflect not only on historical colonialism but also on the ways in which capitalism frames the world we inhabit. The notion of decoloniality has provided a radical option with which to rethink learning processes coming from positions that are not exclusively Western-orientated but are instead formed by other political-social contexts and perspectives.

Taking part in the presentation:Carolina Agredo, Annalisa Cannito, Miltiadis Gerothanasis, Marina Grzinic, Marissa Lôbo, Ivana Marjanovic, editors

With numerous contributors in the book from Vienna.

21.11.2014, THURSDAY

8.30 to 12.00Individual meetings, Grzinic, office

12.00 to 14.00CLASS MEETING, discussion RUNDGANG program, MANDATORY meeting

21.11.2014, THURSDAY15.00 until 17.30

25.11.2013, MONDAYAt 17.00 until 20.00Seminar „Kritisches konzeptionelles Verständnis von Film, Video und Fotographie“By Muzaffer Hasaltay

26.11.2013, TUESDAYAt 20.00Post Conceptual Art Practices (PCAP) -Open Critical Debates on Visual and Theoretical productions: “Images, Theory, Politics, and Activism”

Lecture no 3: conclusion on the topic relating to the body; from natural trough cultural to the technological body

Aneta Stojnic is currently Ernst-Mach Scholarship holder for a research project at the Academy of Fine Arts in Vienna, Conceptual Art study program, IBK.

The lectures will focus on the construction of the social, cultural and personal identity in media-dominated environment, relating to the contiguity between "cyborg" and "queer" and its implications in the new technology environment. The cyborg entity deconstructs the binary relations between object and subject, nature and culture, being and non-being, organism and machine, male and female, possibility and impossibility of taking controls own once own body.

The lecture no. 3 will give a certain conclusion on the topic relating to questions how the digital technologies brought the crucial shifts and changes in contemporary understanding of the body; from natural trough cultural and to technological bodies. These shifts produced and keep on producing, unstable changes in the architecture of the reality, indicating the influence of the symbolic aspect over the physical aspect. Weather we talk about (bio)technologically and medically altered physical bodies or mediation of the so called “natural” body into the cyber/digital space, human beings no longer perceive their own bodies as fixed, finished, organically complete entities, but rather as flux, extendible bodies in the permanent process of becoming. This will be connected with questions of biopower and biopolics.

PCAP Program October 2013

concept — Fri, 27 Sep 2013 08:07:38 GMT

PCAP Program October 2013

1.10.2013, Tuesday

Place: Konzeptuelle Kunst |1Stock/1 Floor, ATELIERHAUS Lehargasse 6–8 | 1060 Wien

WHEN: At 17.00Meeting, intro, presentation new students, ERASMUS,Following talk about the travel Greece, what we do there, what we take with us, details

WHEN: At 20.00Post Conceptual Art Practices (PCAP) -Open Critical Debates on Visual and Theoretical productions: “Images, Theory, Politics, and Activism”

LECTURE/PRESENTATIONDr. Danila Mayer, Vienna

The Last Time. Critical Reflections on Art Biennials(with video footage from Venice and Istanbul Biennials)

The lecture look at biennials of contemporary art. It is the third and concluding lecture from the series of reflection by Danila Mayer on the last years of biennales in Europe. The analysis is based on material collected in Venice and Istanbul from 2009 to 2013.

Danila Mayer a.k.a. Iman Ithram holds a doctorate in anthropology and has dealt with issues of exclusion and exclusivity. Recent publications are 'Who Am I? What the Pavilions Tell us' in the Roots and Routes special edition on the Venice Biennial (www.roots-routes.org), and 'Anthropological Approaches to the Istanbul Biennial of Contemporary Art' in Anthropology of the Middle East, Vol. 8, issue 1, 2013.Open for all students and staff of the Academy of Fine Arts Vienna and for general public!Lecture/presentation and discussion: English, German

2.10.2013, Wednesday

Place: Konzeptuelle Kunst |1Stock/1 Floor, ATELIERHAUS Lehargasse 6–8 | 1060 Wien

WHEN: At 10.30 UNTIL 13.00 meetingNEW STUDENTS, ERASMUSWith assistants

WHEN: AT 15.00BOOK: Vocabulary of decoloniality, contributors meeting

WHEN: At 16.00 until 18.00Post Conceptual Art Practices (PCAP) -Open Critical Debates on Visual and Theoretical productions: “Images, Theory, Politics, and Activism”

FILM screening and discussionThe Right of Passage2013, filmA film by Zanny Begg and Oliver Ressler, 19 minutes, 2013

In their third collaborative film Zanny Begg (Sydney) and Oliver Ressler (Vienna) focus on struggles to obtain citizenship, while at the same time questioning the implicitly exclusionary nature of the concept. The Right of Passage is partially constructed through a series of interviews with Ariella Azoulay, Antonio Negri and Sandro Mezzadra. These interviews form the starting point for a discussion in Barcelona, one of Europe’s most densely populated and multicultural cities, with a group of people living “without papers”. The title, The Right of Passage, refers to the stages, or “rites of passage” that mark important transitions on the path to selfhood. The exchange of “rites” with “rights” suggests that freedom of movement must become a right granted to every person – regardless of his or her place of birth. As the film explores these journeys not only transform those who embark upon them but also the places they inhabit.

7 to 12.10.2013MONDAY to FRIDAY (INCLUDED)FILM CLASS by prof. Thomas Heise in the M1, no PCAP classes!

14.10.2013, Monday

Place: Konzeptuelle Kunst |1Stock/1 Floor, ATELIERHAUS Lehargasse 6–8 | 1060 Wien

WHEN: At 16.00PRESENTATION DIPLOMA work by Annalisa Cannito, diploma term November

WHEN: At 20.00Post Conceptual Art Practices (PCAP) -Open Critical Debates on Visual and Theoretical productions: “Images, Theory, Politics, and Activism”

Seminar by Mag. Aneta Stojnic

Seminar consisting of three lectures with the title Conceptual art and techno-bodies ("cyborg" and "queer" in the new technology environment)

Abstract:

The lectures will focus on the construction of the social, cultural and personal identity in media-dominated environment, relating to the contiguity between "cyborg" and "queer" and their implications in the new technology environment. The cyborgs represent liminal beings that do not seek for the stable essentialist identities. In the myth of the cyborg Donna Haraway sees the political potential to liberate feminism from tendencies toward unified identification, arguing that instead feminists should seek for alliances based in affinity rather than identity. However, almost 30 years after the "Cyborg manifesto" (Haraway, 1984) self-design has become a common, one could say, an everyday practice in the first world, thus the question of the body as a social construct is more relevant than ever. The mentioned topics will be addressed within the discursive framework of conceptual art practices, performance studies and theory/philosophy of media. Last but not least we will focus on the question of how these newly established relations, protocols and procedures are, and can be used in performance (artistic) practices, with the emphasize on the practices that affirm critical thinking in post conceptual art.

Mag. Aneta Stojnic, theoretician artist and curator, Belgrade, Serbia is currently Ernst-Mach Scholarship holder for a research project at the Academy of Fine Arts in Vienna, Conceptual Art study program. She is PhD candidate at University of Arts in Belgrade, thesis title: “Critical Theory of Performance in Digital Art: Towards the New Political Performance”.

1 lecture: cyborg" and "queer" and their implications in the new technology environment.A short history of projects of how these newly established relations, protocols and procedures are, and can be used in performance (artistic) practices, with the emphasize on the practices that affirm critical thinking in post conceptual art.

15.10.2013, Tuesday

10.30 to 14.00 individual meetings, GRZINIC office

Place: Konzeptuelle Kunst |1Stock/1 Floor, ATELIERHAUS Lehargasse 6–8 | 1060 Wien

WHEN: At 14.00 until 16.00

Post Conceptual Art Practices (PCAP) -Open Critical Debates on Visual and Theoretical productions: “Images, Theory, Politics, and Activism”

READING and DISCUSSION on theory and arts and politics (leading the reading Grzinic/Stojnic)Erase them! Eurodac and Digital Deportability/ Erase them! Eurodac und die digitale Deportabilität (2013)ENGLISH and GERMAN version// TEXT by Brigitta Kuster / Vassilis S. Tsianos//TEXTS DOC ADDED, and available on the spot

WHENAt 17.00 presentations new students in the class:Ye La AnJamila SchamanekSebastiano Sing

At 20.30Numan Mohammad

21.10.2013, Monday

Place: Konzeptuelle Kunst |1Stock/1 Floor, ATELIERHAUS Lehargasse 6–8 | 1060 Wien

WHEN: At 17.00 to 20.00Seminar „Kritisches konzeptionelles Verständnis von Film, Video und Fotographie“By Muzaffer Hasaltay, assist. Prof. PCAP

22.10.2013, Tuesday

Place: Konzeptuelle Kunst |1Stock/1 Floor, ATELIERHAUS Lehargasse 6–8 | 1060 Wien

At 17.00 UNTIL 20.00Post Conceptual Art Practices (PCAP) -Open Critical Debates on Visual and Theoretical productions: “Images, Theory, Politics, and Activism”

28.10.2013, Monday

Place: Konzeptuelle Kunst |1Stock/1 Floor, ATELIERHAUS Lehargasse 6–8 | 1060 Wien

WHEN: At 16.00 presentations new students in the class:Kamil JulianLaura NitschIrene Wallner

WHEN: At 20.00 diploma presentations work by Natasa Mackuljak, Annalisa Cannito, for diploma term November 2013

29.10.2013, Tuesday

WHEN: At 9.00 to 11.00 individual meetings, GRZINIC office

Place: Konzeptuelle Kunst |1Stock/1 Floor, ATELIERHAUS Lehargasse 6–8 | 1060 Wien

WHEN: 11.00 to 13.00 class meeting travel to GREECE

WHEN: At 17.00 to 20.00Seminar „Kritisches konzeptionelles Verständnis von Film, Video und Fotographie“By Muzaffer Hasaltay

NEXT dates in NOVEMBER 2013Class research travel from 4 to 9.11.2013 to Athens, Greece

PRESENTATIONS, LECTURES: starts 12.11.2013 at 16.00

PCAP Program June 2013

concept — Fri, 31 May 2013 13:10:13 GMT

PCAP June 2013

3.06.2013, MondayAt 15.30Xhejlane IbisiDaria KirillovaIris Borovcnik

3.06.2013, MondayAt 20.00FILM SCREENING PCAP-Open Critical Debates on Films: »Cinema Critico«

Die verrückte Welt der Ute Bock (Ute Bock’s Crazy World), by Houchang Allahyari, Austria 2010, 98 min. German w. Engl. Subtitles

www.youtube.com

Screening proposed and organized by Ivan Jurica, artist, curator, Vienna.After screening discussion!

ABOUT THE FILM:

DEUTSCHDie verrückte Welt der Ute Bock ist ein österreichischer Spielfilm, der den Alltag der Wiener Flüchtlingshelferin Ute Bock thematisiert. Nach dem Dokumentarfilm Bock for President ist es das zweite filmische Porträt über sie, gemacht von den österreichisch-iranischen Filmemachern Houchang Allahyari und Tom-Dariusch Allahyari. Der Film bedient verschiedene Genres, wie z.B. gesellschaftskritische Melodramatik und schwarzes Humor. Handlungen, die sich nicht dokumentarisch festhalten liessen, wurden szenisch nachgestellt und gespielt von österreichischen Schauspielern und Kabarettisten wie Josef Hader, Karl Markovics, Andreas Vitasek or Peter Kern.
Houchang Allahyari, geboren 1941 in Teheran, kam mit 17 nach Wien, hier absolvierte er später auch sein Medizinstudium. Bis heute betreibt er in Wien eigene Arztpraxis. 20 Jahre lang war er beim österreichischen Justizministerium als Psychologe angestellt, arbeitete in Haftanstalten mit drogensüchtigen Jugendlichen. Der Öffentlichkeit ist er als Filmautor und Regisseur bekannt. Nach früheren experimentellen- und Avantgardefilmen begann seine Zusammenarbeit mit den grossen österreichischen Filmproduktionen. Er ist Regisseur und Ko-Produzent von mehreren erfolgerreichen Fernseher- und Kinofilmen. 2002 hat er den Johann Nestroy Ring erhalten. Lebt und arbeitet in Wien.
dok.at

ENGLISHUte Bock’s Crazy World is an Austrian movie focusing the everyday life of the Vienniese refugee-auxiliary Ute Bock. Following the documentary Bock for President this is the second film-portrait about her activities made by the Austro-Iranian filmmakers Houchang Allahyari and Tom-Dariusch Allahyari. The film range different genres, including critical melodrama and black humor. Scenes of real political acts that were impossible to be documented became re-enacted by known Austrian actors and cabaret artists such as Josef Hader, Karl Markovics, Andreas Vitasek or Peter Kern.Houchang Allahyari, born 1941 in Teheran, arrived in Vienna at the age of 17. Later he could graduate his medicine study, until today he runs in Vienna own medical practice. For 20 years he was deployed by Austrian Ministry of Justice as psychiatrist in charge for imprisoned drug-addicted adolescents. In the public Allahyari is known rather as filmmaker. After early experimental and avant-garde-films a collaboration with bigger Austrian productions followed. He directed and co-produced several successful TV and feature film productions, in 2002 he was awarded with the Vienniese Johann-Nestroy-Ring. Lives and works in Vienna.dok.at

4.06.2013 Tuesday

At 10.00 ind. Meeting, office Grzinic

4.06.2013 TuesdayAt 11.00 to 13.00Meeting class travel, discussion

4.06.2013 TuesdayAt 14.00 until 19.00

ERASMUS PRESENTATION:Aida Nogués Jiménez

STUDENT PRESENTATIONS:Ezgi Erol LütfiyeSongül Sönmez/Reha RefikClaudia Tomassetti

At 20.00 Chui Yong JianDIPLOMA PRESENTATION (June 2013)

5.06.2013, Wednesday

At 10.00 to 14.00 individual meetings, Grzinic, office

At 16.45, M1: REHEARSAL Muzaffer Hasaltay, Performance diploma

5.6., 2013, 19 Uhr, freiraum/Museum quartier

Votivkirchenbesetzer und Aktivisten der Akademiezur aktuellen Situation der Asylsuchenden

The Refugees movement in Vienna is a self-organized movement that is since six months struggling against structural racism. It created a huge debate in Austria and EU demanding changes in asylum politics and better living condition for asylum seekers.In March the refugees activists moved from Votivchurch to Servitenkloster. During Wiener Festwochen the movement of the refugees is asking for your participation. Join the discussions, film screenings and special guided tours to the Servitenkloster. We demand the right to stay. The struggle for freedom of the movement continues!

06.06.2013, Thursday

At 11:30Seminar by Eduard Freudmann

11.06.2013, Tuesday

At 10.00 until 12.00Meeting at 10.00 in relation to the exhibition around the materials of Cinenova that will take place in Vienna (September-October 2013).Meeting with Emma Hedditch, London.

CV: The ethos of knowledge-sharing, participation and the ‘can do’ attitude of DIY culture are central to the work of London based artist Emma Hedditch. The desire to plug into existing communities and find ways to facilitate collaboration is the driving force behind all of her projects. Whilst the projects usually involve the use of video, conversation and live events, the final output is secondary, prioritizing the experience of building something together.

11.06.2013, Tuesday

At 14.00MA in critical practices, exam in the class: NINA PRADERPresentation of the work: up the staircase, reading room

12.06, 13.06 and 14.06. 2013, Wed., Thursday, Friday

DIPLOMA EXAMSFrom the class:

Muzaffer Hasaltay (schillerplatz, sitzungsaaal)

13.06.2013, Thursday At 11:30 Seminar by Eduard Freudmann

Juni 2013, 19 Uhr
Kunsthistorisches Museum WienMaria-Theresien-Platz, 1010 WienBassano-Saal, Kunsthistorisches Museum Wien

Einladung zur Buchpräsentation

Handbuch Ausstellungstheorie und -praxisschnittpunkt (Hg.), Böhlau UTBVorstellung, Lesung, Diskussion und Weinmit schnittpunkt in einem set-up von Stefanie Seibold

Das Handbuch widmet sich Geschichten, Praxisfeldern und Diskursen in Museen und Ausstellungen. Aktuelle Handlungsformen aus dem Kunstfeld und dem kulturhistorischen Bereich werden vernetzt. Das Überblickswerk lässt Raum für Sidesteps, um Studierende und im Feld Tätige mit nicht kanonisiertem Museumswissen vertraut zu machen. Das Kritische Glossar, ein Wörterbuch alternativer Wissensproduktion, bietet Orientierung in der aktuell boomenden Begriffsvielfalt.Martina Griesser-Stermscheg, Renate Höllwart, Christine Haupt-Stummer, Beatrice Jaschke, Monika Sommer-Sieghart, Nora Sternfeld, Luisa Ziaja

20.06.2013, ThursdayAt 11:30Seminar by Eduard Freudmann

20.06 -30.06.2013EXHIBITION FOR GENERAL PUBLIC diplomas at AKBILD

Opening: 20.06.2013at 18.00 until 22.00

FROM THE CLASS:Muzaffer Hasaltay (white box) M1David Kellner, main wall screening M1MA diploma:Nina Prader, up the staircase, reading room M1

From 21.06.2013 THE EXHIBITION IS OPEN DAILY from 16.00 to 20.00.

26.06.2013, Wednesday

At 16.00 class meeting, travel discussion

26.06.2013, Wednesday

At 19.00, M1

GUEST LECTURE by Mujeres Creando (Eng: Women Creating) about Mujeres Creando

Mujeres Creando is an anarcha-feminist group which began to work in the year 1992 in La Paz, Bolivia, as activation of three friends: Maria Galindo, Julieta Paredes and Monica Mendoza.

They were very critical of the traditional left movement. They came out of leftist groups themselves, but were sick of the fact that everything was organized from top down, and that women only served tea, or their role was a purely sexual one, or they were nothing more than secretaries.

They stated: “No, we cannot carry on doing this. We believe in revolution, we believe in social change, but this organization is not for us!”

That’s why Mujeres Creando is autonomous from political parties, NGOs, the state, hegemonic groups, leaders of unions groups.

They said: “We don’t want bosses, figureheads or exalted leaders. We organize ourselves horizontally, and nobody represents anybody else each woman represents herself.”

Organized by Marissa Lôbo (as part of the collective maiz, Linz).Languages: English, German, Spanish

27.06.2013, ThursdayAt 11:30 Seminar by Eduard Freudmann

27.06.2013, Thursday10.00 to 14.30Ind. meetings, office Grzinic

27.06.2013, ThursdayAt 14.30, M1SHARING MATERIALS , INFO, THOUGHTS FROM TURKEY INSURECTION!AUSTAUSCH VON IDEEN, INFORMATIONEN UBER DEN WIDERSTAND IN ISTANBUL, BERICHT UND ERFHAHRUNGSAUSTAUSCHPresentation: Naz Gundogdu

27.06.2013, ThursdayAt 16.00, M1

Presentation: Daniela Ortiz and Xose Quiroga.

The Barcelona based artists Daniela Ortiz & Xose Quiroga work as a collective in a series of projects that often operate as transcontinental interventions. Originally from Cuzco, Peru, Daniela Ortiz lives in Barcelona since 2007 reflecting on her work about her condition as an immigrant. Together with Quiroga, they investigate how race, class, gender, nationality and ethnicity connect to postcolonial migration. After continuous collaboration with the campaign for the closure of Detention Centers for Immigrants in Spain their work has taken a more activist turn. In the last years the projects they have developed are mostly related to how the nation-states and societies manage and relate to the phenomena of migration.

Their approach can be read as an update to the conceptualist practices of ‘the South’, an attempt at a critical reactivation, as portrayed in 'From Di Tella to Tucumán Arde' (2000) by Ana Longoni and Mariano Mestman, and 'Didactics of liberation. Latin American conceptual art' (2008) by Luis Camnitzer. Their work seeks to expose in many levels how structures of oppression function.

daniela-ortiz.com www.xosequiroga.com

Presentation organized and moderated by Imayna Caceres.

27.06.2013, ThursdayAt 19.00,Ort/PLACE: C 3, Sensengasse 3, 1090 WienKnowledge, Notions of History and the Politics of Memory: Audre Lorde's Black Internationalism and Black Feminism in Germany ***Vortragende: * Peggy Piesche *

"Eine Schwarze, Kriegerin und Dichterin, die ihre Arbeit tut und gekommen ist, euch zu fragen, ob ihr die Eure tut."

Dieser Aufruf zum politischen Handeln zeigte in Deutschland eine großartige Wirkung: das Erwachen einer Bewegung. Audre Lordes Einfluss auf die US-amerikanische Frauenbewegung, ihre aufrüttelnden Texte und ihr brillantes Beleuchten von Sexismus, Rassismus und Homophobie wurden Mitte der achtziger Jahre allmählich auch in der deutschen Frauenbewegung bekannt. Es gelang ihr tatsächlich in Deutschland, Schweigen in Sprache und Handeln zu verwandeln. Peggy Piesche wird den zu Audre Lordes zwanzigstem Todestag erschienenen Band "Euer Schweigenschützt euch nicht". Audre Lorde und die Schwarze Frauenbewegung in Deutschland vorstellen und deren Texte in den Kontext der Schwarzen Frauenbewegung in Deutschland stellen. Vortrag in englischer Sprache.

Peggy Piesche ist eine Schwarze deutsche Literatur- und Kulturwissenschaftlerin, geboren und aufgewachsen in der DDR. Sie publizierte zu Rassifizierungen und Schwarzen Images, Kolonialgeschichte und kollektiver Erinnerung und unterrichtet German, Woman und Africana Studies am Hamilton College/NY, USA.Piesche ist u.a. Herausgeberin von "Mythen, Masken und Subjekte. Kritische Weißseinsforschung in Deutschland" und von "Euer Schweigen schützt Euch nicht". Audre Lorde und die Schwarze Frauenbewegung in Deutschland.

Die Veranstaltung findet in Kooperation mit der Frauensolidarität statt und wird vom Institut für Internationale Entwicklung unterstützt.

gender.univie.ac.at

28.06.2013, FridayAt 10.00 until 12.00ceremony diplomants AkbildLast day!xxxxxxxxxxxxxxxxxxxxxxxxxxxNext meeting 1.10.2013

PCAP Program May 2013

concept — Thu, 02 May 2013 05:34:48 GMT

PCAP (POST CONCEPTUAL ART PRACTICES) May 2013

1 MAY 2013, WednesdayMay Day

2.05.2013, ThursdayAt 11:30 Seminar by Eduard Freudmann

6.05.2013, MondayAt 16.00 until 18.00 Reading: ENG/DEUTSCH version (original FRENCH!)Françoise VergèsThe African Slave Trade and Slavery Blind Spots in French ThoughtSklavenhandel und das System der Sklaverei Blinde Flecken im französischen Denkeneipcp.net

Françoise Vergès was awarded the 2006 Françoise Seligmann Foundation Prize against Racism for her last book, La Mémoire enchaînée. Questions sur l’esclavage (Paris 2006). She shares it with Esther Benbassa, Jean-Christophe Attias. The Seligmann Prize Against Racism was created in 2004 by Françoise Seligmann, honorary president of the League for Human Rights in memory of her husband François-Gérard Seligmann. Both fought against Nazism and for the independence of Algeria.

START READING WITH FILM SCREENINGPCAP-Open Critical Debates on Films: »Cinema Critico«

FRANTZ FANON: BLACK SKIN, WHITE MASKDVD and 35mm 52 minutes, 1996, United KingdomDirector: Isaac Julien

'Frantz Fanon: Black Skin, White Mask is a seventy-minute drama-documentary film we produced in 1996. The impetus for the film project was to restore to academic and artistic discourses a recognition of both the originality and contradictory nature of this major thinker. It was initially conceived as a reflection on the revival of interest in Fanon's ideas in black visual and performance arts. The black arts movement in Britain and North America had sought a more substantial basis for reflection on the black body and its representations. In development, the film's mandate became broader to include other aspects of Fanon's influence and legacy.'

6.05.2013, Monday

PCAP-Open Critical Debates on Films: »Cinema Critico«At 19.00 CINENOVA film program in ViennaWATCHING THE FILM and DISCUSSION

Title Leila and The WolvesDirector Heiny SrourCountry UK/ LebanonYear 1984Duration 90 minutes, 16 mm, DVD

Drawing on the Arab heritage of oral tradition and mosaic pattern, Leila And The Wolves is an exploration of the collective memory of Arab women and their hidden role in history throughout the past half century of the Middle-East, both in Palestine and in Lebanon. The film is a modern-day fairy tale about the suppressed history of Arab people and especially Arab women. Through the eyes of Leila, a Lebanese student dissatisfied with the official, colonial, male-dominated version of ‘history’ the film reconstructs women’s daily unglamorous and silent sacrifices as much a part of history as men’s military ‘heroic’ action. ‘The visual leitmotiv of the film is Arab women sitting immobile under the high sun, while half-naked men bathe joyfully on the beach. Gradually, women will start getting impatient, as historic events go by, and they will move towards the water for a dip... but in the Middle-East the dance of death still continues.’ (Heiny Srour)

7.05.2013, Tuesday

INDVIDUAL MEETINGS, 10.00 to 15.00, Grzinic office

At 15.00 until 17.00

Reading: ENG/DEUTSCH version (original FRENCH!)Françoise VergèsThe African Slave Trade and Slavery Blind Spots in French ThoughtSklavenhandel und das System der Sklaverei Blinde Flecken im französischen Denkeneipcp.net

7.05.2013, Tuesday

At 18.00 until 19.00

PCAP-Open Critical Debates on Films: »Cinema Critico«CINENOVA film program in ViennaWATCHING THE FILM and DISCUSSIONTitle Now PretendDirector Leah GilliamCountry USAYear 1991Duration 10 minutes, 16 mm, DVDNOW PRETEND is an experimental investigation into the use of race as an arbitrary signifier. In just ten minutes, this film quickly cycles through a diverse bank of images. Drawing on language, personal memories and the 1959 text, BLACK LIKE ME, it deals with Lacan’s ‘mirror stage’, ideologies of the beautiful and the movement from object to subject. NOW PRETEND is a look at how totalizing definitions functionfor/against women of colour - a visual and sonic effort to re/collect the self.

7.05.2013, Tuesday

At 20.00DIPLOMA PRESENTATION (June 2013): Chui Yong Jian

10.05.2013, Friday

Unruhe der Form. Entwürfe des politischen SubjektsEröffnung /opening:| 10.05.2013, 7.00 p.m.Ausstellungsdauer | 11.05.2013 - 16.06.2013Venues | xhibit, Ausstellungsräume der Akademie der bildenden Künste Wien, Schillerplatz 3, 1010 Wien, sowie Secession, freiraum quartier21 im Museumsquartier.

EXTRA: 12.05.2013, Sundayfreiraum quartier21, MuseumsQuartier

At 15.00Politik d. Form, part I Tischgespr. Künstler und Kuratoren des „Politik der Form“-Artists and curators of the "politics of form" -project meet for roundtable discussions.

12.05.2013 AT 18.00

FREIRAUM, MUSEUM QUARTIER

MARINA NAPRUSHKINA – WORKSHOP – SELF # GOVERNING

COORDINATION, workshop : CATALINA-AMALIA RAVESSOUD

SHORT BIBLIOGRAPHY:

Marina Naprushkina’s website:www.office-antipropaganda.com

Society for Utopian Studies :www.utopian-studies.org

Literature for the workshop:

BRADSHAW Ross, BOYD Andrew (eds), Utopia, Fiveleaves Publications, 2012CIORAN Emil, History and Utopia, Richard Howard, 1987 (1960)CLAEYS Gregory, Searching for utopias, Thames & Hudson, 2011LECASSIN Francis (ed), Voyages au pays de nul part, Robert Laffont, 1990Manuel Frank, Manuel Fritzie, Utopian Thought in the western world, Belkmap Press, 1979MORE Thomas, Utopia, Penguin Classics, 1965 (1516)SPANNOS Chris, Real Utopia: Participatory Society for the 21st Century, AK Press, 2008SAAGE Richard, Politische Utopien der Neuzeit. Wissenschaftliche Buchgesellschaft, 1991TROUSSON Raymond, Dictionnary of literary utopias, Honoré Champion, 2000

13.05.2013, Mondayfreiraum quartier21, MuseumsQuartierPolitik der Form II und IIITischgespräche 10 und 15 UhrKünstler und Kuratoren des „Politik der Form“-Artists and curators of the "politics of form" -project meet for roundtable discussions.

13.05.2013, MondayAt 16.00 until 18.00ENG/DEUTSCH version (original FRENCH!)Françoise VergèsThe African Slave Trade and Slavery Blind Spots in French ThoughtSklavenhandel und das System der Sklaverei Blinde Flecken im französischen Denkeneipcp.net

13.05.2013, Monday

At 19.00PCAP-Open Critical Debates on Films: »Cinema Critico«WATCHING FILM AND DISCUSSION; invited FILM CLASS/AkbildDie Lebenden – FILM (A/PL/D 2012)ENGLISH TITLE: The Dead and The LivingENGLISH SUBTITLESRegie Barbara AlbertDarsteller Anna Fischer, Emily Cox, Winfried GlatzederLenght: 100min.Website www.dielebenden.atSita ist eine junge Österreicherin mit rumänischen Wurzeln und lebt in Berlin. Sie absolviert ein Praktikum bei einer Fernsehcastingshow, fühlt sich frei und offen, ist neugierig und wohl auch etwas ziellos. Als sie beim 95. Geburtstag ihres Großvaters durch Zufall herausfindet, dass er während des Zweiten Weltkriegs bei der Waffen-SS diente, stellt das ihr Weltbild kurzfristig völlig auf den Kopf. Sie beginnt zu recherchieren, nachzufragen und die Vergangenheit ihrer Familie aufzurollen - und stößt dabei auf eine Welt der Sprachlosigkeit und Verdrängung.

"The Dead and The Living", an Austrian/Polish/German coproduction featuring Anna Fischer and August Zirner in the leading roles, tells the story of the young Sita, whose personal voyage leads her not only into her family’s own past, burdened as it is by guilty secrets, but also into the abyss of European society today, according to the coop99 production notes. This drama about homelessness and self-discovery, hope and responsibility, involves journeys to Berlin and Vienna as well as Warsaw and Romania. (APA)

14.05.2013, Tuesday

11.30 to 13.00 individual meetings, Grzinic office

14.05.2013, TuesdayAt 13.00 until 15.00Class trip, discussion

14.05.2013, TuesdayAt 15.00 until 18.00

14.05.2013, Tuesday

20.00freiraum quartier21,MuseumsQuartierAkira Takayama, lecture: A Referendum ProjectDer japanische Künstler entwickelt mit seinerGruppe port b urbane Interventionen. Er reiste inden letzten zwei Jahren durch Japan und befragte tausende Schüler nach ihrer individuellen und kol-lektiven Gegenwart und Zukunft: als alternativesVolksbegehren gegen die Technokratie.

15.05.2013, WednesdayMi, 15.5.-Fr, 17.5.,15 Uhr, Anatomiesaal AkademieDieses Seminar zur marxistischen ästhetischenTheorie widmet sich ebenso wie Gutovs „Lifschitz-Institut“ dem Denken des bedeutenden orthodox-marxistischen Philosophen Michail Lifschitz (1905– 1983), eines leidenschaftlichen Anti-Modernisten.

15.05.2013, Wednesday20 Uhr,freiraum quartier21MuseumsQuartierDas „International Institute of Political Murder“ hatdrei Tage lang in einem nachgebauten Gerichtssaalim Moskauer Sacharow-Zentrum politische Prozes se gegen kirchen- und vor allem regimekritischerussische Künstler und Kuratoren wieder aufgerollt.

16.05.2013, Thursday

At 11:30 Seminar by Eduard Freudmann

23.05.2013, Thursday

At 11:30 Seminar by Eduard Freudmann

27.05.2013, Monday

At.10.00 individual meetings, Grzinic office

At 12.00 Muzaffer HasaltayDIPLOMA PRESENTATION (June 2013)

STUDENTS PRESENTATIONS:At 14.00 Niki KubaczekAt 16.00 Georg OberlechnerAt 18.00 Esra özmen with guests, project presentationAt 20.00 Willi Hejda and guestsFilmScreening “Freiräumen – die Politik des do-it-yourself”und Diskussion “Freiraum?”

in Kooperation mitStudienvertretung Bildende Kunst www.stv-bk.atund KuKuMA www.kukuma.org .

Im Anschluss an den Dokumentarfilm (Start 20h) gibt es eine offene Diskussionsrunde zum Spannungsfeld “Freiraum”. Dabei sollen verschiedene Fragestellungen diskutiert werden und ein Austausch zu den Möglichkeiten, Problemen, An- und Widersprüchen von selbstorganisierten "Frei"Räumen stattfinden. Von 2005 bis 2010 wurde in Oberösterreich vom Kulturverein Freiwerk (freiwerk.org) das Bockmas, ein Benefizfestival zu Gunsten von Ute Bock organisiert. Seit 2012 gibt es in Vöcklabruck ein offenes Kulturhaus (okh.or.at) dort ist Freiwerk eine von 12 Initiativen die gemeinsam den Raum organisieren und nutzen. Das Bockmas bot als selbstorganisiertes Festival über mehrere Jahre hinweg einen konkreten regionalen Anlaufpunkt für links-politische Menschen und Gruppen, ebenso für interessierte Jugendliche aus der Umgebung.Durch selbstorganisierte Räume, Veranstaltungen und Gruppen wird versucht dem gängigen Schema von konsumorientierter Kultur ein anderes Verständnis von Raum entgegenzusetzen. Damit sollen Möglichkeiten eines solidarischen Miteinander, und Ausblicke auf eine Welt in der Herkunft, Geschlecht oder Hautfarbe keine Ausschlüsse mehr mit sich bringen sichtbar werden. Agierende landen dabei automatisch im Spannungsfeld zwischen normativer Gesellschaft, unbezahlter und nicht anerkannter Arbeit, "real"-(Partei)Politik, starren Vorschriften, dem Anspruch auf Selbstverwirklichung und dem Wunsch nach Autonomie.

Für die offene Diskussionsrunde sind Leute Angefragt von:Freiwerk freiwerk.orgKaleidoskop kaleidoskop.kukuma.orgSchenke www.dieschenke.orgSoliLA solila.blogsport.euEinbauMöbel 1bm.at

english:Freiraum – free space for critical thinking about politics. In Vöcklabruck (Upper Austria), each generation of young people must fight for such space anew. It seems that there is no budget for their ideas, no understanding, no spaces. Many young people want to move away to the big cities. In 2005, a group of commited young people decided not to put up with this situation any longer. They founded the Cultural Society and Social Forum Freiwerk and organized a three day charity festival called Bock Ma’s Benefizfestival. Until 2012 it used tob e the annual cultural highlight in the region. Now, after the end of this project, the next generation enterst he scene. They see a great opportunity in a vacant building in the city center. And as they do not want to wait for drawn-out political decisions, they take the initative, too. Do-it-yourself.

schnitt – mario hengster und andreas kurz / sounddesign – matthias kronlachner / farbkorrektur und finishing – robert breber / kamera – mario hengster / dramaturgische beratung – emily artmann / regie – andreas kurzhengster produktion 2012

Next: 3.06.2013 at 15.30

PCAP Program April 2013

concept — Mon, 01 Apr 2013 14:14:09 GMT

PCAP Program April 2013

8.04.2013, Monday

Entry exams, 9 to 18.00

M1, at 18.00

PCAP-Open Critical Debates on Films: »Cinema Critico«

Luisa Lobo and Marissa Lôbo organize a screening of the Brazilian experimental film on Yanomami shamanism called Xapiri.

Xapiri is a Yanomami term that characterizes the shamans, male spirits (xapiri thëpë) and also auxiliary spirits (xapiri pë). Xapiri is an experimental film about Yanomami shamanism that was filmed during a meeting of 37 shamans at the Watoriki Reserve, Roraima, in March of 2011. The film was designed to take into account two different notions of image: those of the Yanomami and ours. Therefore, it does not set out to explain shamanism, its methods or procedures, but to allow different cultures to visualize and feel the way in which the shamans "embody" the spirits, their bodies and voices.

One of the filmmakers, prof. Laymert Garcia dos Santos, is going to take part in the presentation and discussion. From Vienna as a guest in the discussion will participate Tom Waibel.

Taking part as well in the screening and discussion: students from the department of Social and Cultural Anthropology, doing their MA with a focus on visual culture.

XapiriFilm directors: Leandro Lima and Gisela Motta, Laymert Garcia dos Santos and Stella Senra, Bruce AlbertDirector of photography: Leandro LimaFilm editing: Leandro Lima, Gisela MottaSound: Marcos Wesley de Oliveira, Leonardo RosseSoundtrack: Xamãs Yanomami, Watoriki CommunityProducers: Cinemateca Brasileira, Instituto SocioambientalRealização Laboratório de Cultura e Tecnologia em Rede/i21, Hutukara Associação Yanomami

The film is from 2012 and has duration of 54 min.

04.2013, TuesdayEntry exams, 9.00 to 18.00

M1, at 18.00PRESENTATION WORKS CLASS!Second meeting with the curators Hedwig Saxenhuber, Georg Schöllhammer and Karl Baratta regarding the project The unrest of forms, -the question of the political subject that is to be shown in the Academy Mid May 2013.

11.04.2013, Thursday

At 11:30 Seminar by Eduard Freudmann

15.04.2013, Monday

At 16.00 until 18.00Jacques Rancière and the Subversion of Mastery. Peter Hallward. University of Middlesex. Citation Information. Volume 28, Page 26-45, 2005.Free download: abahlali.org

Reading of the text, presentationsAleksandra Aleksic pages 31,32,33Aida Nougues Jimenez, pages 34, 35, 36

AT 18.00STUDENT PRESENTATIONS:

Paula Pfoser

At 20.00PCAP-Open Critical Debates on Films: »Cinema Critico«film Parada (original title), 2011, 115 min, English subtitlesDirector Srdjan DragojevicActors: Nikola Kojo, Milos Samolov, Hristina Popovic ....THE PARADE, in a tragicomic way, tells the story about ongoing battle between two worlds in contemporary post-war Serbian society - the traditional, oppressive, homophobic majority and a liberal, modern and open-minded minority.Plot: A homophobic, middle-aged, Serbian gangster ends up sacrificing himself to protect Gay freedom in his country. RADMILO (35) and MIRKO (30) are young and successful gay couple, and they ..AFTER DISCUSSION, moderation: Aleksandra Aleksic

FILM SCREENING

16.04.2013, Tuesday

10.00 to 13.00Grzinic office, individual meeting contact me for appointment.

M1, at 13.00 until 15.00Discussion class trip to Poland, SECOND PART OF OCTOBER 2013.Possible itinerary presentations Katarzyna Winiecka.

M1, At 16.00 until 18.00Jacques Rancière and the Subversion of Mastery. Peter Hallward. University of Middlesex. Citation Information. Volume 28, Page 26-45, 2005.Free download: abahlali.orgReading of the text, presentations:Neda Hosseinyar, pages 37, 38, 39Daria Kirillova, pages 40, 41, 42

At 18.00ERASMUS PRESENTATIONS:

Julia EntnerJanusch Tschech

FILM SCREENING

18.04.2013, ThursdayAt 11:30 Seminar by Eduard Freudmann

24.04.2013, Wednesday10-13 and 14.30-17.30Seminar with Elske Rosenfeld, PHD in Arts student at the Academy.TOPIC/TITLE: General Body Meeting – The Body as Disruption in Art and PoliticsLANGUAGE: ENGLISH

25.04.2013, ThursdayAt 11:30 Seminar Eduard Freudmann

26.04.2013, Friday10-13 and 14.30-17.30Seminar with Elske Rosenfeld, PHD in Arts student at the Academy.TOPIC/TITLE: General Body Meeting – The Body as Disruption in Art and PoliticsLANGUAGE: ENGLISH

29.04.2013, Monday

At 16 until 18.00Jacques Rancière and the Subversion of Mastery. Peter Hallward. University of Middlesex. Citation Information. Volume 28, Page 26-45, 2005.Free download: abahlali.org

Continuation reading and conclusions.

At 18.00DIPLOMA PRESENTATION (June 2013):Muzaffer Hasaltay

30.04.2013 Tuesday

10.00 to 16.00Grzinic office, individual meeting contact me for appointment.

M1, at 16.00ERASMUS PRESENTATIONS:16. to 17.00 Maria Gleu17 to 18.00 Michelle Kiyomi Yasuda18 to 19.00 Zara Iqbal19 to 20.00 Maya Aruch

PCAP program March 2013

ef — Thu, 28 Feb 2013 04:55:33 GMT

PCAP March 2013

4.03.2013, Monday

At 16.00 until 20.00Class discussion: overview rundgang, exhibitions, projects, class travel 2013, open questions

5.03.2013, Tuesday

At 16.00 until 19.00TEXT READING: Jacques Rancière and the Subversion of Mastery. Peter Hallward. University of Middlesex. Citation Information. Volume 28, Page 26-45, 2005.Free download: abahlali.org

5.03.2013, Tuesday

At 20.00 FILM SCREENING: IMAGES, HISTORIES, POLITICS: talk on the film Audre Lorde – The Berlin Years, 1984 to 1992. A film by Dagmar Schultz done in 2012.

Audre Lorde's years in Berlin in which she catalyzed the first movement of Black Germans to claim their identity as Afro-Germans with pride. As she was inspiring Afro-Germans she was also encouraging the White German feminists to look at their own racism.

07.03.2013, THURSDAY

At 11:30 Seminar by Eduard Freudmann

11.03.2013, Monday

At 16.00 until 20.00INTRODUCTION ERASMUS IN THE CLASSTEXT READING: Jacques Rancière and the Subversion of Mastery. Peter Hallward. University of Middlesex. Citation Information. Volume 28, Page 26-45, 2005.Free download: abahlali.org

12.03.2013, Tuesday

At 10.00 to 13.00 indiv. Meetings, office Grzinic, contact me for the appointment

At 13.00 meeting with Karl Baratta and Georg Schöllhammer regarding the project The unrest of forms, -the question of the political subject , that is to be shown in the Academy Mid May 2013.

At 16.00 meeting with Erasmus students

12.03.2013, TuesdayAt 18.00 until 20.30 seminar by MA student in the class, Johannes Puchleitner

TOPIC: David Harvey, Neoliberalism and the City + the (different?) case of Vienna

mit Felix Wiegand - geb. 1983 studierte Politikwissenschaft an der Universität Wien und ist zurzeit wissenschaftlicher Mitarbeiter am Institut für Humangeographie der Goethe-Universität Frankfurt. Seine Arbeitsschwerpunkte sind kritische Raum- und Stadtforschung, das Werk von David Harvey sowie materialistische Staats- und Gesellschaftstheorie.

und INURA Wien - Bettina Köhler, Franziska Lind, Johannes Puchleitner

Mit dem weltweiten Wiederaufschwung urbaner sozialer Bewegungen und den vielfältigen Konflikten im städtischen Raum ist in den letzten Jahren ein wachsender Bedarf nach einer kritischen Analyse und Deutung aktueller, neoliberaler Formen der Stadtentwicklung entstanden. In diesem Kontext stellt das Werk des kritischen Geographen und marxistischen Gesellschaftstheoretikers David Harvey für viele AktivistInnen und StadtforscherInnen einen wichtigen Bezugspunkt dar. Seit der Veröffentlichung seines bahnbrechenden Buches "Social Justice and the City" im Jahr 1973 beschäftigt sich Harvey – neben vielen anderen Themen – intensiv mit dem Zusammenhang von Urbanisierung und Kapitalismus, zuletzt ist von ihm 2012 "Rebel Cities. From the Right to the City to the Urban Revolution" erschienen.Der Vortrag fragt danach, was Harveys Werk zum besseren Verständnis neoliberaler Stadtentwicklung – und ihrer Krisen – beitragen kann, und untersucht, worin aus dieser Perspektive die Chancen, aber auch die Schwächen aktueller Kämpfe für ein „Recht auf Stadt“ bestehen.

Weiters werden im Anschluss die oben genannten Themenbereiche noch anhand von lokalen (Wiener) Beispielen hinterfragt, verglichen und beurteilt.

With the global re-emergence of urban social movements and the multiple conflicts in urban space over the last couple of years a growing demand evolved for critical analysis of the current, neoliberal type of urban development. In this context the work of David Harvey, a critical geographer and Marxist social theorist, forms an import reference point for many activists and urban researchers. Since the publication of his groundbreaking book "Social Justice and the City" in the year 1973 Harvey is – among plenty of other topics – concerned with the interrelation of urbanization and capitalism, his latest book in 2012 called "Rebel Cities. From the Right to the City to the Urban Revolution".The lecture examines the contribution of Harvey's work for a better understanding of the neoliberal urban development – and its crisis – and analyzes the chances, but also the weaknesses of existing struggles for the “right to the city”.

After that, we will have a deeper look on local (Viennese) examples and try to question, compare and evaluate some of the topics raised above.

14.03.2013, ThursdayAt 11:30 Seminar Eduard Freudmann

18.03.2013, MondayMontag, 18. März, 14 – 16 Uhr

WHAT'S YOUR OBJECT / SUBJECT?

Eine Veranstaltung von CINENOVAmit Karolin Meunier und Sandra Schäfer

CINENOVA DISTRIBUTION is a volunteer-run organisation in London dedicated to preserving and distributing the work of women/feminist film and video makers since 1991. It currently distributes over 500 titles that include experimental film, narrative feature films, artists’ film and video, documentary and educational videos made from the 1920s to the present. The thematics in these titles include oppositional histories, post-colonial struggles, reproductive labour, representation of gender and sexuality, and importantly, the relations and alliances between these different struggles. cinenova.orgIm September 2013 wird Cinenova eine Ausstellung in der Kunsthalle Exnergasse realisieren. Mit dieser Veranstaltung in der Akademie der Bildenden Künste wollen wir anhand von Filmen aus der Sammlung die Organisation und unsere Arbeitsweise vorstellen und diskutieren. Wir laden alle an dem Projekt interessierten Studierenden und Lehrenden, sowie unsere möglichen Kooperationspartner_innen aus Wien und Linz herzlich dazu ein.

Cinenova Working Group: Cay Castagnetto, Megan Fraser, Emma Hedditch, Karolin Meunier, Irene Revell, Sandra Schäfer, Kerstin Schroedinger, Marina Vishmidt

Akademie der Bildenden Künste WienOrdinariat für Kunst und digitale MedienAtelierhaus, Lehargasse 6-8

Stock, Studierbereich I121060 Wien

18.03.2013, Monday

At 17 .00 until 19.00TEXT READING: Jacques Rancière and the Subversion of Mastery. Peter Hallward. University of Middlesex. Citation Information. Volume 28, Page 26-45, 2005.Free download: abahlali.org

At 19.00 Student presentation: Katarzyna Winiecka

At 20.00 Student presentation:Sarah Binder

19.03.2013, TuesdayAt 10.00 to 13.00 indiv. Meetings, office Grzinic, contact me for the appointment

19.03.2013, TuesdayAt 14.00 until 21.00 seminar by MA student in the class, Catalina RavessoudWatching film: La Commune: Paris, 1871Film by Peter Watkins, 345 minutes / b&w Release: 2002WE WILL HAVE PAUSES IN THE FILM SCREENING. CONTEXT about the film, debate, intro provided by Catalina Ravessoud.ABOUT THE FILM:La Commune is the name given to the French revolutionary government established by the people of Paris during the Franco-Prussian War (1870-1871). On March 17 and 18, Parisians led an uprising against the national government, which fled the capital and re-established itself in Versailles. The radicals established a proletarian government in Paris, called the Central Committee of the National Guard, and set March 26 as the date for the election of a municipal council. This council became known as the Commune of 1871, and its members as Communards. Most Communards were followers of Louis Auguste Blanqui, a revolutionary held prisoner in Versailles by the head of the National Assembly, Adolphe Thiers. Other Communards supported the school of socialism expounded by the French philosopher Pierre Joseph Proudhon and members of the International Workingmen's Association, of which Karl Marx was then a corresponding secretary.For the film LA COMMUNE we travel back in time to 1871. A journalist for Versailles Television broadcasts a soothing and official view of events while a Commune television is set up to provide the perspectives of the Paris rebels. On a stage-like set, more than 200 actors interpret characters of the Commune, especially the Popincourt neighborhood in the XIth arrondissement. They voice their own thoughts and feelings concerning the social and political reforms. The telling of this story rests primarily on depicting the people of the Commune, and those who suppressed them.Deliberately, this film is an attempt to challenge existing notions of documentary film, as well as the notions of 'neutrality' and 'objectivity' so beloved by the mass media today. The film is not intended as an apologia on behalf of the Paris Commune. But at the same time, it attempts to show that the Paris Commune, for all its human frailty, its internal conflicts and its blundering, was an event of major importance, not least because of the way in which its leading reformers tried to work with social process, by a direct involvement with the community and its needs.

20.03.2013, WednesdayAt 11:30 Seminar by Eduard Freudmann

22.03.2013, FridayM1, Seminar with Elske Rosenfeld. Elske Rosenfeld is PHD in Arts student at the Academy.4 sessions, the first in March is on the 22.03, M1, from 10-13 and from 14.30-17.30

TOPIC/TITLE: General Body Meeting – The Body as Disruption in Art and PoliticsLANGUAGE: ENGLISH

DATES/HOURS for 4 sessions:22. March, 10-13 and 14.30-17.3024. April, 10-13 and 14.30-17.3026. April, 10-13 and 14.30-17.3024. June, 10-13 and 14.30-16.00

ABOUT: The seminar/workshop combines a reading of selected texts from aesthetic, political and queer theory, with discussions of artistic reference material, touching on practices of re-enactment, as well as the histories of performance and body art, to reclaim a notion of embodied practices in art that avoids essentialist claims of physical presence or authenticity. Looking at the different ways the body has been used in different, also non-Western traditions of body art, can we reconstruct an artistic practice that configures the body as an outside to language and thus, as a disruptive force that can open up spaces of rupture and openness in the status quo?We will look especially at how the body emerges as political in recent situations of unrest, protest or revolution, such as the Arab Spring or the Occupy/Democracía Real Ya movements, where political/revolutionary space was constituted primarily by the physical assembly and sustenance of bodies in space. Secondly, looking at the post-revolutionary moment of failure or closure in relation to these instances, but also, further back in history, in the revolutions of 1989 in Eastern Europe, we ask how the past experience of revolution persists in the body as potentiality, even after revolution becomes closed down in language, re-institutionalisation and historiography.Based on our discussions of texts and art works and using materials from the these different historical instances, we arrive at a number of practical exercises that play with strategies of scripting, performing from script, or re-enacting through mimesis/ copying, working with gesture and movement, with objects and space, to explore the core questions of the seminar in an experimental, collaborative, and hands-on way.
The seminar requires not previous knowledge, but demands the full and active participation of participants – also with a view to a possible practical collaborative outcome.

HOLIDAYS: 25.03-8.04.2013FIRST WORKING DAY, 8.04.2013

PCAP program January 2013

ef — Sat, 29 Dec 2012 11:04:55 GMT

7.01.2013, MondayAt 9.00 to 11.00 individual meetings, GRZINIC, office

STUDENTS PRESENTATIONS:At 11.00Sophie HaasChristian GanglAt 14.00 to 15.00 BREAKAt 15.00Willi HejdaEsra ÖzmenAt 18.00 to 19.00 BREAKAt 19.00Joanna WilkFILM screening, proposed by Wilk:!Women Art Revolution is a Lynn Hershman Leeson film that presents the Feminist Art Movement in US, 2010, 83.00 min.

8.01.2013, TuesdayAt 10.00 to 11.00 individual meetings, GRZINIC, officeSTUDENTS MA PRESENTATIONS IN THE CLASS, part 1:At 11.00 to 14.00Johannes PuchleitnerNicole Theresa RaabAt 14.00 to 15.00 BREAKAt 15.00 to 18.00Lena KauerJohannes Sengelin

8.01.2013, TuesdayAT 19.00 Galerie IG BILDENDE KUNST, film projection and discussionWHERE: Gumpendorfer Straße 10-121060 Wien

Project AIDS/HIV As (Another) Form of GovernmentalityFILM SCREENING: AIDS-Trilogy, regie Rosa von Praunheim; D, 1989/90 (German/English)(FIRST PART)

14.01.2013, MondaySTUDENTS PRESENTATIONS:At 16.00Daria KirilovaImayna CaceresArin ZadoorianTatiana Kai-Browne

15.01.2013, TuesdayAt 9.00 to 11.00 individual meetings, GRZINIC, office

STUDENTS MA PRESENTATIONS IN THE CLASS, part 2:At 11.00 to 14.00Catalina RavessoudJulia TirlerTomash Schoiswohl

At 14.00 to 15.00 BREAK

At 15.00STUDENTS PRESENTATIONS:Verena Melgarejo WeinandtAleksandra AleksicNeda Hoseinyar

21.0.2013, MondayINSTALLING THE EXHIBITION; RUNDGANG

22.01.2013, TuesdayINSTALLING THE EXHIBITION; RUNDGANG

22.01.2013, TuesdayIn the video room, 2 floor, Semper Depot: DIPLOMADAVID KELLNER

22.01.2013, TuesdayAT 20.00 Galerie IG BILDENDE KUNST, film projection and discussionWHERE: Gumpendorfer Straße 10-121060 WienProject AIDS/HIV As (Another) Form of GovernmentalityFILM SCREENING: AIDS-Trilogy, regie Rosa von Praunheim; D, 1989/90 (German/English)(SECOND and THIRD PART)

23.01.2013, WednesdayINSTALLING THE EXHIBITION; RUNDGANG

24.01.2013, ThursdayRUNDGANG16.00 Raum der Conceptual Art Class (M1)Eröffnung der Ausstellung, Conceptual Art Klasse

24.01.2013, ThursdayRUNDGANG

18.00 bis 24.00 Raum der Conceptual Art Class (M1)"Kein Runder Gang"

Interventionen der PCAP (Konzeptuelle)-Klasse gegen strukturelle rassistische Diskriminierungen, welche auch Bestandteil der (sich nach außen als kritisch und progressiv präsentierenden) Kunstuniversitäten sind.

Bestehend aus Sozialer Kassa Bar, Infostand und einer kollektiven Performance.

20.00 Performance: Fuck your queer white supremacy celebration! (part 2)

Taking part with statements: Clifford Erinmwionghae, Araba Evelyn Johnston-Arthur, Njideka Stephanie Iroh, Miltiadis Gerothanassis, Dominic Mariochukwu Gilbert aka Item 7, Khan Adalat Mohammed Numan, Marissa Lobo, Refet Eski, Salaheddine Najah, Yusuf Haibeh, Jude Sentongo, Dddr. jur. Stevenson Anthony Maw King Pharao Maw, Dr. Di-Tutu Bukasa

It is an intervention in the racist structures in Austria and EU and in the structures of dispossession of life in Austria and EU. The intervention is centered on 2 points: refugees and students from the so-called third states, not part of the EU. In both cases at work is a system of preventions, exclusions, a process of abrupt denial the basic rights to stay, work, live and study.

22.00 Performance rap concert: EsRaP (die Geschwister)In der Performance rap concert zeigt die Wiener Rapperin EsRaP (Esra Özmen, Studentin der Conceptual Art Klasse), wie Sprechgesang als radikale performative Kunst funktioniert.RUNDGANG18.00 bis 24.00 Raum der Conceptual Art Class (M1)"Kein Runder Gang"

25.01.2013, FridayRUNDGANGRaum der Conceptual art Class (M1)Ausstellung, Conceptual Art Klasse

25.01.2013, FridayRUNDGANG, SEMPER DEPOT:16.00– AAAAR —21.00 ARTISTS ACTIVISTS A(U)CTION AGAINST RACISMEine Kunsta(u)ktion um strukturelle, rassistische Zustände zu ZER_STÖREN. Ein erneutes Mal wollen wir auf die äußerst prekäre Lage von Student_innen aus Nicht-EU-Ländern auf¬merksam machen, indem wir mit dem gesammelten Geld die rassistische Fremdenpolitik und deren bürokratische Hürden bekämpfen!16.00–18.30 YOUR COMFORT IS MY SILENCE: ANTIRASSITISCHE INTERVENTIONEN IM SPANNUNGSFELD INSTITUTIONELLER STRUKTUREN Podiumsdiskussion und Ausstellung 18.00–19.00 REGISTRIERUNG DER KÄUFER_INNEN 19.00–21.00 INTERVENTION UND A(U)KTION

26.01.2013, SaturdayRUNDGANGRaum der Conceptual art Class (M1)Ausstellung, Conceptual Art Klasse

26.01.2013, SaturdayRUNDGANG16.00 Raum der Conceptual art Class (M1)

Gast-Vortrag von Njideka Stephanie Irohzum Thema Anti-Rassismus, Positionierung und Widerstand

Moderation: Marissa Lôbo

Njideka Stephanie Iroh, Poetin und Performerin, lebt und arbeitet in Wien. Teil der Recherchegruppe zu Schwarzer österreichischer Geschichte und Gegenwart, gegründet im Rahmen des Projektes „Verborgene Geschichte/n remapping Mozart“ und Arbeitsgruppe der Selbstorganisation PAMOJA – Bewegung der jungen afrikanischen Diaspora in Österreich. Arbeitsprozesse zu Schwarzem Empowerment mit Fokus auf Jugend im Kontext des Widerstands und der Dekolonialisierung.

26.01.2013, SaturdayRUNDGANG19.00 Raum der Conceptual art Class (M1)Künstlerische Forschungsprojekt: AIDS/HIV als (andere) Form der GouvernementalitätFilmprojektion: Blue, regisseur: Derek Jarman; Grossbritannien, 1993 (Englisch/Deutsch)

Im Anschluss Gespräch zum Film und zu Themen des Projektes.Gastsprecher: Magnignui Tuo, Mitarbeiter der Aidshilfe Wien

Dieses künstlerische Forschungsprojekt (kuratiert von Miltiadis Gerothanassis und Ivan Jurica) fokussiert auf AIDS/HIV, aber nicht in Form einer pathologischen Analyse der Krankheit, sondern im Sinne eines ideologischen Begriffs. Es versucht, Prozesse freizulegen, die AIDS/HIV mittlerweile zu einer Marke und einem (hetero)normativen Instrument innerhalb der kapitalistischen Gesellschaften transformiert haben.Presentacion organisiert in Zusammenarbeit mit Galerie IG Bildende Kunst.

27.01.2013, SundayRUNDGANGRaum der Conceptual art Class (M1)Ausstellung, Conceptual Art Klasse

HOLIDAYS: 28.01.2013 to 1.03.2013; we start the lectures 4.03.2013 at 16.00.