m1 (turm4)

PCAP Program December 2016

concept — Wed, 30 Nov 2016 09:26:02 GMT

PCAP Program December 2016

December 2, 2016, Friday14.30 to 16.00WHERE: exhibit space , AKBILD, schillerplatzExhibition LIVING ON | In Other Words on Living?Guiding through by DELAL ISCI.

On the show see here:

www.akbild.ac.at

BIOS OF THE 2 CURATORS of the exhibition:

DELAL ISCI works as a researcher, curator, artist and translator in Berlin, Germany and São Paulo, Brazil. She studies Fine Arts, Art Theory and Cultural Studies at the Academy of Fine Arts Vienna, Austria and studied Anthropology and Fine Arts at the Universidade de São Paulo, Brazil with a merit scholarship from the Rosa Luxemburg Foundation, Berlin. Her research focuses on regional Modernity in South America and the Caribbean, construction of natural and social landscapes, native Anthropology, as well as historic and visual Anthropology. Her artistic works explore possibilities of decolonial and feminist approaches in relation to architecture in film. .

THIAGO DE PAULA SOUZA (São Paulo) is an educator and curator. He researches colonial ghosts as well as the depiction of art from South America and the African Diaspora in the German-speaking context. This research will soon extend to non-Western contexts where he will investigate how the art communities engage in the deconstruction of hegemonic readings of history.

December 2, 2016, FridayAt 16.30-18.00Ind. Meetings Grzinic, office

December 5, 2016, Monday

At 17.00 to 18.00

WHERE: PCAP (POST CONCEPTUAL ART PRACTICES) STUDY PROGRAM,Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien,1 OG Atelier Süd (M1)DIPLOMA PRESENTATIONChristian Gangl

December 5, 2016, Monday

19.00 until 21.00

WHERE: PCAP (POST CONCEPTUAL ART PRACTICES) STUDY PROGRAM,Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien,1 OG Atelier Süd (M1)

Yosef Joseph Dadoune (Israel)

Screening of films with a title Impossible Frontiers: The Periphery of Invisible Identities

Films to be screened with an introduction by Dadoune are Ofakim, 2010; Shanti, 2005-06; Ba Midbar (In the desert), 2009.

Dadoune's films explore fundamental and critical zones in contemporary reality as they deal with the issues of borderline, center/periphery, multiculturalism, Judaism/Christianity, post-colonialism and with identity and gender issues.

Organized by Noit Banai, Institut für Kunstgeschichte, Universität Wien and Marina Grzinic, Post Conceptual Study Program, Akademie der bildenden Künste Wien.

December 6, 2016, Tuesday

11.00 to 13.30WHERE: PCAP space at Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)Screenings, reading, discussionREADING a text by Salvini, English/Germanto be found here:transversal.attransversal.atConclusion

December 6, 2016, Tuesday14.00 to 16.00Individual meetings, Grzinic office.

December 6, 2016, Tuesday

16.00 to 17.00WHERE: PCAP (POST CONCEPTUAL ART PRACTICES) STUDY PROGRAM,Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien,1 OG Atelier Süd (M1)DIPLOMA PRESENTATIONYela An

December 6, 2016, Tuesday17.00 to 18.45Individual meetings, Grzinic office.

December 6, 2016, TuesdayAt 19.30

WHERE: Institut für Kunstgeschichte, Universitätscampus AAKH Hof 9, A-1090 WienEntrance to Hof 9: Garnisongasse corner of BeethovengasseSeminar Room 1 - Entrance door: 9.2

Yosef Joseph Dadoune, artist talk with the title The Political Body in the Museum: Conflictual Archaeology and Genre in Movement

CV: Joseph Dadoune was born in 1975 in Nice, France. He immigrated to Israel in 1980, and settled with his mother in Ofakim, where he was raised and educated as a yeshiva student. He has participated in numerous group exhibitions, including two solo shows at the Petach Tikva Museum of Art (The cinematic trilogy Sion in 2007, and the recent exhibition Ofakim, 2012), solos exhibitions at the Janco-Dada Museum, Ein Hod, and in Alon Segev Gallery, Tel Aviv, in addition to many one-person exhibitions abroad: in Athens; at Le Plateau Contemporary Art Center, Paris; at Galerie Martine Aboucaya, Paris; at the Museum of Modern and Contemporary Art, Nice; at the Museum of Modern Art, Strasbourg; and at the Film Museum, Düsseldorf.

Organized by Noit Banai, Institut für Kunstgeschichte, Universität Wien and Marina Grzinic, Post Conceptual Study Program, Akademie der bildenden Künste Wien.

As well B3 workshop.

December 12, and 13, 2016

working on the rundgang project, individually or as group planning. the rundgang opens 19.01.2017.

as well numerous events in the academy and around winter markt for collecting money, social interventions, akbild.. etc.

December 19, 2016 until January 5, 2017

X-mass and new year holidays

Weihnachtsferien 19. Dezember 2016 bis 5. Jänner 2017

NEXT PCAP meeting 9.01. 2017 at 16.00

PCAP Program November 2016

concept — Mon, 31 Oct 2016 18:42:29 GMT

PCAP Program NOVEMBER 2016

November 1, 2016, TuesdayHoliday

November 7, 2016, MondayAt 16.00WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)Meeting with new student and discussion on projects presentation at RUNDGANG 2017. Also work on the editing visuals from the research travel San Sebastian.In charge: Muzaffer Hasaltay.

At 18.00WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

Film proposal by Betül Küpeli, presentation and discussion afterwardsREMAKE, REMIX, RIP-OFF, a.k.a. Motör(Turkish: Motör: Kopya Kültürü ve Popüler Türk Sinemasi)Directed by Cem Kaya, Doc. / 2014 / 96 min.Remake, Remix, Rip-Off does for Turkish popular cinema what Machete Maiden’s Unleashed! (2010) did for its Philippines equivalent. In other words it celebrates a national cinema that, over a specific time period, produced a mind-bogglingly large number of insane cheap movies. The period most specifically featured covers the mid 60’s to the mid 80’s, which in all honesty remains the golden age of the B-movie generally around the world. The name of this film comes from the fact that Turkey is a country that does not recognize international copyright laws and this consequently led to film-makers producing movies in a, shall we say, ‘unique’ manner. There were Turkish versions of, amongst others, Star Wars, Superman, The Wizard of Oz, Rambo, Rocky, Star Trek and E.T.Betül Küpeli is a student mentor WS 2016.

November 9, 2016, Wednesday

At 17.00WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

Reflection post- San Sebastian, PCAP research travel 2016.

At 18.00WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

Presentation new students:Julian Ebner

Erasmus students’ presentation:Ipek BurçakPaula DohertyLei Tiantian

November 10, 2016, Thursday13.00 to 17.00 individual meetingsGrzinic, office, contact me for the meeting.

At 18.00WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

Presentation work for diploma January 2017 and student presentations.Christian Gangl

November 11, 2016, Friday14.00 to 17.00WHERE: PCAP space at Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)Screenings, reading, discussion

READING a text by Salvini, English/Germanto be found here:transversal.at transversal.at

November 11, 2016, FridayThe Illegality of Freedom

Where Aula, Main Building18.00 h – 18.30 h WelcomeParticipants | Milica Tomić, Marina Gržinić, Vincent W.J. van Gerven Oei, Lidija Radojević, Elke Krasny, Nenad Romić aka Marcell Mars, Jelena Vesić, Jelena Petrović, Karen Mirza, Brad Butler and Övül Ö. Durmusoglu.Concept | Jelena Petrović

18.30 h – 20.00 h The Illegality of FreedomLecture performance by Milica Tomić

A2 workshop from 18.00 to 21.00, taking part in the presentation inside The Illegality of Freedom.

Saturday, November 12th (Room M13, main Building AkBild)9.30 h – 11.30 h What Does Freedom Stand for Today?Marina Gržinić (artist, philosopher and Univ.-Prof. PhD., Institute of Fine Arts, Academy of Fine Arts Vienna): What Freedom?Lidija Krienzer-Radojević (PhD candidate, The University of Art and Design Linz): Shifting the Locality of NeoliberalismVincent W.J. van Gerven Oei (philologist, and director of The Department of Eagles Tirana, co-director of punctum books and editor/advisor of The New World Summit): New World Summit11.30 h – 12.00 h Break12.00 h – 14.00 h The Politics of Resistance by Other MeansElke Krasny (curator, urban researcher and Univ.-Prof. PhD., Institute for Education in the Arts Academy of Fine Arts Vienna): Unsettling ResistanceJelena Vesić (freelance curator and writer, researcher at Haus der Kunst, Munich): On Bafflement: The Universal Right To BaffleNenad Romić aka Marcell Mars (free software advocate, artist/hacker, Zagreb): Public Library Memory of the World14.00h – 15.00h Lunch break15.00h – 17.00h Art and Resistance Beyond the Social UtopiaJelena Petrović (Univ.-Prof. PhD., Institute for Art and Cultural Studies, Academy of Fine Arts Vienna): Towards Another SingularityKaren Mirza and Brad Butler (artists, filmmakers and co-founders of no.w.here London): The Museum of Non Participation: Resisting The (Act)ualÖvül Ö. Durmusoglu (freelance curator and writer Berlin and Istanbul, director/curator of YAMA Public Screen, Istanbul): When the world needs togetherness

November 14, 2016, Monday

11.00 to 13.00WHERE: PCAP space at Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)Screening, reading, discussion

READING a text by Salvini, English/Germanto be found here:transversal.at transversal.at14.00 to 17.00WHERE: PCAP space at Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)Diplome and student presentations:YeLa AnMartin Weichselbaumer

As well A2 workshop from 14.00 to 17.00.

November 14, 2016, MondayAt 19.00WHERE: PCAP (POST CONCEPTUAL ART PRACTICES) STUDY PROGRAM,Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien,1 OG Atelier Süd (M1)

Artist talk by Grethell Rasúa (Havana, Cuba)Title: Beyond of the metaphor. The utility sense in six artworks from Cuba

“Generally I work with the reformulation of judgments of aesthetic, ethical and economic values: with what we understand culturally as good or bad, right or not, the way we perceive the beauty or ugliness of things. I use various means of expression and documentation: performance, objects, jewelry, photography, video, environment, site specific, drawings and installations, as evidence of human activity on the context in which I live.” - Grethell Rasúa

CV: Grethell Rasúa has graduated from the Cátedra de Arte de Conducta a project by Tania Bruguera and the University of the Arts (ISA) in 2009. She is a visual artist who has donecuratorial projects and works currently as a professor at the National Academy of Fine Arts, Havana. She has had numerous exhibitions in museums, galleries,cultural centers, private residences, universities, biennials and video festivals indifferent countries.

This presentation is possible thanks to the Artists-in-Residence program of the Austrian Federal Chancellery and KulturKontakt Austria.

Organized by Marina Grzinic, Post Conceptual Study Program (IBK).

Following by the presentationof NG Chor GuanTitle: Archive the Future

Being a Music Composer,NG Chor Guan has been trained by learning musical instruments since 3 and half years old. He realised the most powerful of the music is actually coming from Sound. Sound not only archive the past, but it shows the future.

C.V.Ng Chor Guan is a Malaysian composer, creator, sound designer, active thereminist, improviser, educator, artistic director and co-founder of TOCCATA studio. His artistic vision is forward and transformative, featured works include: Space Age (2010-2013), a space-transformative interdisciplinary performance, and Mobile Phone Orchestra (2011).Guan has also created original works and performed the theremin in more than 30 cities across the world in varying forms of collaboration.His recent and ongoing project, ‘2020’, is a five years initiative with a focus on multidisciplinary performance featuring ideas of change and time travel.

This presentation is possible thanks to the Artists-in-Residence program of the Austrian Federal Chancellery and KulturKontakt Austria.

Organized by Marina Grzinic, Post Conceptual Study Program (IBK).

November 15, 2016, Tuesday

At 10.00Individual meetings, Grzinic, office

11.00-13.00WHERE: PCAP space at Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)Rundgang, preparation, technical needs, discussion space organization, performances and screening.

13.00 to 15.00Student presentation:Irene WallnerAydar Bekchintaev

November 15, 2016, Tuesday

16.00 to 18.00WHERE: PCAP (POST CONCEPTUAL ART PRACTICES) STUDY PROGRAM,Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien,1 OG Atelier Süd (M1)

Artist talks byBojan Djordjev andAnka Leśniak

Bojan Djordjev (Belgrade, Serbia)Title: Conditions for/of collective thinking

Bojan Djordjev is performance maker from Belgrade, educated in theatre and art theory in Belgrade and Amsterdam. As an artist he is interested in indiscipline text/language based performance and performative potentials of theory. Apart from Belgrade, his works have been shown in Berlin, Brussels, Amsterdam, New York, Vienna, Zurich, Zagreb, Rijeka, Ljubljana, and etc. One of the co-founders of TkH – Walking Theory theoretical and artistic platform and journal for performing arts theory, Belgrade. His recent works revolve around finding artistic and theatrical public formats for Marxist thought as well as research into artistic heritage of the Left in Yugoslavia and elsewhere. In spring of 2016 he took a trip to Buenos Aires on a cargo ship in order to study intricate choreography of world trade.

Anka Leśniak (Łódź, Poland)Title: Invisible inVisible. Site-specific artworks on abandoned houses

Anka Leśniak’s most recent project Invisible inVisible comprises works that draw on biographies of women disconnected from history’ – as the artist defines her protagonists. Leśniak focusses on ambiguous figures, recognized in their times in their cities, areas, regions; yet their biographies are somewhat “tainted,” which denies them a firm place among figures commemorated in monuments.

CV: Anka Leśniak concentrates on the role of women in history and art history. Graduate in art history from the University of Łódź (2003) and the Faculty of Visual Education (currently Faculty of Visual Arts) at the Academy of Fine Arts in Łódź, Poland (degree with honors, 2004). In 2013 she began her PhD studies at the Faculty of Sculpture and Intermedia of the Academy of Fine Arts in Gdańsk. Participant in more than 80 individual and group shows in Poland and internationally.The presentations are possible thanks to the Artists-in-Residence program of the Austrian Federal Chancellery and KulturKontakt Austria.

Organized by Marina Grzinic, Post Conceptual Study Program (IBK).

November 15, 2016, TuesdayAt 19.00Where: Sammlung Friedrichshof STADTRAUM, Schleifmühlgasse 6 / im Hof, 1040 WienLECTURE: YASUMASA MORIMURA – My Art, My Story, My Art HistoryIn an hour-long lecture Yasumasa Morimura gives an insight into his work, his influences and working processes, and provides an interesting perspective on post war Japanese society and art.

November 21, 2016, Monday

At 17.00WHERE: PCAP space at Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)

Screening and talk afterwards:

The Land Between, a film by David FedeleAustralia 2014, documentary, 78 minutes. English subtitles.

The Land Between offers an intimate insight into the hidden and desperate lives of Sub-Saharan African migrants living in the mountains of northern Morocco. For most, their dream is to enter Europe by jumping a highly-militarised barrier into Melilla, a Spanish enclave on the African continent. With unique and unprecedented access, this film documents the everyday life of these migrants trapped in limbo, as well as the extreme violence and constant mistreatment they face from both the Moroccan and Spanish authorities. It also explores many universal questions, including how and why people are prepared to risk everything, including their life, to leave their country, their family and friends, in search of a new and better life.

Film proposed by Martin Rudlet, Erasmus plus program exchange at the Academy.After the screening debate moderated by Martin Rudlet.

November 28, 2016, Monday

16.00-18.00WHERE: PCAP space at Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)

Screenings, reading, discussion

READING a text by Salvini, English/Germanto be found here:transversal.at transversal.atNovember 28, 2016, Monday

At 19.00WHERE: PCAP (POST CONCEPTUAL ART PRACTICES) STUDY PROGRAM,Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien,1 OG Atelier Süd (M1)

Guest lecture by Regina Wuzella (Vienna/Berlin)

Title: Re-visiting Space – (cinematographic) mappings of Tsé Biiʼ NdzisgaiiMonument Valley (Navajo: Tsé Biiʼ Ndzisgaii) is a region of the Colorado Plateau located on the Arizona–Utah border in the US. The valley lies within the range of the Navajo Nation Reservation. Monument Valley has been featured in many forms of media since the 1930s. The valley has defined what decades of moviegoers think of when they imagine the American West.

Lecture in German language. Discussion afterwards in German and English.

CV: Regina Wuzella is since 2015 free cultural worker and PhD candidate. She studied Film-and Media Studies and Post-Conceptual Art Practices in Vienna and Paris. She continued her post graduate Studies in Media Culture at Bauhaus-University Weimar and UC Berkeley, CA. In the period 2010– 2012 she was Junior Fellow at IKKM – Weimar, Bauhaus-University. From 2012 to 2015 she was scientific employee at FAU-Universität Erlangen-Nürnberg at the Department of Theater-, Film- and Media Studies.

As well B3 workshop.

Lecture organized by Marina Grzinic, Post Conceptual Study Program (IBK).

November 29, 2016, Tuesday

At 10.00 until 12.00ind. meetings, Grzinic office

At 12.00 to 14.00WHERE: PCAP space at Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)Rundgang technical list, space logics.

At 14.00 meeting book Border Thinking final proposals

November 29, 2016, TuesdayAt 15.00 to 18.00WHERE: PCAP space at Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)Screenings, reading, discussion

READING a text by Salvini, English/Germanto be found here:transversal.at transversal.atFINALENovember 29, 2016, TuesdayAt 19.00WHERE: PCAP (POST CONCEPTUAL ART PRACTICES) STUDY PROGRAM,Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien,1 OG Atelier Süd (M1)

Guest lecture by Khaled Ramadan (Lebanon)

Title: The Panache of Artivism within the Imperial Cultural Narrative of the Middle East

Khaled Ramadan  is Artivist, Filmmaker, Curator and Art Writer. Currently, director of Bait Muzna Center for Art Film, Oman. Ramadan’s professional areas of expertise are the history of art and visual culture, investigative aesthetics, constructed media, and documentary filmmaking. For the past decade his work has navigated the fields of art research, theory and practice, with a particular emphasis on the topic of informational aesthetics. Far from the traditional methodology of filmmaking, Ramadan’s specialized approach is that of a transformative archivist; his work presents an unexpected arrangement and exploration of visual and geographical mapmaking that is committed to bringing about social equality, representation, and memory in relation to history. Ramadan’s film practice has been most inspired by Lev Manovich’s book The Language of New Media. Manovich’s theories indicate how the re-conceptualization of filmmaking can function as a tool to understand the power relations existing between film critic, media, contemporary art, and visual culture. Ramadan’s scope is to record the invisible, to span neglected history in a non-journalistic fashion, as an archivist or révélateur.Ramadan participated in numerous projects, among others in Be-diversity, MUSE di Trento, Italy 2015; A Room of His Own, The Artsonje Center Seoul 2014; Overflow, The Politics of Water, Kumho Museum of Art, Seoul 2014; The Maldives Pavilion at the 55th Venice Biennale 2013; Manifesta 8, Spain; Museo Nacional Centro de Arte Reina Sofía, Madrid; KW Berlin, Germany; frei_raum Q21 exhibition space, Vienna 2016. In 2009 Al-Jazeera TV produced a documentary about Ramadan’s work and activities. Khaled Ramadan: LebanonLecture organized by Marina Grzinic, Post Conceptual Study Program (IBK) and Walter Seidl, curator, Vienna.

Ramadan will make a final point on the research travel by PCAP in Spain in 2016.

Next PCAP meeting 5.12.2016
Film screening and presentation by Yosef-Joseph-Yaakov Dadoune, Tel Aviv, Israel

PCAP Program October 2016

concept — Tue, 27 Sep 2016 16:50:31 GMT

October 4, 2016, Wednesday/DienstagAt 17.00WHERE: Aula der Akademie der bildenden Künste Wien
Schillerplatz 3, 1010 Wien

Wir freuen uns auf Ihr Kommen!We are looking forward to seeing you!

Eva Blimlinger, RektorinAndrea B. Braidt, Vizerektorin Kunst | ForschungKarin Riegler, Vizerektorin Lehre | Nachwuchsförderung

October 6, 2016, ThursdayAt 16.00First meeting Konzept (PCAP)WHERE: PCAP space at Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)Structure work, time table presentation, travel San SebastianNew students, Erasmus, diplomas

07.10.2016 - 09.10.2016 (Friday-Sunday)Marxist-Feminist Conference – Marxistisch-Feministische KonferenzBuilding Bridges – shifting and strengthening visions – exploring alternatives

WHERE: Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien, 2 OG Mehrzwecksaal und EG Nord7.10.: 9.30–19.00 Uhr, 8.10.: 9.30–20 Uhr, 9.10.: 9.30–14.00 Uhr

ENGLISH LANGUAGEPROGRAM, REGISTRATION IS NECESSARY but the entrance is free

PROGRAM, SPEAKERS:marxfemblog.wordpress.com

October 10, 2016, Monday

At 10.00 to 12.00 individual meetingsGrzinic officeWHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1 floor, in front of the elevator, metal door, ring bell

October 10, 2016, MondayAt 14.00
WHERE: PCAP space at Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)TALK WITH New students, Erasmus

October 10, 2016, MondayAt 15.00WHERE: PCAP space at Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)Discussion travel preparation, logistic and etc

October 10, 2016, MondayAt 17.00WHERE: PCAP space at Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)Reading texts by Monica Amor, preparation for the workshop October 18, 2016

with discussion on Contemporary art, watching video-films, visual materials

READING texts by Monica Amor and altri, LIST:

Monica Amor, "Of Adversity We Live," in Alexander Dumbadze and Suzanne Hudson, eds., Contemporary Art: Themes and Histories, 1989 to the Present, New Jersey: Blackwell, 2012: 50-59.

Monica Amor, “On the Contingency of Modernity and the Persistence of Canons,” Modernity & Contemporaneity: Antinomies of Art and Culture after the 20th Century, Durham and London: Duke University Press, 2008: 83-96.

Irene Small, "Medium Aspecificity/Autopoietic Form," in Alexander Dumbadze and Suzanne Hudson, eds., Contemporary Art: Themes and Histories, 1989 to the Present, New Jersey: Blackwell, 2012: 50-59.

Monica Amor holds a Ph.D. from the Graduate Center of the City University of New York. She has written art criticism and essays for Art Margins, Artforum, Art Journal, Art Nexus, Grey Room, October, Poliester, Third Text, and Trans. She has curated several exhibitions, among them: "Altering History/Alternating Stories for the Museo de Bellas Artes de Caracas (1996), "Beyond the Document" for the Reina Sofia in Madrid (2000) "re-drawing the line" for Art in General in New York (2000), "Gego Defying Structures" for the Serralves Foundation in Porto (2006) and "Mexico: Expected/Unexpected" for Le Maison Rouge in Paris (2008). She has lectured at The Ohio State University and Sara Lawrence College, and has taught at Hunter College, Parsons School of Design, Pratt Institute, the Instituto Universitario di Architettura di Venezia, and the University of Pennsylvania. Her book Theories of the non-object: Argentina, Brazil, Venezuela 1944-1969 is forthcoming from the University of California Press.

October 11, 2016, Tuesday

At 12.00 to 14.00individual meetingsGrzinic officeWHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1 floor, in front of the elevator, metal door, ring bell

October 11, 2016, Tuesday

At 14.00WHERE: PCAP space at Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)Reading texts by Monica Amor, discussion on Contemporary art, watching video-films, visual materials

October 11, 2016, TuesdayAt 18.00VISITING EXHIBITION: WHAT IS LEFT?WHERE: frei_raum Q21 exhibition space, MUSEUM QUARTIER, ViennaCurators: Gülsen Bal (GB/TR) and Walter Seidl (AT)

THROUGH THE EXHIBITION guiding and presentation by Walter Seidl

ABOUT THE EXHIBITION: What is the status quo in times of global economic, social, and military crises, and what remains of life’s potentials? This exhibition, which is curated by Gülsen Bal and Walter Seidl, examines alternative models vis-à-vis contemporary life conditions and the dominant political and financial systems.

Artists:Halil Altındere (TR), Sabine Bitter & Helmut Weber (A/CAN), Jan De Cock (B), Petra Gerschner* (D), Mona Hatoum (PS/GB), Khaled Ramadan* (LB), Şener Özmen* (TR), Dimitar Solakov* (BG), Nasan Tur (D/TR)*Q21/MQ Artist-in-ResidenceFREE ENTRANCE

ALSO A2 workshop /Conceptual Art, IBK

October 17, 2016, Monday

At 16.00WHERE: PCAP space at Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)PRESENTATION WORKS NEW STUDENTS

Marianne EberlJulian EbnerSamira FuxChristian GuzySarah JackelRobert JollyGrace Latigo

TRAVEL LAST DETAILS

October 18, 2016, Tuesday

FROM 11am to 2pmWorkshop with Monica Amor , organized by Prof. Noit Banai

WHERE: Seminar Room 5 (2nd floor)Department of Art History at the University of ViennaUniversitätscampus Hof 9Spitalgasse 2A - 1090 Vienna

ALSO B3 workshop /Conceptual Art, IBK

October 18, 2016, TuesdayAt 16.00WHERE: PCAP space at Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)Discussion book BORDER THINKING

October 18, 2016, TuesdayAt 17.00WHERE: PCAP space at Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)PRESENTATION WORKS NEW STUDENTS (continuation from 17.10)Marianne EberlJulian EbnerSamira FuxChristian GuzySarah JackelRobert JollyGrace Latigo

TRAVEL LAST DETAILS

October 26, 2016, WEDNESDAY to October 30, 2016 SUNDAYDEPARTURE TO SAN SEBASTIAN, RESEARCH TRIP TO SPAIN, BASQUE COUNTRIES, San Sebastian, European capital of culture 2016MEETING VIENNA INTERNATIONAL AIRPORT (IN FRONT OF MCDONALDS)At 7.30 in the morningWe go to check in together.The flight company is EUROWINGS.

PROGRAM STUDY TRIP SPAIN

27.10.2016, THURSDAYTabakalera San SebastiánInternational centre for contemporary cultureScreening videofilms PCAP students

28.10.2016 FRIDAYRadio Symposyum LaPublikaAt Tabakalera, San Sebastian

LaPublika is a project directed and coordinated by consonni, produced by San Sebastian 2016, European Capital of Culture and Tabakalera International Centre for Contemporary Culture with the collaboration of the Faculty of Fine Arts of the UPV/EHU, Azkuna Zentroa, Filmin and Dabadaba and the support of Hotel Silken Amara Plaza, Bilbao Ekintza, EHUKultura (Directorate of Event Programming and University Promotion Bizkaia, UPV/EHU), Regional Council of Bizkaia, EiTB, Casares Radio, 97 FM Radio, Radio Euskadi, Vallekas Radio, Spain´s Public Agency for Cultural Action (AC/E), Fabricas de la Creación de Gobierno Vasco, TEA FM School Radio.

DAY PROGRAM, 10:00-20:30. Tabakalera.CONVERSATIONS:•Rosalyn Deutsche in conversation with Jaime Iregui.•Mutamassik in conversation with Michelle Teran and Elvira Dyangani Ose.•What, How & for Whom/WHW in conversation with Daniel G. Andújar.•El Niño de Elche in conversation with Belén Gopegui.PERFORMANCES, ARTISTIC INTERVENTIONS AND CONCERTS:Sra. Polaroiska, Rosa Casado y Mike Brookes, Daniel G. Andújar,Okela, Sangre Fucsia, PCAP /Akbild Vienna, Oier Iruretagoiena,Societat Doctor Alonso and Moaré Danza*, Mugatxoan, grupo de investigación Orea* and Aziza Brahim.29.10.2016, SATURDAYFrom San Sebastian to BilbaoVisiting Guggenheim Museum Bilbao.Visiting Bilbao

30.10.2016 SUNDAYDeparture from Bilbao to Vienna

Next PCAP meeting November 7, 2016

PCAP Program JUNE 2016

concept — Thu, 02 Jun 2016 22:10:48 GMT

PCAP Program JUNE 2016

1.06.2016 WednesdayLecture organized by IKL/ Elke Gaugele and IBK/ Marina Grzinic, Academy of Fine Arts Vienna

WHERE: Ort | Akademie der bildenden Künste Wien, Institutsgebäude, Karl-Schweighofergasse 3, 1070 Wien,3.06

Aneta Stojnic, BelgradeLiminal Bodies, (Dis)embodied Subjectivities and Technologies of Control

Abstract:This lecture is to examine the major reconfigurations introduced into the body politics and genealogies by the influence of new technologies (both of insurgency and of control). Therefore, Stojnic argues that it is neither intersectionality not assemblage, but liminality that needs to be in the center of transfeminist genealogies. She will question the meaning of the crucial shift from natural, through cultural to technological bodies in the era of the “society of control” (Deleuze) addressing the manifestations and representations of the body and the corporeal, as socio-cultural, political, psychological, physiological and virtual entities. Contesting the “post-human hype” and taking into the account the genealogy of global changes that lead to the current mass migrations, commonly known as “refugee crises” she will look at the processes of dehumanisation that precede the mechanisms of a subjugation of the other. The question that will be examined is what are the new subjectivities and embodied politics that emerge in such conditions.

CV: Dr. Aneta Stojnic is a Belgrade born theoretician, researcher and artist. Currently, she is assistant professor at the Faculty of Media and Communications (FMK, Singidunum University, Belgrade). In 2015 she was a postdoc researcher at the Academy of fine arts in Vienna, IBK, Post Conceptual Art Practices, and in 2013-14 she was a postdoctoral research-fellow at Ghent University, Faculty of Arts and Philosophy Research centre, S:PAM (Studies in Performing Arts & Media). She published a book Theory of performance in digital art: towards a new political performance (Orion Art, Belgrade, 2015) and authored a number of international publications. She collaborated with institutions and organizations such as: Tanzquartier Wien, Open Systems (Vienna), MAIZ (Linz), Les Laboratoires d'Aubervillier (Paris), Quartier21 (MQ Vienna), Dansens Hus Stockholm, Odin Teatret (Denmark), BITEF Theatre (Belgrade), TkH Walking Theory (Belgrade), October Salon (Belgrade), Pančevo Biennal, Serbia, and many others

3.06.2016, Friday

Where: EXIT at Döblergasse 2 /16 EG 1070 ViennaOpening: 3.06.2016 7pm

Aporias (exhibition)which will be held between 3.06.16 - 18.06.16 in Friday Exit Gallery, Wien.Curator: Deniz Güvensoy

6.06-8.06.2016Diploma installment: in charge M. Hasaltay.

7.06.2016, TuesdayInd. Meetings 14.00 to 18.00Grzinic, office

7.06.2016 TuesdayWhere: VBKÖ, Maysedergasse 2 1010 ViennaOpening at 19:00

Didto’s Amoa (Woher wir kommen)Exhibition curated by Stephanie Misa and Lawrence Lacambra Ypil

8-10.06.2016DIPLOME JUNE 2016DIPLOMAS from PCAPDaria KirillovaEsra Özmen

8.06. 2016, Wednesday|Where: SOHO in Ottakring Festival, Alte Milchtrinkhalle im Kongresspark - Tram 10 oder 44 bis LiebknechtgasseTram stop: LiebknechtgasseLines: 44 or 10Starts at 18:30JULISCHKA STENGELE: FETTVERTEILUNG - Tischgespräche mit Kaffee & Kuchenvon Julischka Stengele mit ARGE Dicke Weiber (Malena & Christine), Kristina Kuličová, Maira Enesi Caixeta und Sara Ablinger

Julischka Stengele project with the title FETTVERTEILUNG (fat distribution), at the festival SOHO in Ottakring. It deals with the relationship between nutrition, income and gender, with a focus on fat phobia and classism.www.sohoinottakring.at

Teaser in German formulated by Julischka Stengele:Für die Arbeiterfamilie ist der Braten am Tisch ein Statussymbol, für die junge Akademikerin ist es der Verzicht auf Fleisch oder der Einkauf im Biomarkt, der ihren gesellschaftlichen Stand ausweist. Einige haben wenig Geld aber viel Speck auf den Rippen, andere können sich flache Bäuche leisten. Was hat es damit auf sich? Und: stimmt es überhaupt? So oder so: beim Thema Essen sind der erhobene Zeigefinger, das schlechte Gewissen und die Vorurteile nie weit.Referent_innen sprechen zu Themen wie Fettfeindlichkeit und Diskriminierung von dicken Personen oder den Zusammenhängen von Ernährung, Einkommen und Geschlecht. Thematische Zuckerkunstwerke sorgen dafür, dass der Genuss dabei nicht zu kurz kommt. Anschließend steht dem Publikum das Gespräch offen und alle sind herzlich eingeladen, Kuchen für die gemeinsame Tafel mitzubringen.

9.06.2016, Thursday

Where: VBKÖ, Maysedergasse 2 1010 Vienna

At 19:00

Mobile Subjects, Hybrid Histories.

Poet and essayist Lawrence Lacambra Ypil will give a brief presentation ofRecollect, his ongoing writing project on the 1904 St. Louis World’s Fair,where more than a thousand Filipinos were put on display as part of thePhilippine exposition. He will share excerpts of his work, and talk aboutthe role of hybrid forms in exploring cultural identity and the process ofworking with archival material as a form of cultural and creativecollaboration. Lawrence Ypil is the author The Highest Hiding Place. He isan MFA in Nonfiction from the University of Iowa and an MFA in Poetry fromthe Washington University of St. Louis. He is the Writer-in-Residence atYale-NUS, Singapore. He is the co-curator of Didto’s Amoa (Woher wir kommen)an ongoing exhibit of Filipino diasporic art which runs June 8 - Aug. 31,2016 at VBKÖ (Vereinigung bildender Künstlerinnen Österreichs).

20.06.2016, Monday

9.30 to 12.00, ind. meetingsGrzinic office

20.06.2016, MondayAt 13.00

Where: PCAP (POST CONCEPTUAL ART PRACTICES) STUDY PROGRAM,Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien, 1.OG Atelier Süd (M1)

GUEST LECTURE by Petra Ponte

In this lecture Petra Ponte will talk about her curatorial practice and upcoming performative project at studio das weisse haus, A Rap on Race Revisited, for which she wants to collaborate with Vienna-based activists, artists, cultural producers and scholars.A Rap on Race (Rassenkampf-Klassenkampf. Ein Streitgespräch) between the acclaimed black novelist, essayist, playwright and social critic James Baldwin (1924-1987) and the celebrated white anthropologist and long-time curator at the American Museum of Natural History Margaret Mead (1901- 1978) will act as overture for the performative project. With A Rap on Race Revisited she aims to work and think through how the words of James Baldwin and Margaret Mead voiced on August 26- 27, 1970 in New York, can speak (again) in 2016 in Vienna, and wants to find out what frictions come into play, what unscripted conversations, feelings, thoughts and disputes would be dragged along with this revisitation.

CV: Petra Ponte is a curator and cultural producer based in Amsterdam. She holds a BA in Theatre Studies and an MA in Contemporary Art History from the University of Amsterdam. Her recent projects include: prospects. a recital (Kunsthalle Düsseldorf, 2015), I/K (Schloss Ringenberg, 2015) Opening Night Series (OAZO AIR, 2014-2015), FATFORM / FORWARD (2012-2014). From June 15 until July 17, 2016 she is curator in residence at studio das weisse haus.Organized by Muzaffer Hasaltay.

20.06.2016, MondayAt 16.00

Where: PCAP (POST CONCEPTUAL ART PRACTICES) STUDY PROGRAM,Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien, 1.OG Atelier Süd (M1)

Guest Selma Doborac

Screening Those Shocking Shaking Days.Directed by Selma Doborac88 min, 2016, Austria, Bosnia and Herzegovina

“Which guerilla liberation force would you join if you had the choice between two possible styles of liberation work?” reads the question posed at the very get-go of Selma Doborac’s film essay which proceeds over the course of the next 80 minutes to ask with unremitting intensity whether cinematic means can be used to represent the phenomenon war. Is this even possible given the Medusa head of war, perpetually sprouting yet another coiling aspect of the human abyss?
Who feels addressed by this question? Who knows what a person engaged by this question imagines? (Hanno Millesi)

SELMA DOBORAC, geb. 1982 in Bosnien und Herzegowina, arbeitet im Bereich des essayistischen und experimentellen Films, der Fotografie sowie der Installations- und Konzeptkunst. Ihre Arbeiten wurden weltweit auf zahlreichen Festivals, in Einzel- und Gruppenausstellungen gezeigt. Ihr Kurzfilm Es war ein Tag wie jeder andere im Frühling oder Sommer. gewann den CROSSING EUROPE Local Artist Award 2014. // Filme (Auswahl): Es war ein Tag wie jeder andere im Frühling oder Sommer. (It was a day just like any other in spring or summer., 2012, short; CE'14), Those Shocking Shaking Days (2016, doc)

Organized by Martin Weichselbaumer.

20.06.2016, Monday

At 19.00

Where: PCAP (POST CONCEPTUAL ART PRACTICES) STUDY PROGRAM, Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien, 1.OG Atelier Süd (M1)

OPENING "In the field"

project exhibition by Erasmus exchange student Saaya HitomiIn cooperation with Post-Conceptual Art Practices, Akademie der bildenden Künste Wien.

OPENING HOURS:21.06.2016 16:00-20:0022.06.2016 16:00-20:0023.06.2016 15:00-18:00

Saaya Hitomi new video/ installation work is related to "Women targets in the military base shooting range ". She found evidence of these targets in photographs by the German photographer Herlinde Koelb. According to her, there are women targets in military compounds in France, Germany and United States. Because of many issues, the targets are, generally and specifically in such cases, deeply ethically problematic.

CV: Saaya Hitomi is Erasmus student in Post-conceptual art practices study program (PCAP), Akbild. She is a graduate of Tokyo University of the Arts, Japan; at Inter Media Art dpt. Hitomi is born and raised in Tokyo, Japan.

20.06.2016, MONDAY

Akademie der bildenden Künste Wien, Atelierhaus, Post Conceptual Art Practices study program,Lehargasse 8, 1060 Wien, 1. OG Atelier Süd

At 19.30 exhibition of Annie Gonzaga Lorde’ watercolors of Resistance and Black bodies Subjectivities by the artist from Bahia/ Brazil

At 20.30 talk on Diaspora Encounters " We are many and many more" with Araba Evelyn Johnston-Arthur, Annie Gonzaga Lorde, Tatiana Nascimento, Mãe Beth de Oxum, Marissa Lôbo and Njideka Stephanie Iroh

The talk derives from the complexities and contradictions of radical diasporan political subjectivities. It aims to explore how the realities of our "global" existences multiple spaces, contexts and struggles have shaped and continue to shape our liberatory imaginations.

Key Speakers: Araba Evelyn Johnston-Arthur, Mãe Beth de Oxum and Annie Gonzaga Lorde

CV Araba Evelyn Johnston-Arthur is an activist, theoretical-cultural, and community worker, organizer and co-founder of Pamoja, The Movement of the Young African Diaspora, and of the Research Group on Black Austrian History and Presence. She is currently working on her dissertation on Resistances in the African Diaspora in Austria at the historically Black Howard University in Washington DC.

CV Annie Gonzaga Lorde is activist, Black lesbian, Antiracist and decolonial grafittist, watercolorist and speaker.

CV Mãe Beth de Oxum is Brazilian percussionist who founded Ilê Axé Oxum Karê (Afro-Brazilian worship center) in the Guadalupe neighborhood in the city of Olinda in Pernambuco.The center is structured around "brincadeiras de coco" (local music rhythms) and promotes local festivals called sambadas every Saturday. Among the activities carried out there, one can mention the percussion workshops, technological appropriation from the recycling of computers, development of network communication tools, applications and gadgets for multimedia production. Ancient and contemporary knowledge blend into the space consisting of the exchange generated by visitors.

CV Marissa Lôbo, artist, activist and writer based in Vienna.

CV tatiana nascimento is poet, slammer, translator, film-maker and publisher.

CV Njideka Stephanie Iroh utilizes poetry and spoken word to form a point of departure for multilingual, cross-genre storytelling.

Exhibition with buffet.

This event takes place in the context of and in collaboration with Njideka Stephanie Iroh and Marissa Lobo’s project Bodies of Knowledge – Multiplying Marginalised Subjectivities of Utopia through Art and Storytelling. Sponsored by SHIFT 2015.

21.06.2026, Tuesday

At 14.00PCAP meeting travel discussion program and discussion contributions book, BORDER THINKING

At 15.30 screening, preparation lecture Yuderkys Espinosa

Embrace of the Serpent, 2015, film directed by Ciro Guerra, Colombia, 120 min.

The film tells two stories, taking place in 1909 and 1940, both featuring Karamakate, an Amazonian shaman and last survivor of his tribe. He travels with two scientists, German Theodor Koch-Grunberg and American Richard Evans Schultes, to look for the rare yakruna, a sacred plant.The film is loosely inspired by the diaries written by the two scientists during their field work in the Amazon.

21.06.2016, Tuesday

At 19.00

Where: PCAP (POST CONCEPTUAL ART PRACTICES) STUDY PROGRAM, Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien, 1.OG Atelier Süd (M1)

GUEST LECTURE by Yuderkys Espinosa Miñoso

TITLE: Hacer genealogía de las prácticas del presente: Una crítica a la colonialidad de la Razón feminista desde la experiencia histórica en América Latina.[A genealogy of the practices of the present: A critique of the colonial feminist reason, coming from the historical experience in Latin America]

TRANSLATION Spanish into English by Ronja VoglMODERATION after the lecture by Marissa Lobo

Summary:

It is about responding to the key question, if we are to propose a genealogical method to be applied to the feminist field, then it translates into: How did we become the feminists who we are? What are the possible conditions that allowed feminism to believe in what it believes, to say what it says, to do what it does, in a region that is geopolitically determined by its status as a "third world" that drags along it the colonial trauma, as a condition of being what we are today.

From these questions emanate the possibility to reflect upon some key issues regarding feminism in Latin America and its history of dependency. Not a Latin American feminism but feminism in Latin America. We see that there is no universal feminism, as it is proposed by the heritage of the Eurocentric modernity. If in the statement that feminism encounters modernity, we do not encounter any surprises, nevertheless we have to ask how you can be prepared/ willing to follow it in regions of the world, where modernity reveals itself only as what it is: racist, Eurocentric, capitalist, imperialist and colonial.

Perhaps women, gender, and despised sexualities have succumbed to the idea, on the basis of theorizing and the feminist thinking that the past has always been worse for us. Maybe we could say that feminism states that our struggle can’t be anything else than modern, if it proclaims modernity as historical time that allows us to break free from it. This argument illuminates the different interests between feminism, and antiracist, anti and de-colonial fights in the region. It allows us to reveal the hidden pattern of feminist fights and its commitment to coloniality.

Coming from the proposal of a genealogy of experience I want to present coloniality, racism and the euro-centrism of the feminist reason and thus to open up the possibility to draw attention to other forms of fights and commitments that come from the margins in order to face these reason.

CV Yuderkys Espinosa Miñoso

Is a thinker, activist, writer and a lecturer, committed to radical movements’ flows against racism, (hetero) patriarchy and coloniality. She was born in an Afromestizan family and grew up in the popular neighborhoods of Santo Domingo, in the Dominican Republic. She used to live thirteen years as a migrant in Argentina and currently lives in Colombia. From there she mobilizes and visits the territory of Abya Yala. She is engaged in a project of political formation and development of critical, anti-racist feminist and de-colonial Latin American thinking.She adopted very early the proposal of María Lugones to develop a de-colonial feminism and ended up converting herself in one of its principal referees in America Latina.She founded and coordinated the group: Latin-American feminist studies, formation and action (GLEFAS) and coordinated the area of formation and the independent editorial”at the border”(”en la frontera”). She is candidate for a doctorate at the University of Philosophy of Buenos Aires, under the supervision of María Lugone, in order to develop a critic of the feminist reason of Latin America.She is frequently invited as a lecturer and teacher by universities, investigation centers, NGOs and activist collectives.

Her best known works are the articles: “Ethnocentrism and coloniality in Latin-American feminism: complicity and consolidation of feminist hegemonies in the transnational space” (2009); “The challenge of the Latin-American feminism in the actual context” (2010): The future is already past: a critic of the idea of progress in the narrations of the liberation of sex-gender and queer identities in Abya Yala (2015); and her book: Writings by a dark lesbian (2007). She also coordinated various publications: Critical approximations at the theoretical political practices of the Latin-American feminism (2010). With Karina Ochoa and Diana Gómez she edited the book: Weaving from “another world”: feminism, epistemology and de-colonial stakes in Abya Yala (2014)

CV Ronja Vogl, born 1978 in Berlin, lives and works in Vienna and Mexico City, considers herself as a world citizen. Main focuses of her artistic work: migration, refuge/escape, critical analysis of society processes. www.ronjavogl.com

CV Marissa Lobo, artist, activist and writer based in Vienna.

Presentation done in the context of and in collaboration with Njideka Stephanie Iroh and Marissa Lobo project "Bodies of Knowledge" – Multiplying Marginalized Subjectivities of Utopia through Art and Storytelling. Sponsored by SHIFT 2015.

22 June 2016, WednesdayAT 17.00OPENING EXHIBITION DIPLOME WORKS 15|16Opening speech: Rektorin Eva Blimlingerxhibit, Hauptgebäude

The exhibition is on view TUESDAY to SUNDAY from 14.00 to 18.00.

23.06.2016, Thursday

At 19.00Where| Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien, 1. OG Atelier Süd

Screening and talk with artist and filmmaker belit sağ

Title: Do fictive images have tangible consequences?[Fiktif imajlar somut sonuclar doğurabilirmi?]belit sağ will talk about overarching themes in her video practice, such as images of violence and violence of images. She will also talk about the censorship of her recent video Ayhan and Me (2016) in Turkey.Moderated by Betül Küpeli and Cana Bilir-MeierLanguages: English &Turkish

CV’s:belit sağ is a videographer and visual artist from Turkey, based in Amsterdam. She recently finished a residency program at International Studio & Curatorial Program (ISCP) in New York. During 2014-2015 she was in residency at Rijksakademie van Beeldende Kunsten. She studied mathematics in Turkey, and art in The Netherlands. Her video background is rooted in alternative video-activist/artist groups in Ankara and Istanbul, where she co-initiated groups such as VideA, Karahaber, and Videoccupy. sağ’s work has been exhibited, amongst others, in EYE Film Institute, Rotterdam International Film Festival (The Netherlands), Tütün Deposu, Documentarist Documentary Days (Turkey), Oberhausen Short Film Festival ( Germany), DMZ Documentary Festival (Korea), CEAC (China).

Betül Shayma Küpeli studied Architecture. She is currently enrolled in the Post Conceptual Art Practices Study Program at Academy of Fine Arts Vienna. Lives and works in Vienna.

Cana Bilir-Meier, lives and works in Vienna, she is filmmaker, cultural producer, author and curator. Studied Art and Education. She is currently enrolled in the Art and digital media class at the Academy of Fine Arts Vienna.

Event organized by the PCAP (Post Conceptual Art Practices Study Program) and Art and Digital Media Class, at the Academy of Fine Arts Vienna.

30.06. 2016, Thursdaystarts at 18.00WHERE: Galerie Michaela Stock, Schleifmühlgasse 18, 1040 Vienna

DAYS OF OPEN PERFORMANCE VIENNA

1.07.2016 FRIDAY10.00-12.00ceremony diploma

next 6.10.2016

PCAP Program MAY 2016

concept — Sat, 30 Apr 2016 13:01:37 GMT

PCAP Program MAY 2016

1 may 2016MAY DAY

CALL // MAYDAY 2016 - 1. Mai! 2016; Treffpunkt 14h // Ort: Thelemangasse - 1170 Wien // 14h30 Demostart*Die MAYDAY bietet seit 2005 einen Bezugspunkt für soziale Kämpfe in Wien. Mit einigen Unterbrechungen (2009-10, 2015) gehen wir gemeinsam auf die Straße, um prekäre Verhältnisse auf lebhafte und kollektive Weise zu thematisieren.Prekarisierung bedeutet der Wandel von rechtlich und sozial abgesicherten Lebens- und Arbeitsverhältnissen hin zu unsicheren, weil widerruflichen oder nicht anerkannten bis zu ausbeutenden Tätigkeiten.mayday-wien.orgCALL // Participate in the MAYDAY 2016 - MAY 1 2016; Meeting point 14h // Location: Thelemangasse - 1170 Wien // 14:30 Demo Start *MAYDAY offers since 2005 a reference point for social struggles in Vienna.http: //mayday-wien.org/

2 May, 2016, MondayM1At 17.00 until 19.00Students’ projects in PCAP, diploma open questions, installment, etc., exchange with assistant professor Muzaffer Hasaltay.

3 May, 2016, TuesdayM1SCREENING CANCELED that was proposed by student mentor Martin Weichselbaumer.Instead talk on text on fim, online.

3 May, 2016, TuesdayWhere: Depot - Raum für Kunst und Diskussion,Breite Gasse 3, 1070 WienAt 19.00

Film screening: Erinnerungsorte "Aktion T4": Hilda SlavikBy Christoph Kolar, Austria, 2011, 34 minFilmpräsentation und Diskussion

Hilda Slavik war sechs Jahre Patientin der Landes Heil- und Pflegeanstalt für Geistes- und Nervenkranke „Am Steinhof“ bis sie 1940 in die Tötungsanstalt Hartheim deportiert und Opfer des "Euthanasie Programmes" „Aktion T4“ wurde. Laut der „Hartheimer Statistik“ wurden 70.273 PatientInnen umgebracht. Viele an diesen Tötungen maßgeblich Beteiligte konnten nach dem Krieg ihre medizinischen Karrieren fortsetzen.Christoph Kolar, diploma from Conceptual Art, Academy of Fine Arts Vienna, 2011; presently PhD in Philosophy, Akbild student.

5 May 2016, Thursday HOLIDAY

9 May 2016, Monday

Ind. Meeting at 11.00 to 13.00Grzinic office

10-13.05.2016Gezi – before and after – 2013 – 2016Academy of Fine Arts Vienna

Lectures, Panel Discussion, ExhibitionThe project New practices of social movement and its transformative potential after the Gezi Park protests in Istanbul will be analyzed with lectures, a panel discussion and an exhibition.The event is organized by the Conceptual Art study program at the Institute of Fine Arts at the Academy.Contributions by Foti Benlisoy, Çetin Gürer, Hakan Gürses, Zeynep Tül Akbal Süalp, Göksun Yazici.Concept: Marina Grzinic with Betül Küpeli, Cansu Berksan, Esra Özmen, Songül Sonmez, Reha Refik Taşcı and Onur Serdar.

The Gezi Park protests in Istanbul started in May 2013 with the occupation [Go-In, Sit-In, Be-In –] of the public park in Beyoğlu/Taksim by critical activists. In the beginning the occupants opposed the land use plan, which seemed to be a devastation of the park for the benefit of economic interests. Shortly after 100,000 citizens occupied the park and Taksim Square and a nationwide protest movement began with squatting and a new definition of the public space.The wave of protests was not just about Gezi Park but also a longstanding deep uneasiness in society with the problematic government model of the AKP, the status of the Kurds, the arrests of journalists, the denial of the genocide of the Armenians and so on. Many different citizens’ initiatives and groups came together under the circumstances of a general dissatisfaction with the Turkish government.LGBTIQs, feminists, Kurds, the so-called anti-capitalist Moslems, the chamber of architects, Turkish nationalists… With the occupation of Gezi Park a whole generation became politicized, experiencing something that was never present before the takeover and occupation of a public space. Using tear gas, armored cars, water cannons and imprisonment, police power was exercised without limits.

10 May 2016, TUESDAYAcademy of Fine Arts Vienna, main building, Schillerplatz 3, 1010 Vienna, Aula16.00 Vernissage and ExhibitionGreeting: Andrea B. Braidt, Vice Rector for Art and ResearchIntroductory remarks: Marina Gržinić, Professor of Conceptual ArtPresentation of the exhibition: Betül KüpeliMOMENT / MOVEMENTThis exhibition is a collective project of artists and activists from different countries in search of a political-artistic and emancipatory future.Artists: 2/5BZ aka Serhat Köksal, Barış Acar, Ovidiu Anton, Fatih Aydoğdu, Cana Bilir-Meier, Özlem Bulut, Esra E. Demir & Çağdaş Yılmaz, Ezgi Erol, Marina Grzinic& Aina Šmid, Naz Gündoğdu & Friedemann Pitschak, Özlem Günyol & Mustafa Kunt, İpek Hamzaoğlu, Muzaffer Hasaltay, Eren İleri, Aybike Kaya, Esra Özmen, Öncel Seçgin, Onur Serdar, Firas Shehadeh, Songül Sönmez & Reha Refik Taşcı, Özge Subaşı, Seda Tunç, Nazım Ünal Yılmaz, YxS KOOP, Özgün YararExhibition display: Cansu Berksan und/and Betül KüpeliOPENING PERFORMANCES byAybike KayaÖncel Seçgin

Academy of Fine Arts Vienna, main building, Schillerplatz 3, 1010 Vienna, AulaExhibition opened to general public 10.05.2016 until 20.0011.05.2016 12.00 until 20.0012.05.2016 12.00 until 20.00

Academy of Fine Arts Vienna, Main Building, Schillerplatz 3, 1010 Vienna, Conference room M 20

18.00 Lecture 1Zeynep Tül Akbal Süalp talks about film, resistance and media in Turkey.After the mid-1990s we come across diverse and conflicting tracks in Turkey’s cinema. The films mostly seem to be apolitical, individualistic, and self-oriented. However, we can also observe a significant amount of films that seek answers to the silent tension of a nationalist and fascist society. This is the cinema of vacuumed and sealed image subjects, of a city with glorified and alienated, remote and lumpen “Nothingness”. It is also a search for confrontations and encounters that I like to call “night navigations” and “dream stalking”.(Language: English)

11 May 2016, WEDNESDAYAcademy of Fine Arts Vienna, main building, Schillerplatz 3, 1010 Vienna, AulaExhibition opened to general public from 12.00 until 20.00; free admission.SPECIAL SCREENING at 14.30Naz Gündoğdu & Friedemann PitschakVideo, 65 min, 2015

Academy of Fine Arts Vienna, main building, Schillerplatz 3, 1010 Vienna, Conference room M 13

16.00–18.00 Lecture 2Foti Benlisoy and Çetin Gürer talk about political activism, the state of affairs in Turkey and the initiative Academics for Peace.

Foti Benlisoy
It is crucial to note that in Syria the guided proxy war is confronting the crisis of Erdoğan’s AKP. The AKP gained a new grip on the State. In society, around “nationalist” and “domestic” topics, new “uniting” and “mobilizing” meta-narratives were put on the agenda. With the usage of the war, the amendment of the Constitution, and a “Turkish” presidential system, “an absolutist one-man-one-party regime” was put on the agenda. With this the friend-enemy-principle of war is realized in extreme forms and results. This lecture is about two interlinked wars (inside and outside) and about a new constructed regime through these wars.(Language: English)

Çetin GürerOn the 12th of January 2016 the initiative Academics for Peace declared the petition campaign We will not be a part of this crime!. In the beginning there were 1,128 academics, and shortly after 2,218 academics supported the campaign and signed the petition. Through its sharp criticism of the AKP government and its outcry against the murder of simple, unarmed citizens, the petition is a historically important moment. President Recep Tayyip Erdoğan has condemned the campaign immediately as a provocation, which has provoked strong repression against academics. Why did this campaign irritate the AKP government and Erdoğan so much? Why was a simple petition seen as such an important issue? How did this petition unmask an authoritarian government, and what lessons can be learned from it?(Language: German)

Academy of Fine Arts Vienna, main building, Schillerplatz 3, 1010 Vienna, Conference hall

19.00–21.30Panel discussion with Foti Benlisoy, Çetin Gürer, Zeynep Tül Akbal Süalp and Göksun YazıcıModeration: Hakan GürsesTurkish-German, consecutive translation in two languages: Öncel Seçgin

Foti BenlisoyThe Gezi uprising, with its collectivity and its radical forms of resistance, was one of the most consequential rebellions in the recent history of Turkey. Despite the collectivity and the “over-political” radicalism, it was not possible to bring a lasting change. Instead this uprising, like all other uprisings that have been prohibited and prematurely suppressed, has been confronted with a political reaction. What caused these reactions? Which inputs, both positive as well as errors in the phase of becoming a political collectivity, can be mentioned or named? What were the reasons for the disintegration of the Gezi alliances? Was the Kurdish question an “Achilles heel” that uncovered the limits and weak points of Gezi? Three years after Gezi, what can we learn from a movement that was conditioned by war, deep authoritarian policy and an incomplete uprising? Is it possible to compare the “disaster” of Gezi with the withdrawal of the radical-global movement after 2010? What kind of parallels can be drawn with the defeat of the popular revolts in Egypt and Syria (one by a military coup, the other torn apart by a power struggle)? This is an attempt to question these and similar topics.

Çetin GürerAfter the Gezi protests an important question remains: “Where were the Kurds?” Three years after Gezi the question of the political position of the Kurdish movement determines the daily agenda in Turkey. This hypothesis implies that Kurds did not participate in Gezi and the Kurdish movement did not support Gezi. The validity of this assumption can only be measured if the question “What did Gezi leave for the Kurds?” is also taken into consideration. This lecture is about the relation between the Kurds/Kurdish movement and the Gezi protests, both during and after the period.

Zeynep Tül Akbal SüalpWe are going through a period in which social movements and forms of resistance spread manifold. By this many new prospects and “doors” open up, and new questions rise while considering the building of tomorrow in the now. Moreover, fascism with its concrete conditions no longer waits in front of the door but has conquered the barrier and is already waiting for the moment when the “wind” will change into a storm.

Göksun YazıcıOn the 28th of May 1871 the fall of the Paris Commune was proclaimed. This was the day of the defeat of one commune; nevertheless, new communes are waiting for us. On the night of 31 May 2013 dreams come true. For 14 days Taksim and Gezi Park were home to a commune fenced with barricades. Today it seems that freedom movements disintegrate like days in a calendar. But the dreams of the movement are not dead, its spirit is immortal. What happened in Turkey after the resistance in Gezi Park? The reactionary security methods of the government, which was voted out on June 7th in 2015, and the politics of violence in order to recuperate power have narrowed the political breathing space. In this panel I will discuss these “contagious” elements: the security and violence politics of those three years, the path from Gezi to voting stations on June 7th, from Suruç to Kobane and Rojava to the role of Turkey in Syria. Part of the panel discussion will be focused on how existing signs of life and pulses found another alternative policy and are reinterpreted.

12 May 2016, THURSDAY

Academy of Fine Arts Vienna, main building, Schillerplatz 3, 1010 Vienna, AulaExhibition opened to general public from 12.00 until 20.00; free admission.

Guiding tour through the exhibition at 13.00;

LECTURE, PERFORMANCES and SPECIAL SCREENING:At 14.00: Seda TunçAt 15.00: Öncel SeçginAt 16.00: Çağdaş Yılmaz

Academy of Fine Arts Vienna, main building, Schillerplatz 3, 1010 Vienna, Conference room M 13

17.00 Lecture 3Göksun Yazıcı talks about Turkey, the war in Syria, Europe and refugees.The powers of the world are involved in the war in Syria. Although this was defined as a “civil war” in the mass media, it is really groups who are fighting on behalf of the powers of the world (though ISIS has its own agenda). The first part of this presentation will be focused on the war in Syria, Turkey, Kurdish Militia YPG, Assad, Saudi Arabia, USA, Russia and Europe. The second part will be focused on the “humanitarian” consequence of the war. Although the rebellion was started by the Arab Spring (as they call themselves, a dignity revolution) the process was followed by armed conflict provoked by dominant world powers. In five years millions of people were forced to migrate, becoming refugees in Turkey, Jordan, Lebanon, and Europe. The crisis is not just humanitarian. On the contrary, the label “humanitarian” is used to cover its political and economic nature. In this part the negotiation between Europe and Turkey for refugees will be discussed; also, other politics that can be employed for refugees (and with refugees) will be questioned.

19.30 Finissage

23.00 Club FLUC, Praterstern 5, 1020 WienConcert EsRAP »Rap for revolution!«EsRap are 2 artists (Enes and Esra) who present their texts in German and Turkish languages. Enes and Esra (EsRAP) are outspoken about Austrian politics. The two siblings deal with social-critical topics and hope to make people think.Party sounds:DJ LINE 9/8Tpsychodelic Turkish rock from the 1970s, fusing elements from genres such as progressive rock, punk, and electronica2/5BZ aka Serhat Köksal

16 May 2016, Monday, HOLIDAY

17 May -18 May 2016,IMPORTANT:POSTPONED due to the comemoration of prof. Damisch passing away!!!THE DATE WILL BE ANNOUNCED IN THE FUTURE!!

Tuesday and WednesdayMano Krach large presentation works, Semper depot, Lehargasse.

Where: Akademie der bildenden Künste WienAusstellungsraum, EG/Erdgeschoss, Lehargasse 8, 1060 WienFree admission

Mano idios KrachIch sehe mich dich sehen

Ausstellung/Exhibition: Video/Installation17 und 18 May 201612.00 – 20.0018 May 201620.00: Q&A mit/ with Mano Krach

Der melancholische Seufzer eines permanent verkennenden und verkannten Multi_Options_Subjekt und das Rauschen vom Ich im Du sind Themen meiner Arbeiten. Die Installation dient als eine Be - / - An - / Deutungsatmosphäre die Trauma und Körper, Bild und Zeit, Raum und Anordnung zusammendenkt. Die Dehnung der Zeit, Dunkelheit und die Abgeschiedenheit werden zu zentralen Thesen dieser schwer atmenden Trigger-/Poesie. (Krach)The melancholic sigh of a sustained misunderstanding and of a misunderstood Multi_Option_Subject and the noise of the I in You are the topics of my work. The installation functions as an atmosphere of allusions of intersections of trauma and body, image and time, space and arrangements. Deceleration, darkness and seclusion will become central theses of this heavy breathing dream trigger poetry. (Krach)

Werke von Mano idios Krach /Works by Mano Krach at Display

Ich sehe mich dich sehen, 2013 (mit Josephine Brinkmann)
DAS THRON, 2016
Paranoia is a skill, 2016

CV: Mano Krach studiert Medienkunst an der HGB Leipzig in der Klasses "Expanded Cinema" und ist aktuell Austauschstudierende(r ) in der Post Conceptual Art Practices Fachbereich an der Akademie der bildenden Künste Wien.Mano Krach studies at HGB Leipzig media art in the Class "Expanded Cinema", presently exchange student based at the Post Conceptual Art Practices study program at the Academy of Fine Arts Vienna.

Support: Marina Grzinic, Muzaffer Hasaltay, Gilbert Marx, Richard Reisenberger.

23 May 2016, MondayEntry exams: 2 roundIn charge: Grzinic and Hasaltay

24 May 2016, TuesdayEntry exams: 2 roundIn charge: Grzinic and Hasaltay

25 May 2016, WednesdayEntry exams: 2 round/finalIn charge: Grzinic and Hasaltay

26 May 2016, ThursdayHOLIDAY

30 May 2016, MondayM1,At 14.00 to 17.00Diploma presentations for June 2016Daria KirillovaEsra ÖzmenScreening film by Heiny Srour, discussion.

30 May 2016, MondayWhere: PCAP (POST CONCEPTUAL ART PRACTICES) STUDY PROGRAM,Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

At 19.00Guest lectures by Matilda Odobashi and Giorgia Conceição (aka Miss G)

Matilda Odobashi work is a reflection upon the interpersonal relations and issues of coexistence between people living and sharing common spaces. It expresses as well a critical view upon the common senses and what is perceived as “normal” in a society when it comes to relationships, concepts of love and hate, good and bad etc. Even though her main medium are drawing and installation, she works as well with painting, photography and other new medias.

CV: Matilda Odobashi, born in 1988, Tirana, Albania. Lives and works in Tirana. She graduated from the University of Arts in Tirana in 2010. Has worked as adjunct professor at the University of Arts for 4 years and has collaborated with different cultural and human rights organizations while at the moment is the coordinator of Zeta Art Center/ Gallery in Tirana. matildaodobashi.com

Giorgia Conceição (aka Miss G) developed the concept of “burla”, a Latin word extracted from the frame of the burlesque genre (the substantive burla generates the adjective burlesque). Burla presents itself as a strategy for the creation of the body which wants to heal from its scars, some of which are gender related, as well as those deriving from colonialism and stereotyping, giving visibility to powers and characteristics prevented from developing within the discourses of colonial and rationalist tradition.Her art is about blurring the limits between contemporary live art and burlesque performance.

CV: Giorgia Conceição (aka Miss G) born in 1981 in Curitiba, Brazil. She holds a MA in performing arts from the Federal University of Bahia, Salvador, Brazil. She received three times grants from the Rumos Itaú Cultural Program (2010, 2012 and 2014), an international program for developing arts in São Paulo, Brazil.

This lecture program is possible thanks to the Artists-in-Residence program of the Austrian Federal Chancellery and KulturKontakt Austria.

31 May 2016, TuesdayM1, At 14.00 to 17.00Pcap talks, screening and lecturing, DISCUSSION TRAVEL SAN SEBASTIAN, BILBAO! 26-30.10.2016; book Border thinking.Screening video by Sophie Hoyle, discussion.

31 May 2016, TuesdayM1, At 17.00Julischka STENGELE meeting, report project and preparationFor FETTVERTEILUNG. PCAP to take part in the event. Fixing details for 8th of JuneSEE in June: Mittwoch, 08.06. 2016 | 18:30 UhrWo: SOHO in Ottakring Festival, Alte Milchtrinkhalle im Kongresspark - Tram 10 oder 44 bis LiebknechtgasseJULISCHKA STENGELE: FETTVERTEILUNG - Tischgespräche mit Kaffee & Kuchenvon Julischka Stengele mit ARGE Dicke Weiber (Malena & Christine), Kristina Kuličová, Maira Enesi Caixeta und Sara Ablinger

31 May 2016, Tuesday

Where: PCAP (POST CONCEPTUAL ART PRACTICES) STUDY PROGRAM,Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

At 19.00

tatiana nascimento (Brazil)tatiana nascimento is poet, slammer, translator, film-maker and publisherSpoken word performance: "Ilú, a trovão dentro / Ilú, die Sturm innen"Talk after the presentation moderated by Marissa Lobo.tatiana nascimento spoken word performances, poetic soundtracks and video-poems assume an aesthetics of screaming silence in which words, gestures and pauses merge to enlace and project tatiana nascimento’s own voice and expression as a turning point against the racist and homophobic historical silencing while avoiding victimization rhetoric. tatiana nascimento written poetry geometrically occupies the paper, leading to a verticalized visual word-playing where meanings and phonemes break to make and unmake sense. She establishes a dialogue with the diasporic fractures caused by the colonial kidnapping and exploitation of Black people in order to de-constructs / re-construct and remake narratives diffused within Afro-American context. This process of remembering, reinventing and recollecting also flows with rebuilding Oyá tales (that is Orishá of thunders and storms) that is a main work theme to tatiana nascimento, based on a cuíer/queer perspective rooted on her own experiences of blackness, fatness, sex(uality), trance.

CV: tatiana nascimento is founder of Padê Editorial, a publishing house for handmade books by Black authors, and also lesbian, bisexual, gay, trans* people, allies, two-spirited, brave hearts authors. Padê Editorial released in March 2016 its first poetry books: "{Penetra-fresta}", from Barbara Esmenia (that is a Padê's co-founder) and "lundu," by tatiana nascimento. tatiana and Esmenia are working on three other upcoming poetry books – including a multilingual anthology of black poetelling in the Diaspora. In Brazil, tatiana nascimento runs two poetry slams: slam das minas, Brazilian first lesbian-and-women-only slam; and slam a coisa tá preta, first to black people only. In Vienna, she started, with Njideka Stephanie Iroh, sistah* slam, first poetry slam to black women/lesbian and lesbian/women of color in Vienna. She also sings and speaks poems with the musical group água, and is an activist doing workshops and lectures about self-care, community criticism and healing, creative and/or academic writing, and how to recognize and fight violence against lesbians.

soundcloud.com/tateannfacebook.com/pade.editorial

Performance sound scenarios by Luiza Schulz.Presentation done in the context of and in collaboration with Njideka Stephanie Iroh and Marissa Lobo project "Bodies of Knowledge" – Multiplying Marginalized Subjectivities of Utopia through Art and Storytelling. Sponsored by SHIFT 2015.

1 JUNE 2016, WednesdayInd. meetings diploma candidates11.00 to 14.00

15.00 going together to the exhibition:Where: Alte PostDominikanerbastei 111010 Wien

Universal Hospitality Ausstellung// Into the CityAusstellung / Performance / Open Forum / Buchpräsentation / Führungen / Athen/Barcelona/Beirut/Berlin/Bratislava/Brighton/Budapest/Bukarest/Charkiw/Dakar/Istanbul/Kiew/Leipzig/London/Mailand/München/New York/Paris/Prag/Rom/Sankt Petersburg/Sarajevo/Valencia/Wien/Wolbrom/Warschau/Zagreb/ŽilinaFREE ENTRANCE

1 JUNE 2016, WednesdayLecture organized by IKL/ Elke Gaugele and IBK/ Marina Grzinic, Academy of Fine Arts Vienna

WHERE: Ort | Akademie der bildenden Künste Wien, Institutsgebäude, Karl-Schweighofergasse 3, 1070 Wien, 3.06

At 19.00 Lecture by Aneta Stojnic, Belgrade

Title: Liminal Bodies, (Dis)embodied Subjectivities and Technologies of Control

Next 8-10.06.2016 diplomeStarts 8.06.2016 at 9.00, schillerplatz

PCAP Program APRIL 2016

concept — Thu, 31 Mar 2016 21:57:13 GMT

PCAP Program APRIL 2016

4.04.2016. Monday9.00-17.00 (ENTRY EXAM, 1 part)

17.30-20.00 ind. Meetings, Grzinic office

4.04.2016. MondayAt 20.00 at M1

Julischka Stengele presentation of her future project with the title FETTVERTEILUNG (fat distribution), at the festival SOHO in Ottakring. It deals with the relationship between nutrition, income and gender, with a focus on fat phobia and classism. She proposed collaboration with PCAP in her project that is scheduled for Wednesday, 8th of June at 18:30h. www.sohoinottakring.at

Julischka will present the idea of her project; input from PCAP and concrete collaboration to be stablished. IMPORTANT THE WHOLE PROJECT on the 8.06 2016 will be in GERMAN!Teaser in German formulated by Julischka Stengele:Für die Arbeiterfamilie ist der Braten am Tisch ein Statussymbol, für die junge Akademikerin ist es der Verzicht auf Fleisch oder der Einkauf im Biomarkt, der ihren gesellschaftlichen Stand ausweist. Einige haben wenig Geld aber viel Speck auf den Rippen, andere können sich flache Bäuche leisten. Was hat es damit auf sich? Und: stimmt es überhaupt? So oder so: beim Thema Essen sind der erhobene Zeigefinger, das schlechte Gewissen und die Vorurteile nie weit.Referent_innen sprechen zu Themen wie Fettfeindlichkeit und Diskriminierung von dicken Personen oder den Zusammenhängen von Ernährung, Einkommen und Geschlecht. Thematische Zuckerkunstwerke sorgen dafür, dass der Genuss dabei nicht zu kurz kommt. Anschließend steht dem Publikum das Gespräch offen und alle sind herzlich eingeladen, Kuchen für die gemeinsame Tafel mitzubringen.5.04.2016 Tuesday9.00-17.00 (ENTRY EXAM, 1 part)18.00-20.00 ind. Meetings, Grzinic office

5.04.2016 TuesdayAt 20.00 at M1Daria Kirillova, diploma presentation for June 2016

06.04.2016, WednesdayWHERE: IFK Internationales Forschungszentrum KulturwissenschaftenReichsratsstraße 17, 1010 Wien, Austria; U Bahn: U2 (Schottentor)At 18:15 until 20.00MOISHE POSTONE: HISTORY, TEMPORALITY, AND THE DUAL CRISIS OF CAPITALISMResponding to the far-reaching transformations of recent decades, Moishe Postone will outline an approach that seeks to place consideration of the historical dynamics of modernity at the center of critical social analysis.Postone’s project argues that a renewed encounter with Marx’s seminal analysis of capitalism could significantly illuminate the global dynamics of the past century. Nevertheless, it argues that one cannot simply return to Marx as he was commonly understood during much of the twentieth century. Rather, the weak points of traditional Marxist theories and the increasingly apparent inadequacies of many post-Marxist approaches suggest the need to rethink, as well as to reappropriate, Marx.

Moishe Postone is the Thomas E. Donnelley Professor of Modern History at the College at the University of Chicago. He teaches social theory and intellectual history and has written extensively on Marx, Critical Theory, recent global transformations, and modern anti-Semitism. He is currently Stadt Wien/IFK_Urban Fellow.

11.04.2016, Monday

11.00 to 13.00. ind. Meetings Grzinic office13.00 book BORDER THINKING artistic contribution, 1 working meeting.

14.00, M1PCAP discussion platform, work, open questions, recent debates; program in April, May, June.; class travel caution….

At 16.00 to 18.00, M1Esra Özmen DIPLOMA presentation for June 2016

11.04.2014, MondayAt 19.00Where: PCAP (POST CONCEPTUAL ART PRACTICES) STUDY PROGRAM,Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien, 1.OG Atelier Süd (M1)Guest lectures by Xue Mu and Meggy Rustamova

Xue Mu: A Childish NothingnessLike many people, Xue Mu experiences the ideological confusion and identity struggle in the present time of globalization. She questions and reflects on the inevitable loss of current belief systems, and focus on doubt, curiosity and awareness regarding new value orientations and future potential. Underlining the unmediated experiences in life observations, Mu articulates the existence of unseen experiences in her art projects – these projects can be seen as footprints on an exploring path of fundamental subjects, such as the values of existential experience, and critical reflections on individuality within notions of cultural identity and ideology.CV: Xue Mu (b. 1979 Nanjing, China) is a visual artist based in Amsterdam, the Netherlands. She received BFA from Gerrit Rietveld Academie, MFA from DAI (Dutch Art Institute), and art in residency at de Rijksakademie van Beeldende Kunsten in 2011 and 2012. Mu’s practice includes photography, installations, large drawing series, and collaborative performances, with each form carrying a particular purpose concerning her current research. Her recent projects have been presenting in de Apple Arts Centre in Amsterdam (2014), Gallerie Gabriel Rolt in Amsterdam (2012, 2014), YeoWorkshop in Singapoer (2014), Stedelijk Museum Amsterdam (2013), Hexiangning Art Museum in ShenZhen CN (2013).Meggy Rustamova: Interplay between film, photography and performance

Meggy Rustamova develops an interdisciplinary practice with films, installations and performances with deep poetic overtones. Personal knowledge forms are the basis of her work, roots for unfolding a poetic story or issue. She is looking for narratives – with absurd humor and a hint of melancholy – that float between imagination and authenticity.CV: Meggy Rustamova, born 1985 in Tbilisi, Georgia, lives and works in Ghent, Belgium. Rustamova migrates as a child with her Assyrian mother from Georgia and after a few wanderings they eventually end up in Belgium. Rustamova obtains her master degree in visual arts at KASK in Ghent (2006-2011) with a stay at the Universität der Künste in Berlin (2010) and the HISK (2012-2013) where she obtains a post-graduate degree. Recent exhibitions and screenings include: International Film Festival Rotterdam (2016), Tallinn Art Hall (2016), Beursschouwburg, Brussels (2015), Kunsthalle Wien (2015), Bureau des Réalités, Brussels (2015), 6th Moscow Biennale of Contemporary Art (2015), Project Arts Centre, Dublin (2014) and Salzburger Kunstverein (2014). Her works are included in private and public collections of Belfius, Argos and S.M.A.K.

Meggy Rustamova, L’invitation au voyage, copyright Rustamovawww.akbild.ac.atThese lectures are possible thanks to the Artists-in-Residence program of the Austrian Federal Chancellery and KulturKontakt Austria.

12.04.2016, Tuesday12.00 to 15.00 individual meeting, Grzinic office

12.04.2016, Tuesday

At 16 to 18.00, M1Screening and discussion, film SON OF SAUL, 2015.Proposed by Grzinic, help moderation: Eszter Fazekas.

12.04.2016, Tuesday

19 to 21.00Erasmus presentation, new students’ class presentation, IKL

Camila RhodiCampbell MCconnellElisabetta Palisi

14.04.2016, Thursday

16.00, xhibit, Academy of Fine Arts Vienna, SchillerplatzInvitation to a guided tour through the exhibition Uncanny Materials. Founding Moments of Art Education. Curators taking through the show… Barbara Mahlknecht and Elke Krasny

14.04.2016, Thursday GUESTS’ WORKSHOPWhere: PCAP (POST CONCEPTUAL ART PRACTICES) STUDY PROGRAM,Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)From 14.00 to 18.00MEHRSPRACHIG, a cross-cultural school project funded and supported by CultureConnected and KulturKontaktAustria. Organized by PETER HASELMAYER, former Student of PCAP, artist and teacher at Gymnasium G13, Fichtnergasse 15; LISBETH KOVACIC, former Student of PCAP, artist and teacher at PROSA (experimental selforganized school for refugees; www.prosa-schule.org)There will be around 40 scholars from different cultural backgrounds.

15.04.2016 GUESTS’ WORKSHOPWhere: PCAP (POST CONCEPTUAL ART PRACTICES) STUDY PROGRAM,Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)From 9.30 to 13.30MEHRSPRACHIG, a cross-cultural school project funded and supported by CultureConnected and KulturKontaktAustria. Organized by PETER HASELMAYER, former Student of PCAP, artist and teacher at Gymnasium G13, Fichtnergasse 15; LISBETH KOVACIC, former Student of PCAP, artist and teacher at PROSA (experimental selforganized school for refugees; www.prosa-schule.org)There will be around 40 scholars from different cultural backgrounds.

18.04.2016, Monday

At 14.00, M1Meeting PCAP, open questionsreading bell hooks text on feminism, preparation for L. Mulvey lecture.

16.00 to 18.00, M1Christian Gangl DIPLOMA presentation for november 2016

18.04.2016, MondayAt 18.00Where: Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 6, 1060 Wien, ProspekthofLecture by Laura Mulvey: Changes. Thoughts across 40 years on Feminism, Film and Spectatorship(in English)The British feminist film theorist Laura Mulvey will make an arc of more than forty years of her work. Starting from her influential essay "Visual Pleasure and Narrative Cinema" ( 1975) she will outline in her lecture the changes through technical innovations, new ideas and political discourses in her work. Mulvey became famous in 1975 with her psychoanalytic approach to interpretation of early Hollywood movies, with which she opened a theoretical turn in feminist film analysis in the 1970s. They thus became the leading figure of a new movement that tried to show the prevailing patriarchal structures and the associated image of the woman in the film and criticize.Laura Mulvey is professor of film and media studies at Birkbeck College, University of London.

18.04.2014, MondayLECTURE STARTS at 20.00Where: PCAP (POST CONCEPTUAL ART PRACTICES) STUDY PROGRAM,Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien, 1.OG Atelier Süd (M1)Guest lecture by Nguyen Phuong LinhNguyen Phuong Linh: Home projectIn Home project (2012), Phuong Linh’s father shipped her iron wood from the floor of a Catholic church and windows from a Mental hospital in the North Vietnam to Oakland (San Francisco area). The wood was transported same way that American Government sent the first container of weapon, medicine, food... to Vietnam in 1967, and Linh made a boat out of that.

Nguyen Phuong Linh: BOAT. Photo by Vincent ZagerCV: Nguyen Phuong Linh (1985) is a Vietnamese born, Hanoi-based conceptual artist. Nguyen Phuong Linh’s multidisciplinary practice spans installation, sculpture and video. Her work conveys the sense of the alienation, the dislocation and the ephemerality of human life. Linh concerns about geographic cultural shift, traditional roots and fragmented history in Vietnam – a complex nexus of ethnicities, religions, and cultural and geo-political influences. Nguyen Phuong Linh was born and raised at Nha San Studio, the first alternative artist run space for experimental art in Vietnam that was co-found by her father and based in their home.Since the closure of Nha San Studio due to authority, Linh has organized various mobile as well as large scale projects for Nha San artists in Vietnam and abroad. In 2013 she co-found Nha San Collective, a group of local artists who dedicate to pushing the examining traditional, local and global socio-political contexts and history. Nha San Collective supports each other in pushing the boundaries of expression in Vietnam as well as seeks and nurtures other young artists in the community with or without a physical space.In 2009, she exhibited the first solo exhibition Salt at Galerie Quynh Vietnam. In 2011, Linh participated in 11th Winds of Artist in Residence at Fukuoka Asian Art Museum with a solo exhibition Dust. In 2012 she presented project Home in the exhibition Hinterlands at the Luggage Store Gallery in San Francisco, USA. In 2013, she participated in the large exhibition HIWAR, 25th anniversary of Darat Al Funnun in Amman, Jordan. In 2015, Linh participated in the Mien Meo Mieng Exhibition, showcasing contemporary Art from Vietnam in Umea, Sweden. In 2016, she will participate in Singapore Biennale.www.akbild.ac.atThis lecture is possible thanks to the Artists-in-Residence program of the Austrian Federal Chancellery and KulturKontakt Austria.

19.04.2016, Tuesday

Diploma April term 2016

19.04.2016, TuesdayIndividual meetings 11.00 to 14.00, GRZINIC office

19.04.2016, TuesdayAt 16.00 to 18.00continuation Christian Gangl talk diplomereading bell hooks textlecture on the signifier from dildo to...

19.04.2016, Tuesday19 to 21.00, M1Erasmus presentation, new student’s class presentation, IKLCecilia TassoArek Ipek

25.04.2016, MondayMeeting Professor Alice Pechriggl and students from Alpen-Adria-Universität Klagenfurt, Philosophy Department

Second part of the Cooperation in between Alpen-Adria-Universität Klagenfurt, Philosophy Department and Akademie der bildenden Künste Wien, PhD in Philosophy study program.

It follows the International colloquium Positions: Philosophy, Research, Society with guest lecturer and PhD in philosophy candidates’ presentations (14-15.03.2016) in Klagenfurt.

Program11.00 to 18.00

11h10 meeting with Marina Grzinic and students Post conceptual art Practices study program (PCAP), main entranceHaupteingang, Schillerplatz 3 1010 Wien,11h20 Aula: Eröffnung / Opening Rektorin / president of the Academy of Fine Arts, Eva BlimlingerRundgang, Ateliers12.30 lunch Mensa Schillerplatz14.00 Gemäldegalerie

15.30 visiting and lecturePCAP (POST CONCEPTUAL ART PRACTICES) STUDY PROGRAM,Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien, 1.OG Atelier Süd (M1)

16.00 to 18.00Lecture Alice Pechriggl: Denkakte: thinking as – and out of – performanceCVAlice Pechriggl is a philosopher and a group analyst, she studied and worked in Paris (EHESS) and Vienna (University of Vienna, free-lance), since 2003 she is professor for philosophy at the University of Klagenfurt (Institut für Philosophie der Fakultät für Kulturwissenschaften). In her work she is performing thinking as corporeal "vis formandi" in order to open up new aspects an to create new philosophical concepts; since 1992 she works together with architects, artists and musicians like Claudia Bosse, Markus Brandstätter, Martina Cizek, Gabu Heindl, Anne Selders, Burkhard Stangl e.a.Last book: Eros, UTB 2009; forthcoming 2016: Zwang zu Agieren – Freiheit zu Handeln / Freies Agieren – Zwangshandlungen, transcript www.uni-klu.ac.at

25.04.2016, MondayAt 19.00, M1Daria Kirillova, diploma presentation (2 time) for June 2016

26.04.2016, TuesdayAt 10.00 to 12.00 Grzinic,office, individual meetings

At 13.00 finissage reading bell hooksAt 14.00 meeting proposal exhibition Innsbruck

At 15.00 M1, Pcap meeting, discussion, workPresentationsMartin WeichselbaumerFiras Shehadeh

26.04.2016, Tuesday19:00 - 21:00WHERE:Central Library Vienna - Am Gürtel, Urban-Loritz-Platz 2a, 1070 ViennaProgram:Pınar Selek, Publicist and Sociologist, University of StrasbourgYüksel Taşkın, Political Scientist, Marmara University, IstanbulBülent Küçük, Sociologist, Boğaziçi University, IstanbulChair: Ilker Ataç, Political Scientist, University of Osnabrück/VIDCWelcome: Michael Fanizadeh, VIDC

Languages: Turkish and German with simultaneous interpretationRegistration: fanizadeh@vidc.org

BOOK TITLE: Continuities, changes, taboos. TurkeyEDITED BY Ilker Ataç, Michael Fanizadeh, VIDC (Hg.)

The question of Turkey's democratization has in recent years increasingly become the focus of attention. It is about the specific role of minorities, the ruling AKP party and the EU. Turkey is considered as one of the key countries in the region due to its geo-strategic position, the dynamic economic development and because of its complex political and civil society actors. At the same time, the political and social conditions are controversial. Missing press freedom, great East-West divide, authoritarian political rule and re-increasing pressure on the minorities are critically examined.

Ilker Ataç is researcher at the Institute for Migration Research and Intercultural Studies (IMIS) at Osnabrück University and works as a consultant for the VIDC. He has studied economics and political science in Vienna and received his doctorate at the University of Frankfurt / Main. Research interests: migration, social movements and Turkish politics.

Michael Fanizadeh is a political scientist and works since 1997 on VIDC. His work spaces Migration & development, human rights and anti-racism. His regional focus is on the Middle East.

The Vienna Institute for International Dialogue and Cooperation (VIDC) is one of the oldest institutions of development cooperation in Austria and was established in 1962 as a think tank for global development issues. It is the oldest civil society organization development policy in Austria.

NEX MAY 20161 may 2016MAY DAY

ANNOUNCEMENT IN MAY10-13.05.2016Gezi – before and after – 2013 – 2016Academy of Fine Arts ViennaLectures, Panel Discussion, ExhibitionThe project New practices of social movement and its transformative potential after the Gezi Park protests in Istanbul will be analyzed with lectures, a panel discussion and an exhibition.The event is organized by the Conceptual Art study program at the Institute of Fine Arts at the Academy.Contributions by Foti Benlisoy, Çetin Gürer, Hakan Gürses, Zeynep Tül Akbal Süalp, Göksun Yazici.Concept: Marina Gržinić with Betül Küpeli, Cansu Berksan, Esra Özmen, Songül Sonmez, Reha Refik Taşcı and Onur Serdar.The Gezi Park protests in Istanbul started in May 2013 with the occupation [Go-In, Sit-In, Be-In –] of the public park in Beyoğlu/Taksim by critical activists. In the beginning the occupants opposed the land use plan, which seemed to be a devastation of the park for the benefit of economic interests. Shortly after 100,000 citizens occupied the park and Taksim Square and a nationwide protest movement began with squatting and a new definition of the public space.The wave of protests was not just about Gezi Park but also a longstanding deep uneasiness in society with the problematic government model of the AKP, the status of the Kurds, the arrests of journalists, the denial of the genocide of the Armenians and so on. Many different citizens’ initiatives and groups came together under the circumstances of a general dissatisfaction with the Turkish government.LGBTIQs, feminists, Kurds, the so-called anti-capitalist Moslems, the chamber of architects, Turkish nationalists… With the occupation of Gezi Park a whole generation became politicized, experiencing something that was never present before the takeover and occupation of a public space. Using tear gas, armored cars, water cannons and imprisonment, police power was exercised without limits.

10 May 2016, TUESDAYAcademy of Fine Arts Vienna, main building, Schillerplatz 3, 1010 Vienna, Aula16.00 Vernissage and ExhibitionMOMENT / MOVEMENTThis exhibition is a collective project of artists and activists from different countries in search of a political-artistic and emancipatory future.

Greeting: Andrea B. Braidt, Vice Rector for Art and ResearchIntroductory remarks: Marina Gržinić, Professor of Conceptual ArtPresentation of the exhibition: Betül Küpeli

Academy of Fine Arts Vienna, Main Building, Schillerplatz 3, 1010 Vienna, Conference room M 20

11 May 2016, WEDNESDAYAcademy of Fine Arts Vienna, main building, Schillerplatz 3, 1010 Vienna, Conference room M 13

16.00–18.00 Lecture 2Foti Benlisoy and Çetin Gürer talk about political activism, the state of affairs in Turkey and the initiative Academics for Peace.Foti Benlisoy
It is crucial to note that in Syria the guided proxy war is confronting the crisis of Erdoğan’s AKP. The AKP gained a new grip on the State. In society, around “nationalist” and “domestic” topics, new “uniting” and “mobilizing” meta-narratives were put on the agenda. With the usage of the war, the amendment of the Constitution, and a “Turkish” presidential system, “an absolutist one-man-one-party regime” was put on the agenda. With this the friend-enemy-principle of war is realized in extreme forms and results. This lecture is about two interlinked wars (inside and outside) and about a new constructed regime through these wars.(Language: English)Çetin GürerOn the 12th of January 2016 the initiative Academics for Peace declared the petition campaign We will not be a part of this crime!. In the beginning there were 1,128 academics, and shortly after 2,218 academics supported the campaign and signed the petition. Through its sharp criticism of the AKP government and its outcry against the murder of simple, unarmed citizens, the petition is a historically important moment. President Recep Tayyip Erdoğan has condemned the campaign immediately as a provocation, which has provoked strong repression against academics. Why did this campaign irritate the AKP government and Erdoğan so much? Why was a simple petition seen as such an important issue? How did this petition unmask an authoritarian government, and what lessons can be learned from it?(Language: German)

Academy of Fine Arts Vienna, main building, Schillerplatz 3, 1010 Vienna, Conference hall19.00–21.30Panel discussion with Foti Benlisoy, Çetin Gürer, Zeynep Tül Akbal Süalp and Göksun YazıcıModeration: Hakan GürsesTurkish-German, simultaneous translation in two languages: Öncel Seçgin

12 May 2016, THURSDAYAcademy of Fine Arts Vienna, main building, Schillerplatz 3, 1010 Vienna, Conference room M 1317.00 Lecture 3Göksun Yazıcı talks about Turkey, the war in Syria, Europe and refugees.The powers of the world are involved in the war in Syria. Although this was defined as a “civil war” in the mass media, it is really groups who are fighting on behalf of the powers of the world (though ISIS has its own agenda). The first part of this presentation will be focused on the war in Syria, Turkey, Kurdish Militia YPG, Assad, Saudi Arabia, USA, Russia and Europe. The second part will be focused on the “humanitarian” consequence of the war. Although the rebellion was started by the Arab Spring (as they call themselves, a dignity revolution) the process was followed by armed conflict provoked by dominant world powers. In five years millions of people were forced to migrate, becoming refugees in Turkey, Jordan, Lebanon, and Europe. The crisis is not just humanitarian. On the contrary, the label “humanitarian” is used to cover its political and economic nature. In this part the negotiation between Europe and Turkey for refugees will be discussed; also, other politics that can be employed for refugees (and with refugees) will be questioned.19.30 Finissage23.00 Club FLUC, Praterstern 5, 1020 WienConcert EsRAP »Rap for revolution!«EsRap are 2 artists (Enes and Esra) who present their texts in German and Turkish languages. Enes and Esra (EsRAP) are outspoken about Austrian politics. The two siblings deal with social-critical topics and hope to make people think.DJ LINE 9/8Tpsychodelic Turkish rock from the 1970s, fusing elements from genres such as progressive rock, punk, and electronica.

PCAP Program MARCH 2016

concept — Tue, 23 Feb 2016 19:29:28 GMT

PCAP Program MARCH 2016

7.03.2016, Monday

At 13.00 meeting in M1, Atelierhaus, Lehargasse 8, 1060 Wien, 1.OG Atelier Süd (M1)new Erasmus students, IKLAt 13.40 going to Depot

7.03.2016, MondayAt 14.00WHERE DepotBreite Gasse 31070 Wienwww.depot.or.atPrivilege and CritiqueSeminar / Also workshop B3/PCAP/GrzinicOrganized by Teo Klug, Social Work / Master Student in Gender Studies, Göteborg University

To have a voice means already to be heard – in what position does this put the speaking person? What responsibilities does one whose voice is heard have? How can this privilege be used in a transformative approach to challenge and change the stage of the sayable and to allow other voices to appear?

14:15 Introduction – some activities – some input15:00 Angela Davis “Transnational Solidarities: Resisting Racism, Genocide and Settler Colonialism”Boğaziçi University, Istanbul, 2015 Hrant Dink Memorial Lecture hosted Angela Davis

Transcript: polymorphouslyperverse.comText discussion.

15:45 Break: Eating16:15 Screening of Audre Lorde Berlin Years17:40 Closing remarks on the Film and Workshop18-19 Break – finishing of the buffet - transition to the lecture setting.

Seminar language is English and German and it refers to the evening event Critical Studies in Neo-Liberal Times

7.03.2016, MondayWHERE DepotBreite Gasse 31070 Wien

At 19.00

Critical Studies in Neo-Liberal TimesPanelAlso workshop B3/PCAP/GrzinicEurope in Motion: rapidly transforming border regimes and radical neoliberal shifts. The University, once again, is at the forefront of the current discourses. How do the changes affect the field around Critical Studies such as Gender / Queer / Feminist / Post-Colonial / De-Colonial / Critical Migration Studies?

María do Mar Castro Varela, IFW, Alice Salomon University for Applied Science BerlinMarina Gržinić, Academy of Fine Arts Vienna,Monika Mokre, Austrian Academy of Science

Event will be held in English

8.03.2016, Tuesday

Ind. Meetings, office Grzinic10.10 until 11.0013.30 until 14.30

Atelierhaus, Lehargasse 8, 1060 Wien, 1.OG Atelier Süd (M1)At 14.30 until 17.30

Reflection Rundgang works :Numan MohammadClaudia TomassettiManuel PrammerNeda HosseinyarOnur SerdarFiras Shedah

PAUSE 17.30 until 18.30, discussion and food

18.30 until 19.30

SHORT PhD in philosophy presentations, overview Klagenfurt International colloquium

Diana BulzanTITLE: The reality of the body versus the reality of representation. A Case Study of VALIE EXPORT’s Tapp und Tastkino (1968)

Taida KusturicaTITLE: Post- representations: between art and war

Mika MaruyamaTITLE: Traces and representation of the body

8.3.2015, Tuesday

LECTUREAt 20:00

WherePCAP (POST CONCEPTUAL ART PRACTICES) STUDY PROGRAM,Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien,1.OG Atelier Süd(M1)

Guest lecture by Saša Kesić, Belgrade

Title: Theory of the Queer Identities’ Representation in the Contemporary East-European Art and Culture

The lecture will focus on the topic of queer identities and performativity, which he will analyze through a few case studies: Pride Parade as a form of manifestation (as a problem of trauma representation in contemporary culture), gender body and queer body representations in visual arts, and gender and queer body representations in mass media.CV: Saša Kesić (1983) is a PhD student at the Department for Theory of Art and Media, University of Arts in Belgrade. Currently he is doing a research at The Academy of Fine Arts in Vienna, Conceptual Art study program/IBK, as he has been awarded the Ernst Mach Worldwide scholarship in duration of nine months. Having MA in music pedagogy, he also works as a music teacher in “Vatroslav Lisinski” Music school in Belgrade. Kesić has published articles: “Antonio Gramsci”, in Marxist Aesthetics, Philosophy and Theory of Art, ed. N. Dedić, Orion Art, Belgrade (2015); “Queer Calendars: Art-Activist Project of Contemporary Art Transition ”, in AM Journal of Art and Media Studies no. 8, Faculty of Media and Communications, Belgrade (2015), etc.Also workshop B3/PCAP/Grzinic

9.03.2016 WednesdayDiplome academy

10.03.2016 ThursdayAt 19.00 OPENING]a[ xhibit//WHERE:Ort | Akademie der bildenden Künste Wien, Hauptgebäude, Schillerplatz 3, 1010 Wien, xhibitTITLE: Unheimliche Materialien. Gründungsmomente der Kunsterziehung//Uncanny Materials | Founding Moments of Art Education

Curators: Elke Krasny and Barbara MahlknechtMit Beiträgen von/With contributions from:Tal Adler/Friedemann Derschmidt/Elisabeth Samsonow/Karin Schneider/Anna Szöke/Niko Wahl, Anna Artaker, Eva Blimlinger, Ramesch Daha, Zsuzsi Flohr/Benjy Fox-Rosen/Eduard Freudmann/Eva Reinold/Luisa Ziaja, Lena Rosa Händle, Minna L. Henriksson, Belinda Kazeem-Kaminski, Gila Kolb, Martin Krenn, Ina Markova/Rosemarie Burgstaller/Sophie Bitter-Smirnov, Verena Pawlowsky, Sabine Plakolm, Birgit Peter, Dirk Rupnow, Hansel Sato, Sekretariat für Geister, Archivpolitiken und Lücken (Nina Höchtl und Julia Wieger), Anna Schürch, Bernadette Settele, Nora Sternfeld, Suely Rolnik (angefragt), Wer hat Angst vor dem Museum (Imayna Caceres/Pêdra Costa/Verena Melgarejo Weinandt)

14.03.2016, MondayAtelierhaus, Lehargasse 8, 1060 Wien, 1.OG Atelier Süd (M1)At 17.00 until 19.00ERASMUS, new students: presentation PCAP, work questions:Talk with Muzaffer Hasaltay, assistant prof.

15.03.2016, TuesdayAtelierhaus, Lehargasse 8, 1060 Wien, 1. OG Atelier Süd (M1)

At 17.00 until 19.00Film screening and talk:the last documentary "We come as friends" from Hubert Sauperwww.wecomeasfriends.com.

In charge Muzaffer Hasaltay

19.03 2016EASTER HOLIDAYSNEXT: 4.04.2016 Monday

EVENT WITH PHD in philosophy STUDENTS (Vienna-Klagenfurt) AND LECTURES

Klagenfurt, March 14-16, 2016Vienna, April 25, 2016

International colloquium with guest lecturer and PhD in philosophy candidates’ presentations

TITLE: Positions: Philosophy, Research, Society

Cooperation in between Alpen-Adria-Universität Klagenfurt, Philosophy Department and Akademie der bildenden Künste Wien, PhD in Philosophy study program

Klagenfurt, March 14-16, 2016Vienna, April 25, 2016

WHERE: Universität Klagenfurt: UNI Klagenfurt | Alpen-AdriaADRESS: Universitätsstraße 65-67, 9020 Klagenfurt am Wörtherseewww.uni-klu.ac.at/

The international colloquium with guest lecturer and PhD in philosophy candidates’ presentations will open a space of exchange and collaboration in between positions in Austria and Europe, with reflection on actual questions between art, philosophy, politics and the social. The questions that will be posed are questions of agency, empowerment and dichotomies. The international colloquium is a joint collaboration in between the two universities, proposed by the professors’ Dr. Alice Pechriggl and Dr. Marina Grzinic.

PROGRAM:

Klagenfurt, March 14-16, 2016

14.03. 2016, MONDAYPlace:Universität Klagenfurt: UNI Klagenfurt | Alpen-AdriaUniversitätsstraße 65-67, 9020 Klagenfurt am WörtherseeROOM: V 1.34

At 17.00 until 19.00

Invited lecturer: Isabell Lorey

TITLE: Autonomy and Precarisation. (Neo)Liberal Entanglements of Labor and Care

The Western idea of the autonomous individual is a basic pillar of liberal-capitalist democracies and its concept of free labor. In this deeply racialized, gendered, and heterosexualized entanglement, the needs of protection and care are warded off, devalued, domesticated, feminizised. It is a logic, that in spite of its modifications, we continue to face today. When we think of current forms of precarization this has to be the background to understanding the politico-economic crisis we are now experiencing. On a multi-dimensional level, the regime of precarization constitutes the different entanglements of labor, independency, and care in capitalism and their function within governmentality. When subjectification has become capitalizable, autonomy turned into an instrument of government, and emancipation is trapped in neoliberal ideas of health, the challenge today is not just to invent new forms of organization and new strategies of resistance. More than that, we have to invent a fundamentally new way of how our living together can be organized and institutionalized. That is, how could a living together look like, based on a commonly shared precariousness, on relationality, and on care rights? It would, imagined this way, be an exodus out of the nation state, out of citizenship as we know it, and out of “immigration” as well.

Isabell Lorey, political theorist at the European Institute for Progressive Cultural Policies (eipcp) in Berlin and member of the editorial board of the publishing platform transversal texts (transversal.at); professor for transnational gender politics at the Institute for Political Science at the University of Kassel. Her recent book is State of Insecurity. Government of the Precarious, trans. by Aileen Derieg, London/New York: Verso, 2015.

15.03. 2016, TUESDAYPlace:Universität Klagenfurt: UNI Klagenfurt | Alpen-AdriaUniversitätsstraße 65-67, 9020 Klagenfurt am WörtherseeROOM: V 1.71

PRESENTATIONS by PHD students in philosophy and researchers

10.00 until 13.0013.00 to 14.30 (break)14.30 until 18.30

PARTICIPANTS from the Academy of Fine Arts Vienna, PhD in Philosophy study

Diana Bulzan (Feminism, representation, VALIE EXPORT)

Deniz Guvensoy (Turkey, geopolitics, public space)

Saša Kesić (LGBTQ, ex-Yugoslavia, pride parades)

Taida Kusturica (Philosophy, war, society, mass media)

Mika Maruyama (Body, representation, contemporary art)

PARTICIPANTS from the Alpen-Adria-Universität Klagenfurt

Marina Christodoulou ("Life as addiction", conceptual work)

Christian Herzog (Body / Language and Thinking in relation to Cassirer, Merleau-Ponty and Wittgenstein)

Sylvie Milosavljevic (Re-appropriations of intersectional -identities through artistic and scientific processes; keys words: Arts, sciences, identities)

Elena Pilipets (Memes, GIFs, visual media culture, digital seriality)

PROGRAM:

Vienna, April 25, 2016

Excursion to the Academy of fine arts Vienna

Lecture by Alice Pechriggl:"Denkakte: thinking as – and out of – performance"

Alice Pechriggl is a philosopher and a group analyst, she studied and worked in Paris (EHESS, visiting professor at Sorbonne and Paris VIII) and Vienna (University of Vienna), since 2003 she is professor for philosophy at the University of Klagenfurt. In her work she is performing thinking as corporeal "vis formandi" in order to open up new aspects an to create new philosophical concepts. Last book: Eros, UTB 2009; forthcoming 2016: Zwang zu Agieren – Freiheit zu Handeln? transcript www.uni-klu.ac.at

Marina Gržinić is a philosopher and artist who lives in Ljubljana and works in Ljubljana and Vienna. She is professor at the Academy of Fine Arts in Vienna. She has published numerous books. In 2014, in collaboration with Šefik Tatlić, she co-authored the book Necropolitics, Racialization and Global Capitalism: Historicization of Biopolitics and Forensics of Politics, Art, and Life (Lexington Books, USA, 2014). grzinic-smid.si

RUNDGANG PCAP 2016

concept — Tue, 05 Jan 2016 20:54:14 GMT

PROGRAM:Do, 21.01.2016, 16.00 hEröffnungmit Eva Blimlinger, Rektorin, Andrea B. Braidt, Vizerektorin Kunst | Forschung, Karin Riegler, Vizerektorin Lehre | NachwuchsförderungAnschließend BURLIN MUD’s Metal Mang Orkaestra plays „Into M“Atelierhaus, 2. Stock, Mehrzwecksaal

PCAP RUNDGANG 2016

Do, 21.01.2016/THURSDAYProgrammKonzeptuelle Kunst |Atelierhaus, 1. Stock, Atelier SüdAt 16.00 OPENING EXHIBITION PCAP

16.00-18.00 h: Performance 2Performance von Kyu Nyun KimWer ist Künstler_in?

18.00-19.00 h: Ich sehe mich dich SehenTemporäre Installation von Mano Idios KrachVideo Loop, 30 min.Künstler/Künstlerin: Josephine Brinkmann, Mano Idios Krach.Verwoben. Positioniert. Als Nachhall einer Herkunft und ihremEcho – als verschleierten Ursprungs Koordinaten, präsentiert sichdas Blickende, im Erblickten(?).

20.00 h: 90 er Kinder'' (Mix - Menü)Vortrag von EsRaPDer Vortrag handelt von den 1990er Jahren und blickt auf diese in zweierlei Hinsicht. Einerseits handelt er davon, wie es sich in den 1990ern anfühlte, als migrantisches Kind in Wien zu leben. Andererseits geht es um das Leben in den 1990ern generell, um persönliche Gefühle und was zu dieser Zeit alles abging, also eine zweifache Geschichte.CV: EsRaP sind das Geschwisterpaar Esra Özmen & Enes Özmen. Mein Bruder und ich machen Musik. Wir haben in Wien einen Rollentausch geschafft, denn ich rape und er singt, das ist normalerweise in der Hip Hop Szene nicht so üblich. Wir präsentieren unsere Texte im deutsch/türkischen Sprachraum, nehmen kein Blatt vor den Mund, um unsere Meinung zu der österreichischen Politik kund zu machen. Ich studiere an der Akademie der bildenden Künste Wien und der Enes geht ins Gymnasium. Wir sind hier geboren, hier aufgewachsen, österreichische Staatsbürger, doch ein Ausländer mit Vergnügen. Es fehlt in Bereich Migration in Wien sehr viel, wir versuchen in diesem Bereich ein Stock für den wackelnden Tisch zu sein. Es fehlt an mehr Durchmischung, mehr Miteinander.

22.00 h: Bin ich offen? Die brasilianische Performance "Solange, tô aberta!" und ihre 10 Jahre des tropisch queeren Baile FunkVortrag von Pêdra CostaSolange, tô aberta (Solange, ich bin offen!) wird 10! Es handelt sich um ein Projekt von Pêdra Costa in Form eines Konzerts im Stil des Baile Funk (der ursprünglich aus den Vororten von Rio de Janeiro in Brasilien stammt) und Drag, Queer, D.I.Y. mit post-Porn und den Beats des Baile Funk verknüpft. Es verwendet Baile Funk als Mittel politischen Widerstandes bzw. um gemeinsam Spaß zu haben. Leicht verändert von der ursprünglichen Form verbreitet es explosionsartig und kathartisch Tanz und Politik. Es spricht zu jenen Körpern, die Offenheit und Existenzraum brauchen um nicht klassifizierbare und fragwürdige Formen von Sexualität, Gender, Identität und Stereotypien zu skizzieren. In diesem Vortrag spricht Costa über die Existenz von Widerstand, den tropischen und kolonialen Fantasien und der Kultur des Baile Funk aus Brasilien am Beispiel des Projektes Solange, tô aberta!CV: Pêdra Costa ist Anthropologe, Performer und Wissenschaftler und studiert das erste Semester PCAP (Post Conceptual Art Practices).Pêdro und Pêdra begannen vor 20 Jahren mit Performance und bildender Kunst und arbeiten seit 10 Jahren als Künstlerautoren. Sie studierten in Brasilien Soziologie. Die letzten fünf Jahre lebten sie in Berling und arbeiteten an mehreren Gemeinschaftsprojekten.

Fr, 22.01.2016 /FRIDAYProgrammKonzeptuelle Kunst |Atelierhaus, 1. Stock, Atelier Süd

AT 10.00 EXHIBITION PCAP on view

10.00-12.00 h: Performance 2Performance von Kyu Nyun KimWer ist Künstler_in?

Sa, 23.01.2016 /SATURDAYProgrammKonzeptuelle Kunst |Atelierhaus, 1. Stock, Atelier Süd

AT 12.00 EXHIBITION PCAP on view

12.00-14.00 h: Performance 2Performance von Kyu Nyun KimWer ist Künstler_in?

16.00-17.00 h: Colors ofVortrag/Performance von Manuel Prammer und Moritz KosaEin Vortrag über ein noch in Planung befindliches Konzept, das sich übergreifend auf performativer, kulturtheoretischer und transmedialer Ebene mit kultureller Diversität im urbanen Raum beschäftigt. Aus dem Format eines aktionistischen Happenings soll durch gezielte transmediale Vernetzung und Repräsentation ein selbstreproduzierendes Symbol für eine interkulturelle, globale Gemeinschaft geschaffen werden, welches gleichsam im besten Fall zu einer Plattform für eine produktive und auch kritische Auseinandersetzung mit diesem Thema avancieren kann.

17.00 h: Extract n. 6811 – IdentityPerformance von Claudia TomassettiEine Weiterführung der "Extract" Serie. Ein Extrakt aus einer subjektiven Perspektive. Dies sind die Gedanken. Dies sind die Fragen, die mich verfolgen, verwirren, besitzen, schockieren, motivieren und mich in der Nacht wach halten um mich in den Tag hineinzuführen – ItalianWhiteCitizen.

17.30-18.00 h: Pass ich so? oder Between fantasy and realityPerformance von Pato WiesauerPassing: die soziale Identität einer Person. Wieso wollen wir durchgehen/passen als ... ? normativity = access. Überlegungen zu (Re)präsentationen und Differenzen von Trans-identitäten, -geschichten und -prozessen. Eine spoken word-Performance mit transformativen Objekten und Gesten von Pato Wiesauer.

So, 24.01.2016/SUNDAYProgrammKonzeptuelle Kunst |Atelierhaus, 1. Stock, Atelier SüdAT 12.00 EXHIBITION PCAP on view

12.00-14.00 h: Performance 2Performance von Kyu Nyun KimWer ist Künstler_in?

15.00-16.00 h: Deklinationen (Can I inherit my dead parents’ debts?), 2015, 30 Min, EnglischScreening des Videofilms von Franziska KabischEin Film über das Erben von Strukturen und das Imitieren von Formen, über Hände und Argumente. Wie werden unsere Körper akademisch? Und warum werden akademische Körper unsichtbar? Mit Daumen und Zeigefinder einer Hand ein „L“ (für „Language“) bilden. Mit diesem Zeichen können Personen zeigen, dass sie die Sprache nicht verstehen. Wenn es Flüsterübersetzungen gibt, können die Übersetzer_innen zeigen, dass sie noch Zeit benötigen, bevor weitergesprochen werden kann.

17.00: Von Macho Dancer bis…Vortrag von Eisa JocsonDie zeitgenössische philippinische Tänzerin und Künstlerin Eisa Jocson entwickelte Macho Dancer (2013), eine Solo Performance, die auf ihrer Studie männlicher Macho Tänzer beruht, eine spezielle Gruppe von Performern, die Manilas Gay Bar Szene frequentieren. Jocson absolvierte eine Ausbildung als bildende Künstlerin mit einem Hintergrund in Ballett und untersucht Repräsentationen des Körpers, Gendervoreingenommenheit, Politiken der Verführung und die Konstitution philippinischer Identität. Macho Dancing wird von jungen Männern in Nachtclubs sowohl für männliche als auch für weibliche KlientInnen vorgeführt. Macho Dancing, mit seinem speziellen Vokabular an Bewegung und Physikalität, ist auf den Philippinen ein einzigartiges Phänomen mit einer ökonomisch getriebenen Sprache der Verführung, die Männlichkeit als körperliches Kapital benutzt.Moderation: Marissa Lôbo und Stephanie MisaSupport: kültür gemma! Projekt zur Förderung der Stadtkultur in Wien und von migrantischer Kunst- und Kulturproduktion.

PCAP Program JANUARY 2016

concept — Tue, 05 Jan 2016 11:35:02 GMT

PCAP Program JANUARY 2016

11.01.01.2016, MondayAt 11.00 until 12.30 individual meetings, Grzinic office

11.01.01.2016, MondayAt 12.30 until 18.30PRESENTATIONSCaceres ImaynaAydar BekchintaevClifford Erinmwionghae AghatorNadja DavidJoanna WilkPAUSE 15.00 to 16.00

At 19.00 wuk project space opening of the show inside kültüř gemmakültüř gemma:Since 2012 kültüř gemma! has supported artists with a year-long working scholarship. It is the only scholarship program explicitly for Black artists, Artists of Colour, Migrant and Refugee artists. kültüř gemma! is an initiative created to support city culture, migrant art and cultural production in Vienna. One of the goals is to promote visibility and to support independent cultural production of Black artists, Artists of Colour, Migrant - and Refugee artists. Every year, a Jury of 7 artists and cultural producers working in Austria award four monthly scholarships of 1000 Euro.

PART I

11.01.201619.00 Vernissage WUK Projectraum (www.wuk.at)Währinger Str. 59, 1090 Wien

"WE DEY show" with works by Amoako Boafo, Sunanda Mesquita, Belinda Kazeem, Verena Melgarejo Weinandt, Stephanie Misa, Xana & the Fokn Bois. Live performance by XANA (UK)!!

12.01.01.2016, TuesdayAt 10.00 until 12.00 individual meetings, Grzinic office

At 12.00 until 17.00PRESENTATIONSEsra ÖzmenBetül Küpeli

12.01.01.2016, TuesdayAt 17.00 to 19.00Where: Kunsthalle Wien MuseumsquartierMuseumsplatz 11070 ViennaFREE ADMISSION!POLITICAL POPULISMNot only is political populism on the rise, but it is also making much stronger use of pop culture and artistic methods and aesthetics than in earlier years. Social media, advertising aesthetics and media staging have lent a progressive appearance to simple or simplistic slogans. Rapping politicians, YouTube clips aimed specifically at young people, TV formats and pop concerts that present political themes and aim to make prejudice socially acceptable – these are all part of the current media landscape. In turn, artistic works reflect or comment on this tendency or lend it a further, subversive level that uses the mechanisms of political populism against this trend. The exhibition brings together works by international artists who address various facets of populism and analyse it, diffract it in an ironic manner and above all point out how omnipresent it has become.Artists: Basel Abbas and Ruanne Abou-Rahme, Lawrence Abu Hamdan, Saâdane Afif, Darren Bader, Keren Cytter, Simon Denny, Christian Falsnaes, Evgeny Granilshchikov, Flaka Haliti, Rosemary Heather, Calla Henkel and Max Pitegoff, Anna Jermolaewa, Johanna Kandl, Erik van Lieshout, Minouk Lim, Goshka Macuga, Jumana Manna, Mián Mián, Marcel Odenbach, Ahmet Öğüt, Trevor Paglen, Hito Steyerl, Jun YangCurator: Nicolaus Schafhausen

PART 2

12.01.201619:00 Vernissage Schneiderei(www.facebook.com )Krongasse 101050 Wien

"(Poetry in Progress)put poetic pressure on the wound" an audio-visual installation by Njidekawww.facebook.com/njidekapoetry

"Burrnesha" a work by Dafina Sylejmani

PART 312.01.201620.00- Vernissage and Book Launch Pinacoteca(pinacoteca22.blogspot.co.at)Große Neugasse 441040 Wien

"Under the Sun", a book and sound installation by Stephanie Misa

13.01.2016, WednesdayAt 10.00 until 12.00 individual meetings, Grzinic office

At 12.00 until 19.00PRESENTATIONSFranziska KabischMiguel González CabezasEszter Katalin FazekasPato Wiesauer

At 19.00 food, socialising

At 20.00Presentations from the workshop Systems Aesthetics with Prof. Francis HalsallBy Diana Bulzan, Sasa Kesic, Taida Kusturica, Mika MaruyamaPRESENTATIONS OF THE FOLLOWING AUTHORS: "Systems Thinking and Systems Art" by Edward A. Shanken, "Systems Theory and the New Paradigm" by Fritjof Capra and "An Applied Theory of Knowledge" by Heinz von Foerster (Diana); "The Human Used of Human Beings" by Norbert Wiener, "Contesting for the Body of Informations" by N. Katherine Hayles, "Style, Grace and Information in Primitive Art" by Gregory Bateson, "Cybernetics of Cybernetics" by Heinz von Foerster and "The Tree of Knowledge" by Humberto Maturana (Sasa); "Systems Aesthetics" by Jack Burnham, "In Conversation with Jeanne Siegel" by Hans Haacke and "Reprogramming Systems Aesthetics" by Edward A. Shanken (Taida); and "Systems of Art" by Francis Halsall (Mika).

18.01.2016, MondayInstallment Rundgang, and diplomeIN CHARGE: Petja Dimitrova and Muzaffer Hasaltay19.01.2016, TuesdayInstallment Rundgang, and diplomeIN CHARGE: Petja Dimitrova and Muzaffer Hasaltay20.01.2016, WednesdayInstallment Rundgang, and diplomeIN CHARGE: Petja Dimitrova and Muzaffer Hasaltay

21.01.2016, ThursdayRUNDGANG opening at 16.00

PROGRAM PCAPDo, 21.01.2016, 16.00 hEröffnungmit Eva Blimlinger, Rektorin, Andrea B. Braidt, Vizerektorin Kunst | Forschung, Karin Riegler, Vizerektorin Lehre | NachwuchsförderungAnschließend BURLIN MUD’s Metal Mang Orkaestra plays „Into M“Atelierhaus, 2. Stock, Mehrzwecksaal

Do, 21.01.2016/THURSDAYProgrammKonzeptuelle Kunst |Atelierhaus, 1. Stock, Atelier Süd

At 16.00 OPENING EXHIBITION PCAP

16.00-18.00 h: Performance 2Performance von Kyu Nyun KimWer ist Künstler_in?

CV: EsRaP sind das Geschwisterpaar Esra Özmen & Enes Özmen. Mein Bruder und ich machen Musik. Wir haben in Wien einen Rollentausch geschafft, denn ich rape und er singt, das ist normalerweise in der Hip Hop Szene nicht so üblich. Wir präsentieren unsere Texte im deutsch/türkischen Sprachraum, nehmen kein Blatt vor den Mund, um unsere Meinung zu der österreichischen Politik kund zu machen. Ich studiere an der Akademie der bildenden Künste Wien und der Enes geht ins Gymnasium. Wir sind hier geboren, hier aufgewachsen, österreichische Staatsbürger, doch ein Ausländer mit Vergnügen. Es fehlt in Bereich Migration in Wien sehr viel, wir versuchen in diesem Bereich ein Stock für den wackelnden Tisch zu sein. Es fehlt an mehr Durchmischung, mehr Miteinander.

Fr, 22.01.2016 /FRIDAYProgrammKonzeptuelle Kunst |Atelierhaus, 1. Stock, Atelier Süd

AT 10.00 EXHIBITION PCAP on view

10.00-12.00 h: Performance 2Performance von Kyu Nyun KimWer ist Künstler_in?

Sa, 23.01.2016 /SATURDAYProgrammKonzeptuelle Kunst |Atelierhaus, 1. Stock, Atelier Süd

AT 12.00 EXHIBITION PCAP on view

12.00-14.00 h: Performance 2Performance von Kyu Nyun KimWer ist Künstler_in?

17.30-18.00 h: Pass ich so? oder Between fantasy and realityPerformance von Pato WiesauerPassing: die soziale Identität einer Person. Wieso wollen wir durchgehen/passen als ... ? normativity = access. Überlegungen zu (Re)präsentationen und Differenzen von Trans*-identitäten, -geschichten und -prozessen. Eine spoken word-Performance mit trans*formativen Objekten und Gesten von Pato Wiesauer.

So, 24.01.2016/SUNDAYProgrammKonzeptuelle Kunst |Atelierhaus, 1. Stock, Atelier Süd

AT 12.00 EXHIBITION PCAP on view

12.00-14.00 h: Performance 2Performance von Kyu Nyun KimWer ist Künstler_in?

25.01.2016, MondayDIPLOME

26.01.2016, TuesdayAt 16.00 talk on the process of making the book, newspaper

At 18.00Discussion with the main positions on the histories of empowerment refugee Protest camp in Vienna and a general overview

29.01.2016 to 29.02.2016HOLIDAYS

7.03.2016 MondayAt 13.00 PCAP class meeting

At 14.00 DEPO, Wienseminar

At 19.00 DEPO, Wienpanel study in the neliberal global capitalist system: who can study, under which conditions