m1 (turm4)

PCAP Program DECEMBER 2015

concept — Sun, 29 Nov 2015 17:56:53 GMT

PCAP (POST CONCEPTUAL ART PRACTICES) STUDY PROGRAM

PCAP Program DECEMBER 2015

1.12. 2015, Tuesday

At 12.30 to 15.30Where: PCAP (POST CONCEPTUAL ART PRACTICES) STUDY PROGRAM,Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien,1OG Atelier Süd (M1)

STUDENT PRESENTATIONSYeLa AnMartina Kogler

LECTURE: 1.12. 2015, TuesdayAT 18.00WHERE: Academy of Fine Arts Vienna, Schillerplatz 3, 1010 Vienna, M13aThe (post)Yugoslav Art Practices: Curating Difficult Knowledgeby Jelena PetrovicEndowed Professor for Central and South Eastern European Art installed in Cooperation between the Academy of Fine Arts Vienna and ERSTE FoundationTracing the relation between contemporary art, (post)Yugoslav space and feminist epistemology, this lecture will question ways of historicising, situating and institutionalising the knowledge that this relation triggers. Reverting the false universalism of singularly authorised art canon(s) into a feminist episteme of uni-categorisation beyond sex and gender, this introduction to (post)Yugoslav art practices will be presented through recent art works dealing with an (im)possibility of shaping a geopolitical or a historical frames of art today, especially when it comes to the politics of belonging and ways of its construction.CV:Jelena Petrović is a feminist scholar, cultural theorist and art-worker. She is co-founder and member of a feminist curatorial group Red Min(e)d dealing with the relation of contemporary art and feminism in the post-Yugoslav space. From this academic year, she is appointed as an endowed professor for Central and South Eastern European Art Histories at the Academy of Fine Arts Vienna.

7.12.2015 MondayAt 17.30 until 20.00

WHERE: PCAP, Atelierhaus, Lehargasse 8, 1060 Wien, 1. OG Atelier Süd (M1)A2 workshop with Muzaffer Hasaltay.Part of the workshop program A2 screening of video-films:»Können wir mit einandersprechen« by M.Hasaltay»Die klasse« by M. Hasaltay»Was ist das problem« by M. Hasaltay»Rashomon« by A. KurosawaHarun Farocki work … etc…

Workshop A2 will open a platform for discussion on art, language, picture, history, politics, economy, creativity, separation, illusion, thinking, identity.

8.12.2015, TuesdayHoliday, Akbild closed

14.12.2015, MondayWhere: PCAP (POST CONCEPTUAL ART PRACTICES) STUDY PROGRAM,Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien,1OG Atelier Süd (M1)

12.00 to 13.30Individual meetings, Grzinic office

At 13.30 until 14.30STUDENT PRESENTATIONSCheng Tan

At 15.00 to 18.00STUDENT PRESENTATIONSEzgi Erol Lütfiye

14.12.2015, MondayAt 18.30 to 19.30book dossier project discussion

followed byReading Achille Mbembe text: Necropolitics (2003)www.dartmouth.eduReading moderators: Firas Shehadeh, Claudia Tomassetti

FOCUS PART: NECROPOLITICS: WAR MACHINES AND HETERONOMY + MOTION AND METAL + CONCLUSION (P.30 - P.40)

Screening The Lab by Yotam Feldman, 2013, 60 minutes

HOLIDAYS STARTS 18.12.2015Next meeting 11. 01. 2016, Monday

At 12.30 with student presentations

Work on the book

PCAP Program NOVEMBER 2015

concept — Thu, 29 Oct 2015 17:50:44 GMT

PCAP Program NOVEMBER 2015

2.11.2015, MondayNO LECTURES, AkBild off day

3.11.2015 Tuesday10.00 until 13.00, individual meetings, Grzinic office

At 14.00 to 17.00Short presentation workshop A2 by Muzaffer HasaltayReading Achille Mbembe text: Necropolitics (2003)www.dartmouth.edu

Reading moderators: Claudia Tomassetti, Firas ShehadehWHERE: PCAP, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

3.11.2015 Tuesday

At 18.00

Where: PCAP (POST CONCEPTUAL ART PRACTICES) STUDY PROGRAM,Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien,1OG Atelier Süd (M1)

Guest lecture by Aneta Stojnić

Title: Queering the discourse: Questions of performativity and subjectivities

After being for 10 months a postdoc researcher at the Institute of Fine Arts, Conceptual Art study program (Post-Conceptual Art Practices), Academy of Fine Arts in Vienna, funded by the Stipendienstiftung der Republik Österreich, Stojnic will have a guest lecture presentation. The lecture will focus on the topic of queer subjectivities and performativity, as well as on the shifts in theoretical discourses and practices of arts and culture in focusing on the questions of political potentialities of liminal positions. The lecture is as well part of the workshop B3/PCAP with the title Trans-Migration, Queer and Decoloniality.CV: Aneta Stojnić, PhD is a Belgrade born theoretician, artist and curator. She got her PhD in Theory of Arts and Media at the University of Arts in Belgrade in 2013. From 2015 she holds the positions of assistant professor at the Faculty of Media and Communications (FMK, Singidunum University). In 2013/14 she was a post-doc research fellow at Ghent University, Research centre S:PAM (Studies in Performing Arts & Media). She was a visiting scholar at the Academy of Fine Arts in Vienna, Conceptual Art study program (2013) and an artist in residence at Tanzquartier Vienna in 2011. Stojnic published a book “Theory of performance in digital art: towards a new political performance” (Orion Art, Belgrade, 2015) and authored a number of international publications on contemporary art and media, as well as various artistic and curatorial projects.

4.11.2015, Wednesday11.00 to 15.00Where: PCAP (POST CONCEPTUAL ART PRACTICES) STUDY PROGRAM,Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien,

OG Atelier Süd (M1)Reading Achille Mbembe text: Necropolitics (2003)Reading moderators: Claudia Tomassetti, Firas Shehadeh

Reading PCAP with PhD in philosophy studentsDiscussions, and open platform

16.00 to 18.00 individual talks with PHD in philosophy students, Grzinic, office

4.11.2015, WednesdayAt 19.00Where: PCAP (POST CONCEPTUAL ART PRACTICES) STUDY PROGRAM,Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien,

OG Atelier Süd (M1)

Guest lecture by Lada NakonechnaTitle: »To see yourself«

CV: Lada Nakonechna was born in 1981 in Dnipropetrovsk, Ukraine. Lives and works in Kyiv and Berlin. She is artist but also curator (member of curatorial and activist union Hudrada) and educator (co-founder of the Course of Contemporary Art in Kyiv). She is the member of the R.E.P. group from 2004. Lada has participated in numerous international and Ukrainian exhibitions including exhibitions at the Museum of Modern Art (Warsaw, 2015), Kunstmuseum Wolfsburg (Germany, 2015), National Art Museum of Ukraine (Kyiv, 2012), CSW Zamek Ujazdowsky (Warsaw, 2012, solo show).www.ladanakonechna.com

This lecture is possible thanks to the Artists-in-Residence program of the Austrian Federal Chancellery and KulturKontakt Austria.

9.11.2015, MondayAt 17.30 until 20.00WHERE: PCAP, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)A2 workshop with Muzaffer Hasaltay.Part of the workshop program A2 screening of video-films:»Können wir mit einandersprechen« by M.Hasaltay»Die klasse« by M. Hasaltay»Was ist das problem« by M. Hasaltay»Rashomon« by A. KurosawaHarun Farocki work … etc…

Workshop A2 will open a platform for discussion on art, language, picture, history, politics, economy, creativity, separation, illusion, thinking, identity.

10.11.2015, Tuesday14.00 to 16.00WORK ON THE BOOK: DOSSIER: REFUGEES—BORDER THINKING

10.11.2015, TuesdayAt 19.00Where: PCAP (POST CONCEPTUAL ART PRACTICES) STUDY PROGRAM,Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien,1OG Atelier Süd (M1)

Guest lecture by Vijai Patchineelam

Title: » The Artist Job Description: A proposal for a practice led artistic research for the employment of the artist, as an artist, inside the art institution«

If an experienced artist were to replace one of the museum’s public relation employees, would the artist decisions be any different than of the former employee? And if not what does this say and mean to the assumed progressive and transcendent properties of art, if the knowledge gained through its practice cannot be transferred to other human activities?

CV: Vijai Patchineelam was born in Niteroi, Brazil in 1983. Recently concluded his Master of Research at Sint Lucas, Antwerp, Belgium. He holds an MFA in Experience Design at Konstfack University College in Stockholm, Sweden and a BA in Industrial Design at the Federal University of Rio de Janeiro. His work consists of photographic installations, multimedia installations and photobooks.

This lecture is possible thanks to the Artists-in-Residence program of the Austrian Federal Chancellery and KulturKontakt Austria.

11.11.2015 WednesdayDiplome

11.11.2015 Wednesday

At 19.00Where: PCAP (POST CONCEPTUAL ART PRACTICES) STUDY PROGRAM,Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien,1OG Atelier Süd (M1)

Guest lecture by Amor Muñoz

Title: »Art & Technology as Factors of Social Change«

This talk is about how art, by strategically using technology as a form of reflection and criticism, can become a fundamental social impact agent. I will talk about two interdisciplinary art projects: »Maquila Region 4« a mobile factory for the manufacture of electronic-textile artworks at marginalized areas of Mexico city; and »Yuca Tech: Energy by hand,« a local technology lab located in the Mayan region (Yucatan), to creating photovoltaic textiles.

CV: Amor Muñoz was born in Mexico City in 1979. In her works she reflects about labor, production systems, technology and society. She creates pieces that are implanted in the social field and that generate collective experiences that use art as a reflective platform. She combines performance and experimental electronics with traditional media such as drawing and textile work.

This lecture is possible thanks to the Artists-in-Residence program of the Austrian Federal Chancellery and KulturKontakt Austria.

16.11.2015, MondayAt 17.30 until 20.00WHERE: PCAP, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)A2 workshop with Muzaffer Hasaltay.Part of the workshop program A2 screening of video-films:»Können wir mit einandersprechen« by M.Hasaltay»Die klasse« by M. Hasaltay»Was ist das problem« by M. Hasaltay»Rashomon« by A. KurosawaHarun Farocki work … etc…

Workshop A2 will open a platform for discussion on art, language, picture, history, politics, economy, creativity, separation, illusion, thinking, identity.

18.11.2015 WednesdayAt 15.00Where: PCAP, Atelierhaus, Lehargasse 8, 1060 Wien, 1. OG Atelier Süd (M1)EXCHANGE in BEETWENHochschule für Grafik und Buchkunst (HGB) Leipzig/ Academy of Fine Arts, LeipzigClass for expanded cinema, Media art department, Prof. Clemens von WedemeyerAnd

Post Conceptual Art Practices/IBk, Akbild . From PCAP in charge dr. Aneta Stojnic.Presentation from PCAP, students:Maira-Enesi CaixetaEzgi ErolIrene Wallner

CONTEXTUALIZATIONS:

Die Klasse expanded cinema will den Diskurs von öffentlichem Raum und Massenmedien in der Gesellschaft führen und gleichzeitig experimentelle Narrationen des zeitgenössischen Bewegtbildes analysieren und weiterentwickeln. Die Tradition des "expanded cinema" wird als mögliche Renaissance des Engagements von KünstlerInnen in einer visuell und akustisch vernetzten Welt gesehen. Wir sind dabei nicht auf eine Sprache und nicht auf ein Medium begrenzt. Die Konzeption und Besprechung von Projekten folgt unabhängig von der Herkunft der Studenten immer der zugrunde liegenden konzeptuellen Idee. Die Studenten forschen praktisch und kooperativ und werden durch vielfältige Aktivität der Klasse unterstützt: Klassentreffen und Einzelgespräche. Vortragsreihen mit Gästen zu aktuellen Themen und fundamentaler Werkpraxis. Filmanalyse. Recherche. Projektentwicklung. Exkursionen. Ausstellungsgestaltung.

PCAP: Aktivismus, Politik und Theorie sind von größter Bedeutung für den Zugang der PCAP, wenn wir an den Umgang mit Praktiken des Visuellen und der Politik von Repräsentation herangehen. „Theorie“ meint hier eine zeitgemäße theoretische, kritische Art zu denken, die den Studierenden hilft, Prozesse für die Konzeptualisierung der Künste und der Politiken der Welt zu entwickeln, die viele unterschiedliche Schichten aufweisen. PCAP wollen überdenken, wie die Verbindung zwischen Kunst und kulturellen, sozialen und politischen Sphären aufgebaut ist und wie Studierende selbst als verantwortungsvolle politische Subjekte wirken können. Kunst ist nicht ein Werkzeug, das einfach auf einen bestimmten, „unschuldigen“ Produktions- und Verteilungsprozess von Bildern und Wissen angewendet werden kann. Ausbildung ist nicht lediglich eine Maschine für die Produktion und Zirkulation von Fertigkeiten.

23.11.2015, MondayAt 17.30 until 20.00WHERE: PCAP, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)A2 workshop with Muzaffer Hasaltay.Part of the workshop program A2 screening of video-films:»Können wir mit einandersprechen« by M.Hasaltay»Die klasse« by M. Hasaltay»Was ist das problem« by M. Hasaltay»Rashomon« by A. KurosawaHarun Farocki work … etc…

Workshop A2 will open a platform for discussion on art, language, picture, history, politics, economy, creativity, separation, illusion, thinking, identity.

24.11.2015, TuesdayWHERE: PCAP, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)At 16.00

book Dossier, refugees border, working meeting

At 18.00

screening filmand discussion following by Reading Achille Mbembe text: Necropolitics (2003)Reading moderators: Claudia Tomassetti, Firas Shehadeh

26.11.2015, ThursdayAt 17.15 to 19.00WHERE: PCAP, Atelierhaus, Lehargasse 8, 1060 Wien, 1. OG Atelier Süd (M1)

DISCUSSION TECHNICAL NEEDS RUNDGANG!

26.11.2015, ThursdayAt 19.00WHERE: Akademie der bildenden Künste Wien, Schillerplatz 3, Mezzanin, Hörsaal M13

Lecture by Gloria WekkerTitle: "White Innocence in the Dutch Academy".In my talk, I will focus on "White Innocence" (Wekker 2016) in the Dutch university. In line with this dominant Dutch sense of self, our universities are characterized by the centrality of a (mostly) silent, but self-flattering conception of whiteness. The dominance of whiteness is evident both in terms of the demographics among professors and, to a lesser extent, among students and staff, but also and importantly in terms of the content of education. "Show me your curriculum, and I will tell you who is in power": a quip borrowed from South African educator Professor Jonathan Jansen, that is unfortunately equally applicable in many European academies. The chances that a student in the Social Sciences or the Humanities will be exposed to knowledge about, for example, the Dutch colonial past, the slave trade, slavery, colonialism and even current multi-racial/ ethnic society are slim. Calling attention to whiteness in the academy, how it is manifest and what its detrimental consequences are for society as a whole and for all students, is not done, as "race" has, by dominant consensus, been declared missing in action in The Netherlands: "we do not do race". I will reflect on these and other pressing issues during my presentation.

Prof. Dr. Gloria Wekker is emerita professor in Gender and Ethnicity at the Department of Gender Studies at the Faculty of the Arts of Utrecht University. She is a social and cultural anthropologist (PhD UCLA, 1992), specialized in Gender Studies, African American and Caribbean Studies and In 2007, she won the Ruth Benedict Prize of American Anthropological Association for The Politics if Passion; Women´s sexual Culture in the Afro-Surinamese Diaspora (Columbia University Press). Her research themes are: constructions of sexual subjectivity in the black Diaspora; gendered and racialized knowledge systems in the Dutch academy and society and the Dutch cultural Archive; and the history of the black, migrant and refugee women’s movement in the Netherlands. She also writes poetry and prose.

30.11.2015, Monday

At 10.00 until 12.00individual meetings, Grzinic, office

30.11.2015, MondayAt 12.00 to 15.30Where: PCAP (POST CONCEPTUAL ART PRACTICES) STUDY PROGRAM,Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien,1OG Atelier Süd (M1)Reading Achille Mbembe text: Necropolitics (2003)Reading moderators: Claudia Tomassetti, Firas ShehadehDiscussions, and open platform

16.00 to 17.00 RUNDGANG TECHNICAL NEEDS and SPACE M1 SHARING

17.00 to 18.30individual meetings, Grzinic, office

30.11.2015, Monday

At 19.00Where: PCAP (POST CONCEPTUAL ART PRACTICES) STUDY PROGRAM,Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien,1OG Atelier Süd (M1)continuation Reading Achille Mbembe text: Necropolitics (2003) with screnings

1.12. 2015, Tuesday10.00 to 11.00 ind. Meetings, Grzinic office

1.12. 2015, Tuesday12.30 to 15.30STUDENT PRESENTATIONSYeLa AnMartina Kogler

LECTURE: 1.12. 2015, TuesdayAT 18.00WHERE: Academy of Fine Arts Vienna, Schillerplatz 3, 1010 Vienna, M13a

The (post)Yugoslav Art Practices: Curating Difficult Knowledge

by Jelena Petrovic

Endowed Professor for Central and South Eastern European Art installed in Cooperation between the Academy of Fine Arts Vienna and ERSTE Foundation

Tracing the relation between contemporary art, (post)Yugoslav space and feminist epistemology, this lecture will question ways of historicising, situating and institutionalising the knowledge that this relation triggers. Reverting the false universalism of singularly authorised art canon(s) into a feminist episteme of uni-categorisation beyond sex and gender, this introduction to (post)Yugoslav art practices will be presented through recent art works dealing with an (im)possibility of shaping a geopolitical or a historical frames of art today, especially when it comes to the politics of belonging and ways of its construction.

CV:Jelena Petrović is a feminist scholar, cultural theorist and art-worker. She is co-founder and member of a feminist curatorial group Red Min(e)d dealing with the relation of contemporary art and feminism in the post-Yugoslav space. From this academic year, she is appointed as an endowed professor for Central and South Eastern European Art Histories at the Academy of Fine Arts Vienna.

PCAP program OCTOBER 2015

concept — Mon, 28 Sep 2015 20:36:41 GMT

PCAP Program OCTOBER 2015

5.10.2015, Monday15.00 until 17.00 FIRST SEMESTER MEETINGWhere: PCAP, Atelierhaus, Lehargasse 1. OG Atelier Süd (M1)

5.10.2015, MondayAt 18.30Where: Großen Festsaal (Great ceremonial hall, main building) der Universität WienStreet: Universitätsring 1, 1010 Wien

Angela Davis lecture “Life between Politics and Academia”, English language.CV: Angela Davis is activist, educator, philosopher, associated with the Black Panthers in the 1960s-1970s. She joined the Communist Party when Martin Luther King was assassinated in 1968. Davis was arrested as a suspected conspirator in the abortive attempt to free George Jackson from a courtroom in Marin County, California, August 7, 1970.She was eventually acquitted of all charges, but was briefly on the FBI’s most-wanted list as she fled from arrest. Davis was active with SNCC (Student Nonviolent Coordinating Committee) before the Black Panthers. Davis ran for U.S. Vice President on the Communist Party ticket in 1980.

Angela Davis has been an activist and writer promoting women’s rights and racial justice while pursuing her career as a philosopher and teacher at the University of Santa Cruz and San Francisco University -- she achieved tenure at the University of California at Santa Cruz though former governor Ronald Reagan swore she would never teach again in the University of California system. She studied with political philosopher Herbert Marcuse. She has published on race, class, and gender.

6.10.2015, TuesdayAt 10.00 until 15.00 Individual meetings, Grzinic office

15.00 until 16.30 class meeting work in 2015/2016Where: PCAP, Atelierhaus, Lehargasse 1. OG Atelier Süd (M1)

6.10.2015, Tuesday,At 17.00Aula der Akademie der bildenden Künste Wien
Schillerplatz 3, 1010 Wien

Das Rektorat lädt alle Mitglieder des Universitätsrates, Professor_innen, Mitarbeiter_innen, Student_innen und Absolvent_innen des Hauses herzlich zum gemeinsamen Studienjahrauftakt ein:The Rectorate cordially invites all colleagues, students and alumni to the yearly get-together at the beginning of the new academic year:

Wir freuen uns auf Ihr Kommen!We are looking forward to seeing you!

Eva Blimlinger, RektorinAndrea B. Braidt, Vizerektorin Kunst | ForschungKarin Riegler, Vizerektorin Lehre | Nachwuchsförderung

9.10.2015, FridayDiploma term October 2015

12.10.202015, Monday10.00 until 13.00 individual meetings

13.00 until 16.00Where: PCAP, Atelierhaus, Lehargasse 1. OG Atelier Süd (M1)Discussion, Angela Davis lecture, screening, talksSCREENING OF THE FILM Free Angela and All Political Prisoners, 2012

Writer/director Shola Lynch.

Lynch follows up her 2004 documentary Chisholm '72: Unbought and Unbossed with Free Angela and All Political Prisoners, 2012 centered on the struggle of educator and activist Angela Davis, an outspoken UCLA professor whose affiliation with the Communist Party and the Black Panthers landed her on the FBI's Ten Most Wanted list while challenging our perceptions of political freedom in America.

12.10.202015, MondayAt 18.00Where: Post Conceptual Art Practices (PCAP) study programAcademy of Fine Arts Vienna, Atelierhaus, Lehargasse 8, 1060 Wien, 1. OG Atelier Süd (M1)

GUEST LECTURE by ORIT ISHAY

Title: From here to there and back againWhere is Here? Where is There? Who am I? How do I look at life and why?

Orit Ishay is a prominent Israeli artist, photographer and visual artist working with video and installation. She is a lecturer in photography. Ishay’s art examines the interrelations between man and place, while addressing questions pertaining to social and mental issues. Some of her video works are independent, stand alone, while other videos form an additional tier in a series of still photographs which are frequently accompanied by a substantial theoretical research. Ishay will present and talk about some ‘key works’ from her photography series: Public Domain(2009), 10 Manot (2012), 1917 (2012), and from the body of works Terribly Pretty Awfully Beautiful (2014). She will screen and talk about the next short arts videos: ManaManot(2014) 2:00 min, Laying(2014) 2:00 min, Serial No.2953(2015) 4:00, and two video works that created on last year, during her stay in Vienna as an Artist In Residency at the Museum Quartier: Up(2015), Sing!(2014).

Lecture organized by Marina Grzinic, Post-Conceptual Study Program, IBK, Akademie der bildenden Künste Wien and Elke Krasny, Institut für das Künstlerische Lehramt, IKL, Fachbereich Kunst und Bildung, Akademie der bildenden Künste Wien.

13.10.2015 Tuesday10.00 to 13.00 individual meetings, Grzinic office13.00 until 16.00Where: PCAP, Atelierhaus, Lehargasse 1. OG Atelier Süd (M1)Discussion, presentation new students in the semester, entry portfoliosPresentations byPedra CostaBenjamin Gaspar

13.10.2015 TuesdayAt 18.00
Where: Post Conceptual Art Practices (PCAP) study programAcademy of Fine Arts Vienna, Atelierhaus, Lehargasse 8, 1060 Wien, 1. OG Atelier Süd (M1)

GUEST LECTURE by LÍA GARCIA (LA NOVIA)Title (first lecture): Lía Garcia (La Novia) talks about a proper work
CV: Lía Garcia (La Novia) is a transgender woman that born in Mexico City. She studied pedagogy at the Faculty of Philosophy and Letters of the National Autonomous University of Mexico doing the research "Possibilities and crosses between pedagogy, art and queer feminism". Now she is currently finishing the master’s degree in visual arts at the School of Arts and Design UNAM. His interests have focused on doing her own gender transition a festive pedagogy, an emotional and sharing encounter in the space and a proposal of communication in the public space.Her current project entitled "My xxy years ... The experience of transgender body as an emotional, performative and political encounter" answers these and more questions: What are the emotions that are built when gender transition is shared? Is the festive half of Trans / group training? What are the political scopes that can have a Tran’s celebration? His artistic production has focused on building collective experiences in public space from which to think gender transition as an emotional process, shared and festive. This appropriation through three rituals own way of femininity: The party of fifteen, wedding and ritual siren in the story of the little mermaid. His work has been shown at the International Festival for Sexual Diversity (FIDS Mexico), 2010 edition, October 2014 Trans Barcelona, Art Space "El palomar" Barcelona, Akademie der Künste, Berlin, Cologne and VBKO Extra! International Performance Festival, curated by Pancho Lopez. She was selected as a participating artist in the convergence 2015 Hemispheric Institute of Performance: Collective in captivity: Encouraging cross-border bodies. He has collaborated with artists such as Guillermo Gomez Peña and La Pocha Nostra, Felipe LechedeVirgen Trimegisto, Sayak Valencia and Paola Paz Yee.Moderation of the talk after the lecture by artist and activist Marissa Lôbo.

The lecture is as well part of workshop B3, Post-Conceptual Art Practices (Marina Grzinic)/IBK, Academy of Fine Arts Vienna, winter semester 2015/2016, with the titleTrans-Migration, Queer and Decoloniality.

Lecture organized by Marina Grzinic, Post-Conceptual Study Program, IBK, Akademie der bildenden Künste Wien, Elke Krasny, Institut für das Künstlerische Lehramt, IKL, Fachbereich Kunst und Bildung, Akademie der bildenden Künste Wien, and Noit Banai, Institut für Kunstgeschichte, Universität Wien.

14.10.2015 Wednesday10.00 until13.00 individual meetings, Grzinic office

14.00 until 17.00Where: PCAP, Atelierhaus, Lehargasse 1. OG Atelier Süd (M1)Discussion, presentation new students in the semester, entry portfolios

Screening Tongues Untied is a 1989 semi-documentary film directed by Marlon Riggs. The film seeks, in its author's words to, "...shatter the nation's brutalizing silence on matters of sexual and racial difference." The film blends documentary footage with personal account and fiction in an attempt to depict the specificity of black gay identity. The "silence" referred to throughout the film is that of black gay men, who are unable to express themselves because of the prejudices of white and black heterosexual society, as well as the white gay society. The documentary dealt with the simultaneous critique of the politics of racism, homophobia and exclusion as they are intertwined with contemporary sexual politics. The film is a part of a body of recently released films and videos, which examine central issues in the lives of lesbian and gay Blacks.

14.10.2015 WednesdayAt 18.00Where: IKL, Academy of Fine Arts Vienna, Karl-Schweighofer-Gasse 3, 1070 Vienna, Room: 3.06GUEST LECTURE by LIA GARCIA (LA NOVIA)Title (second lecture): “Who is talking about Art?”

This will be an intervention from a transdecolonial perspective into arts.Lía Garcia (La Novia) is a transgender woman that born in Mexico City. She studied pedagogy at the Faculty of Philosophy and Letters of the National Autonomous University of Mexico doing the research "Possibilities and crosses between pedagogy, art and queer feminism". Now she is currently finishing the master’s degree in visual arts at the School of Arts and Design UNAM. His interests have focused on doing her own gender transition a festive pedagogy, an emotional and sharing encounter in the space and a proposal of communication in the public space.Moderation of the talk after the lecture by artist and activist Marissa Lôbo.

The lecture is as well part of workshop B3, Post-Conceptual Art Practices (Marina Grzinic)/IBK, Academy of Fine Arts Vienna, winter semester 2015/2016 with the titleTrans-Migration, Queer and Decoloniality.

19.10.2015, Monday

10.00 until 13.00 individual meetings, Grzinic office15.00 until 18.00Where: PCAP, Atelierhaus, Lehargasse 1. OG Atelier Süd (M1)Discussion, presentationsPresentations works by

Kyu Nyun KimSaaya HitomiMano-Kathrin Stegemann

19.10.2015, MondayAt 18.00Where: Post Conceptual Art Practices (PCAP) study programAcademy of Fine Arts Vienna, Atelierhaus, Lehargasse 8, 1060 Wien, 1. OG Atelier Süd (M1)

GUEST LECTURE by IRINA ARISTARKHOVA

Title: "Are You Crazy?: Unconditional Hospitality in Contemporary Art."
Summary: "Drawing on a wide range of theoretical discussions of hospitality, the talk will provide a broader framing of the various approaches contemporary artists adopt in mobilizing this notion, specifically analyzing the works of Lee Mingwei (Taiwan / USA), Kathy High (USA), Faith Wilding (USA), Ana Prvacki (Singapore / USA), Pippa Bacca (Italy), and Mithu Sen (India). The lecture opens a wider dialogue about and critical appreciation of specific works that are often regarded extreme in their provision of hospitality."

CV: Irina Aristarkhova is the author of “Hospitality of the Matrix: Philosophy, Biomedicine, and Culture” (Columbia University Press, 2012). She teaches at the Penny W. Stamps School of Art & Design of the University of Michigan, and is also a Visiting Professor of Gender Studies and Media Art Theory at the Department of Image Science, Danube University Krems (Austria). In 2002 Irina Aristarkhova, together with Faith Wilding, Coco Fusco and Maria Fernandez, started "Undercurrents" - an online discussion forum about intersections of cyberfeminism, new technologies, postcoloniality and globalization.

20.10.2015, TuesdayAt 10.00 until 13.00 individual meetings, Grzinic officeAt 15.00 until 18.00Where: PCAP, Atelierhaus, Lehargasse 1. OG Atelier Süd (M1)Discussion, presentations, studentsFiras Shehadeh

20.10.2015, TuesdayOPEN TERMAt 19.00Where: DEPOT, 1070 Wien, Breitegasse 3

THNK TNAK präsentiert... Photography Beyond ItselfPhotography is deeply enmeshed in our daily lives. But what do we talk about when we talk about photography? Is there any commonality that links a photoshopped picture in a magazine, a silver-gelatin paperphotograph displayed in an art gallery and a downloaded file image on a computer screen?

Mladen Bizumic, Akademie der bildenden Künste Wien

THNK TNAK ist eine Veranstaltungsreihe konzipiert von Dissertant_innen und PhD in Practice-Kandidat_innen der Kunstuniversitäten

26.10.2015, MondayNational Holiday

27.10.2015, TuesdayAt 10.00 until 16.00 individual meetings, Grzinic office

27.10.2015, Tuesday

16.00 until 19.00Where: PCAP, Atelierhaus, Lehargasse 1. OG Atelier Süd (M1)Presentations, discussionsMeike TischerChristoph WeickenmeierOnur Serdar

28.10.2015, WednesdayAt 10.00 until 14.00 individual meetings, Grzinic officeAt 14.00 until 17.00Where: PCAP, Atelierhaus, Lehargasse 1. OG Atelier Süd (M1)Presentations, discussionswatching video Turbo sculpture by Aleksandra DomanovicINTRO in necropolitics28.10.2015, Wednesday

At 18.00
WHERE: Institut für Kunstgeschichte, Universität Wien, Universitätscampus Hof 9, A-1090, Wien.Entrance to Hof 9: Garnisongasse at the corner of Beethovengasse. Seminar Room 1, Entrance door 9.2.

GUEST LECTURE by KIRSTEN SWENSONTitle: Agnes Denes’s Wheatfield (1982/2015): Fantasy, Critique, Speculation

In 1982, the artist Agnes Denes cultivated two acres of wheat at the edge of New York’s Financial District, briefly occupying a landfill formed during the construction of the World Trade Center and slated for development into Battery Park City later that year. Wheatfield was conceived in response to the geopolitics of hunger during the Cold War wheat embargo, designated by Denes as “a confrontation” with the global economic forces represented by its site. In 2015, Wheatfield was restaged in Milan, underwritten by a private developer as part of the renewal of the Porta Nuova district. This talk explores the spatial politics Wheatfield, both historical and recent, and questions raised by replanting an ephemeral installation conceived in specific reference to site and history.

CV: Kirsten Swenson is Assistant Professor of Art History Contemporary Art and Aesthetics, University of Massachusetts, Lowell. Kirsten Swenson is the author of Irrational Judgments: Eva Hesse, Sol LeWitt, and 1960 New York (Yale University Press, 2015) and co-editor of Critical Landscapes: Art, Space, Politics (University of California Press, 2015). Her writings on contemporary art have appeared in the Art Journal, Art in America, and American Art, among other journals. She was recipient of the 2011 Art Journal Award for her edited forum of essays on "Land Use in Contemporary Art." Swenson will assume the post of Reviews Editor for the Art Journal in 2016.

Lecture supported by Kunsthistorische Gesellschaft, Institut für Kunstgeschichte der Universität Wien.

Lecture organized by Noit Banai, Institut für Kunstgeschichte, Universität Wien, Sabeth Buchmann, Institut für Kunst- und Kulturwissenschaften, Akademie der bildenden Künste Wien, and Marina Grzinic, Post Conceptual Study Program, IBK, Akademie der bildenden Künste Wien.

Next 3.11.2015, Tuesday

PCAP program JUNE 2015

concept — Tue, 26 May 2015 19:12:00 GMT

PCAP Program JUNE 2015

June 2015, MondayAt 14.30 until 17.00, M1DIPLOMA PRESENTATIONS (June 2015)Sarah Binder

1.June 2015, MondayWHEN: At 18.00

WHERE: Academy of Fine Arts Vienna,Schillerplatz 3Mezzanin, M13a

PRESENTATION: JAFARI S. ALLENBlack/Queer Here & There: Ethnography of an Idea

In this presentation, I will provide some broad outlines of my new work-in-progress, Black/Queer Here and There: An Ethnography of an Idea. This new work seeks to re-narrativize the meaning and significance of Black desire for political empowerment or autonomy; for fun and carefree play in the face of social suffering; and erotic desire for one another. Black/Queer Here & There traces power and differential agency in the lives and works of Black gender non-conformists and sexual minorities across borders of geography, nationality, class, gender, sexuality and citizenship – examining a variety of subjective motivations, scenes and scales.

CV: Jafari S. Allen is Associate Professor of African American Studies and Anthropology at Yale University, and works at the intersections of [queer] sexuality, gender and blackness. Allen is the author of the critical ethnography “¡Venceremos?: The Erotics of Black Self-Making in Cuba“, and editor of “Black/Queer/Diaspora – a special issue of GLQ: A Journal of Lesbian and Gay Studies“. www.jafariallen.com

Eine Kooperation von: Gender Talk - Referat Genderforschung Universität Wien / Institute für Queer Theorie / Institut für Kunst- und Kulturwissenschaften, Netzwerk für Frauenförderung, Post-Conceptual Art Practices (Akademie der bildenden Künste Wien)

2.June 2015, Tuesday

10.00 to 13.00, Grzinic officeIndividual Meetings

At 13.00, M1Talk post travel reflection. Reflection after the PCAP class travel program: Loibl Concentration Camp Memorial, Peršmanhof and Schloss Lind / Das andere HeimatmuseumTravel conceived by Joanna Wilk and Martin Weichselbaumer

2.June 2015, Tuesday15.00 to 19.00, M1PRESENTATIONS

Jamila SchamanekDaria KirillovaJoanna Wilk

3.June 2015, Wednesday9.00 to 13.00 individual meetings, diplomants

13.00 until 17.30Ort | Akademie der bildenden Künste Wien, Hauptgebäude, Schillerplatz 3, 1010 Wien, Sitzungssaal Veranstaltung: Zum universitären Umgang mit dem Plagiat. Definition, Prävention, Konsequenzen.Die Details zur Veranstaltung finden Sie online hier: www.akbild.ac.at

3.June 2015, WednesdayWHEN: At 19.00

WHERE: Universität Wien (University of Vienna)Institut für Kunstgeschichte (Department of Art History)Universitätscampus AAKH Hof 9, A-1090 Wien

Entrance to Hof 9: Garnisongasse corner of BeethovengasseSeminar Room 1 - Entrance door : 9.2MAPwww.google.si

LECTURE PERFORMANCE by ASHLEY BAILEYTITLE: Masochistic Performances on Intersectional Identities.

A lecture performance discussing the context and recent developments on her recent performance for Purrr!_Femme!-ance! at the Academy of Fine Arts Vienna.Working with art, in particular performance, as a catalyst for discourse and action/ social change, Bailey, investigates the tensions between (constructed or otherwise) gendered, racial and sexual(ised) identities and behaviors, particularly in relation to unspoken narratives of intersectionality.

CV: Ashley Bailey is a queer feminist person of colour, based in London, (UK).Bailey has studied at Central St Martins, University of the Arts London and at the Academy of Fine Arts Vienna, and works in the fields of performance, digital media, installation and text. www.ashleybailey.co.uk

Lecture organized by Noit Banai, Institut für Kunstgeschichte, Universität Wien, Marina Grzinic, Post Conceptual Study Program, IBK, Akademie der bildenden Künste Wien and Julischka Stengele, Post Conceptual Study Program, IBK, Akademie der bildenden Künste Wien.

INSTALLING DIPLOMAS(4.06.2015 holiday)5.6.7.8.06.2015

9.06.2015, TuesdayWHEN: 19:00 until 21:00WHERE: Wiener SecessionFriedrichstraße 12, A-1010 Wien

Decolonizing KnowledgeLecture performance by Grada Kilomba followed by a talk in between Grada Kilomba, Clifford Erinmwionghae and Marissa Lôbo.

The lecture is organized as part of the Kültürgemma Fellowship for 2014/2015 awarded to Clifford Erinmwionghae project “Interactive Photography” and in collaboration with two institutions: Secession, Brunnenpassage and the Post Conceptual Study Program (PCAP)/IBK at the Academy of Fine Arts Vienna.

Erinmwionghae´s project will consists among other activities of 3 events organized from June to October 2015.

The first event is the lecture performance by Grada Kilomba (Portugal, Berlin). Kilomba is a writer, theorist and interdisciplinary artist. Her work draws on memory, trauma, and post-colonialism intertwining the academic and artistic languages in a variety of formats, from print publications to staged reading and performances.

Kilomba is the author of Plantation Memories, a compilation of episodes ofeveryday racism written in the form of short psychoanalytical stories; and co-editor of “Mythen, Masken und Subjekte”, an anthology on Critical Whiteness. Her recent work includes a film on the African liberation leader Amílcar Cabral, titled: Conakry, as well as the staging of Nuruddin Faras literary work on Loss, Borders, and Politics. Kilomba was a Guest Professor for Gender Studies and Post-colonial studies, at the Humboldt University - Berlin. Currently, she is awriter/artist in residence in the city of Berlin, where she is developing a series of projects on decolonial feminism, and decolonizing and performing Knowledge.

After the lecture a talk will follow in between Grada Kilomba, Clifford Erinmwionghae (refugee activist and cultural event promoter in Vienna, currently studying Post Conceptual Art at the Academy of Fine Arts Vienna) and the artist Marissa Lôbo (one of the coordinator and curator of the Kültürgemma project, which is the only artist grant for Migrants and Refugees in Vienna).

The audience is invited to participate and to re-imagine the concepts of knowledge and power with opening new spaces for decolonial thinking.

The whole event is held in English.

10, 11, and 12, june 2015DIPLOMA EXAMSSarah BinderGeorg Oberlechner,Miriam Raggam,Julischka Stengele,Arin Zadoorian

10.06Xhibit at 9.00 Sarah BinderAct Saal, after lunch Julischka Stengele

11.06M1, semper depot Georg OberlechnerVideostudio semper depot Miriam Raggam, Arin Zadoorian

15.06.2015, MondayM1 17.00 to 20.00 text readingWorkshop B3, reading Gilles Deleuze “Postscript on the Societies of Control” (1992)With Aneta Stojnic, text available in three languages, translations: ENGLISH, GERMAN, and TURKISH

16.06.2015, TuesdayAt 15.00 to 17.00, M1Reading interview with Angela Davis: “ On what’s radical in the 21 century” (2014)Reading with Maria-Enesi Caixeta and Marina Grzinic. Reading of the interview by Angela Davis that is coming to Vienna in October.SEE:Vortrag und Workshop von Angela Davis (Mo + Di, 5. + 6. Oktober)Am Montag, 5. Oktober 2015, 18:30 Uhr, hält Davis den öffentlichen Vortrag "Life between Politics and Academia" im Großen Festsaal der Universität Wien.Am Dienstag, 6. Oktober 2015, 10-17 Uhr, findet der Workshop "Diversity: Class-Race-Gender: revisited" in der Skylounge der Universität Wien am Oskar-Morgenstern-Platz statt. Angela Davis wird mit einer Keynote den Input für eine Reflexion über die Möglichkeiten und Grenzen frauenbewegten gemeinsamen Handelns geben.Angela Davis, eine der internationalen Pionierinnen, die das Spannungsverhältnis von Politik und Wissenschaften reflektierte und persönlich auslotete, kommt an die Universität Wien. Die Philosophin wurde 1944 in den USA geboren und studierte u.a. bei Marcuse, Horkheimer und Adorno in Deutschland. Bereits in den 1970er Jahren lehrte sie in den USA Women’s and Gender Studies und African American Studies. Gleichzeitig engagierte sie sich in der schwarzen Bürgerrechtsbewegung in den USA. Die Silhouette ihres "Afrolooks" zierte T-Shirts, Hauswände und Plakate. Heute solidarisiert sie sich mit der Occupy-Bewegung und fragt nach den Verbindungen der Unterdrückung aufgrund des Geschlechts, der "Rasse"/Ethnizität und der Klasse in den USA und der weltweiten Globalisierung. Eingeladen wurde Davis von Birgit Sauer, Maria Mesner und Gabriella Hauch.

16.June 2015, TuesdayWHEN: At 18.00

WHERE: Academy of Fine Arts, Institut für das künstlerische LehramtKarl-Schweighofer-Gasse 3, 1070 Wien, Room 3.06.

GUEST LECTURE by Araba Evelyn Johnston-ArthurTITLE: On the Art of (Re)membering Resistances

The lecture treats the politics of memory and representation in connection to marginalized resistances. Examining the dialects of repression and resistance, the talk focuses on Austria as a neocolonial and postnazistic space.

Araba Evelyn Johnston-Arthur is the cofounder of PAMOJA – The Movement of the Young African Diaspora in Austria and the Researchgroup on Black Austrian History and Presence/Pamoja. She is currently working on her interdisciplinary doctoral thesis on Resistances in the African Diaspora in Austria and teaching at Howard University in Washington D.C., USA.

Lecture moderated by Njideka Stephanie Iroh

Njideka Stephanie Iroh is a poet, writer, artist and activist. Her work focuses on youth and education in the context of language, linguistics, power relations, decolonisation and empowerment. Her political work is part of PAMOJA – The Movement of the Young African Diaspora in Austria and in cooperation with other local and global Black and migrant organisations.

Lecture organized by Elke Krasny, Institut für das Künstlerische Lehramt IKL, Fachbereich Kunst und Bildung, Akademie der bildenden Künste Wien, Noit Banai, Institut für Kunstgeschichte, Universität Wien, and Marina Grzinic, Post-Conceptual Study Program, IBK, Akademie der bildenden Künste Wien.

17.06.2015, WednesdayGrzinic, indiv. Meeting 10.00 to 15.00, Grzinic, office

17.06.2015, Wednesdayat 17.00 OPENING DIPLOMA EXIBITION, at Lehargasse 8, opening talk

17.06.2015, WednesdayWHEN: At 18.00

WHERE:Universität Wien (University of Vienna)Institut für Kunstgeschichte (Department of Art History)Universitätscampus AAKH Hof 9, A-1090 WienEntrance to Hof 9: Garnisongasse corner of BeethovengasseSeminar Room 1 - Entrance door : 9.2MAP: www.google.si

GUEST LECTURE by Alexander AlberroTITLE: On the Horns of A Dilemma: Contemporary Art Between the Regional and the Transnational

My paper centers around three fundamental questions. Is it possible to reestablish the lost link between contemporary art and a consistent art historical narrative? Second, can the art of the past quarter century be seen in structural terms – that is, is it organized around a structure? And third, are there theoretical and practical tools that could help us to comprehend both the governing principle of regional traditions, and the alleged globalization of the art world in recent years? To date, the answers given to such crucial questions have established only a limited connection between a regional or national art space on the one hand and a transnational or global art space on the other. In order to move beyond this division, I will propose that the art of the past several decades exists in a mediating space between these two poles: a parallel territory, relatively autonomous from the political domain, and dedicated as a result to questions, debates, inventions of a specifically artistic nature. Here struggles of all sorts are refracted, diluted, deformed or transformed according to an artistic logic, and in artistic forms. My hope is that working from this hypothesis, while trying to envisage all its theoretical and practical consequences, an understanding of art that is at once regional and transnational can be developed: in other words, a concept that could give a unified account of, say, the development of recent art forms, or the aesthetics of the artworks, and their connection to the political, economic and social world.—Alexander Alberro, Barnard College/Columbia University

CV: Alexander Alberro, Virginia Bloedel Wright Professor of Art History at Barnard College and Columbia University in New York City. He is the author and editor of a number of books on contemporary art, including Institutional Critique: An Anthology of Artists Writings (2009); Art After Conceptual Art (2007); and Conceptual Art and the Politics of Publicity (2004). His current book project is “Abstraction in Reverse,” a study of the emergence and development of abstract art in Latin America. He is also at work on a volume that explores new forms of art and spectatorship that have crystallized in the past two decades

Lecture supported by Kunsthistorische Gesellschaft, Institut für Kunstgeschichte der Universität Wien.

24.06.2015, Wednesday25.06.2015, ThursdaySymposium FRAGMENTS OF EMPIRE. A collaboration between the Institute for Education (IKL) in the Arts/Fashions and Styles and Postconceptual Art Practices (PCAP) /Institute for Fine Arts at the Academy of Fine Arts Vienna.

The symposium Fragments of Empire brings together critical research and interventions in the history of spaces / and the history of mobilization that have taken / and are currently taking place. Its theoretical and artistic lectures are situated in the social and political fields of textile and media histories and focus on the relation of labour, capital, migration, and archives.The speakers for Collaborative Futures are from the Academy of Fine Arts in Vienna (Austria), from Ljubljana (Slovenia), and from Ukraine, they are students, young researchers, professors, artists, and scholars.PROGRAMWednesday 24.06.2015 15.00 – 20.3015.00 Fragments of EmpireSimonetta Ferfoglia, Elke Gaugele & Heinrich Pichler15.30 5:36 / The Times They Are A Changin´Michaela Landrichter, Manuela Maderthaner, Viktoria Mayer,Rita Sabri, Anneliese Schrenk & Elias Berner15.45 Museum of the WorkersBojana Piškur, Ljubljana, Slovenia16.30 GewässerblauMiro Schawalder17.15 - 17.30 drinks17.30 Genealogy of AmnesiaMarina Gržinić & Aneta Stojnić18.00 Reflection on Anti-Muslim RacismNeda Hosseinyar18.30 Welcome to (R)austriaIsmail Karaduman, James K. Skone, Betül Küpeli19.15 Handschlagqualität. African LaceAnna Hirschbühl and Cem-Samuel Metzler19.30 The Race for “Participation”Maja Hawlina and Bor Pungerčič, Ljubljana, Slovenia20.15 SepsisBerivan Arslan, Teresa Maria Filz, Veronika Gaitzenauer, Nevena PetrovićThursday 25.06.2015 17.00 – 20.1517.00 Aus dem AlltagMartin Weichselbaumer17.30 Textil MüllerCaroline Urwalek and Suna Chiara Tarhan17.45 piece rate - all inElisabeth Lamche18.00 Entwürfe (Drafts)Juri Schaden18.30 „Media Art History in Ukraine”Ianina Prudenko, Kiev, Ukraine

25.06.2015, Thursday10.00 to 12.00 individual metings, Grzinic, office.

25.06.2015, ThursdayWHEN: 18.30WHERE: Akademie der bildenden Künste Wien, IKL, Karl-Schweighofer-Gasse 3, 1070 Vienna, Room: 3.06

Guest lecture by Ianina Prudenko, Ukraine.TITLE: Open Archive of Ukrainian Media Art: "Media Art History in Ukraine"

With screenings and presentation of the site of Open archive of Ukrainian media art archive.

CV: Ianina Prudenko, PhD, Independent curator. Assistant professor and doctoral candidate of cultural studies department of National Pedagogical Dragomanov University (Kiev).Columnist for online magazine about contemporary art KORYDOR korydor.in.uaCurator of Open archive of Ukrainian media art www.mediaartarchive.org.ua
www.facebook.comCurator of “New Art School: Media Art for practicians”(Kiev) www.newartschool.org

The lecture is taking part within the symposium FRAGMENTS OF EMPIRE. A collaboration between the Institute for Education (IKL) in the Arts/Fashions and Styles and Postconceptual Art Practices (PCAP) /Institute for Fine Arts at the Academy of Fine Arts Vienna.

This lecture is possible thanks to the Artists-in-Residence program of the Austrian Federal Chancellery and KulturKontakt Austria.

26.06.2015, FridayLast day of the semester.At 10.00 ceremony diplomas and awards.

NEXT: 5.10.2015 at 15.00

5.10.2015At 18.00 lecture Angela Davis

PCAP program MAY 2015

concept — Fri, 01 May 2015 06:26:45 GMT

PCAP Program MAY 2015

1st May, 2015, MayDay!

4.05.2015, MondayAt 15.00 to 20.00, M1PRESENTATIONS (June diplomas)Arin ZadoorianMiriam RaggamGeorg Oberlechner

5.05. 2015, Tuesday9.00 to 13.00 individual meetings, Grzinic office

5.05. 2015, TuesdayAt 13.00 to 14.30, M1PRESENTATION: Aidar Bekchintaev

5.05. 2015, TuesdayAt 15.00 until 16.00, M1SEMINAR CONNECTED WITH THE PCAP TRAVELGUEST: ANJA SALAMONOWITZ,Q and A after screening in April of Salomonowitz film Das wirst du nie verstehen (2003)Moderated by Joanna Wilk

5.05. 2015, TuesdayAt 16.30, M1PRESENTATION: Maira-Enesi CaixetaPRESENTATION (June diplomas): Julischka Stengele

6.05.2015, WednesdayAt IKL, Karl-Schweighofer-Gasse 3 1070 Wien.

FRAGMENTS OF EMPIRE, TOURSIn charge Aneta Stojnic.The Tours are working- and presenting-sessions in the urban surrounding, along a chosen complex of place/occurrence/claim. They will be visited by all participants and an invited audience. Here the research is discussed and transformative artistic works are shown / performed.

11.05.2015, MondayM1, at 17.00 until 19.00Workshop A2 with Muzaffer Hasaltay.Muzaffer Hasaltay has completed his MA in fine arts at the Academy of Fine Arts in Vienna. He is artist, filmmaker and conceives photographic and installation works, he lives and works in Vienna.Hasaltay will discuss the works by the students in the class and his proper work.

12.05.2015, TuesdayM1, 17.00 to 20.00Workshop B3, reading Gilles Deleuze “Postscript on the Societies of Control” (1992)With Aneta Stojnic, text available in three languages, translations: ENGLISH, GERMAN, and TURKISH

15.05 until 17.05.2015, Friday to SundayThe PCAP class travel program: Loibl Concentration Camp Memorial, Peršmanhof and Schloss Lind / Das andere HeimatmuseumTravel conceived by Joanna Wilk and Martin Weichselbaumer

*****15.05. 2015, FRIDAYDeparture at 7.00 from ViennaPLACE:Landstraßer Hauptstraße/Gigergassegoo.gl

Tour with Peter Gstettner at theLoibl (North) Concentration Camp MemorialLoibl Süd Concentration Camp Memorial

More than one thousand prisoners were brought to the Loibl Pass from the Mauthausen Concentration Camp from summer 1943 onwards to dig a road tunnel. Two concentration camps were built there; the south concentration camp (today located on Slovenian territory) and the north concentration camp on the Carinthian side of the pass. After twenty months of construction the 1,542 metre tunnel was opened for the first Wehrmacht vehicles to pass through. The Loibl Concentration Camp was cleared on 7 May 1945 and SS units took some 950 remaining prisoners through the Loibl valley. A day later partisans liberated the column of prisoners before it reached Klagenfurt. Following the clearance and plundering of the former concentration camp complex, all traces of the Loibl (North) concentration camp were wiped out. The grounds were handed over to private owners and used for forestry. After renovation work on the Loibl Tunnel was completed in 1964, the »Amicale de Mauthausen« foundation hung a small and inconspicuous memorial plaque at the entrance to the tunnel. In 1995 an initiative to have the former Loibl (North) Concentration Camp be put under a preservation order resulted in the installation of two large information and remembrance plaques and organized a remembrance ceremony which garnered wide public and international attention. Since 2003 the initiative has stepped up activities aimed at remembering the victims of National Socialist crimes at the Loibl Pass.

The memorial is situated on the Loibl Pass Road, about 1.5 kilometers after the southern entrance of the Loibl Tunnel (border crossing between Austria and Slovenia). The international monument lies to the left of the road, the former concentration camp site is on the right of the road; there are signposted parking spaces on both sides of the road.

The tour will take about 4 hours without a break; we start on the north side and then go to the south side. If bad weather, the hike will be shortened as a result. Recommended are warm clothing and good footwear.

In charge: Mauthausen Komitee KärntenURL: loibl-memorial.uni-klu.ac.at www.memorialmuseums.org

Prof. Peter Gstettner was teaching from1981 to 2004 at the University of Klagenfurt. In 1994 Peter Gstettner founded the Mauthausen Committee Carinthia / Koroška and the Association Memorial Carinthia /Koroška.

*****16.05. 2015, SATURDAY
Peršmanhof. On April 25, 1945, members of SS and Police Regiment 13 shot eleven members of a Slovene family in the Upper Austrian township of Bad Eisenkappel. The family lived on the remote Peršmanhof farm which was an important base for the partisan resistance against the National Socialist regime. Since 1981, there has been a small museum at Peršmanhof. In 1983, a memorial to the Carinthian partisans was set up in the property's forecourt.

At Peršmanhof we will have a hike with Zdravko Haderlap „in the footsteps of the resistance”; this hike will take 5 hours with break. The walking time will be 2 hours the other 3 hours will be time to talk. Recommended are warm clothing, good footwear and something to eat. After the hike we will have a break and time to eat or cook something an then we have the possibility to have a look in the museum Peršmanhof.URL: www.persman.atKoprein-Petzen/Koprivna pod Peco 39135 Bad Eisenkappel/Železna kaplaIn charge: Verband der Kärntner Partisanen und/and Društvo/Verein Peršman

Zdravko Haderlap born in 1964 in Bad Eisenkappel / Železna Kapla, grew up in Lepena. From1990 to 1998 founder and artistic director of the Dance Theatre / Plesni Teater Ikarus. 1991 Federal Scholarship for theater experience in Bremen / Germany and Sao Paulo / Brazil.

*****17.05.2015, SUNDAYThe last day we will be at Schloss (Castle) Lind in Sankt Marein at Neumarkt in Austria. During the NS period, the castle served as a subcamp of the concentration camp Mauthausen; after 1945, it was left for itself. The artist Aramis, who intensively dealt with the building in his "associative installations" between 1996 and his death in 2010, conceived Das andere Heimatmuseum // The Different Museum of Local History.URL: www.schlosslind.at

Returning to Vienna in the evening.

20.05.2015, WednesdayAt 15.00, M1POST_SEMINAR CONNECTED WITH THE PCAP TRAVELOrganized by Joanna Wilk and Martin Weichselbaumer

Guest speaker: Gudrun Blohberger - new Educational Director of the Mauthausen Concentration Camp MemorialGudrun Blohberger (chairwoman of the association Peršmanhof in Carinthia and previously director of museum education at the State Museum in Klagenfurt) was appointed in 2015 as the new Educational Director of the Mauthausen Concentration Camp Memorial.

Talk moderated by Martin Weichselbaumer.

OPEN: AFTER TALK SCREENING"Wilde Minze", 2009, Ein Dokumentarfilm von Jenny Gand und Lisa RettlA 2009 / 85 min. / DV PALRegie / Kamera / Schnitt: Jenny Gand //Interview / Recherche / Produktion: Lisa Rettl //„Wilde Minze“ erzählt die Geschichte einer Mutter-Tochterbeziehung über den Tod hinaus. In Graz werden am 23. Dezember 1944 nach einem Urteil des Volksgerichtshofs acht Todesurteile vollstreckt. Darunter die Villacher Kommunistin und Widerstandskämpferin Maria Peskoller. Ihre Tochter, die damals knapp 16-jährige Helga, überlebt. 65 Jahre danach geht sie auf eine Zeit- und Erinnerungsreise.www.wildeminze.at

21.05.2015, ThursdayAt 17.003 different study programs exchange atAcademy of Fine Arts ViennaInstitute for education in the ArtsKarl-Schweighofergasse 3, room 3.06

Presentations by and within:-Postgraduate Programme in Curating, Institute Cultural Studies in the Arts, Zurich University of the Arts (Dr. Dorothee Richter) and Mirjam Bayerdörfer Assistentin Postgraduate Programm in Curating-Institut für das künstlerische Lehramt, Academy of Fine Arts Vienna(Dr. Elke Krasny)-Post-Conceptual Art Practices, Academy of Fine Arts Vienna(Dr. Aneta Stojnic)

PRESENTATIONS:

FROM Academy of Fine Arts Vienna, Post-Conceptual Art Practices-Esra Özmen: Rap, Work in the Classroom with Migrants (student, postconceptual art practices)-Peter Palme: analysis of Austria past and present (student, postconceptual art practices)-Franziska Kabish: Perfomativity and Public spaces ( MA student, postconceptual art practices)-Maira-Enesi Caixeta: dis-identity positions in Austria (student, postconceptual art practices)

FROM Academy of Fine Arts Vienna, Institut für das künstlerische Lehramt-Anna Graf: Walking as Artistic Performance (student, art and education)

FROM Zurich University of the Arts, Postgraduate Programm in Curating-John Kenneth: Community engaged project in Harlem New York-Mirjam Bayerdörfer: Involvement requires perception, exhibition project at Bärengasse Zurich-Tenzing Barshee: Margaret Honda: Sculptures / Triangle France

26.05, 27.05, 28.05 and 29.05.2015

ENTRY EXAMS IBK, AKBILD

27.05. 2015, Wednesdayat 16.00 PROJECT : FRAGMENTS OF EMPIREIn charge from PCAP Aneta Stojnic

WHERE: DepotBreite Gasse 31070 Wienwww.depot.or.at

This is another collaborative project with the IKL. On 27.05. 2015 it will be students PRESENTATIONS from PCAP:Neda Hosseinyar and Martin Weichselbaumer.

OPEN TO ALL INTERESTED STUDENTS PCAP and IKL.

PLANNED: Symposium 24.06.2015, at IKL.

28.05.2015, ThursdayTALK CANDIDATES entry exam, second roundGrzinic, individual consultations with diploma students

29.05.2015, FridayTALK CANDIDATES entry exam, second round

Next meeting JUNE 2015MONDAY, JUNE 1stAt 14.30 until 17.00DIPLOMA PRESENTATIONS

MONDAY, JUNE 1st, at 18.00At Academy of Fine Arts Vienna, Schillerplatz 3Mezzanin, M13a

PRESENTATION: JAFARI S. ALLENBlack/Queer Here & There: An Ethnography of an Idea

PCAP program JANUARY 2015

concept — Fri, 01 May 2015 06:06:31 GMT

PCAP Program January 2015

7 January 2015, Wednesday

At 10.00 to 13.00 individual meetings, Grzinic office.

7 January 2015, WednesdayAt 15.30 until 19.00DIPLOMA PRESENTATIONS (2 time, for January 2015 exam):

At 15.30 Aleksandra AleksicAt 17.30 Christian Diaz Orejarena

7 January 2015, WednesdayAt 20.00STUDENT PRESENTATIONEsra Özmen

8 January 2015, ThursdayAt 10.00 to 13.00 individual meetings, Grzinic office.

At 14.00MA IN CRITICAL STUDIES PRESENTATIONSJennifer Ndidi Iroh

STUDENTS presentationsSophie HaasXhejlane Rexhepi

12 January 2015, MondayM1, at 16.00

Meeting Rundgang, space M1 usage, distributionInstallment RUNDGANG 2015 in charge Petja Dimitrova and Eduard Freudmann.

13 January 2015, TuesdayM1, at 17.00

Workshop A2 with Muzaffer Hasaltay. This follows after 3 artist talks in December 2014: Bregula, David, Ozuma.

Muzaffer Hasaltay, artist, filmmaker, installation work, Vienna.Hasaltay will discuss the works by the students in the class and his proper work.

15 January 2015, Thursdayat 9.00Grzinic individual meeting, office

January 2015, Mondayinstallment RUNDGANG in charge Petja Dimitrova and Eduard Freudmann
January 2015, Tuesdayinstallment RUNDGANG in charge Petja Dimitrova and Eduard Freudmann

21.01.2015, 19.30 hOrt | Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 6, 1060 Wien, ProspekthofVortrag: 30 Jahre Guerilla GirlsEine Veranstaltung der Akademie der bildenden Künste Wien in Kooperation mit dem Depot.Seit 30 Jahren sorgen die Guerilla Girls, Ikonen des feministischen Kunstaktivismus, mit Fakten, Humor und "fake fur" für Aufsehen, entlarven Sexismus, Rassismus und Korruption in der Kunst - und Filmwelt, in der Politik und Popkultur. Sie agieren stets anonym, tragen Gorillamasken in der Öffentlichkeit und verwenden Namen verstorbener Künstlerinnen als Pseudonyme. Zwei Gründerinnen der Guerilla Girls, Kathe Kollwitz und Frida Kahlo, sind in Wien zu Gast um über ihre Arbeit zu sprechen und darüber, warum es für alle wichtig ist, Feminist_innen zu sein. Derzeit ist eine große Retrospektive ihrer Arbeiten in Madrid, die am 30. Jänner 2015 eröffnet wird, in Vorbereitung.

January 2015, THURSDAY to 26 January 2015, SUNDAYRUNDGANG 2015DETAILED PROGRAM PCAPm1.antville.org
January 2015, THURSDAYAt 16.00 opening RUNDGANG
January 2015, MondayAT 16.00 meeting research travel SUMMER SEMESTER 2015Joanna, Martin presentation of the travel

At 18.00 final CONCLUSION: text On the Commons: A Public Interview with Massimo De Angelis and Stavros Stavrides, 2010at www.e-flux.comwww.e-flux.comALSO B3 seminarIN COLLABORATION FOR THIS FINAL READING withdr. Aneta Stojnic, Belgrade

At 20.00 PRESENTATION, MA IN CRITICAL STUDIESFor the MA exam, 14.04 2015

Catalina Ravessoud

January 2015, Tuesday

DIPLOMA EXAMFrom PCAP:Aleksandra AleksicChristian Diaz OrejarenaIn EXHIBIT SPACE!

FERIEN, holidays: FEBRUARY 2015

Next MARCH 3, 2015:TUESDAY!LECTURE/ WORKSHOP DARIO AZZELLINI!Dario Azzellini is a writer, documentary director and political scientist and lecturer at Johannes Kepler University in Linz, Austria.

Azzelini last book:An Alternative Labour History: Worker Control and Workplace Democracy (Zed books):www.amazon.com

Azzelini last film on the same subject done in collaboration with Oliver Ressler:"Occupy, Resist, Produce - RiMaflow"

PCAP program APRIL 2015

concept — Wed, 01 Apr 2015 14:28:16 GMT

PCAP Program APRIL 2015

Fri, April 10, 2015, 2:00-7:00 p.m.Sat, April 11, 2015, 2:00-6:30 p.m.Symposium in the context of the exhibition Atlas of Arcadia (13.03. - 17.05.2015).READING THE WORLD. What is visual knowledge?Symposium accompanying the exhibition with contributions by Anna Artaker, Marc Berdet, Anselm Franke, Arno Gisinger, Esther Leslie, Lia Perjovschi, Meike S. Gleim, Antonia von Schöning, and Batia Suter.In German and English.Venue | Academy of Fine Arts Vienna, Main Buliding, Schillerplatz 3, 1010 Vienna, xhibitwww.akbild.ac.at

13.04. 2015, Monday9.00 to 12.00, individual meetingsGrzinic, office

13.04. 2015, MondayM1, 15.00 to 20.00PRESENTATIONSKader Muzaqi (April diploma)Imayna Caceres (June diploma)Erasmus: Alexander Zenker

14.04.2015, Tuesday9.00 to 11.00, individual meetingsGrzinic, office

14.04.2015, TuesdayM1, at 11.00CLASS travel MEETING on the 14.04 at 11.00 to close the trip elements: money, days, logistic, drivers and cooking.Caution travel: 50 euro to be given to Petja Dimitrova.

14.04.2015, Tuesday14.00 until 15.00, individual meetingsGrzinic, office

14.04.2015, TuesdayM1, 15.00 to 20.00PRESENTATIONSSarah Binder (June diploma)Franziska Kabisch (MA studies)Faika El-Nagashi (MA studies)

15.04.2015, Wednesday9.30 diploma examFrom PCAP: Kadri MuzaqiWhite box class and front space

16.04.2015, Thursday14.30 to 18.00WHERE:IKL-Akademie der bildenden Künste WienKarl Schweighofergasse 3, A- 1070, Raum 2.11

PROJECT : FRAGMENTS OF EMPIREIn charge from PCAP Aneta Stojnic

The first meeting will be held on 16th April at 14.30-18h. This will be the opportunity to learn about the project of the IKL, talking with students from IKL and think together if there would be interest for possible collaborations and modes how to engage with the project.

The second meeting would be on 6th May and on this occasion students from PCAP (and film class) are invited to present the projects (past, current, ongoing) and discuss in the framework of the FRAGMENTS OF EMPIRE.

PLANNED: Symposium 24.06.2015, at IKL

Generally there are two options for everyone: one is to take part in more theoretical way meaning that you take part in the discussions, present your past or current project and take part in the tours organized in the framework of FRAGMENTS OF EMPIRE; second (for those who would be interested) is to work on the project together with the students from IKL. The two options will be presented in details at the first meeting.

20.04.2015, MondayM1, 15.00 to 20.00Julischka Stengele (June diploma)Irene Wallner student presentationMirela Baciak (MA studies )

21.04.2015, Tuesday10.00 until 13.00 individual meetingsGrzinic, office

04.2015, MondayAt 15.00SEMINAR CONNECTED WITH CLASS TRAVELOrganized by Joanna Wilk and Martin Weichselbaumer

Film screening Anja Salomonowitz, „Du wirst es nie verstehen“.

DATA FILM:Anja Salomonowitz,2003: Das wirst du nie verstehen, 52 min.

In meinem Film geht es um drei Frauen, die dem, was in der Geschichtswissenschaft als Täter- und Opfergeneration bezeichnet wird, angehören. Mit ihren unterschiedlichen Lebensgeschichten, unterschiedlichen Erzählungen und Erinnerungen leben sie alle in einer Familie, in meiner Familie (Anja Salomonowitz).

Anja Salomonowitz porträtiert drei Frauen aus ihrer Familie, die während der NS-Zeit fast noch Mädchen waren. Alle drei waren an ihrer Erziehung wesentlich beteiligt. Sie standen auf verschiedenen Seiten, stellen die Geschichte heute unterschiedlich dar, gehören jeweils anderen Erinnerungskollektiven an: Hanka Jassy, ihre Großtante, hat Auschwitz überlebt. Gertrude Rogenhofer, ihr Kindermädchen, war Sozialistin und unterstützte ihren Onkel im Widerstand. Margit Kohlhauser, die Großmutter, lebte während des Krieges in Graz. Sie tat dort, was die meisten taten: Nichts. Der Film stellt sich den familiären Erzählungen, untersucht die Nachwirkungen der Geschichte und die Mechanismen ihrer Tradierung.

Während die Großmutter beharrlich behauptet, sich nicht erinnern zu können, erzählt Gertrude Rogenhofer sehr wohl von den Löchern, die die Deportation jüdischer Bekannter im Leben hinterlassen hatten. „Natürlich hat man davon gewusst, dass Menschen deportiert wurden“, weiß sie zu berichten. Hanka wiederum findet keine Worte, um auszudrücken, was zu vergessen sie nicht imstande ist. Anja Salomonowitz konfrontiert sich und ihre Familienmitglieder mit den unterschiedlichen Erinnerungen. Im Zusammenschnitt und in der Off-Stimme reflektiert die Filmemacherin die widersprüchliche Aufgabe, gleichermaßen in der Genealogie des Opfer- wie des Täterkollektivs zu stehen. Sie legt dabei ihre familiäreVerbundenheit ebenso offen, wie sie die Mechanismen der Abwehr, derm Verleugnung, des Erzählens und Verschweigens sichtbar werden lässt. Sie stellt Fragen, und ist, wenn sie ihre Großmutter ins Bild setzt,ebenso sehr Enkelin wie Nachkommende von Überlebenden.

04.2015, TuesdayAt 9.00 to 12.00, ind. meetings, Grzinic office
04.2015, TuesdayAt 12.00 meeting class trip, final list who is taking part, calculations, details travel, cooking, staying, program
04.2015, TuesdayAt 15.00SEMINAR CONNECTED WITH CLASS TRAVELOrganized by Joanna Wilk and Martin Weichselbaumer
04.2015, TuesdayAt 15.00 presentation by and talk with artist Ernst Logar ON Loiblpass (slowenisch: Ljubelj).

Ernst Logar born 1965 in Klagenfurt (A), living in ViennaSelected Solo Exhibitions and Projects:2014 Elements of Remembrance, Theater am Hundsturm/ Volkstheater Wien (A)2013 Place of Unrest, GrazMuseum, Graz (A)2010 Sustainable Transformation, GLOBArt Academy, Krems (A)2009 Monetary Interventions in Public Space, Vienna (A)2008 Invisible Oil, Peacock Visual Arts, Aberdeen (UK)Den Blick hinrichten, Stadtmuseum GrazThe End of Remembering - Carinthian Partisans, Memorial Museum Peršmanhof (A)

The End of Remembering - Carinthian Partisans, Culture centre St.Primus/ Kulturni dom Šentprimož (A)The End of Remembering - Carinthian Partisans, District criminal court Vienna (A)The End of Remembering - Carinthian Partisans, The Austrian Parliament, Vienna (A)

Next 4.05.2015, MondayAt 15.00 to 20.00

PCAP program MARCH 2015

concept — Wed, 25 Feb 2015 13:24:50 GMT

Akademie der bildenden Künste Wien,PCAP (POST CONCEPTUAL ART PRACTICES) STUDY PROGRAMProf. Marina GrzinicAtelierhaus, Lehargasse 8, 1060 Wien, 1. OG Atelier Süd (M1)m1.antville.org

PCAP Program MARCH 2015

3.03.2015, Tuesday13.00 to 16.00 Individual meetings, Grzinic office

3.03.2015, TuesdayM1, at 16.00Discussion, Rundang overview

3.03.2015, TuesdayAt.18.00Where: Akademie der bildenden Künste Wien. Schillerplatz 3. 1010 WienRoom M13a. Institut für Kunst- und Kulturwissenschaften.

LECTURE by Dr. Dario Azzellini(Soziologe & Politikwissenschaftler, JKU Linz)TITLE:„Keine Position beziehen ist keine Kunst“Discussing a radical intellectual and radical art practice

Dario Azzellini will present on a number of his projects and works –from books and films to research and other initiatives– in order to discuss what a radical intellectual and art practice might look like today. In this context he will also present the film „Occupy, Resist, Produce – RiMaflow“ (34 min., 2014), the first film in a series of films produced with Oliver Ressler on work places in Europe that have been occupied and recuperated by their workers.IN ENGLISH

Lecture organized by Marina Grzinic, Post Conceptual Study Program, IBK, Akademie der bildenden Künste Wien, Noit Banai, Institut für Kunstgeschichte, Universität Wien und Jens Kastner, Institut für Kunst- und Kulturwissenschaften, Akademie der bildenden Künste Wien.

4.03.2015, Wednesday10.00 to 16.00 Individual meetings, Grzinic office

4.03.2015, WednesdayM1, at 16.00 until 18.00Discussion, Rundang overview new work by Songül Sonmez and Reha Refik Tasci

4.03.2015, WednesdayM1, at 18.00

Dr. Aneta StojnicIntroduction to Gilles Deleuze “Postscript on the Societies of Control” (1992)Followed by screening and discussion of documentary film “Citizenfour”

The introduction to Deleuze’s “Postscript on the Societies of Control” by Stojnic is part as well of the workshop B3. Deleuze text from 1992 is a key theoretical text that contextualizes current global changes and movements connected to development of new media cyber surveillance and digital modes of governance. The processes Deleuze precisely anticipated in his text from 1992 will be connected to the most recent events depicted in the documentary film about Edward Snowden's leeks and this will be taken as as starting point for a discussion of political and artistic implications of the mentioned processes.

IMPORTANT: Two texts will be read as part of the workshop /PCAP summer term

Gilles Deleuze “Postscript on the Societies of Control” (1992)
Interview with Angela Davis: “On what's radical in the 21st century” (2014)

ABOUT THE FILM Citizenfour by Laura Poitras.

Laura Poitras had already been working on a film about surveillance for two years when Snowden contacted her, using the name “CITIZENFOUR,” in January 2013. He reached out to her because he knew she had long been a target of government surveillance, stopped at airports numerous times, and had refused to be intimidated. When Snowden revealed he was a high-level analyst driven to expose the massive surveillance of Americans by the NSA, Poitras persuaded him to let her film.(citizenfourfilm.com)

Dr. Aneta Stojnic is Postdoc-Scholar at the Institute of Fine Arts, Conceptual Art study program (Post-Conceptual Art Practices). Stojnic is theoretician, artist and curator born in Belgrade, (Yugoslavia). Her professional work is characterized by strong connection between theory and practice as well as interdisciplinary approach to art practices that affirm critical thinking. In 2014 she was a postdoctoral research-fellow at Ghent University, Faculty of Arts and Philosophy Research centre S:PAM (Studies in Performing Arts & Media). She obtained her PhD at University of Arts in Belgrade (Interdisciplinary Studies - Theory of Art and Media) defending a thesis: "Theory of Performance in Digital Art: Towards the New Political Performance".www.akbild.ac.at

5.03.2015, Thursday10.00 to 13.00 individual meetings, Grzinic office

5.03.2015, ThursdayM1 at 13.30 to 15.00 discussion travel class

5.03.2015, Thursday15.30 -19.00 Individual meetings Grzinic, office

10.03.2015, TuesdayM1 at 17.00 to 20.00Workshop B3, reading Gilles Deleuze “Postscript on the Societies of Control” (1992)With Aneta Stojnic, text available in three languages, translations: ENGLISH, GERMAN, and TURKISH

11.03.2015, WednesdayAt 15.15 until 17.00

WHERE: XHIBIT, exhibition space at the Academy of Fine Arts Vienna, Main Building, Schillerplatz 3, 1010 Vienna,

A guided tour through the exhibition ATLAS OF ARCADIA by artists and authors Anna Artaker and Meike S. Gleim.

A preopening tour, the official opening of the show will be on 12.03.2015 at 19.00.The exhibition ATLAS OF ARCADIA (in the xhibit akbild) presents fragments of a social history in images. The model for this approach is The Arcades Project by Walter Benjamin that is his draft of history of the nineteenth century using the example of Paris. The ATLAS translates Benjamin's method of “literary montage” (The Arcades Project presents itself as a montage of excerpts from letters, historical works, and other sources) into a montage of images. Images not only play a decisive role for communication and the passing on of knowledge in today's world - Benjamin would certainly have liked to work with images himself. “I needn’t say anything. Merely show,” he wrote in The Arcades Project, inviting his readers to regard his text montages as picture material.

The motifs of Benjamin's history of the industrial age are transferred into the recent past, particularly the years after the fall of the Berlin Wall.

11.03.2015, WednesdayAt 18.00WHERE: M1, Lehargasse 6–8 | 1060 Wien, Post-Conceptual Study Program

ARTIST TALK by TANJA OSTOJIĆTITLE: Women in Migration: »Misplaced Women?« and »The Lexicon of Tanja Ostojić«Tanja Ostojić is an independent performance and interdisciplinary artist and cultural activist based in Berlin since 2003. She works predominantly from the migrant woman’s perspective incorporating political positioning, humor and integration of the spectators. She has given talks, lectures and workshops at academic conferences and at art universities around Europe and in the Americas.

Talk moderated by Dr. Aneta Stojnić, theoretician, artist and curator from Belgrade, currently a postdoc-scholar at the IBK, Post-Conceptual Study Program, Academy of Fine Arts Vienna.

Organized by Noit Banai, Institut für Kunstgeschichte, Universität Wien, Marina Grzinic, Post-Conceptual Study Program, IBK, Akademie der bildenden Künste Wien, und Elke Krasny, Institut für das Künstlerische Lehramt IKL, Fachbereich Kunst und Bildung, Akademie der bildenden Künste Wien.

12.03. 20159.00 to 11.00 ind. meetings, Grzinic office

12.03. 2015At 19.00 OPENINGWHERE: XHIBIT, exhibition space at the Academy of Fine Arts Vienna, Main Buliding, Schillerplatz 3, 1010 Vienna,Artists | Anna Artaker and Meike S. Gleim

The exhibition ATLAS OF ARCADIA (in the xhibit akbild) presents fragments of a social history in images. The model for this approach is The Arcades Project by Walter Benjamin that is his draft of history of the nineteenth century using the example of Paris. The ATLAS translates Benjamin's method of “literary montage” (The Arcades Project presents itself as a montage of excerpts from letters, historical works, and other sources) into a montage of images. Images not only play a decisive role for communication and the passing on of knowledge in today's world - Benjamin would certainly have liked to work with images himself. “I needn’t say anything. Merely show,” he wrote in The Arcades Project, inviting his readers to regard his text montages as picture material.

The motifs of Benjamin's history of the industrial age are transferred into the recent past, particularly the years after the fall of the Berlin Wall.

03.201, Monday

M1 16.00 to 20.00

Student presentationBetül Küpelirundgang 2015 work

DIPLOMA PRESENTATIONS for April 2015 term

Kader Muzaqi

SCREENING: In connection to Muzaqi diploma presentation will follow a screening of the film.

Dial H-I-S-T-O-R-Y, a 68 minute-long film by director Johan Grimonprez, traces the history of airplane hijackings as portrayed by mainstream television media. The film premiered in 1997 at the Musée National d'Art Moderne (Centre Georges Pompidou (Paris); and at Catherine David's curated Documenta X (Kassel). "This study in pre-Sept. 11 terrorism »is composed of archival footage material — interspersing reportage shots, clips from science fiction films, found footage, home video and reconstituted scenes — the work is interspersed with passages from Don DeLillo's novels Mao II and White Noise, "providing a literary and philosophic anchor to the film." According to the director, "Dial H-I-S-T-O-R-Y's narrative is based on an imagined dialogue between a terrorist and a novelist where the writer contends that the terrorist has hijacked his role within society. »The films opening line, taken from Don DeLillos Mao II, introduces the skyjacker as protagonist. Interplaying fact and fiction, Johan Grimonprez said that the use of archival footage creating “short-circuits in order to critique a situation«, may be understood as a form of a Situationist Détournement. (from Wikipedia)

23.03.2015, Monday

M1, at 17.00 until 19.00

Workshop A2 with Muzaffer Hasaltay.Muzaffer Hasaltay has completed his MA in fine arts at the Academy of Fine Arts in Vienna. He is artist, filmmaker and conceives photographic and installation works, he lives and works in Vienna.Hasaltay will discuss the works by the students in the class and his proper work.

24.03.2015, TuesdayM1 17.00 to 20.00 text readingWorkshop B3, reading Gilles Deleuze “Postscript on the Societies of Control” (1992)With Aneta Stojnic, text available in three languages, translations: ENGLISH, GERMAN, and TURKISH

26.03.2015ENTRY exams akbild

27.03.2015ENTRY exams akbild

AKBILD HOLIDAYS: 30.03.2015 to 12.04.2015IMPORTANT: Fri, April 10, 2015, 2:00-7:00 p.m. + Sat, April 11, 2015, 2:00-6:30 p.m.Symposium, akbild, main building: READING THE WORLD. What is visual knowledge? Symposium as part of the ATLAS OF ARCADIA exhibition, with contributions by Anna Artaker, Marc Berdet, Anselm Franke, Arno Gisinger, Esther Leslie, Lia Perjovschi, Meike S. Gleim, Antonia von Schöning, and Batia Suter. In English.

Next MEETING PCAP 13.04 2015, Monday

RUNDGANG 2015

concept — Fri, 02 Jan 2015 19:21:24 GMT

PROGRAMKonzeptuelle Kunst | Klasse für Post-Conceptual Art Practices (PCAP) Prof. Marina Grzinic

22.01.2015

Atelierhaus, 1. Stock, Atelier Süd /Konzeptuelle Kunst

16.00 Eröffnung der Ausstellung: Klasse für Post-Conceptual Art Practices, mit Screenings

19.00 Performance von Alessandra dos Santos SilvaPerformance als Kunstfigur "Karnivora Blunzmüller"

Titel: Migration - subjektive Wahrnehmung! Anpassung bis zu Unkenntlichkeit und „die hohe Kunst der Verdrängung“

CV: Alessandra dos Santos Silva ist Mitgründerin des Forums Interkulturalität und von 2006 bis 2008 war sie als Obfrau tätig. In der Zeit zwischen 2007 bis 2009 war Alessandra dos Santos Silva Mitglied der Projektreihe Migrawood in der Rolle der Madame Klo.

21.00 Performance von Njideka

Titel: Wetin dey?put poetic pressure on the wound.

CV: Njideka. Poetin, Künstlerin und Aktivistin. Mit Poetry und Spoken Word stellt Njideka ihre mehrsprachigen Gedichte in einer Verflechtung aus Rhythmik und Reim dar und bewegt sich darüber hinaus in den Bereichen Rap, Gesang und Performance.

22.00 Musik, Slam Poetry, Free style

Mit Dilan, Dafi, Maíra, Amine, Xhejlane, Esra, Rap Arta und Rina

Titel: Club Europa RapKUJDES we come, eine Bühne für MigrantInnen.

Thema: Sexismus, Rassismus, Gewalt, Homophobie

Dies ist insbesondere für junge Frauen und MigrantInnen, die in den Prozess der Selbstfindung sind; diese Selbstfindung ist es, als ein Konflikt der eigenen zu verstehen, und Standard-besetzten Vor- und Einstellung gegenüber der Rolle der Frau in der Gesellschaft,Selbstentwicklung,Lernprozess;sie waren zum ersten Mal auf der Bühne und in denen alles wurde von der Gruppe entschieden.

Der Text wurde geschrieben in Türkisch, Kurdisch, Albanisch, Englisch, Deutsch.

Es gab Workshops, die von der Künstlerin und Tänzerin Paris von Madrid gegeben, und EsRap, Esra Ozmen Rapper aus Wien.

23.00 Performance von EsRAP

Titel: The Voices of Migration!

CV: EsRAP sind das Geschwisterpaar Enes & Esra. In den EsRAP -Texten thematisiert Enes & Esra sowohl auf Deutsch, als auch auf Türkisch, die Gleichstellung der Frauen, Fremdsein im eigenen Land und die Notwendigkeit, sich gegen Ungerechtigkeiten zur Wehr zu setzen. Entgegen allen Rap-Klischees übernimmt Esra dabei den schnellen Sprechgesang, während ihr Bruder den melodiösen Background-Gesang beisteuert. Die 2 Geschwister stellen sich den sozialkritischen Themen und hoffen den einen oder anderen zum Nachdenken zu bringen.

Sound System Support: FLUC, Wien.

23.01.2015

Atelierhaus, 1. Stock, Atelier Süd /Konzeptuelle Kunst

Ausstellung, Klasse für Post-Conceptual Art Practices, mit Screenings

16.00 bis 18.00 PERFORMANCES

Manuel Prammer: “am Krawattl” performance, 30 min.

Claudia Tomassetti: “Extract n. 4067 Silence” performance, 30 min.

Takeo Marquardt: “Threnody for Laure” performance, 30 min.

Claudia Tomassetti: “Extract n. 4067 Silence” performance, 30 min. (repetition)

24.01.2015

Atelierhaus, 1. Stock, Atelier Süd /Konzeptuelle Kunst

Ausstellung, Klasse für Post-Conceptual Art Practices, mit Screenings

18.00 Vortrag von Arye Wachsmuth

Titel: Betrachtungen: Erinnerung und Verweisprozesse

Arye Wachsmuths arbeitet mit mehrschichtigen Bildern oder Installationen. Technologie, Geschichte, Wahrnehmung und Erinnerung sind zentrale Gegenstände seiner künstlerischen Untersuchung. Dabei entstehen oft subjektive Verweiskonstruktionen oder auch sogenannte „kristalline Beschreibungen“ (Deleuze), auch „Optozeichen“, die eine multiple Lesbarkeit erlauben oder verlangen.

CV: Arye Wachsmuth, 1962 in Hamburg geboren; aufgewachsen in Tel-Aviv; lebt als Künstler in Wien.

25.01.2015

Atelierhaus, 1. Stock, Atelier Süd /Konzeptuelle KunstAusstellung, Klasse für Post-Conceptual Art Practices, mit Screenings

Hauptgebäude, Souterrain, Aktsaal15.00 PURRR! _FEMME! -ANCE!Um Pünkltlichkeit wird gebeten (Einlass ab 14.45 h).

Feminin ≠ feministisch? Lippenstift = hetero (sexual/normative)? Femme - Butch = 0 und nackte Haut ist sowieso ein Tabu? Dass diese und ähnliche Gleichungen so nicht aufgehen, zeigen Studierende, Alumni und Gäste unterschiedlicher Fachbereiche in ihren Darbietungen rund um queere Weiblichkeit. Organisiert von Julischka Stengele, Studierende der Konzeptuellen Kunst. Stengele befasst sich als Künstlerin, Kulturschaffende, Aktivistin und Lehrende u.a. mit queer-feministischen Themen, performativen Praktiken, sowie orts- und situationsspezifischer Kunst.

Atelierhaus, 1. Stock, Atelier Süd /Konzeptuelle Kunst18.00 Projektion des Films „Die 727 Tage ohne Karamo“ von Anja SalomonowitzÖsterreich 2013, 80 Minuten, Produktion: AMOUR FOU Wien, Distribution: Filmladen, Wien.

Nach der Filmvorführung Gespräch mit Anja Salomonowitz.

Seit 727 Tagen ist eine Österreicherin nach der Abschiebung von ihrem Mann getrennt. Eine Chinesin wartet sehnsüchtig auf die Rückkehr nach Wien. Binationale Paare kämpfen in Österreich gegen die Schikanen der Behörden. Die Protagonisten erzählen von einem Alltag zwischen Deutschkursen und Hausdurchsuchungen. Viele Beziehungen zerbrechen an den Tücken des Systems. Regisseurin Anja Salomonowitz formt ein raffiniertes dokumentarisches Mosaik, sie zeichnet eine Realität, wie sie viele Paare erleben, und ähnlich einem Staffellauf fügen sich die Momentaufnahmen Szene um Szene zu einer durchgehenden Erzählung.

CV: Anja Salomonowitz studierte Film in Wien, Berlin und als Assistentin von Ulrich Seidl. Sie entwickelte eine Bildsprache zwischen Dokumentation, Erzählung und Forderung in ihren Dokumentarfilmen an der Grenze zur Fiktion. Salomonowitz arbeitet als Drehbuchautorin und Regisseurin in Wien und ist Obfrau von dok.at, der Interessensgemeinschaft österreichischer Dokumentarfilm.

Projektion Support: Filmladen, Wien.