m1 (turm4)

PCAP Program April 2017

concept — Mon, 27 Mar 2017 18:22:21 GMT

PCAP Program April 2017

3.-5.04. 2017, second final round entry exams, the space PCAP will be used for delivery the food to hundreds of candidates 2 round, entry exam.

Monday ,3. April 201715.00 to 17.00Grzinic office, individual meetings

Monday, 3. April 2017at 18.00Where: Academy of Fine Arts Vienna, main building, Schillerplatz 3, 1010 Vienna, M13free entry, open to all

ARTIST TALK by Pablo Toulouse“Animation as a medium for the DE-construction of Eurocentric identities”

Pablo Toulouse is Artist in residence from Argentina at the Academy of Fine Arts in Vienna (summer semester 2017). He will be hosted at and by PCAP from 18.03.2017 until 15.06.2017.

In the public lecture Pablo Toulouse will present his work dealing mainly with the colonial construction of stereotypes and identities of the colonized through the use of animation, comic books and graphical novels. His lecture will be therefore an attempt to de-construction of Eurocentric identities. Navigating through issues of race and class a research on the sources of production, distribution and consumption of such material will be presented. He will connect the function of education that animation has always had especially on children as a starting point of his thoughts.

CV: Pablo Toulouse (Argentina), animation artist and teacher. Pablo Toulouse concluded his studies at the El Instituto de Arte Cinematográfico de la Municipalidad de Avellaneda (IDAC), Buenos Aires, and is till today layout, storyboard illustrator and freelance animator in diverse projects. From 2013 he teaches Traditional Animation for the studies of Animation at Image Campus (Buenos Aires).

Wednesday, 5 April 2017

At 15.30 to 16.30Grzinic office, individual meetings

Wednesday, 5 April 2017at 17.00

Where: CONCEPTUAL ART PRACTICES) STUDY PROGRAM, Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)

RESEARCH SEMINAR (second from 3 sessions) FOR DOCTORAL STUDENTS IN PHILOSOPHY open to all from the PCAP and largerReading, discussion and reflection:Achille Mbembe. Necropolitics. Published in Public Culture, Winter 2003 15(1): 11-40.

docs.google.com

EASTER HOLIDAYS 10.04 until 23.04.2017

Monday, 24 April, 2017

At 15.00 until 17.00

Where: PCAP (POST CONCEPTUAL ART PRACTICES) STUDY PROGRAM,Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)

Presentation by Lana Čmajčanin, PhD in Philosophy studentTITLE: Balkangreuel (Balkan Cruelty). Analysis of art representational forms of violence against women for support of national, political and other vested interests

Monday, 24 April 2017At 18.00 is the NIGHT schoolWhere: Volkskundemuseum Wien Laudongasse 15-19, 1080 Wien

The lecture/seminar organized by NIGHT SCHOOL www.nightschool.atThe classroom remains the most radical space of possibility (bell hooks)Die Night School ist eine experimentelle Abendschule, in der von minoritären und marginalisierten, rebellischen und verletzlichen Positionen aus gedacht, gelehrt und gelernt wird. Diese kleine Schule öffnet jede Woche ihre Türen, um sich in hegemoniale Wissensregime einzumischen.

Night school speakers on Monday, 24 April 2017: WE ARE HERE ACADEMY

Tuesday, 25 April, 2017

At 13.00Where: PCAP (POST CONCEPTUAL ART PRACTICES) STUDY PROGRAM,Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)

PRESENTATIONSstudents' presentation Christian Guzy

diplome presentation (June 2017)Joanna WilkMiltiadis Gerothanassis

Tuesday, 25 April, 2017

At 18.00WHERE: PCAP (POST CONCEPTUAL ART PRACTICES) STUDY PROGRAM,Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien,1 OG Atelier Süd (M1)

Artist talk by Dante Buu (Montenegro)

Title: 5th Season, 2014–2016

Summary: In the work 5th Season, 2014–2016, Dante Buu traces the idea of femalelabour and its value throughout time as well as the life and death of dowry in Montenegro, with a focus on the region of Sandžak. This is done through the personal stories of women in Dante Buu’s family, his mother, her three sisters and their mother (Buu’s grandmother). Along with other handmade objects, a very important element of the dowry was the gobelins to decorate the walls of the house where the young bride will live after marriage. Buu’s process has led him to create four unique handmade embroidery pieces, based on Wiehler’s Four Seasons Gobelins, in various dimensions and materials.

CV: Dante Buu was born in Rožaje, Montenegro. Rooted in intimacy, his work addresses the brutal sociocultural environment and omnipresent alienation in society through a variety of media. Gender roles, identities, sex and stereotypes set by the mechanisms of power are questioned and deconstructed in order to express intimate quests of resistance and subversion and how they extend from private to public and beyond. Solo projects (selection): Museum of Literature and Performing Arts of Bosnia and Herzegovina, Sarajevo (2017); public intervention in Berlin (2016); public project in Graz (2016).

Organized by Marina Grzinic, Post Conceptual Study Program (IBK).The presentation is possible thanks to the Artists-in-Residence program of the Austrian Federal Chancellery and KulturKontakt Austria.

Next 2.05.2017 at 16.00

PCAP program March 2017

concept — Thu, 23 Feb 2017 08:10:43 GMT

PCAP Program March 2017

Monday 6, March 2017

At 16.00WHERE: PCAP space at Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)

Start of the new semester, introducing Erasmus students, plan for the semester, projects, discussions and reflection Rundgang 2017 projects.

Tuesday 7, March 2017

At 15.00 until 17.00Individual meetings, Grzinic office, contact me for the meeting.At 17.00WHERE: PCAP space at Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)Discussion on Rundgang projects, screening and debates.

Thursday 16, March 2017At 16.00Uncensored - INTERNATIONAL FILM DAYSScreenings of censored films with lectures and discussions.Free admission on all 3 days.16.03, 17.03 and 18.03.2017

www.akbild.ac.atThe event is conceived by the Conceptual Art (Post-Conceptual Art Practices) study program: Marina Gržinić, Betül Küpeli, Cansu Berksan with Tjaša Kancler, Songül Sönmez, Abidin Ertuğrul, Nathalie Borgers, Reha Refik Taşcı and Cana Bilir-MeierGuests: Nathalie Borgers (Vienna), Sebestyén Kodolányi (Budapest), Gianfranco Pannone (Rome), belit sağ (Amsterdam /Turkey), Marika Schmiedt (Vienna)PROGRAMwww.akbild.ac.at

THURSDAY, 16.03.2017Where: Akademie der bildenden Künste Wien, Hauptgebäude, Schillerplatz 3, 1010 Wien,Aula4.00 p.m.OpeningWelcome address: Andrea B. Braidt, Vice Rector for Art and ResearchIntroductory remarks: Marina Gržinić, Professor of Conceptual ArtPresentation of the project: Betül Seyma Küpeli5.00 p.m.belit sağ, Ayhan and I [Ayhan ve ben], 14.12 min., NL/TR, 2016(Turkish with English subtitles)Ayhan Çarkın was a police officer active in the Kurdish region in Turkey during the 1990s. He was involved in underground groups formed by police officers who were killing Kurdish people with the order of the State. He had a bad conscious and started to confess. In its early stage the original concept for the video was censored in Turkey. This video talks about the censorship it went through, while reflecting about violence and the image.5:30 p.m.Film expert’s lectureSebestyén Kodolányi, “Scope and Critical Topology of Censorship in Eastern Europe”The lecture tries to map the modes and behaviors of censorship in the Eastern European countries, from the time of socialist modernization to nowadays. It reflects as well on anomalies of artistic behaviors and misinterpretations of censorships, such as self-victimization and self-censorship. The legal frames of aggressive control over the redistribution of cultural subventions are in the present democratic societies more effective than the “good old” censorship strategies. The lecture will be illustrated with excerpts from films made in the German Democratic Republic, Poland, ex-Czechoslovakia, Hungary and ex-Yugoslavia.(in English)7.00 p.m.Talk with belit sağ and Sebestyén KodolányiFriday, 17.03.2017PROGRAMFRIDAY, 17.03.2017www.akbild.ac.atWhere: Akademie der bildenden Künste Wien, Hauptgebäude, Schillerplatz 3, 1010 Wien,Aula12.00 a.m.SEMINAR 1René Vautier, Afrique 50, 17 min., FR, 1950(French with English subtitles)Alain Resnais, Night and Fog [Nuit et Brouillard], 32 min., FR, 1956(French with English subtitles)After the screening talk about the films2.00 p.m.SEMINAR 2Gillo Pontecorvo, The Battle Of Algiers [La Bataille D'Alger], 121 min., IT/ Algeria, 1966(French with English subtitles)Talk about the film with Gianfranco Pannone5.00 p.m.Sebestyén Kodolányi – Independent Theater Budapest, Camp [Tábor], 25 min, HU, 2014 – 2016(Hungarian with English subtitles)Community workers are doing their archival job now for the sake of the digitalization of the national heritage inside a corrupted institution.After the screening talk with Sebestyén Kodolányi6.00 p.m.Nathalie Borgers, CITIZEN KRONE [Kronenzeitung: Tag für Tag ein Boulevardstück], 58 min., AT/FR/BE, 2002 (German with English subtitles)The documentary CITIZEN KRONE (2002) by Belgian filmmaker Nathalie Borgers shows Hans Dichand (Founder and publisher of the Kronen-Newspaper) with the former Austrian president Thomas Klestil in Vienna’s Hofburg while having cake – a Gugelhupf. Thereafter, Klestil eagerly leads Dichand through his offices at the Hofburg. This has been often interpreted as Klestil’s going down on his knees in front of Dichand, and, according to observers, testifies to Dichand’s status of power. In his 1996 book, Dichand himself described his role as being in the “atrium of power” (also the title of his book), but nonchalantly relativized this stance later. This documentary film has never been shown by Austria’s public broadcasting station, a decision officially justified by “journalistic deficits” because in one short instance, Borgers used unauthorized, accidental audio material of this visit to the Hofburg.After the screening talk with Nathalie BorgersPROGRAMSATURDAY, 18.03.2017www.akbild.ac.atWhere: Top Kino, Rahlgasse 1, 1060 Vienna// FREE ENTRANCE1.00 p.m.Brunch2.00 p.m.Marika Schmiedt, Why the Wound Remains Open [Warum die Wunde offen bleibt], 80 min., AT, 2016In her interviews, Schmiedt discusses how the mechanism of conscious and unconscious repression of historical events and their relevance for the present is still lingering. Her discussion partners address the discrimination of Sinti, Romani and Yenish out of historical, biographical, psychoanalytical and linguistic/discursive reasons.After the screening talk with Marika Schmiedt4.00 p.m.Gianfranco Pannone, Red Sunrise [Il Sol dell'avvenire], 77 min., IT, 2008(Italian with English subtitles)Reggio Emilia, Italy, 1969. Thirty young militant communists leave the Communist Party, accusing it of having betrayed the ideals of the Resistenza, and, together with other young people of anarchic, socialist and catholic extraction, they form The Apartment, a commune where revolutionary dreams are bandied around and where the most dangerous terrorists of the future Red Brigades will come from. In 2007, five former militant communists from those Red Brigades of 1969 meet again in a restaurant: it’s the beginning of the first exploration of the ideological and political roots of the far-lefts terrorism.After the screening talk with Gianfranco Pannone6.00 p.m.Save their life – Protect the working classFilm program curated by Sebestyén KodolányiArchaic Torso [Archaikus torzó], dir.: Dobai Péter, orig. format: 35mm, bw, 31 min, HU, 1971Newly Married (News Reel) [Ifjú házasok (Híradó)], dir.:Gödrös Frigyes – Pintér György, orig. format: 35mm, bw, 7min, HU,1974Merry Working Class [Vesela radna klasa], dir.: Bojana Makavejev orig. format: 35mm, bw, 13 min, Yugoslavia, 1969Centaur [Kentaur], dir.: Szentjóby Tamás, orig. format: 35mm, bw, 37 min, HU, 1975Patrons of Art’s [Mecénások], dir.: László Vitézy, orig. format: 35mm, bw&col., 24 min, HU, 1976After the screening talk with Sebestyén KodolányiFinissageGuests:Nathalie Borgers, born in Brussels, Belgium. B.A. in journalism. Thereafter she studied radio, film and television in San Francisco. Realization of several short documentary films with ATRIOM Productions as director and producer. The documentary film Truth Under Siege, which was shot in 1994 during the Yugoslav Wars, was her first big success and received several international awards such as the Special Jury Prize of the San Francisco International Film Festival. She has realized several documentary films for TV and cinema, which received numerous awards. Borgers lives and works in Vienna, Paris and Brussels.nathalieborgers.com

Sebestyén Kodolányi, cineaste, curator, archivist and film programmer; former archive director of the Béla Balázs Studio (BBS) in Budapest.Gianfranco Pannone is an Italian film and television director. After graduating in Cinema history and criticism at La Sapienza University of Rome, he graduated in Directing at the CSC (National Cinema School). Between 1990 and 1998, he directed and produced several documentary films. He teaches documentary filmmaking at CSC – Experimental Centre of Cinematography in Rome and Palermo and is teaching coordinator of the Master Film and Television program at the University Suor Orsola Benincasa in Naples, as well as head of the documentary film laboratory at Dams in Rome.en.wikipedia.orgbelit sağ is a videographer and visual artist from Turkey, based in Amsterdam. She recently finished a residency program at the International Studio and Curatorial Program (ISCP) in New York. During 2014‒2015 she was in residency at the Rijksakademie van Beeldende Kunsten. She studied mathematics in Turkey, and art in the Netherlands. Her video background is rooted in alternative video-activist/artist groups in Ankara and Istanbul, where she co-initiated groups such as VideA, Karahaber, and Videoccupy.bit.contrast.org vimeo.comMarika Schmiedt is an artist and activist. She was born in Upper Austria. Herself a Rom, she has dealt with the history and present of the prosecution of Romani and Sinti since 1991.marikaschmiedt.wordpress.com

Monday 20, March 2017At 13.00WELLCOME introduction of Pablo Toulouse (Argentina), animation artist and teacher

Pablo Toulouse is Artist in residence from Argentina at the Academy of Fine Arts in Vienna (summer semester 2017). He will be hosted at and by PCAP from 18.03.2017 until 15.06.2017.

Pablo Toulouse with a focus on resistance and subculture on one side and the whole topic of research on queer identity, and postcolonial constructions on the other will provide a workshop for everybody at the academy how to use animation as a tool and weapon of mass and counter culture strategies. The workshop will be in three time blocks in May 2017.The talk, lecture in April 2017 and the workshop in May 2017 will be assisted by Cecilia Tasso (PCAP). It will be as well workshop B3 for ECTS.

Monday 20, March 2017At 14.00 until 17.00WHERE: PCAP space at Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)1 diploma presentations (for diploma June 2017)Verena Melgarejo WeinandtJoanna Wilk

Monday 20, March 2017

The lecture/seminare organized by NIGHT SCHOOLwww.nightschool.at

Starts at 18.00Where: Volkskundemuseum WienLaudongasse 15-19, 1080 WienThe classroom remains the most radical space of possibility (bell hooks)Die Night School ist eine experimentelle Abendschule, in der von minoritären und marginalisierten, rebellischen und verletzlichen Positionen aus gedacht, gelehrt und gelernt wird. Diese kleine Schule öffnet jede Woche ihre Türen, um sich in hegemoniale Wissensregime einzumischen.

Tuesday 21, March 2017At 11.00WHERE: PCAP space at Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)Discussion theory, art, practice.

Tuesday 21, March 2017At 13.00 until 16.00WHERE: PCAP space at Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)Erasmus students’ presentation

Tuesday 21, March 2017At 18.00

Where: CONCEPTUAL ART PRACTICES) STUDY PROGRAM,Akademie der bildenden Künste Wien, Atelierhaus,Lehargasse 8, 1060 Wien,1 OG Atelier Süd (M1)www.akbild.ac.at

Artists talks Đejmi Hadrović (Slovenia), Bojana S. Knežević (Belgrade, Serbia)and Svetlana Mi¬rcheva (Sofia, Bulgaria)

Organized by Marina Grzinic, Post Conceptual Study Program (IBK).The presentations are possible thanks to the Artists-in-Residence program of the Austrian Federal Chancellery and KulturKontakt Austria.

Đejmi Hadrović (Slovenia)Title: Zahida is a FeministThe goal of my art work explains Đejmi Hadrović was to try to present Bosnian’s women through another aspect, an aspect that has not been dominated by the eyes of others. In the last few decades Bosnian’s women were presented through only 2 images, of a victim or a housewife. I wanted to break down the stereotype of ethnicity that I think defines me the most because of my cultural habitus.

CV: Đejmi Hadrović’s art work is inspired by culture. Her constant intention through her art works is to demolish social norms and conventions. She is creating her works as platforms of contemporary art with using media such as video, photography and performance.

Bojana S. Knežević (Belgrade, Serbia)Title: Sweet Conceptual Artist (2013-2017)Sweet Conceptual Artist (Slatka Konceptualna Umetnica; Süße Konzeptkünstlerin) comes from former Yugoslavia, from the country in transition that changed its name three times during its lifetime that was filled as well with wars and hardships. After years of efforts and two successful exhibitions in Serbia, Sweet Conceptual Artist finally got the opportunity to reside in Western Europe and try her luck in Vienna.

CV: Bojana S. Knežević is interdisciplinary artist and art journalist, active in the field of audio-visual installation, performance, video, film, radio and sound art. She got her BA and MFA degree (New Media Arts) at the Department of Fine Arts, at the Academy of Arts Novi Sad (Serbia). Currently she is finishing her Ph.D. research on the topic of Virtual artistic identity and its real effects in culture, at the Interdisciplinary studies (Digital Art), University of Arts in Belgrade. She is co-founder of the association, radio show/podcast and art/media project Femkanje.

Svetlana Mi¬rcheva (Sofia, Bulgaria)Title: Images of the word, Soundscapes and Space dogs

In her solo exhibition Images of the word at Un Cabinet D’Amateur Gallery in Sofia, 2014, Svetlana Mircheva presented four series based upon chance meetings with things and words. From rebus to cosmic constellations, and from twisted slogans to computer explorations, these are all possible intrusions of visual art in the infinite world of language.

CV: Svetlana Mi¬rcheva graduated from the National Academy of Arts in Sofia. In 2003 she took Olafur Eliasson’s summer class in IUAV, Venice, and in 2004 was awarded the International Media Art Award of ZKM, Karlsruhe, for her project Mistakes. In 2010 she was among the finalists for BAZA award, and in 2012 she was nomination for Henkel Art Award (Bulgarian nominee). In 2012 her solo exhibition Possible Exhibitions took place in Brooklyn, New York, and in 2015 she was one of the artists presented at Focus Bulgaria at Vienna Contemporary. Her works have been exhibited in Sofia, Plovdiv, London, Venice, Basel, Berlin, Stuttgart, Karlsruhe, Vienna, Salzburg, Moscow and New York.

28., 29., 30.03 2017ENTRY EXAMS. No lectures, but other events announced.

ADDITIONAL

27 March 2017, Mondayat 18.00 is the NIGHT school

The lecture/seminare organized by NIGHT SCHOOLwww.nightschool.at

30 March 2017, Thurdsayat 17.00Where: CONCEPTUAL ART PRACTICES) STUDY PROGRAM,Akademie der bildenden Künste Wien, Atelierhaus,Lehargasse 8, 1060 Wien,1 OG Atelier Süd (M1)

RESEARCH SEMINAR (first from 3 sessions) FOR DOCTORAL STUDENTS IN PHILOSOPHY open to all from the PCAP and larger

Reading, discussion and reflection:Achille Mbembe. Necropolitics Public Culture Winter 2003 15(1): 11-40.docs.google.com

APRIL ANNOUNCEMENT:Monday 3.04 2017 at 18.00

Where: Akademie der bildenden Künste Wien, Hauptgebäude, Schillerplatz 3, 1010 Wien,ROOM M 13

PUBLIC LECTURE by Pablo Toulouse (Argentina), animation artist and teacher

Pablo Toulouse is Artist in residence from Argentina at the Academy of Fine Arts in Vienna (summer semester 2017). He will be hosted at and by PCAP from 18.03.2017 until 15.06.2017.

Pablo Emanuel Toulouse concluded his studies at the El Instituto de Arte Cinematográfico de la Municipalidad de Avellaneda (IDAC), Buenos Aires, and is till today layout, storyboard illustrator and freelance animator in diverse projects. From 2013 he teaches Traditional Animation for the studies of Animation at Image Campus (Buenos Aires).

PCAP Program January 2017

concept — Fri, 30 Dec 2016 10:18:08 GMT

PCAP Program January 2017

Monday 9, January 2017

At 15.00 Grzinic officeIndividual meetings

At 16.00WHERE: PCAP space at Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)Presentations students worksXhejlane Rexhepidiploma Yela An

At 19.00WHERE: PCAP space at Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)Screenings, reading, discussion: 2017 PCAP festivity

Tuesday 10, January 201710.00 to 13.00 Grzinic officeIndividual meetings

14.00 until 17.00WHERE: PCAP space at Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)PRESENTATIONS MA IN CRITICAL PRACTICE

Janine MuckermannCatalina Ravessoud

At 18.00WHERE: PCAP space at Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)Screenings, reading, discussion

Wednesday 11, January 20179.00 to 13.00 Grzinic officeIndividual meetings

At 13.00 Rundgang performances

At 15.00WHERE: PCAP space at Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)PRESENTATIONS
PHD in PHILOSOPHY

Melissa Antunes de MenezesDeniz GuvensoyMika Maruyama

MA in Critical studiesCostas Kekis

At 19.00WHERE: PCAP space at Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)Presentations, screeningWorks for the Rundgang 2017

Monday 16, January 2017Installment RUNDGANG works, every day until January 19, 2017In Charge Dimitrova and HasaltayStarts at 10.00

Tuesday 17, January 2017Diploma exam Akbild, exhibit (in charge Grzinic)Yela An

Wednesday 18, January 2017At 16.00Where PCAP space at Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)Diploma in Ma in Critical studies (in charge Grzinic)

Catalina Ravessoud

Rundgang 2017

Do, 19.01.2017, 16.00–24.00 hFr, 20.01.2017, 10.00–22.00 hSa, 21.01.2017, 12.00–22.00 hSo, 22.01.2017, 12.00–18.00 h

Rundgang 2017

PROGRAMM// Konzeptuelle KunstAtelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)

Do, 19.01.2017Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)

16.00 OPENING EXHIBITION PCAP RUNDGANG 2017

Do, 19.01.2017, 19.00 hAtelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)

Take meLive Performance von Camila Rhodi

Do, 19.01.2017, 21.00 hAtelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)

Change und FluctuationPerformative Interventionen mit Gedichten, Statements, RapMaira Enesi, CaixetaEsRap (or Esra Özmen) and Betül Seyma KüpeliNeda HosseyinarClifford Erinmwionghae

Fr, 20.01.2017, 15.00 hAtelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)

Yaşamalanin göçü (Habitat der Migration)Filmvorführung und Präsentation von Songül Sönmez und Reha Refik TasciVideo, 2016, Englische Untertitel.

Sa, 21.01.2017

15.30 STROLL TROUGH THE EXHIBITIONS IN LEHARGASSE

Sa, 21.01.2017Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)17.00 h: Open Forum und DiskussionVorführung von Videos und Filmen von Studierenden und Gästen

Videos vonSarah Raffaela Jackel

Robert Jolly

EsRap (or Esra Özmen) und Betül Seyma Küpeli

Camila Rhodi

Sa, 21.01.2017Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)

19.00 h: Warum die Wunde offen bleibtGastvortrag und Filmpräsentation von Marika SchmiedtDer Titel des Vortrages ist der gleiche wie jener des Films. Der Film Warum die Wunde offen bleibt (2016, 80 min) von Schmiedt beginnt und endet mit der gegenwärtigen Position der Künstlerin als internationale Künstlerin und Aktivistin, deren Werk kontinuierlich zensuriert wurde, die als Person sowohl physisch als auch in den Medien und vor Gericht angegriffen wurde und die für ihre kritische Kunst auch Todesdrohungen erhielt.Warum die Wunde offen bleibt ist ein eindringliches Portrait davon, was es für Schmiedt und andere Roma und Sinti bedeutet, mit einer traumatischen Vergangenheit zu leben und die „weiße“ Vorherrschaft in Europa zu kritisieren, etwa in jener beharrlichen und unentschuldbaren Verherrlichung der Nazi Vergangenheit des Dichters Josef Weinheber in Kirchstetten.Als Tour de Force und aus dem Blickwinkel einer feministischen Perspektive zeigt der Film eine Analyse des Aufkommens des Faschismus in Österreich und im Rest von Europa anhand von Interviews mit drei Frauen: der akademisch ausgebildeten, psychosozialen Beraterin und Psychotherapeutin Anna Gleirscher-Entner, der Autorin und Psychoanalytikerin Dr. Elisabeth Brainin und der Aktivistin und Autorin Simone Schönett, deren Diagnosen übe die aktuellen politischen, sozialen und psychischen Bedingungen für Roma und Sinti nicht pointierter ausfallen könnten und die viele über die Langzeiteffekte verschiedener Formen von unausgesprochenem und unterdrücktem Rassismus verstört aber aufgeklärter sein lassen werden. Schließlich werfen Schmiedts Werk aber auch die Diskussionen im Film die Frage nach unserer Verantwortung über die Fortführung „weißer“ Vorherrschaft und Gewalt auf.CV: Marika Schmiedt, geb. 1966, bildende Künstlerin, Aktivistin und Filmemacherin.1999 – heute: Recherche mit Überlebenden (Zeug_innen) der Verfolgung von Roma und Sinti (vom Holocaust bis zur Gegenwart). Das Werk befasst sich mit der Situation ethnischer Roma vor und nach 1945.

So, 22.01.2017Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)

12.00 h: October: Ten Days That Shook the WorldFilmvorführung und Gespräch: Der 100. Jahrestag der Oktoberrevolution.Film: October: Ten Days That Shook the World von Sergei M. Eisenstein, 1927

So, 22.01.2017Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)

15.00 h: The most amazing stories of a daughterLive Performance von Camila RhodiAnhand von Geschichten der Beziehung zwischen Mutter und Tochter basiert die Performance auf den Speisen, die Camila und ihre Mutter Anfang der 1980er Jahre in Rio de Janeiro, Brasilien, zu sich nahmen. Im Stück blickt Camila Rhodi auf jene Zeit zurück, als sie mit ihrer Mutter sprach, als die typisch brasilianische Süßspeise „brigadeiro“ anlässlich von Camilas neunter Geburtstagsfeier zubereitete.

Monday 23 January 2017RUNDGANG DISMANTLE, in charge Dimitrova and Hasaltay

Friday 27 January 2017

STARTS WINTER HOLIDAYS

NEXT MEETING March 6, 2017 at 16.00