m1 (turm4)

PCAP Program December 2014

concept — Wed, 26 Nov 2014 20:24:15 GMT

1 December 2014, Monday

At 16.00, M1Technical needs for the diplomas and Rundgang, MANDATORY!

1 December 2014, MondayAt 18.00 we join theAnti-Lecture by JAMIKA AJALON, US/EU

WHERE: Department of Video and Videoinstallation at the Akademie der Bildenden Kuenste Wien, Semper depot, room parallel to M1, Lehargasse 8.

Seminar by Marion Porten featuring the guest talk by Jamika Ajalon

This Lecture is organized by Moira Hille (IKW) and Marion Porten (IBK). It’s part of Hille’s seminar "On artistic research" and Porten’s seminar "I don’t intend to speak about just near by*". It is supported by: Post-Conceptual Art Practices / Video and Videoinstallation / Master Critical StudiesBIOGRAPHY:Jamika Ajalon is an interdisciplinary artist, writer, performer musician American exile living and working in Europe for over a decade. She has Ma Degree in Art and Cultural Theory, with an emphasis on WOC (Women Of Color) subjectivity, at Goldsmiths University, (GB) and a Bachelors in Film and Video from Columbia College Chicago, (USA). Much of her music, video work, documentaries, and performative anti-lectures speak for blurring and obliteration of borders, geographical, psychological, and with an emphasis on memory as time travel, and hidden and coded WOC narratives. She uses literature (including prose/poetry), critical theory, art, and science fiction to explore these themes. Find out more about her at www.facebook.com/jamikaajalon.artistpage and jamikaajalon.tumblr.com

2 December 2014, Tuesday

Ind. Meeting 9.00 to 15.00, Grzinic office.

2 December 2014, Tuesday

16.00 to 19.00, M1DIPLOMA PRESENTATION (January 2015):Christian Diaz Orejarena

Students’ presentations:Clifford ErinmwionghaeAydar Bekchintaev

2 December 2014, Tuesday

WHERE: M1

At 20.00 KAROLINA BREGUŁA, Poland

Artist talk presentation with the title: The effect of artThe lecture will consist as well of screening of works as Fire Followers (48 min) and of numerous other works by the artist.

Language: English.

BIOGRAPHY:Karolina Breguła (born 1979), Polish multimedia artist; creates installations, happenings, video, photography. She has graduated from the National Film Television and Theatre School in Łódź where she now has been working on her PhD. She has performed and exhibited internationally at such venues as places as Zachęta National Gallery in Warsaw, National Museum in Warsaw, Jewish Museum in New York or at the 55th Venice Biennale (Italy). She is the author of works such as Fire-Followers (2013), Art Translationg Agency (2010) or Let Them See Us (2003). She has received numerous awards including the Polish Ministry of Culture Scholarship, Młoda Polska Scholarship, the View art prize or Samsung Art Master prize. She lives and works in Warsaw.

Organized in collaboration with Kulturkontakt Austria.

ALSO A2 seminar done in collaboration with artist Muzaffer Hasaltay, Vienna.8. December is holiday9. December 2014, Tuesday

16.00 to 19.00, M1Students’ presentations:Neda HoseinyarDaria Kirillova

December 2014, Tuesday

At 20.00, M1Film projection: Reflections Unheard: Black Women in Civil Rights, 2013, Running Time: 81min, by Nevline Nnaji, USA Reflections Unheard is a feature length documentary, and the first of its kind to focus exclusively on black women’s contributions and experiences during the Civil Rights era. Through the personal stories of several former black female Civil Rights activists, Reflections Unheard: Black Women in Civil Rights unearths the lesser-known story of black women’s political marginalization between the male-dominated Black Power movement, and the predominantly white and middle class Feminist movement during the 1960s and 70s, as well as the resulting mobilization of black and other women of color into a united Feminist movement.(from Grzinic handaparate! Akbild Library!)

10.December 2014, WednesdayInd. Meeting 9.00 to 15.00, Grzinic office.

10.December 2014, Wednesday16.00 to 19.00, M1Students’ presentations:Peter PalmeJamila SchamanekEzgi Erol

December 2014, Monday

16.00 to 19.00, M1Screening different video films from former Yugoslavia: Cmajcanin, Bilankov,, etc., and discussion.

December 2014, Monday

WHERE: M1

At 20.00 CRISTINA DAVID, Rumania

Artist talk presentation with the title: Coming clean about my fear: I am still afraid of being a mediocre artist.Language: English.

BIOGRAPHY:Cristina David (born 1979), contemporary artist based in Bucharest. She studied at the Faculty of Mathematics and at the National Art University of Bucharest, in Romania. In 2007 David received an MA in Fine Arts at the Art Academy in Bergen, Norway. Since 2012 David has worked as an invited lecturer at the Photo-Video Department at the National Art University in Bucharest. David art works were exhibit in galleries and museums from around the world, among which some of the relevant exhibitions venues and contemporary art events are: the Contemporary Art Museum of Bucharest, Video Art Biennial (Tel- Aviv), Shedhalle (Zurich), Kunsthalle Leipzig, Montehermoso Art Space (Vitoria, Spain), Futura Gallery (Prague), Manifesta8- Contemporary Art Biennial (Spain), The Performance Art Institute (PAI) (San Francisco), Kiasma, Museum of Contemporary Art of Finland (Helsinki), Rotor gallery (Graz).

Organized in collaboration with Kulturkontakt Austria and Romanian Cultural Institute Vienna.

ALSO A2 workshop/seminar done in collaboration with artist Muzaffer Hasaltay, Vienna.

December 2014, Tuesday

Ind. Meeting 9.00 to 15.00, Grzinic office.

December 2014, Tuesday

16.00 to 19.00, M1Students presentations:Claudia TomassettiMartin Weichselbaumer

December 2014, TuesdayWHERE: M1

At 20.00 CHIBUIKE UZOMA, NigeriaArtist talk presentation with the title: Alternative Resolutions (modalities behind the front)Language: English.

BIOGRAPHY:Chibuike Uzoma (born 1992), studied painting and received his BA from the University of Benin, Nigeria. A social commentator, Uzoma, has since 2010, developed an active photography practice alongside his studio work as a painter. Taking a spontaneous approach to his artistic work even as a constructionist, he endeavors to make his images in the creative moment by conceptually making each of his pieces an experiment. Currently, Chibuike Uzoma lives and works in Lagos, Nigeria.

Organized in collaboration with Kulturkontakt Austria.ALSO A2 seminar done in collaboration with artist Muzaffer Hasaltay, Vienna.

Next: 7.01.2015

PCAP Program November 2014

concept — Fri, 31 Oct 2014 15:32:32 GMT

PCAP Program November 2014

November 2014, Monday

17.00 to 20.00, M1Erasmus PRESENTATIONS:

Marian MaylandDeniz GuvensoyIan Simon MärjamaTakeo MarquardtCatarina Braga

November 2014, Tuesday

10-15.00 Individual meetings, office Grzinic, contact me.

4 November 2014, Tuesday16.00 to 19.00Erasmus PRESENTATIONS:Continuation ERASMUS andSTUDENT PRESENTATIONTine Erhart (IKL)

November, 2014, WednesdayAt 15.00, M1

Pleased to Meet You!Work presentation by Eduard Freudmann

After being absent from the Academy for the last year and since a significant number of students joined meanwhile the PCAP, Eduard Freudmann will talk about his work.

Eduard Freudmann is since 2007 teaching at the Department for Conceptual Art Practices, where he is employed as Senior Artist and is currently working on his dissertation. Freudmann deals with possibilities of debating racisms, anti-Semitism and anti-Romaism in post-Nazi and post-colonial contexts and their resulting potential identities and solidarities. He is the author of articles and books which are integral components of his artistic work. His projects have been presented in exhibitions, biennials and film festivals.eduardfreudmann.com freudmann.tumblr.com

November 2014, Monday14.00 to 15.00 ind. meetings, Grzinic office
November 2014, Monday15.00 to 16.30Erasmus PRESENTATION:Deniz Guvensoy, lecture contemporary Turkish art, summary from Guvensoy PHD project research in Istanbul

17.00 to 18.30Student PRESENTATION:Georg Oberlechner,Erasmus in Argentina in 2013/2014

November 2014, Tuesday9-10.00 Individual meetings, office Grzinic, contact me.
November 2014, Tuesday11.00 to 14.00, M1Text reading (3rd session), On the Commons: A Public Interview with Massimo De Angelis and Stavros Stavrides, 2010at www.e-flux.comwww.e-flux.comALSO B3 seminar
November 2014, Monday17.00 until 19.00, M1

Petja Dimitrova talk with students PCAP, specifically with first year students PCAP, Erasmus students, regarding open questions in relation to their art works and the Rundgang project 2015.

Petja Dimitrova is since 2007 teaching at the Department for Conceptual Art Practices, where she is employed as Senior Artist.

November 2014, Monday15.30 to 18.00, M1Diploma PRESENTATION:Aleksandra Aleksic (diploma January 2015)
November 2014, MondayAt 18.00 we join theDepartment of Video and Videoinstallation at the Academy of Fine Arts in ViennaSemper depot, space PARALEL to M1

Guest talk: Marissa LôboCV: Marissa Lôbo is a migrant black activist and artist born in Bahia, Brazil. She co-ordinates the cultural work within an self-organisation of migrant women, MAIZ, Linz (www.maiz.at); Lôbo within and with Maiz organizes artistic- critical education related to anti-racist and anti-sexist struggles. Lôbo in her artist and activist work addresses hegemonic sexualised and racialized body regimes from a Black perspective. She aims to de-colonize queer theory and to intervene in white supremacist narrative. She completed her MA in the Post Conceptual Art Practices at the Academy for fine Arts in Vienna in 2014. She has received the award of the Academy for her MA work in 2014.

The guest talk of Marissa Lôbo is organized by Marion Porten within her seminar at the Department of Video and Videoinstallation.

November 2014, Tuesday9.00 to 10.00, indiv. meetings, Grzinic office

11.00 to 14.00, M1Text reading (4th session, conclusion), On the Commons: A Public Interview with Massimo De Angelis and Stavros Stavrides, 2010at www.e-flux.comwww.e-flux.comALSO B3 seminar

November 2014, Tuesday16.00 to 19.00, M1Student PRESENTATIONS:Yela An
Nadia DavidJulischka Stengele

PCAP program October 2014

concept — Sat, 27 Sep 2014 15:17:59 GMT

PCAP Program October 2014

6.10.2014, MondayAt 17.00New students, study program kick off, plans

7.10.2014, Tuesday

At 15.00 SECESSION entrance, have you study cards (those who has it) just in case.WHERE: Secession, Friedrichstraße 12, A-1010 Wien

We meet Zanny Begg, artist and curator, with the artists taking part in her project part withinUTOPIAN PULSE – FLARES IN THE DARKROOM, Ein Forschungsprojekt von Ines Doujak und Oliver ResslerLANGUAGE: ENGLISH

7.10.2014, TuesdayAt 18.00 SECESSIONWHERE: Secession, Friedrichstraße 12, A-1010 WienFREE ENTRANCE TALK!The refugee protest movement mobilization in Austria and EU.A forum organized by Marissa Lôbo and Marina Gržinic.Speakers:Khan AdalatIlker AtaçClifford A. ErinmwionghaeNjideka Stephanie IrohInes MahmoudGin Müller

This forum will discuss how in the period after the Fall of the Berlin wall and 9/11 capitalist discourse has shifted from protection of human rights into a policy of bare life, seclusions and deportations of refugees and asylum seekers. The refugee movement in Vienna in 2012 showed a power of self-mobilization and self-articulation. The self-organized refugee protest movement, that was supported immediately by many activists and students from the Academy of Fine Arts in Vienna, has been put under harsh pressure and criminalization procedures. After almost 2 years here it is again another possibility to speak in public providing an analysis what was done and what is to be done. Discussions will include the reproduction of white supremacy within the Refugee Protest Camp Vienna, the methods of criminalization of the refugees by the Austrian state repressive apparatuses and the hypocrisy of EU politics.

Speaker Biographies:

Khan Adalat is a refuge and activist.

Ilker Ataç is a political scientist at the University of Vienna; researching on migration policy and self-organized and anti-racist movements. He was involved in Kanak Attak and the First March Transnational Migrant strike.

Clifford Erinmwionghae is a migrant and activist that lives more than a decade in Austria.

Marina Gržinic is professor at the Academy of Fine Arts in Vienna, artist, philosopher and writer.

Njideka Stephanie Iroh is a poet, performer, writer, artist and activist in Vienna. Her work focuses on youth and education in the context of language, linguistics, power, decolonisation and empowerment. Her political work is part of PAMOJA- The Movement of the young African Diaspora and in cooperation with other Black and migrant organizations.

Marissa Lôbo is an artist, activist that works for and in Maiz ( Self-organization – Participation – Autonomy – Resistance – Transformation – Utopia) an independent organization by and for migrant women. Marissa Lôbo finished her studies at the Academy of Fine Arts in Vienna in 2014. She is the recipient of the main Academy award in 2014 for her MA diploma work/performance on structural racism and colonialism.

Ines Mahmoud is currently finishing her studies in political science in Vienna. She is political activist/poet and has written her bachelor thesis about reproductions of white supremacy within the Refugee Protest Camp Vienna. Her main interests include migration, Islam, decolonialization, pan Arabism.

Gin Müller lives in Vienna. Müller works as a dramaturge, Performer, Theorist, Lecturer at the University of Vienna and is a known activist. In April 2008 Gin Müller's book was published: „Possen des Performativen, Theater, Aktivismus und queere Politiken“, republicart 7, Wien: Turia+ Kant.Info: www.zannybegg.com

8.10.2014, Wednesday

9.00 to 12.00INDIVIDUAL MEETINGS with new students and others, Grzinic, office.

At 12.00 - 16:00, M1Seminar with Ronja Vogl, artist, researcher, activistSeminar on Migration (Latin America- USA/Africa-Europe) - lecture, film- screening and discussion with works of Chantal Akerman, Tania Bruguera, and Melanie Gärtner.IN TWO PARTS

1PART:Presentation Vogl, intro seminarScreening film by Melanie Gärtner: Land in between, 2012DISCUSSION AFTER SCREENING(SECOND PART seminar 13.10.2014)

9.102014DIPLOMA in the academy13.10.2014, Monday

At 17.00 - 21.00, M1Seminar with Ronja Vogl, artist, researcher, activistSECOND PART SEMINAR on Migration (Latin America- USA/Africa-Europe) - lecture, film- screening and discussion

2 PART:Presentation work Tania Brugera work and discussion
Screening film by Chantal Akerman: From the Other side, 2002(We discussed the film in the Ranciere reading seminar with Baris Acar.)DISCUSSION AFTER SCREENING

14.10.2014, Tuesday9.00 to 14.00Individual meetings, office Grzinic, contact me.

17.00 to 20.00, M1Presentation new students in the classLinus BartaMaira-Enesi CaixetaNjideka Stephanie IrohSarah Hauber

20.10.2014, Monday10.00 to 16.00Individual meetings, office Grzinic, contact me.

20.10.2014, Monday17.00 to 20.00, M1Presentation new students in the classBetül KüpeliManuel PrammerPatrick WiesauerCheng Tan

29.10. 2014, Wednesday17.00 to 20.00, M1Text reading (1st session),On the Commons: A Public Interview with Massimo De Angelis and Stavros Stavrides, 2010at www.e-flux.comALSO B3 seminar

30.10.2014, Thursday8.30 to 14.00Individual meetings, office Grzinic, contact me.

30.10.2014, Thursdayat 14.00 M1, PCAP meeting for the structure RUNDGANG 2015

30.10.2014, Thursday14.30 to 17.00, M1Text reading (2nd session), On the Commons: A Public Interview with Massimo De Angelis and Stavros Stavrides, 2010at www.e-flux.comALSO B3 seminar

PCAP program June 2014

concept — Wed, 28 May 2014 12:24:40 GMT

PCAP Program JUNE 2014

2.06.2014, MondayAt 15.00 ind. meeting, Grzinic office

M1 at 15.30
Presentation diploma work (June 2014) by Sheri Avraham3rd PRESENTATION

At 18.00, student presentationSongül Sönmez and Reha Refik Tasci

At 20.00, student presentationAleksandra Aleksic

3.06.2014, TuesdayAt 11.00 ind. meeting, Grzinic office

At 12.00 until 14.30Esra ÖzmenXhejlane RexhepiKatarina Spielmann

At 15.00 until 17.30Martin WeichselbaumerPeter Palme

At 18.00Joanna Wilk

4.06.2014, Wednesday10.00 to 12.00 individual meetings, Grzinic office

12.00 until 15.00Neda HoseinyarJohannes Puchleitner

4.06.2014, WednesdayAt 19.00Lecture:Unbekannter Soldat with Martin KrennWHERE: Schwarzenbergplatz, Vienna

5 to 10.06 2014, installation Diploma

7.06, 8.06, 9.06 HOLIDAYS, in general in Austria

10.06.2013, Tuesday

At 15.30 until 18.00, M1,SCREENING program: Strategies, arts, politics, with discussion.

10.06.2013, Tuesday

At 19.00, M1,

Talk with Dríade Aguiar - Midia NINJA / Fora do Eixo – Mediactivist, Brazil and Marissa Lôbo (maiz, Linz)

English, German

Mídia Ninja has its origins in the Fora do Eixo, a network of culture, behavior and communication, linking collectives that also organized music festivals and other cultural events. This large movement, which started in the cities of Rio Branco, Cuiabá and Londrina in 2005, Brazil, has spread to more than 200 areas and encompasses an alternative university, political party and financial system.

STATEMENT:Brazil’s Mídia Ninja and the Rise of Citizen Journalism. One of the most interesting elements of Brazil’s protests, which continue to simmer across the country in smaller numbers, is the use of new media to plan, broadcast, and report on the demonstrations. Mídia Ninja is perhaps the best known group to emerge, and has used social media and webcasting as tools to cover the protests.

On July 22, 2013 during a Rio protest on day one of the Pope’s visit to Brazil, two Mídia Ninja reporters were arrested (and subsequently released) after police claimed they were trying to "incite violence" by broadcasting the event. A total of seven people were arrested, and one of the protesters was initially denied bail. Nevertheless, the backlash against the arrests exploded on social media, and while the full repercussions have yet to be seen, there are echoes of police brutality and arrests of journalists at Occupy Wall Street. And if the original São Paulo protests proved anything, it’s that police violence against journalists will fuel the protests even more.

We spoke to Felipe Altenfelder, one of the Mídia Ninja editors, about the "ninjas" and the future of citizen journalism in Brazil. Mídia Ninja is now present in 200 cities across Brazil, in places Fora do Eixo previously established networks. "The ninja is defined by working collectively," Altenfelder explained. "It’s not anonymous; it’s a collective identity." During the protests, the ninjas broadcast the demonstrations on livestream channels on Twitcasting and on the group’s channel, PosTV. They also posted live updates and photos on Twitter and Facebook, as well as Tumblr, Google Plus, Instagram, and Flickr. In some cases, ninjas use iPhones or bare bones equipment; in others, they push around a shopping cart complete with a generator, speakers, a computer, cameras, a microphone, and an editing table. "We want to democratize information," ninja Filipe Peçanha told O Dia. "The purpose is to show what conventional TV networks don’t show."

The concept of livestreaming came about in 2011 when Fora do Eixo created PosTV to originally broadcast concerts. Later, it was used to broadcast the Freedom March, which took place after São Paulo’s so-called Marijuana March experienced a crackdown by police. In 2012, PosTV did a month-long, daily broadcast before São Paulo’s local elections. Altenfelder explained that digital communication methods used by Mídia Ninja not only help create new protagonists, but are a tool to support and promote "direct, participatory democracy."

But where does Mídia Ninja fit in within the world of journalism? The group never tried to be a part of that world, Altenfelder explained. Still, he noted, "journalism is alive and well," and people are hungry for information. Mídia Ninja represents an "alternate model led by a new generation of independent, autonomous, empowered communicators who no longer trust the news that’s for sale." The way Mídia Ninja covers the news, Altenfelder believes, will influence mass media in the long term. The group, Altenfelder claims, "is a global embassy in this new world of possibilities."

www.theguardian.com sabotagetimes.com www.zeit.de

11.06.2014, Wednesday

DIPLOMA EXAMSFrom the class: Sheri Avraham in the xhibit space.

12.06.2014, ThursdayDIPLOMA EXAMSSemper depot

13.06.2014, Friday
DIPLOMA EXAMSSculpture department

16.06.2014, MondayM1, At 18.00Seminar „Kritisches konzeptionelles Verständnis von Film, Video und Fotographie“By Muzaffer HasaltayWorkshop A2

17.06.2014, TuesdayOPENING exhibition diplomants Akbild

18.06.2014, WednesdayJury award commission Akbild

18.06.2014, WednesdayAt 19.00

Jamika Ajalon und Marion PortenTHERE ARE THINGS WE NEED TO TALK ABOUTWhere:VBKÖ Maysedergasse 2/4. Stock (Lift)1010 Wienwww.vbkoe.org

19.06.2014 holiday

25.06.2014, Wednesdayat 16.00 M1meeting and discussion, the school year and future projects, some screening, planning

25.06.2014, Wednesdayat 19.00 opening SECESSION, ViennaSecession, Friedrichstraße 12, 1010 Wienexhibition SINGULAR FORM curated by Pablo Lafuente

26.06. 2014, ThursdaySemester ending1.00 p.m. - 9.00 p.m.Venue | Akademie der bildenden Künste Wien, Schillerplatz 3, 1010 Wien, M13a, und Secession, Friedrichstraße 12, 1010 WienA conference in cooperation with the Academy of Fine Arts Vienna and Secession (held in English).www.akbild.ac.at

Art as Exhibition

The conference seeks to investigate how exhibition formats may be inherent in specific modes of artistic production and subsequently in an artwork itself. Significantly an interweaving of both artistic and curatorial practice is involved, which on the one hand documents a development toward formats of presentation, and on the other hand coincides with the rediscovery of the object as an independent agent. The interlocking of exhibition, mediation, collection and archive conflates aesthetic and education policy agendas in occasionally indistinguishable ways. Thus it becomes clear that those fields of education, knowledge and information regarded as "common goods" introduce a dynamic into the work-as-exhibition event in the sense of a medial information process. To explore what this implies for the perception of the increasingly reevaluated physical object will be one of the common threads of the panel and the subsequent artist talks at the Secession.

Secession, Friedrichstraße 12, 1010 Vienna

18.00 Kuratorenführung in der Ausstellung A Singular Form mit Pablo Lafuente19.00 Begrüßung durch Herwig Kempinger, Präsident der KünstlerInnenvereinigung19.15 Einführung in die Ausstellung durch Pablo Lafuente19.30 Artist Talk: Asier Mendizabal und Dustin Ericksen im Gespräch mit Pablo Lafuente20.00 Artist Talk: Hilary Lloyd im Gespräch mit Lucy Steeds und Pablo LafuenteResponder: Martin Beck und Sabeth Buchmann21.00 Ende der Konferenz

Dustin Ericksen ist Künstler. Er lebt und arbeitet in London.

Pablo Lafuente ist Autor, Kurator und Mitherausgeber der bei Afterall erscheinenden Reihe Exhibition Histories. Er unterrichtet am Central Saint Martins College in London und ist Co-Kurator der 31. São Paulo Biennale, die im September 2014 eröffnet wird.

Asier Mendizabal ist Künstler. Er lebt und arbeitet in Bilbao.

Lucy Steeds ist Autorin, Kuratorin und Mitherausgeberin der bei Afterall erscheinenden Reihe Exhibition Histories. Sie unterrichtet am Central Saint Martins College in London.

27.06.2014, FridayAt 10.00 until 12.00, semper depotCEREMONY, diplomas

July entry exams 2 roundStart again October 2014

PCAP Program May 2014

concept — Fri, 02 May 2014 15:14:54 GMT

PCAP Program MAY 2014

5.05.2014, Monday

At 17.00 meeting in the class.

5.05.2014, Monday
At18.30 h - 20.30 h,Akademie der bildenden Künste Wien, Schillerplatz 3, 1010 Wien, Aula Präsentation von Band 12 und 13 der Schriftenreihe der Akademie der bildenden Künste Wien

Präsentation "Trancultural Modernisms"(Hg. Model House Research Group)Es sprechen Vertreter_innen der Model House Research Group

Präsentation "Performing the Sentence. Research and Teaching in Performative Fine Arts"(Hgs. Carola Dertnig, Felicitas Thun-Hohenstein)Es sprechen die Herausgeberinnen

PerformanceLilo Nein

Im Anschluss: Erfrischungen

[DETAILS:Transcultural Modernisms.Berlin: Sternberg Press, 2013.Autor_innen: Fahim Amir, Zvi Efrat, Eva Egermann, Nádia Farage, Gabu Heindl, Moira Hille, Rob Imrie, Monica Juneja, Christian Kravagna, Christina Linortner, Duanfang Lu, Marion von Osten, Anoma Pieris, Vikramāditya Prakāsh, Susan Schweik, Felicity D. Scott, Chunlan ZhaoTranscultural Modernisms is based on the findings of an interdisciplinary research project with focus on modernist architectural projects realized in the era of decolonization. It maps out the network of encounters, transnational influences, and local appropriations of an architectural modernity manifested in various ways in housing projects in India, Israel, Morocco, and China that served as exemplary standard models, not only for Western societies.

Carola Dertnig, Felicitas Thun-Hohenstein (eds.).Performing the Sentence Research and Teaching in Performative Fine Arts.Berlin: Sternberg Press, 2014.Autor_innen: Philip Auslander, Sabeth Buchmann, Margarit von Büren, Barbara Clausen, Carola Dertnig, Andrea Fraser, Sabine Gebhardt Fink, Simone Forti, Sabina Holzer, Amelia Jones, Carrie Lambert-Beatty, Marie-Luise Lange, Suzana Milevska, Lilo Nein, Susanne Neuburger, Yvonne Rainer, Constanze Ruhm, Dietmar Schwärzler, Stefanie Seibold, Felicitas Thun-Hohenstein, Mechtild Widrich, Martha WilsonPerforming the Sentence brings into dialogue the ways that "performative thinking" has developed in different national and institutional contexts, within different disciplines in the arts, and the conditions under which it has devel- oped in experimental art schools. The various contributions also show how these conventions are produced through or within each artwork, independent from their specific contexts, offering ways of thinking beyond their usual frames of reference. At the same time they recognize the substantial work carried out by artists, critics, and theorists who have built the meanings, references, and implications since the beginning of the "performative turn."]

5.05.2014, Monday

At 21.00Class, M1, Semper depotPresentation diploma work (June 2014) by Sheri Avraham1 PRESENTATION

6.05.2014, Tuesday

10.30 discussion with Rektorin Eva Blimlinger

am 6. Mai 2014um 10.30 Uhrim Sitzungssaal/E 10, Schillerplatz 3

§ 23b Abs 1 UG sieht vor, dass die amtierende Rektorin/der amtierende Rektor vor der Ausschreibung zu einer Rektor_innenwahl ihr oder sein Interesse an einer Wiederwahl bekannt geben kann. In diesem Fall erfolgt eine Wiederwahl ohne Ausschreibung, wenn der Senat und der Universitätsrat mit jeweils Zweidrittelmehrheit zustimmen.Es ist der Wunsch des Senats alle Angehörigen der Akademie in den Meinungsbildungsprozess miteinzubeziehen. Aus diesem Grund lädt der Senat zu einer Informations- und Diskussionsveranstaltung mit der Rektorin ein, die rückblickend ein Resümee ihrer bisherigen Amtszeit ziehen und über wichtige Themen, für die von ihr angestrebte zweite Amtsperiode, referieren wird.

6.05.2014, Tuesday

At at 14.00 until 18.00ERASMUS in the class and new student presentations:Burcu ErdenOliver Coltman
Michael Krebs

6.05.2014, TuesdayAt 19.00Atelierhaus der Akademie der bildenden Künste Wien, Lehárgasse 8, 1060 Wien, EG NordHans Scheirl | h_ dandy body_parts

7.05.2014, Wednesday10.00 to 12.00 Grzinic indiv. Meetings, office , contact me

7.05.2014, Wednesday

M1, At 12.00 until 17.00Video, film and performative practices from former Eastern EuropeWorks new and old generation, 10 works, experimental formatScreening and discussion

12.05.2014, Monday

M1, At 15.30STUDENT IN THE CLASS PRESENTATIONS, TALKS, WORKS PROCESSES

Imayna CaceresYela AnJamilaSchamanekEzgi Erol

13.05.2014, Tuesday9.00 to 10.00 ind. Meeting, Grzinic office

13.05.2014, TuesdayM1, At 15.30STUDENT IN THE CLASS PRESENTATIONS, TALKS, WORKS,PROCESSES

Irene WallnerSebastiano Sing

At 19.00 Chto Delat talk, Kunstlerhaus

14.05.2014, Wednesday

M1, At 16.00Seminar „Kritisches konzeptionelles Verständnis von Film, Video und Fotographie“By Muzaffer HasaltayWorkshop A2Aparat:

film:Akira Kurosawa - Rashomon

bücher:Robert McKee - StoryChristopher Keane - DrehbuchOliver Schütte - Die Kunst des DrehbuchlesensHirohisa Tanaka - Manga-Geschichten entwickeln

19.05.2014 MondayM1, At 15.30Presentation diploma work (June 2014) by Sheri Avraham2 PRESENTATION

19.05.2014 MondayM1, At 18.300

GUEST LECTURE: Emilio Santisteban, Lima, Peru

Artists, perfomer, will talk about his work.

Moderation: Hansel Sato, artist, ViennaLanguages: Spanish, English, German

Emilio Santisteban makes performances since 1990; different works on responsibilities of society politics and civil society in Peru. He uses corporeal media, as well leading to the performance as psychic action rather than as physical activity; linguistic performative utterance beyond language, reverberation in mind.

20.05 until 28.05, FILM Class !!!!!!29.05-30.05 holidays

JUNE 2014We start 2.06.2014, Monday,M1 at 15.30Presentation diploma work (June 2014) by Sheri Avraham3 PRESENTATION

PCAP Program April 2014

concept — Sun, 30 Mar 2014 20:59:02 GMT

PCAP Program APRIL 2014

31.03 –Monday 5.04.2014FILM CLASS, prof. Heise

7.04.2014, MondayInstallment diploma April

8.04.2014, Tuesday

15.00 to 20.00 installment diploma AprilAt 20.00Marissa Lobo, presentation, diploma AprilWHERE: Akbild, Lehargasse 8, videostudio, 2 floor

9.0.2014, Wednesday

9.00 to 11.00, ind. Meeting, Grzinic, office

11.00 to 16.00

READING (4 session) of the text/chapter Paradoxes of Political Art, by Jacques Rancière, published in Dissensus: On Politics and Aesthetics, trans. by Steven Corcoran, Continuum, 2010.Guest in the reading group, Barış Acar, PhD candidate, Art History at the Faculty of Art History in the University of Vienna.

READING part of THE WORKSHOP B3/PCAP with the title: Political art, theory, practice, perspectivesOPEN TO GENERAL PUBLIC!

At 20.00 until 23.00last rehearsal, diploma Marissa Lobovideostudio, 2 floor, Semper depot, akbild

10.04.2014, ThursdayFrom 10.00 on Diploma examsFrom the class Marissa Lobo.

14.04 to 27.04.2014Akbild holidays

28.04.2014, MondayENTRY EXAMS, akbild

29.04.2014, TuesdayENTRY EXAMS, akbild

30.04.2014, Wednesday

M1, At 16.00Seminar „Kritisches konzeptionelles Verständnis von Film, Video und Fotographie“By Muzaffer HasaltayWorkshop A2

NEXT 5.05.2014, Monday, at 16.00

PCAP Program March 2014

concept — Fri, 28 Feb 2014 23:28:08 GMT

PCAP Program March 2014

3.03.2014, Monday

At 16.00 meeting class, overview semester, new ERASMUS

3.03.2014, Monday

At 17.00 until 19.00Discussion works Rundgang 2014Aleksandra AleksicSebastiano Sing

3.03.2014, Monday

At 20.00 film projection and discussionToward Jerusalem"Nach Jerusalem" (original title)(1991)By Ruth Beckermann,87 min - Documentary
In this documentary road movie, Austrian filmmaker Ruth Beckermann records the diverse views and activities of Israelis and Arabs as she travels along the route from Tel Aviv to Jerusalem.

4.03.2014, Tuesday

At 10 to 12.00 individual meetings, Grzinic OFFICE

4.03.2014, TuesdayAt 12.00 to 17.00Discussion works Rundgang 2014Ezgi ErolNadja DavidDaria Kirillova

5.03.2014, Wednesday

At 17.00Seminar „Kritisches konzeptionelles Verständnis von Film, Video und Fotographie“By Muzaffer HasaltayWorkshop A2

10.03 to 14.03.2014FILM CLASS, prof. Heise

IMPORTANT: 12.3. 2013 at 17.00 PCAP CLASS with the FILM CLASS, animation studio…togetherEngaging in the technical and space reseting of M1. ….soll es ein gemeinsames Essen (Filmklasse kocht) und Vorbesprechung in der Klasse geben, und am 13. und 14.3. wird gebaut, eventuell noch den 15.3. dazu, wenn wir nicht auskommen.

…..Studierende und Lehrende der Klassen Kunst und Film und post conceptual art practices und des Animationfilmstudios, zu Semesterbeginn wollen wir ein paar Dinge im Klassenraum M1 umgestalten, wie zum Beispiel die Projektionssituation, die Technikstation, die Verdunklung, und vielleicht auch die Gelegenheit nutzen, ein paar Ecken auszuräumen. Also Rahmen bauen, Moltonvorhänge nähen, Beamer umsetzen, Sitzgelegenheiten überdenken, Arbeitsplätze, etc...

Dimitrova and Hasaltay in charge from PCAP.

17.03.2014, Monday

At 15.30 until 17.30Discussion works Rundgang 2014Ye La AnNeda Hoseinyar

17.03.2014, Monday

At 18.00 GUEST LECTURE/PRESENTATIONBy Nanopolitics Group (London)

TOPIC: The Nanopolitics Handbook: thinking politics with and through the body

SUMMARY:The invention of new modes of sensibility is vital to enriching and sustaining political engagements, labours and lives in the situated contexts of urban collectivity. The nanopolitics handbook investigates the neoliberal city and workplace, the politics of crisis and austerity, precarious lives and modes of collaboration – through bodies and their encounters. Starting from the exploration of what bodies can do – with curiosity, courage and care – nanopolitics is a proposal for producing new collective subjectivations. Based on the experiments and experiences of the nanopolitics group, this book proposes exercises, concepts and ideas as little maps and machines for action. Drawing on social movements, grassroots organizing, dance, theatre and bodywork, the reflections and practices here present strategies for navigating and reconfiguring the playing field of ‘nanopolitics’, activating its entanglement with the major politics of our time. In this session members of the group will present the nanopolitics handbook, drawing on its texts and exercises.

CV:The nanopolitics group formed in London in early 2010, around a desire to think politics through and as embodied experience and practice. As an open collective they have organized monthly movement, theatre and bodywork based workshops, as well as discussions and interventions in the context of social movements.

Languages: English, summary in German

LECTURE PART of THE B3 WORKSHOP /PCAP with the title: Political art, theory, practice, perspectivesOPEN TO GENERAL PUBLIC!

18.03.2014, Tuesday

10.00 to 12.00 Individual meetings, office, Grzinic

18.03.2014, Tuesday

At 12.00 until 17.00READING (1 session) of the text/chapter Paradoxes of Political Art, by Jacques Rancière, published in Dissensus: On Politics and Aesthetics, trans. by Steven Corcoran, Continuum, 2010.Guest in the reading group, Barış Acar, Phd candidate, Art History at the Faculty of Art History in the University of Vienna.

READING part of THE WORKSHOP B3/PCAP with the title: Political art, theory, practice, perspectivesOPEN TO GENERAL PUBLIC!

18.03.2014, TuesdayAt 18.00 Marissa Lobo, presentation and discussion, diploma April 2014

19.03.2014, Wednesday

10.00 to 12.00 Individual meetings, office, Grzinic

19.03.2014, WednesdayAt 12.00 until 17.00READING (2 session) of the text/chapter Paradoxes of Political Art, by Jacques Rancière, published in Dissensus: On Politics and Aesthetics, trans. by Steven Corcoran, Continuum, 2010.Guest in the reading group, Barış Acar, Phd candidate, Art History at the Faculty of Art History in the University of Vienna.

READING part of THE WORKSHOP B3/PCAP with the title: Political art, theory, practice, perspectivesOPEN TO GENERAL PUBLIC!

19.03.2014, Wednesday

At 20.00WHERE: WUK, Kunsthalle Exnergasse, Währinger Straße 59, 1090 Vienna,MetroU6: stop Währingerstraße/Volksoper

EXHIBITION: NO FUTURE WORK OVEROPENING featuring: MARINA VISHMIDT (London)ABOUT THE EXHIBITION: Participants: NO FUTURE Komplex (currently Mitra Wakil, Stephan Janitzky, Sebastian Stein, Anne Faucheret, Michael Dobrindt) together with a broad range of friends and invited GUESTS (Kerstin Stakemeier, Mattin, Marina Vishmidt, and others).As the No Future Komplex concludes from recent observations, it would seem as if production and practice in the context of contemporary art and related theory are increasingly adopting a specific formatting. The dominant features include:

individual authorship claims
conceptual-discursive explanations of the world
increasingly hermetic academic-professional expertise.This is not a good development, in the No Future Komplex opinion. Thus it seems more than appropriate that we once again put ourselves in situations in which we can re-examine our personal motivations and the formal circumstances of our production and practice; in other words, the conditions in which we think, act, produce, and ultimately live. To this end, we and our guests will attempt to find formal set-ups that help us to grasp this complex with means other than language. Let’s see where this leads us.VISITING/QUESTIONING/ part of THE WORKSHOP B3/PCAP with the title: Political art, theory, practice, perspectives

24.03.2014, Monday

At 17.00 to 19.00 student presentation

Verena Melgarejo Weinandt

24.03.2014, Monday

At 20.00 film projection and discussionEast of War"Jenseits des Krieges" (original title) (1996)By Ruth Beckermann117 min - DocumentaryEast of War was made during the so-called Wehrmachtsausstellung. In front of the out-of-focus-photographs, former soldiers of the German Wehrmacht talk about their experiences beyond the "normal" war.A film which not only pushes forward the destruction of the "good-Wehrmacht" myth, but also takes a close look at the process of constructing history in post-World War II Austria.

25.03.2014, Tuesday

At 10.00 Individual meetings, office, Grzinic

25.03.2014, TuesdayAt 12.00 visiting the exhibitions at SECESSION, ViennaVereinigung bildender KünstlerInnen Wiener SecessionFriedrichstraße 12, A-1010 Wien

AT 13.00 TALKING WITH LISL PONGER, she will take us through her show at SECESSIONABOUT LISL PONGER EXHIBITION:In the Secession's main hall, Ponger will be realizing a project she has wanted to do for a long time: the Museum für fremde und vertraute Kulturen [Museum for Foreign and Familiar Cultures], in short MuKul. The exhibition about the disappearance of the middle class is divided into rooms that address particular issues such as "The Rise of the Western Middle Class," "The Middle Class in Peril," "From Playing by the Rules to Gaming the System," "Exhibits for Posterity," and "The Emerging Middle Classes." In addition to the historical development of the middle class, the show examines its relation to democracy and capitalism in its neoliberal form—with a particular focus on the effects of tax havens and the banking crisis—as well as newly emerging middle classes in countries such as China. It presents a wealth of illustrative materials, including real and counterfeit branded products serving as status symbols, historic photographs, postcards from tax havens, life masks taken from members of the middle class, board games, coins, and cash envelopes.By treating the Western middle class as an object of study in the same way that, even today, exhibitions make a spectacle out of "exotic" peoples or ethnic groups in remote parts of the non-Western world, Ponger's show strikingly illustrates how many museums operate; the resulting exercise in deconstruction invites critical engagement with these mechanisms.

EXHIBITIONS AT SECESSION:LISL PONGERThe Vanishing Middle Class
IBON ARANBERRIFinite Location
ULRIK HELTOFTKabinetuntil

25.03.2014, TuesdayAt 17.00READING (3 session) of the text/chapter Paradoxes of Political Art, by Jacques Rancière, published in Dissensus: On Politics and Aesthetics, trans. by Steven Corcoran, Continuum, 2010.Guest in the reading group, Barış Acar, Phd candidate, Art History at the Faculty of Art History in the University of Vienna.

READING part of THE WORKSHOP B3/PCAP with the title: Political art, theory, practice, perspectivesOPEN TO GENERAL PUBLIC!

26.03.2014, Wednesday

At 16.00Seminar „Kritisches konzeptionelles Verständnis von Film, Video und Fotographie“By Muzaffer HasaltayWorkshop A2

26.03.2014, Wednesday

At 19.00AUSSTELLUNGSGESPRÄCHat Secession, ViennaYvette Mutumba im Gespräch mit Lisl Ponger

Yvette Mutumba ist Kunsthistorikerin und Forschungskustodinfür Afrika am Weltkulturen Museum in Frankfurt am Main.

31.03.2014, MondayFILM CLASS, prof. Heise

PCAP RUNDGANG 2014

concept — Tue, 07 Jan 2014 08:16:20 GMT

Konzeptuelle Kunst | Klasse für Post-Conceptual Art Practices (PCAP)

1Stock/ATELIERHAUS Lehargasse 6–8 | 1060 Wien

23.01.2014

16.00 Eröffnung der Ausstellung: Klasse für Post-Conceptual Art Practices, mit Screenings

16.30Starts daily live performance by Sebastiano Sing "facing [:] the others are present"

18.00 Eröffnung: " Selbstorganisiertes Student_innen Sozialgeld: Kochen, Austausch und Gespräche", Bildung und Geld im intensivierten neoliberalen Kapitalismus20.00 bis 23.00Projekt: „Die Klasse als Aktivismus, Aktivismus als Klasse und darüber hinaus“.Eine Interventionsserie von Studierenden und Gästen zu den Fragen der politischen Kunst, der Krise der Asylgesetzgebung in Österreich und der EU, öffentlicher Raum und privates Geld. Screenings, Performances, Gespräche.Präsentationen in Deutsch und Englisch.

20.00 “Our Movement is everything that we have”Präsentation und Diskussion mit Khan Adalat, Clifford Erinmwionghae und Luisa Lôbo, Moderation: Marissa Lôbo.

Khan Adalat ist vorderster Aktivist der Flüchtlingsprotestcamp Bewegung in ÖsterreichClifford Erinmwionghae ist Migrant und Aktivist und lebt seit mehr als zehn Jahren in ÖsterreichLuisa Lôbo ist Aktivistin und schreibt ihre MA über die Flüchtlingsproteste in Wien.

Marissa Lôbo ist eine schwarze migrantische Aktivistin und Künstlerin, geboren in Bahia, Brasilien. Sie koordiniert die kulturellen Agenden des selbstorganisierten Frauenmigrantinnenvereins Maiz in Linz www.maiz.atund studiert in der PCAP Klasse an der Akademie der bildenden Künste in Wien.

22.30 Musik-Performance von Esra Özmen / EsRap

23.00 Solange, tô aberta! Queeres electronisches Musikprojekt von Pedro Costa

Pedro Costa ist von seiner Ausbildung her Sozialwissenschaftler und arbeitet zu den Themen Queer, Postkolonialismus und Performance Studies. Er began sehr jung Schauspiel zu studieren und arbeitete in mehreren Feldern wie klassisches Ballet, zeitgenössischer Tanz, Capoeira, Theater des Absurden, Clownerie, Fotografie und bildende Kunst. Sein jüngstes und bedeutendstes Werk ist “Solange, tô aberta!”, ein queeres elektronisches Musikprojekt aus Brasilien. In dem noch sehr katholischen, patriarchalen Brasilien erregte “Solange, tô aberta!” für Aufruhr. Während queere Themen in Berlin mittlerweile selbstverständlich sind, müssen queere Personen in Brasilien heute noch sprichwörtlich ums Überleben kämpfen. Mit seinen Performances will Pedro Costa berühren und sein Publikum zu verschiedensten Gedanken und Erfahrungen mit Sexualität anregen. Die passende Musik zu dem Projekt ist Rio Funk!soundcloud.com

24.01.2014

Ausstellung, Klasse für Post-Conceptual Art Practices, mit Screenings

10.30Starts daily live performance by Sebastiano Sing "facing [:] the others are present"

16.30Ahmed Al-Nawas präsentiert Hassan Blasims Video 'The Corpse Exibition' 2013, 14:43 min.

18.00

Buchpräsentation:The Vocabulary of Decoloniality.Utopia of Alliances, Conditions of Impossibilities and the Vocabulary of Decoloniality Löcker Verlag, Wien 2013 Herausgegeben von der Editorial Group for Writing Insurgent Genealogies

Das Buch ist das Ergebnis von Prozessen des Studierens, des Lernens und des Ent-Lernens in der Klasse für Post-Conceptual Art Practices an der Akademie der Bildenden Künste Wien. Es geht hier darum, nicht nur über historischen Kolonialismus zu reflektieren, sondern auch darüber, wie Kapitalismus die Welt, in der wir leben, formt und eingrenzt. Die Auffassung der Dekolonialität hat eine radikale Option eröffnet, um Lernprozesse neu zu überdenken.Dekolonialität versammelt Positionen, die nicht ausschließlich westlich orientiert sind, sondern in anderen politisch-sozialen Kontexten angesiedelt sind und von anderen Perspektiven ausgehen.

Präsentation in Deutsch und Englisch.

19.30Cuir, Kúia or Quá?Bodies’ epistemologies and tactics for identity deconstruction in Latin AmericaPedro Costa, Marissa Lôbo and Fernanda Nogueira und Roberta LimaDiskussion

Diese Veranstaltung versucht einige historische und aktuelle Kunstpraxen vorzustellen, die gegen jegliches nur (un)denkbare Aktionsfeld in Lateinamerika vorgehen um heteronormative Subjektivitäten zu verändern. Ausgehend von einer offenen Kartografie und der Arbeit der brasilianischen Performance Gruppe Solange Tô Aberta diskutieren der Künstler Pedro Costa, die Künstlerin und Aktivistin Marissa Lôbo sowie die Forscherin Fernanda Nogueira die Möglichkeiten eines aktuellen künstlerischen Genderaktivismus. Roberta Lima, Künstlerin, hat ihre Promotion in Philosophie an der Akademie der bildenden Künste in Wien im Jahr 2013 abgeschlossen.

25.01.2014

Ausstellung, Klasse für Post-Conceptual Art Practices, mit Screenings

12.30Starts daily live performance by Sebastiano Sing "facing [:] the others are present"

16.30

Screening of the movie: "Enfin j’avais quitté le bled" / Und schließlich bin ich abgehauen!’ (aufenthaltsraum 2013)Von Yassine Zaaitar, produziert im Rahmen des Projekts "Bleib!".

Inhalt: "Und wenn sie mir keine Papiere geben? Das ist mir egal! Ich bleibe! Ich bin ein professioneller Harrag!"‘Harraga’ brechen mit dem Regime der nationalstaatlich sanktionierten Identität: Mit dem arabischen Wort bezeichnen sich Menschen, die ihre Ausweise oder Pässe verbrennen und oft genug auch ihre eigene Jugend. Nicht nur um übers Mittelmeer oder andere Routen nach Europa zu reisen, sondern auch um irgendwo anders als im ‘Bled’ - dem Ort ihrer Jugend und Herkunft - ihr Glück zu finden. Sie brechen mit fundamentalen Regeln, wenn sie sich dem Blick entziehen und sich unwahrnehmbar machen. So werden sie innerhalb der löchrigen und aufgeschreckten Festung Europa zum Objekt von Statistiken und medialen Darstellungen, wie zuletzt etwa vor der pelagischen Insel Lampedusa. Der Kurzfilm ‘Und schließlich bin ich abgehauen!’ durchbricht diese Repräsentationen. Der im Rahmen eines Wiener Politkunstfestivals von Yassine Zaaitar und Anderen erarbeitete Film lässt uns ihre Stimmen vernehmen: Sie erzählen von den täglichen Polizeischikanen, denen Harraga ausgesetzt sind, vom Leben auf der Flucht vor den eigenen Fingerabdrücken und vom ungebrochenen Wunsch nach einem Leben in Freiheit. Konsequent bleiben im Film die Sprechenden unsichtbar. Die Montage trennt Gesichter und Stimmen und wird zu einem kollektiven Porträt einer Bewegung im Raum, die sich dem Grenzregime Europas entziehen will. "Während wir die Erzählung eines Mannes aus Dakar hören, blicken wir aus einer Schnellbahn, die Wien mit dem Vorort Traiskirchen verbindet, wo sich ein staatliches Lager für Asylsuchende befindet. Während wir die Stimme eines Mannes aus Oujda hören, flieht der Asphalt einer österreichischen Straße an uns vorbei: Konkrete Bewegungen im Raum und Stimmen. Nur Yassine Zaaitar tritt vor die Kamera und wagt es, sein Gesicht und seine passionierte Rede zu vereinen und der Öffentlichkeit auszusetzen. Der kurze Film ist das rare Dokument einer selbstbestimmten Rede von Reisenden, die keine Grenzen respektieren und deren Leben die politische Maxime ‘No boder - No nation’ intensiv - und oft auch schmerzhaft - verwirklicht. Anstatt ihre Geschichten professionellen FilmemacherInnen anzuvertrauen, haben Harraga die Position der Filmemacher_innen erobert."

18.00

Vortrag von Annalisa Cannito: "In the Belly of Fascism and Colonialism"Präsentation auf Englisch.

19.00Filmscreening "The Lion of the Desert" von Moustapha Akkad (Regisseur), 1981.Präsentation des Films von Annalisa Cannito.

26.01.2014

Ausstellung, Klasse für Post-Conceptual Art Practices, mit Screenings

12.30Starts daily live performance by Sebastiano Sing "facing [:] the others are present"

18.00Vortrag von Abir Boukhari: "Art Practice in Syria: Individuality, Creativity and Instability"Gast des Vortrags: Nisrine Boukhari.Vortrag organisiert in Kooperation mit Kulturkontakt Österreich.

Präsentation auf Englisch.

CVs:Abir Boukhari, Direktorin, Kuratorin. 2005 Mitbegründerin der AllArtNow Organisation in Syrien. Mit AllArtNow gelang es Boukhari eine Plattform für zeitgenössische Kunst in Syrien zu schaffen. Sie etablierte weltweit unterschiedliche künstlerische Kooperation und half aufstrebenden KünstlerInnen ihre Arbeiten zu produzieren und zu verbreiten. www.allartnow.com

Nisrine Boukhari ist eine multidisziplinäre Künstlerin (*1980 in Syrien) und studierte Bildhauerei an der Universität von Damaskus und ist ebenso Mitbegründerin der Organisation AllArtNow in Syrien. Sie verwendet Konzepte wie Psychogeografie um die Beziehungen in privaten und nicht-öffentlichen Räumen zu ergründen. Nisrine Boukharis Arbeiten wurden international gezeigt, etwa im Museet for Samtidskunst Roskilde/Dänemark, der Fundació Antoni Tàpies in Barcelona, der Akademie der Künste in Berlin, dem NederlandsFotomuseum in Rotterdam, der Art Dubai etc. www.nisrineboukhari.com

PCAP program January 2014

concept — Tue, 07 Jan 2014 07:48:08 GMT

PCAP Program January 2014

7 to 11. 01.2014Film seminar prof. Heise

13.01.2014, MondayAt 13.00 RUNDGANG MEETING installment, last arrangements, MEETING IS MANDATORY! SPACE class AGREED! PROBLEM: Lack of technical facilities will be discussed and to everybody will be said what is at the disposal in cases where it was asked number of TV and other technical facilities! This does not apply for the diplomants!

PRESENTATIONSAt 17.00 Tomash SchoiswohlMA in critical practices, presentation, diploma in January 2014

13.01.2014, MondayAt 19.30 screening film Blind SpotDirectorClaudia Von Alemann;Germany, 1980, 111 min

DESCRIPTIONClaudia von Alemann's feature-length film, BLIND SPOT, is about an historian who is researching the life of Flora Tristan, a 19th century socialist and feminist rarely mentioned in conventional history books. The historian, Elisabeth, decides to abandon traditional desk-bound study and, leaving behind her family, visits Lyon where Tristan herself had worked. In her search for an active way to remember and understand the past and how it affects her as a woman, Elisabeth discovers a path with 'sound' - first through her violin whose notes have been heard by different generations for 200 years; then through the sounds she tape-records (water, footsteps, voices) whose likeness might have been heard by Tristan a century before. The collective memory of these sounds becomes in turn a bridge to Elisabeth's future. 'Remembering is largely effected acoustically. I have tried to make a sound film - in which sound is neither a mere background nor the means by which an illusion of authenticity is induced. Just as one can speak of 'subjective camera', I would like to speak of 'subjective microphone'. (Claudia von Alemann - The Woman with the Camera, ed. Renate Mohrmann) '

Film proposed and introduced by Catalina Ravessoud, enrolled in master program Critical studies at the Academy.

14.01.2014, Tuesday

At 12.00
STUDENT PRESENTATIONLAURA NITSCH

At. 13.30DIPLOMA PRESENTATION (January 2014)Adnan Popovic

At 15.00STUDENT PRESENTATIONMARTIN WEICHSELBAUMER

More positions to be announced

15.01.2014 WednesdayAt 17.00 until 20.00Seminar „Kritisches konzeptionelles Verständnis von Film, Video und Fotographie“By Muzaffer Hasaltay

17.01 to 23.01.2014INSTALLMENT DIPLOMAS, RUNDGANG SHOW!

23.01.2014 RUNDGANGProgram

Konzeptuelle Kunst | Klasse für Post-Conceptual Art Practices (PCAP) Prof. Marina Grzinic

1Stock/ATELIERHAUS Lehargasse 6–8 | 1060 Wien

23.01.2014

16.00 Eröffnung der Ausstellung: Klasse für Post-Conceptual Art Practices, mit Screenings

16.30Starts daily live performance by Sebastiano Sing "facing [:] the others are present"

20.00 “Our Movement is everything that we have”Präsentation und Diskussion mit Khan Adalat, Clifford Erinmwionghae und Luisa Lôbo, Moderation: Marissa Lôbo.

22.30 Musik-Performance von Esra Özmen / EsRap

23.00 Solange, tô aberta! Queeres electronisches Musikprojekt von Pedro Costa

24.01.2014

Ausstellung, Klasse für Post-Conceptual Art Practices, mit Screenings

10.30Starts daily live performance by Sebastiano Sing "facing [:] the others are present"

16.30Ahmed Al-Nawas präsentiert Hassan Blasims Video 'The Corpse Exibition' 2013, 14:43 min.

18.00

Präsentation in Deutsch und Englisch.

19.30Cuir, Kúia or Quá?Bodies’ epistemologies and tactics for identity deconstruction in Latin AmericaPedro Costa, Marissa Lôbo, Fernanda Nogueira und Roberta LimaDiskussion

25.01.2014

Ausstellung, Klasse für Post-Conceptual Art Practices, mit Screenings

12.30Starts daily live performance by Sebastiano Sing "facing [:] the others are present"

16.30

Screening of the movie: "Enfin j’avais quitté le bled" / Und schließlich bin ich abgehauen!’ (aufenthaltsraum 2013)Von Yassine Zaaitar, produziert im Rahmen des Projekts "Bleib!".

18.00

Vortrag von Annalisa Cannito: "In the Belly of Fascism and Colonialism"Präsentation auf Englisch.

19.00Filmscreening "The Lion of the Desert" von Moustapha Akkad (Regisseur), 1981.Präsentation des Films von Annalisa Cannito.

26.01.2014

Ausstellung, Klasse für Post-Conceptual Art Practices, mit Screenings

12.30Starts daily live performance by Sebastiano Sing "facing [:] the others are present"

18.00Vortrag von Abir Boukhari: "Art Practice in Syria: Individuality, Creativity and Instability"Gast des Vortrags: Nisrine Boukhari.Vortrag organisiert in Kooperation mit Kulturkontakt Österreich.

Präsentation auf Englisch.

INDIVIDUAL MEETINGS, office Grzinic24.01.2014 from 10.00 to 12.0027.01.2014 from 10.00 to 12.00

27.01.2014, MondayDIPLOMA exam:Tomash Schoiswohl, Ma in Critical Studies (class space)

28.01.2014, TuesdayDIPLOMA exam:

28.01.2014, TuesdayDIPLOMA exam:Chui Yong Jian (Video room, 2 floor, Semper depot)Adnan Popovic (Xhibit space, main building)

30.01.2014, ThursdayCommission award diploma, Annalisa Cannito (class space)

HOLIDAYS 2.02 until 1.03.2014NEXT WORK 3.03.2014, Monday at 16.00