m1 (turm4)

PCAP December 2019

concept — Sun, 24 Nov 2019 11:17:11 GMT

December 2, 2019, MondayAt 9.40 to 12.30Taking part in the rehearsal, DIE HAMLETMASCHINE (THE HAMLET MACHINE), directed by Oliver Frljić, as listeners and viewers.

Where: BurgtheaterUniversitätsring 2,1010 Wien

www.burgtheater.at

DIE HAMLETMASCHINE (THE HAMLET MACHINE)Directed by Oliver Frljić

Just two years after the Reunification, at the age of 16, Oliver Frljić fled the war that was raging in his home country of Bosnia and settled down in Croatia. Later, he studied philosophy and theatre direction in Zagreb and was invited to bring his highly political way of directing to many important European festivals, among them the Wiener Festwochen. Like Hamlet or Müller he is also an intellectual and artist on the brink between different eras, but centuries or generations apart from them.

Organization of the project Mika Maruyama.

December 2, 2019, Monday

15.00 to 17.15

WHERE: AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)Ph.D. seminar/ and B3/ mandatory for the ZKF Konzept KunstWith the title Images, War and AffectsBy Taida Kusturica, Ph.D. student mentor, and Marina Grzinic

07 lecturePolitics of Emotions /Affect in Contemporaneous Visual CultureThe lecture will consider the role of emotion and affect and also the shift in theoretical and visual study. Emotions are closely related to process of globalization in digital humanities. The question to be posed are: How emotions, sensory and sensible life become the crucial target of control and power in contemporaneous world that is fully embraced with new media, that performed the fear, aggression, hyper- anxiety, precarity and also de-re-territorialisation of visual culture. How political and affective capacities are appropriated/privatized in neoliberal capitalism? We will also question emotions as crucial bases of artistic and political representation/life have become the toll of creation as well as oppression? In this context, inquiry into production of visual becomes fundamental, rather than trivial, where everything is about representation and where emotions are play the role of new telos of control- what Jean Baudrillard calls “interactive loneliness” in cyberspace. This leads to an instructive paradox where emotions and affect incisively influences the relationship between visual, artistic production and political condition of system of representation.Book:Lauren Gail Berlant, Cruel optimism (Durham and London: Duke University Press, 2011)

Additional reading:Brian Massumi. "The autonomy of affect." Cultural critique 31 (1995): 83-109.Sara Ahmed, “The Cultural Politics of Emotion” (Edinburgh University Press and Routledge, 2004)

December 2, 2019, MondayAt 19.00

WHERE: Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien,1 OG Atelier Süd (M1)
Yara Mekawei, EgyptAgnieszka Kozłowska, PolandOrganized by Marina Grzinic, Studio for Conceptual Art (Post-conceptual Art Practices) at the Academy of Fine Arts in Vienna.The presentation is possible thanks to the Artists-in-Residence program of the Austrian Federal Chancellery and KulturKontakt Austria.

Yara MekaweiTitle: Wish you were ear

Yara Mekawei is interested in the philosophy of architecture, history, and literature. Her work is based on sound as a tool of vision; the philosophy of composition is shaped by sophisticated practices that convey messages of conceptual dimension to the public. She will speak about her sound practicing, transacting from the image to the sound, transforming the digital images to sound, seeing the soundtracks. Mekawei uses the optical transfer from the musical conversation, transferring the sound waves to visual forms.

CV: Yara Mekawei is a Cairo-based electronic music composer and sound artist. A prolific artist and scholar, Mekawei’s sonic bricolages draw inspiration from the flow of urban centers, and the infrastructure of cities. She follows her projects through a research point of uniting her work to the work of the other. In her work, she shows an intangible aspect of her personality that exposes the femininity in an East African society.yaramekawei.wixsite.com

Agnieszka KozłowskaTitle: Carved by light: photograph as a direct physical trace

The presentation will give an overview of Kozłowska’s practice, which stems from experiments in the medium of photography and is driven by a fascination with the moment of photographic exposure, when a tangible link is formed between the light-sensitive surface and the physical world. She continuously researches unconventional light-sensitive materials that allow her to make unique photographic artefacts directly in the camera, without the need for printing or other post-production processes. Carrying a self-constructed 10×8in. camera, she performs carefully planned solitary walks across uninhabited landscapes to make photographic exposures that are several hours long.

Agnieszka Kozłowska (*1985) is a Polish artist and researcher whose practice combines performative engagement with remote landscapes and the radical understanding of photography as a mechanism for creating unique physical traces rather than reproducible images. She earned her PhD from Northumbria University, Newcastle upon Tyne, United Kingdom, and BA and MA from University for the Creative Arts, Rochester, United Kingdom. She has exhibited in Kunsthaus Zug, Switzerland, Haus der Kulturen der Welt, Berlin, NAIRS Contemporary Art Center, Scuol, Switzerland, Fotogalleriet, Oslo, Kunstmuseum Chur, Switzerland, among others. She is a laureate of Forecast mentoring programme 2015/2016.

December 3, 2019, Tuesday
9.00 individual meetings, office Grzinic

December 3, 2019, Tuesday
At 12.00
Joshua Simon (Israel/USA)Title: Post-Soviet Anti-Communism and the Great Soviet EncyclopediaTHE LECTURE OF JOSHUA SIMON IS CANCELED DUE TO ILLNESS

December 3, 2019, Tuesday
At 14.30

Diploma presentation for January 2020Neda HosseinyarRundgang concepts spoken loudlyJu YooIklim DoganAli KianmehrLeonie KnezAlireza Daryanavard

December 3, 2019, Tuesday
17.00 to 19.15

08 lectureCritical approach to Images and Representation: Feminism, Art and AffectThe lecture focuses on the role of emotional and affects in the occurrence of artistic practice between feminism and political. Drawing from the historical importance of women and the theoretical resonances between the feminine sexuality, art and visibility the theory of affective turn has gained significant currency over the last decade as a transdisciplinary practice in art. affect theory rightly questions the inherited Western philosophical idea that the fundamental relation of human beings to the world and to others What is often missing from these framework is feminist knowledge on affect, and also discussions about used narrative/methodology in representing emotions as political attachments and medium in contemporary capitalism, that draw out the intimations from very neoliberal hyper sensible attachment to capital. Thus, the question of affects and to be affected is question of power relation. Theory of emotions and feelings, in turn, has yet to address the challenges posed by digital cultures to affective politics of images. The affectivity in digital age can be perceived as politics of new era.Book:Ann Cvetkowich, Depression: A public feeling (Duke University Press, 2012)

Anu Koivunen, Susanna Paasonen, Conference Proceedings for Affective Encounters: Rethinking Embodiment in Feminist Media Studies. University of Turku, School of Art, Literature and Music, Media Studies, published, 2001.

Additional reading:

Book: Griselda Pollock, “After-affects/ after-images: Trauma and Aesthetic Transformation in the Virtual Feminist Museum” (Manchester: Manchester University Press, 2013)Griselda Pollock, "Feminist interventions in art’s histories." In kritische berichte-Zeitschrift für Kunst-und Kulturwissenschaften 16, no. 1 (1988): 5-14.

December 5, 2019, Thursday

At 12.30

Where: Akademie der bildenden Künste Wien, Institutsgebäude, Karl-Schweighofer-Gasse 3, 1070 Wien, 3.12

LUNCH LECTURE - SARA R. FERRIS: RACISM AND ISLAMOPHOBIA IN THE NAME OF WOMEN'S RIGHTS

Hosted by Elke Gaugele and Elke Krasny in the frame of the Gender Studies Course, Institute for Education in the Arts.

In her presentation Sara Farris will discuss some of the themes laid out in her new book, In the Name of Women's Rights. The Rise of Femonationalism (Duke, 2017). Farris' book explores the ways in which feminist ideas are often exploited by anti-Islam and xenophobic campaigns. She coins the term ‘femonationalism’ to describe the practices and claims that, by characterising Muslim men as oppressors and by emphasising the need to rescue Muslim women, these anti-Islam groups use gender equality to justify their prejudice.

December 9, 2019, MondayWhere: AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)PCAP: ind. Meetings after 15.30 with Maren GrimmDecember 9, 2019, MondayAt 17.00 PRESENTATION ARTISTS IN Residence 04/2019works by Nika Rukavina (Croatia),Agnieszka Kozłowska (Poland), Eriz Moreno (Spain), DUO Selma Selman (Bosnia & Herzegovina) & Chongha Peter Lee (USA) and Yara Mekawei (Egypt).

Opening : 09. 12. 2019, from 17.00 to 19.00Where: BKA-Veranstaltungsraum, Concordiaplatz 2, 1010 WienDecember 10, 2019, TuesdayWhere: AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)PCAP: ind. Meetings after 14.00 with Maren Grimm

HOLIDAYS 14. 12 2019 until 6.01.2020

FIRST WORKING DAY7.01.2020 TUESDAY at 16.00

Presentations, diploma presentation, rundgang B3 seminar and PhD is Philosophy seminar war and affects, Kusturica and Grzinic

PCAP November 2019

concept — Sat, 26 Oct 2019 18:36:19 GMT

November 4, 2019, MondayWHERE: AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)PCAP: at 16.00 in charge Maren Grimm

November 5, 2019, TuesdayWHERE: AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)PCAP: at 16.00 in charge Maren Grimm

November 11, 2019, Monday11.00 to 13.30 workshop A2WHERE: AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)Comics, education, intervention with Ph.D. studentCathérine LehnererTIME TABLE 1 meeting

Paulo Freire und Jaques Rancière
Collective reading of these two authors key text (theory and practice)//Kollektives Lesen (Theorie und Praxis)
Comic (theory/Theorie)
Comic (practice/Praxis)

November 11, 2019, Monday15.00 to 17.00 presentationWHERE: AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)First semesterYoungjoo Yoo

Erasmus presentationsChung, Ji YoonLiu, Sophia

November 11, 2019, MondayIts online www.akbild.ac.atAt 19.00also workshop A2

WHERE: Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien,1 OG Atelier Süd (M1)

Selma Selman (Bosnia and Herzegovina) andPeter Lee (USA)

Nika Rukavina (Croatia)

Organized by Marina Grzinic, Studio for Conceptual Art (Post-conceptual Art Practices) at the Academy of Fine Arts in Vienna. The presentation is possible thanks to the Artists-in-Residence program of the Austrian Federal Chancellery and KulturKontakt Austria.

Selma Selman / Peter LeeTitle: Superpositional Art & Politics

About two and a half years ago, the first working quantum computer proved the principle of physical superposition. This theoretical principle, and now empirical phenomena, operates on the fact that all physical matter exists in all states at once. What are the implications of this fact for art first, and inevitably politics? Selma Selman and Peter Lee have made works that play with this fact at different realms and scales, including performance art, technology, research and organizing.

CV: Selma Selman / Peter Lee have formed over the past 3 years a fluid collaboration that weaves together both of our individual and collective practices and research trajectories. The common thread anchoring us is the use of research, technology, media and aesthetics to produce new functional artworks. We have an umbrella project titled The Museum of Travelling Dreams that is comprised of multiple parts including: 1. Superpositional Performance ‒ use of performance and pop culture to interrupt the logics of violence; 2. No Space ‒ use of technology to question the use of space; 3. The Children's Intelligence Agency ‒ use of conceptual art games that can educate through social media; 4. The Fuck Collection ‒ an anti-fascist conceptual fashion collection.

Their work, “Children’s Intelligence Agency” was presented at EMSUB, a military academy of Colombia (2018), “Superposition 3 – Attacking the Attack,” Rijeka, Croatia (2018). “I wish I had German Passport,” Regensburg, Germany (2017). ‘’Happy Birthday,” Washington, D.C. (2018). Guest Lecturer at George Mason University (2018). “Upside Down World,” Washington, D.C. (2018)

Nika RukavinaTitle: Who are we, why do we act in certain ways?

Within my performance work I deal with the question of the manifestation and influence of present political and economic frameworks on a individual, its way of perceiving and acting.The time when civil liberties are violated, is the time when human rights are to be defended. When the capital dictates the values of every person, whether they are aware of it or not they have an engraved target on their chest, the only question is when they are going to be hit.

In this talk I will introduce and discuss my performances: Hunting season 2019, Word whipping 2017, In the end it’s all about the money 2016, I have earned my star 2016, Lost in transition 2014, Don’t put your cross on me 2013, etc.

CV: Nika Rukavina lives in Rijeka, Croatia. She holds a BA in sculpture of Academy of Fine Arts in Venice and works in different media from performance, installations, painting, sculpture and video. Her primary interest is trying to find a different perspective on commonly accepted views. She exhibited in: frei_raum Q21, Vienna, Austria; Museum of Contemporary Art , Zagreb; Galerie 5020, Salzburg, Austria; MLZ Art - Dep, Trieste, Italy; Kunsthaus, Graz, Austria; Magazzini del Sale, Venice, Italy; Museum of Modern and Contemporary Art , Rijeka, Croatia; Pyramida, Tirana, Albania; Cultural Center, Belgrade, Serbia; Gallery A + A, Venice, Italy; Gallery Bevilacqua La Masa, Venice, Italy; Gallery Nuova Icona, Venice, Italy.

November 12, 2019, Tuesday

14.00 to 16.00WHERE: AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)Erasmus presentationsFerreira da Mota Freitas, BeatrizHapcheko, Veronika

17.00 to 19.15WHERE: AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)Seminar for diploma students and Ph.D. candidates/ and workshop B3/ mandatory for the ZKF Konzept Kunst04 Lecture“Crisis of representation?” Modes of Visual after Post-colonial, Post-Cold war, and Post-modern capitalism.a)War/militant image

The lecture will examine the causal links and spaces of the emergence of the "crisis of representation" in the post-modern visual context and the emergence of a new militant epistemology of the image. Image and visual culture can no longer be considered on the basis of the metaphysical or ontological structures of the continuation of the visual as a historical continuum, but rather, as an autonomous political-ideological system of perpetuating the contemporaneous regime of capitalism. The focus will be on part a) war/militant image.Book:•Brian Massumi, Ontopower: War, powers, and the state of perception (Duke University Press, 2015)

Additional reading:•Judith Butler, Frames of War: When is life grievable? (Verso Books, 2016)

Jacques Derrida, Specters of Marx, trans. Peggy Kamuf, (New York, London: Routledge, 1994)

Projection of video:•Spomenicima ne treba verovati (Don’t Believe in Monuments), Dušan Makavejev,1958.•Harun Farocki and Andrei Ujică “Videograms of revolution” 1992.•Harun Farocki “Auge / Maschine, I-III , (2001- 2003),

Additional readings:•Fredric Jameson, “Cognitive Mapping,” in Marxism and the Interpretation of Culture, ed. Cary Nelson and Lawrence Grossberg (Champaign: University of Illinois Press, 1988).

November 18, 2019, MondayWHERE: AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

12.00 until 15.00Discussionof students studying in the Pcap, 2, 3, 4 year what to present in the rundgang

Aiad Asma
Castillo Espinosa Lia Daryanavard Alireza
Dogan Iklim Eliseykina VictoriaJackel Sarah RaffaelaJolly Robert Kimmig AaronKnez Leonie RosaLatigo Grace MartaMaassen Dean Pfenniger Valentin Prammer ManuelRexhepi Xjelane Segarra Julien Stadler Sophie AnnaSzereday Dominik AronTaruvinga Mtasa Elisabeth

November 19, 2019, Tuesday

9.00 to 10.30Ind. Meetings Grzinic office

November 19, 2019, Tuesday

11.00 to 13.30 workshop A2WHERE: AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)Comics, education, intervention with Ph.D. student Cathérine Lehnerer

Guest: Susanne Songli Griem, a performance artist, dancer and a colleague of Lehnerer will accompany the workshop A2.Procedure:body and theory (a experiment)drawing from your own experiencedialogue/reflectioncomic session with tea and gingerbread

This time we will draw in any case, so please bring pencils, ink, pencils or whatever you like.

November 19, 2019, Tuesday

16.00 to 18.15WHERE: AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)Ph.D. seminar/ and B3/ mandatory for the ZKF Konzept KunstWith the title Images, War and AffectsBy Taida Kusturica, Ph.D. student mentor, and Marina Grzinic

05 Lecture“Crisis of representation?” Modes of Visual after Post-colonial, Post-Cold war, and Post-modern capitalism.

b) Image-capitalism

In the second part of the crisis of representation we will deal with b)Image-capitalism.The twentieth century did not just mean a new order of geographical and economic colonization that was called Imperialism; it also meant colonization and privatization of the visible world and more broadly of the sensory experience. Therefore, post-representation as a contemporary phenomenon does not seek to portray or disassemble any reality as a temporal issue, but to point out on new-media and cultural hybrid global wars, which have themselves become the goal of culture as war and vice versa. The problem of Europe and the crisis has become the normative framework of contemporary art, so the image of the Balkans, the Third World, and West Europe increasingly points to a programmed and visual crisis of capital, but not to the ontological-phenomenological problem of the crisis of two or more worlds.

READING OF Tina M. Campt, Listening to Images (Durham, NC: Duke University Press, 2017).

ADDITIONAL READINGBook•Wendy Hui Kyong Chun, “Crisis, Crisis, Crisis, or Sovereignty and Networks”(Theory, Culture & Society 2011 (SAGE, Los Angeles, London, New Delhi, and Singapore), Vol. 28(6): 91-112 PDF:pdfs.semanticscholar.org

Projection of video:•Harun Farocki and Andrei Ujică “Videograms of revolution” 1992.•Harun Farocki “Auge / Maschine, I-II I, (2001- 2003),

November 25, 2019, Monday

WHERE: AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)14.00 to 18.00Presentations rundgang ideas and concepts

Jackel Sarah Raffaela

Szereday Dominik

Taruvinga Mtasa Elisabeth

Second round discussion space technology and program rundgang

November 26, 2019, Tuesday

9.00 to 10.30Ind. Meetings Grzinic office

November 26, 2019, Tuesday

11.00 to 13.30 workshop A2WHERE: AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)Comics, education, intervention with Ph.D. studentCathérine LehnererThis time there are several theory sessions, which are interrupted by small practical exercises.

History of comics + exercise "create your own comic figure"
Comic theory + exercise "change the bubble text"
Selection of feminist comics + exercise "draw your own comic strip"
Literatura del cordel + exercise "styrodur print"

November 26, 2019, Tuesday17.00 to 19.15WHERE: AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

Ph.D. seminar/ and workshop B3/ mandatory for the ZKF Konzept KunstWith the title Images, War and AffectsBy Taida Kusturica, Ph.D. student mentor, and Marina Grzinic

06 LecturePictorial TurnThe lectures will expos some crucial ground in understanding the shift in art and culture from the linguistic turn,” to “pictorial turn. According to W.J.T. Mitchell, the pictorial turn is about that the pictures that surround us do not only transform our world and identity, but also form social life. In this way, pictures are playing an important role in the construction of our social and emotional reality. Mitchell argues for the necessity of a picture science and art history, which accepts the different approach to pictures as a system of autonomous power.Book:•W. J. T. Mitchell: “The pictorial turn” in: Picture Theory. Essays on Verbal and Visual Representation, (Chicago: 1994), 11-35.

Additional readings:•Marie-José Mondzain, "Can images kill?" Critical Inquiry 36, no. 1 (2009): 20-51.•Jonathan Beller, The Message is Murder: Substrates of Computational Capital (London: Pluto Press, 2018).

PCAP October 2019

concept — Sun, 22 Sep 2019 12:39:27 GMT

October 7, 2019, MondayWHERE: AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)16.00 to 20.00

Introduction, presentation of the work in the semester, plans.

At 18.00 a meeting with Contemporary Matters, art historian students, UNI WIEN, to see for a possible collaboration; the group CONTEMPORARY MATTERS positions are:

•Martina Genetti•Fanny Hauser•Paul Ibitz•Julia Jarrett•Yulia Kopr•Laleh Monsef•Sophie Pubig•Magdalena Stöger•Vincent Weisl

At 19.00 presentation, a kick into the art world: Venice Biennale 2019, tendencies, presentation by Mika Maruyama, Ph.D. Student AkBild

October 8, 2019, Tuesday

14.15 to 16.00where: Gallery Rudolf Leeb1070 Vienna, Kaiserstrasse 76

exhibition CENSORSHIP and FREEDOM OF OPINION

Guide and presentation by the curator Lluís Lipp in ENGLISH

With works by-Mirkan Deniz-Silke Maier-Gamauf // Romana Hagyo-Santiago Sierra-Arye Wachsmuth

More and more often artists* are condemned for their work, works are censored and artists are exposed to media aggression. The exhibition CENSOR and FREEDOM OF OPINION opposes this dynamic, expresses unconditional support for art and culture, and sets an example for freedom of expression and human rights.

Initiated and curated by the Catalan Cultural Association in Vienna.

Free entrance

Duration: 19 September - 18 October 2019

October 8, 2019, Tuesday17.00 to 19.15WHERE: AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

PhD seminar/ and workshop B3/ mandatory for the ZKF Konzept Kunst With the title Images, War and Affects By Taida Kusturica, PhD student mentor and Marina Grzinic

01 Lecture: 8.10. 2019Introduction to the concept of the seminarb) Marxism, Montage and imagesc) Projection of Esfir Shub’s documentary film “The Fall of the Romanov Dynasty” (Esfir Shub, USSR 1927)

WELCOME,new rectorat10.10., 2019 17.00 Aula, Augasse 2-6, 1090 Wien

Johan F. Hartle, RektorIngeborg Erhart, Vizerektorin für Kunst und LehreCelestine Kubelka, Vizerektorin für Finanzen, Personal und besondere Projekte

Dear teachers, dear staff, dear students and alumni of the Academy,

We are very happy to officially start our work for the Academy as its new Rectorate as of today! Ingeborg Erhart, the distinguished curator, art historian, and former director of Tiroler Künstler*schaft, the experienced cultural manager Celestine Kubelka, production manager for the Wiener Festwochen of many years, and I, Johan Frederik Hartle, as Rector, will, as a team, focus on intensifying internal dialogue and the increased integration of existing competences as well as sharpening the Academy’s artistic and scientific profile over the coming months. The new Rectorate finds itself fully committed to the work of its predecessors particularly as far as equality and diversity policies are concerned.

In addition to the focus on research and internationalization, I, as the Academy’s Rector, will concentrate on honing the relationship between art and the public sphere. Ingeborg Erhart will take over the Vice-Rectorate for Art and Teaching, break new ground in the field of exhibitions, and have the promotion of both students and alumni on her agenda. Celestine Kubelka will be in charge of the Departments of Finance and Personnel, as well as the logistical challenges connected to the general refurbishment and issues of facility planning and relocation. Particularly the creation of additional room and the Academy’s repositioning in public space will accompany the new Rectorate as its key tasks and keep bringing the three perspectives together.

We cordially invite all of you to a first welcome on Thursday, October 10, 2019 at 5:00 p.m. in the auditorium at Augasse 2–6, 1090 Vienna, which will be an opportunity to meet personally!

Looking forward to a rewarding cooperation,

Johan F. Hartle, RectorIngeborg Erhart, Vice-Rector for Art and TeachingCelestine Kubelka, Vice-Rector for Finance, Human Resources and Special Projects

October 14, 2019, MondayWHERE: AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)PCAP: at 16.00 in charge Maren Grimm

October 15, 2019, TuesdayWHERE: AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)PCAP: at 16.00 in charge Maren Grimm

October 16, 2019, Wednesdayat 19.00Where: Angewandte, FLUX 2, Vordere Zollamtsstrasse 7, 1030 Wien

PRESENTATIONShu Lea Cheang on Gender Play, Gender Fxxxking

In her current installation 3x3x6 (on view at Venice Biennale till November 24, 2019), Shu Lea Cheang reflects upon the transformation of surveillance techniques since the panopticon to include contemporary 3-D facial recognition and investigates 10 criminal cases in which the prisoners across time and space are incarcerated for sexual provocation and gender affirmation. The exhibition constructs collective counter-accounts of sexuality where trans punk fiction, queer, and anti-colonial imaginations hacks the operating system of the history of sexual subjection. For Ludic Society presentation, Cheang takes up the case of “Regina V. Saunders” (1991) in which the defendant, Jennifer Lynne Saunders, age 18, was sentenced to six years in prison for two counts of indecent assault. Excerpts selected from the court hearing that took place at Doncaster County Court in 1991 convene a performative re-enactment of gender play, gender fxxxking.www.dieangewandte.at

October 17, 2019, Thursday19.30-21.30whereGalerie Rudolf LeebKaiserstraße 76, 1070 Vienna, AustriaPodiumsdiskussion im Rahmen der Ausstellung Zensur und Meinungsfreiheit

Demokratischer Rückschritt? - die Lage der Meinungsfreiheit in Europa

Diskutantinnen:Yvonne Gimpel (IG Kultur Österreich)Berivan Aslan (WU-Wien)Hannes Tretter (Universität WienJulia Herrnböck (Reporter ohne Grenzen)Salvador Espada (Unidas Podemos Austria)Institutioneller katalanischer Vertreterin (tba)

October 21, 2019, MondayWHERE: AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)At 16.00 presentation of the new students and Erasmus in the PCAP

Bissen SaraGerges MatthewHenrietta Dennis HenrieKianmehr Ali

October 21, 2019, Mondayat 19.00

where secession, viennaruangrupa: Intervention(in English)in the frame of talks Whose Freedom?

ruangrupa, founded in Jakarta in 2000, is an Indonesian artists’ collective. ruangrupa—the name means “space for art”—curated sonsbeek in Arnhem (2016) and will curate documenta 15 in Kassel (2022).

October 22, 2019, Tuesday

grzinic office individual meetings9.30 to 11.00

11.00WHERE: AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)meeting with first semester students and Erasmusopen questions

October 22, 2019, TuesdayWHERE: AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)17.00 to 19.15

PhD seminar/ and workshop B3/ mandatory for the ZKF Konzept KunstWith the title Images, War and AffectsBy Taida Kusturica, PhD student mentor and Marina Grzinic

02 Lecture: 22. 10. 2019Walter Benjamin’s “media aesthetics”: Formation of Modern Mass Representations and Visual Culture; (posters, photography, cinema)The lecture will consider the connection between concept and formation of the mass visual culture of 20 century with Walter Benjamin’s theory of ‘media aesthetics’ especially his notion of “the Medium of perception” [Medium der Wahrnehmung].

24 October 2019 | starts 1.30 pm

LECTURE: DANI GALVenue: Angewandte – University of Applied Arts Vienna, Department of Site Specific Art, Institute of Fine Arts and Media Art (2nd floor), Paulusplatz 5, 1030 Vienna

Hosted by Department of Site Specific Art, Angewandte – University of Applied Arts ViennaPart of 2019 artist-in-residence, Blood Mountain Projects

Dani Gal’s artistic practice focuses on the production of ideology through the representation of specific historical narratives in a variety of media in order to question the claims of historical knowledge and to reveal and challenge underlying political preconceptions. Using archival documents toward the creation of cinematic reenactments, sound compositions and other interdisciplinary work, Gal explores the relationship between image, sound and text (written and spoken) to illuminate national interests behind the construction of historical narratives and the process of shaping collective/national memory. His work searches and examines specific historical cases to expose how political powers control certain narratives and repress others as a way to maintain power.

Dani Gal (born 1975, Jerusalem) lives and works in Berlin.  He studied at the Bezalel Academy for Art and Design in Jerusalem, the Staatliche Hochschule für Bildende Künste Städelschule in Frankfurt and the Cooper Union in New York.  His films and works have been shown at the Centre Pompidou in Paris (2018), Documenta 14 (2017), Kunsthalle Wien (2015), Kunsthaus in Zurich (2015), Berlinale Forum Expanded (2014), Jewish Museum in New York (2014), Kunsthalle in St. Gallen Swizerland (2013), New Museum in New York (2012), 54th Venice Biennale (2011), and the Istanbul Biennale (2011).

October 28, 2019, MondayWHERE: AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)At 16.00 presentation of the new students and Erasmus in the PCAP

Koebli NathalieNuman MohammadLarboard-Kuke Sisan

Montag, 28. Oktober 2019, 19.00Where:DepotBreite Gasse 31070 Wienwww.depot.or.at

25 Jahre Depot. Nachgefragt:Chancengleich? Künstlerinnenkarrieren

2005 stand im Depot die Chancengleichheit für Frauen im Kunstbetrieb zur Debatte. Wieweit hat sich die Situation verbessert? Lange Zeit waren die vorderen Reihen in den vom Kunstmarkt definierten Rankings von männlichen Künstlern besetzt. Das ändert sich zunehmend.
Künstlerinnen erfahren quer durch alle Epochen die längst überfällige Anerkennung, wie es sich auch in der musealen Präsenz der Gegenwart widerspiegelt. Welcher Art waren die Strukturen beschaffen, die Verbesserungen so lange zu behindern vermochten?

Katharina Cibulka, Künstlerin, Innsbruck

Hanna Hacker, Soziologin, Historikerin, Wien

Moderation: Nicole Scheyerer, Kulturredakteurin Der Falter

und vom Podium 2005 auch diesmal mit dabei:

Brigitte Borchhardt-Birbaumer, Kunsthistorikerin, Wien

Marina Grzinic, Philosophin, Künstlerin, Wien

Christine König, Galeristin, Wien

Anschließend kleines Büfett

October 29, 2019, Tuesday8.30 to 12.00 individual meetings, Grzinic office

October 29, 2019, TuesdayWHERE: AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)17.30 to 19.45

PhD seminar/ and workshop B3/ mandatory for the ZKF Konzept KunstWith the title Images, War and AffectsBy Taida Kusturica, PhD student mentor and Marina Grzinic

03 Lecture: 29.10.2019Gilles Deleuze’s Theory on Image and Affects: Formation of Post-modern Representation and Visual CultureThe lecture will offer an analytical reading of Gilles Deleuze’s philosophy of image and affect, as a critical application to the current state of visual culture, that is, to the age of contemporaneity.cidadeinseguranca.files.wordpress.com

PCAP June 2019

concept — Sat, 25 May 2019 19:19:47 GMT

PCAP June 2019

June 3, 2019, MondayWHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)PCAP: at 16.00 in charge Maren Grimm

June 4, 2019,TuesdayWHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)PCAP: at 14.00 in charge Maren Grimm

June 5, 2019, Wednesday13.00 to 17.00Grimm/Krameritsch: LV Film und Fernsehen/MedientheorieWHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

June 10, 2019, MondayHoliday

June 11, 2019, TuesdayGrzinic, meetings

June 11, 2019, TuesdayDepotBreite Gasse 3A-1070 Wien

at 19.00LGBTQ - Kunst 50 Jahre nach Stonewall

Gonzalo Casals, Leslie-Lohman Museum, New YorkJakob Lena Knebl, Künstler_in, Akademie der bildenden Künste Wien

Das Leslie-Lohman Museum in New York ist weltweit das einzige Kunstmuseum, welches ausschließlich Künstler_innen mit LGBTQ-Erfahrung gewidmet ist. Was 1969 mit der ersten Ausstellung von schwulen Künstlern begann, ist zum international angesehenen Museum mit einer beachtlichen Kunstsammlung geworden. 50 Jahre nach dem Stonewall Aufstand ist es an der Zeit, nach den Auswirkungen der Bürgerrechtsbewegung LGBTQ auf die Kunstwelt zu fragen.

The Leslie-Lohman Museum in New York is the only art museum in the world dedicated exclusively to artists with LGBTQ experience. What began in 1969 with the first exhibition of gay artists has become an internationally renowned museum with a remarkable art collection. 50 years after the Stonewall uprising, it is time to ask about the impact of the LGBTQ civil rights movement on the art world.

DepotBreite Gasse 3A-1070 Wien+43 (0) 699 13 53 77 10depot@depot.or.atwww.depot.or.at

June 12, 2019, WednesdayWHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

10.00 to 12.00Collective cleaning space m1, pcap for the next semester

June 12, 2019, WednesdayWHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

At 14.00 Students presentations

Lía C. Espinosa

Xhejlane Rexhepi

Dafina Sylejmani alias DACID GO8LIN

June 12, 2019, WednesdayWHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

17.00 Anka LeśniakPresentation research project by Anka Leśniak

TITLEWhat does "The Witch" represent today?The sculpture by Teresa Feodorowna Ries and its missing element. Contemporary interpretations.

Anka Leśniak, Ph.D., artist and researcher, assistant professor at the Faculty of Sculpture and Intermedia of the Academy of Fine Arts in Gdansk (Poland). In 2019 she was awarded the OeAD Scholarship and currently she is an artist researcher at the Academy of Fine Arts in Vienna, Studio for Conceptual Art/Post-conceptual art practices.

The presentation by Anka Leśniak will be a summary of her four-month research residency in Vienna on Teresa Feodorowna Ries (1874-1956), and in particular – her sculpture entitled "The Witch" (Die Hexe, 1895). Teresa Ries, a Russian woman sculptor of Jewish origin came to Vienna to develop her career as an artist. Despite the limitations imposed on her gender in that epoch, she became one of the most successful and recognized Viennese artists. She contributed to Austrian culture until she had to flee from Vienna, to save her life from the Nazis. Teresa Ries sculpture "The Witch" doing her toilette before the Witches Sabbath, exhibited in 1896 in Künstlerhaus, opened to the then 22 years old artist the door to her career. The figure of a young, naked sorceress cutting her toenails with the big scissors challenged the morality and aesthetic taste of conservative Viennese society and became both an object of admiration and insults.

CV:

Anka Leśniak is Polish contemporary artist, active in genres such as: installation, video-installation, video-art, performance art, performative painting. She graduated from Art History in the University of Lodz and the Academy of Fine Arts in Lodz in Poland. She was also awarded with a Scholarship of the Ministry of Culture and National Heritage of Poland (2011) and next years she received grants from the Mayor of the city of Lodz (2015), from the city of Gdansk (2016). Artist in residence of KulturKontakt in Vienna (2016).

In her art, she mainly focuses on the history of women and makes site-specific artworks. Most of her works is closely connected to the particular space or architecture, specifically with the use of abandoned houses or other features that have ceased to fulfil their former functions but for which a new use has not yet been found. She is interested in feminism, topics related to gender, body, ethnic identity, herstory, language and memory. She is an author of the cycles "Body Printing," "Top Models," "Fading Traces," "Women patRIOts," "Invisible in Visible."

www.ankalesniak.plwww.invisiblewomen.info

June 17, 2019, MondayAt 17.00 Julien Segarra student mentor moderating a discussion

June 24, 2019, MondayJune 25, 2019, Tuesday

TITLE: Critical Inventory: Towards a Methodology of Contemporary Art History

Location: Seminar Room 1, Department of Art History, University of ViennaUniversity Campus, Hof 9, 1090 Vienna

2 days intensive program in collaboration with Uni Wien, prof. Banai.

For these 2 days together, our main aim is to have productive exchanges about the histories, theories, and methodologies of contemporary art history from a variety of perspectives; To make things lively, we tried to have a variety of formats, including talks, conversations, panels, and artistic interventions and offered a substantial platform to 'emerging voices' as participants and moderators (MA and Phd Students from Uni Wien and the Academy of Fine Arts).

From AkBild taking part: Đejmi Hadrović, Mika Maruyama

SELECTION:

Monday, June 24,2019Location: Seminar Room 1, Department of Art History, University of ViennaUniversity Campus, Hof 9, 1090 Vienna

10:15am – 10:30am Opening welcome10:30am – 12pm Emerging VoicesĐejmi HadrovićSexuality And Its Manifestation In Post-Yugoslav Cinematography

Eva KovačSpecific Contexts demand Specific Methodologies: Writing about the critical role of language in performance art from the post-Yugoslav context

Miroslava UrbanovaBeyond the narratives? Writing about Slovak contemporary art, negotiating theinscriptions of the Wartime Slovak state.

Moderation: Mika Maruyama

Monday, June 24, 2019

5:10pm – 6:10pm – Collectives and Self-Organized groups

Ivet ĆurlinWhat, how and for whom of WHW

Andreja Dugandžić and Boriša MraovićHello, I'm doing a research

Siniša LabrovićEndless Adjustments

Alisa BeckNein, eure Suppe ess ich nichtOn side-effects and the aftermath of artistic practice in self-organized spaces

Moderation: Marina Gržinić

Tuesday, June 25, 2019

Starts at 10.30 ……..

3:10pm – 3:50pm Conversation between Marina Gržinić and Jusuf Hadžifejzović

4:30pm -5pmKeynote Lecture: Gediminas Urbonas The Swamp School

June 28, 2019, FridayLast day semester10.00 to 12.00ceremony issuing the diplomas

Next winter semester 2019/2020First day, 7.10.2019, Monday at 16.00

PCAP May 2019

concept — Wed, 01 May 2019 20:09:26 GMT

PCAP May 1, 2019

May 1, 2019HOLIDAY: MAY DAY!!!!

OPENING 6.05.2019, MondayAt 18.00Where:Skulpturenplatz@Kunsthalle Wien Karlsplatz

Project by the Studio for Conceptual Art [Post-conceptual Art Practices//PCAP]Academy of Fine Arts Vienna in collaboration with Kunsthalle Wien

BITTE SEIEN SIE ACHTSAM. ANDERE BRAUCHEN IHREN KARLSPLATZ VIELLEICHT NOTWENDIGER.Exhibition, lecture, workshops, interventions, screening, rapping, performances

When: 6.05, 7.05 and 8.05. 2019

Where: Skulpturenplatz@Kunsthalle Wien Karlsplatz and Kunsthalle Wien Museumsquartier

WITHIklim Dogan (installation), Đejmi Hadrović (screenings), Mai Ling (screening), Asma Aiad, Megan Auður, Lia Castillo Espinosa, Victoria Eliseykina, JACK Kollectiv, Sarah Raffaela Jackel, Robert Jolly, Maisie Jowett, Aaron Kimmig, Leonie Rosa Knez, Yul Koh, Marta Grace Latigo, Cathérine Lehnerer, Dean Maassen, Patrick Peljhan, Valentin Pfenniger, Manuel Prammer, Xhejlane Rexhepi, Julien Segarra, Sophie Anna Stadler, Dafina Sylejmani alias DACID GO8LIN, Dominik Szereday (audio/interview laboratory, performative interventions with banners and talks)

and passers-by&GUESTS:Mindj Panther, Heba Y. Amin, James Nguyen, Faris Cuchi, Marissa Lobo, maiz

Organization:Studio for Conceptual Art [Post-conceptual Art Practices]Prof. Marina Grzinic, Maren Grimm, Julia Hohenwarter, Mika Maruyamawww.akbild.ac.atkunsthallewien.at

BITTE SEIEN SIE ACHTSAM. ANDERE BRAUCHEN IHREN KARLSPLATZ VIELLEICHT NOTWENDIGER.The project consists of two threads along which we want to elaborate specific questions. First, what is our responsibility in entering the public space? Who can open it and or has access to it? Second, how is it possible to deconstruct the concept of going public with artworks and performative bodies? Can we raise any social awareness, can we “woke the public space and the people” on questions of marginalization, discrimination, precarity?

In this regard students enter the public space with interventions, constructing topical art objects with discursive and political potentials; the temporary built performative spaces (rapping, shouting, manifesting) will exchange with the passerby, and as well with the specific art and any public. We want to open with this project a platform for dialogue with everybody passing by, building temporary communities and questioning the politics of art practice, the performative of words uttered and bodies in the public space. Using a title, referring to an announcement known from the public transport and adapted to the actual area, we will start this conversation.

HIGHLIGHTS of the program

6.05.2019, MondayAt 18.00 Opening at Skulpturenplatz@Kunsthalle Wien Karlsplatz

WITHIklim Dogan (installation The Bench), Asma Aiad, Megan Auður, Lia Castillo Espinosa, Victoria Eliseykina, Sarah Raffaela Jackel, Robert Jolly, Maisie Jowett, Aaron Kimmig, Leonie Rosa Knez, Yul Koh, Marta Grace Latigo, Cathérine Lehnerer, Dean Maassen, Patrick Peljhan, Valentin Pfenniger, Manuel Prammer, Xhejlane Rexhepi, Julien Segarra, Sophie Anna Stadler, Dafina Sylejmani alias DACID GO8LIN, Dominik Szereday (audio/interview laboratory, performative interventions with banners and talks)and passers-by

At 19.00 Skulpturenplatz@Kunsthalle Wien KarlsplatzSocial food: »Beim Essen kommen die Leute Zam«Cooking by Asma Aiad, Manuel Prammer with help by Cathérine Lehnerer

At 20.00 Skulpturenplatz@Kunsthalle Wien KarlsplatzScreening by Đejmi HadrovićEUROPA and Silent Observer

At 21.00 Skulpturenplatz@Kunsthalle Wien KarlsplatzPerformance with rapping by Mindj Panther (Simonida and Sandra Selimović, Vienna)

The performance is also connected with the major holiday for the Roma community, Feast of Saint George. It is celebrated on 6th May 2019.

7.05. 2019, Tuesday

At 12.00 to 15.00 Skulpturenplatz@Kunsthalle Wien KarlsplatzWorkshop by Heba Y. Amin with students and passers-byTitle workshop: Intimate Bureaucracy

Followed by interventions in space with talks and screenings.

At 15.00 Skulpturenplatz@Kunsthalle Wien KarlsplatzSocial food: »Beim Essen kommen die Leute Zam«

At 19.00 Kunsthalle Wien MuseumsquartierMuseumsplatz 1, 1070, Vienna

Public lecture by Heba Y. AminTitle lecture: Female Subjectivities and Technological Dystopias

Organized by Studio for Conceptual Art [Post-conceptual Art Practices]Academy of Fine Arts Vienna and Kunsthalle WienEgyptian artist Heba Y. Amin grounds her work in extensive research that looks at the convergence of politics, technology, and architecture. Techno-utopian ideas, as manifest in characteristic machines of soft colonial power, are at the heart of Amin’s work. Starting from the idea that landscape is an expression of dominant political power, Heba Y. Amin looks for tactics of subversion and other techniques to undermine consolidated systems and flip historical narratives through critical spatial practice.CV: Amin teaches at Bard College Berlin, is a doctoral fellow in art history at Freie Universität, and a current Field of Vision fellow in NYC. She is the co-founder of the Black Athena Collective, the curator of visual art for the MIZNA journal (US), and co-curator for the biennial residency program DEFAULT with Random Association (IT). Furthermore, Amin is also one of the artists behind the subversive graffiti action on the set of the television series “Homeland” which received worldwide media attention. Amin lives in Berlin.

8.05.2019, Wednesday

At 12.00 to 15.00 Skulpturenplatz@Kunsthalle Wien Karlsplatz

Workshop by James Nguyen in situ with students and passers-by

Title workshop: Australia-Austria: A New Terra Nullius (immigration as amnesia) — the violence of recurrent colonisations in contemporary AustraliaThis workshop has been assisted by the University of NSW (Art & Design), Australia

CV: James Nguyen has received support and funding from The Australia Council for the Arts, Samstag, Creative Arts NSW, and the Clitheroe Foundation. Nguyen has completed a Bachelor of Pharmacy (Charles Sturt University Wagga Wagga), a Bachelor of Arts. Honours (National Art School, Sydney), a Masters of Fine Arts (Sydney College of Arts, University of Sydney) and currently a Ph.D. candidate at the University of NSW (Arts & Design). Nguyen has also been a fellow at UnionDocs (Centre for Experimental Documentary Arts, NYC), co-founder of Astute Art Investments International, on the artist’s board for WestSpace and currently a Gertrude Contemporary Studio Artist, Melbourne.

Followed by interventions in space with talks and screenings. The reflections are connected with May 8, 1945, the unconditional surrender of Nazi Germany and the end of the WWII. Where are we standing today in the EU regarding rights?

At 15.00 Skulpturenplatz@Kunsthalle Wien KarlsplatzSocial food: »Beim Essen kommen die Leute Zam«

At 18.00 Skulpturenplatz@Kunsthalle Wien KarlsplatzStatements and talk with the title: What do the disobedient bodies speak?Organized by Grace Marta Latigo with the participation of Asma Aiad, Faris Cuchi, and Marissa LoboTalk with activists’ artists who carry historically marked bodies connecting intersectional questions and a narrative of epistemic disobedience. Disobedience is performed trough body-minds, body speeches, body genders, body sexualities and body counter hegemonic positions.

At 20.00 Skulpturenplatz@Kunsthalle Wien KarlsplatzScreenings byScreenings byMAI LING, My name is Mai LingJACK Kollectiv, The Suitcase-SuitSoli-Video-Kollektiv, MAIZ SOLI –VIDEO's

Cooking by Asma Aiad, Manuel Prammer with help by Cathérine Lehnerer

Sound equipment and sound providing by Robert Jolly

Zine concept by Megan Auður, Victoria Eliseykina, Cathérine Lehnerer, and Anna Sophie Stadler

May 9, 2019, ThursdayAt 18.00

Where:

SEMINAR ROOM 1, BUILDING 9.2INSTITUT FÜR KUNSTGESCHICHTE, UNIVERSITY OF VIENNAUNIVERSITY CAMPUS, HOF 9GARNISONGASSE 13, 1090 VIENNALECTURE BY Vasyl Cherepanyn (Kyiv)Title: Gesamtkunstwerk Counter-Revolution

Lecture as part of The Art of Pedagogy, The Pedagogy of Art:Institutions of Learning in Global ContemporaneityLecture Series, Summer 2019

In his lecture, Vasyl Cherepanyn will analyze the cultural and political context in Europe with regards to democracy affected by populism, the potential of political solidarity and the threat of the extreme right, arguing that the future of a united Europe is at stake for the left today. The presentation also focuses on the functioning of public institutions under the conditions of war in Ukraine, where radical attitudes and hostility have continued to increase, and hate speech has spread on both national and international levels, connecting symbolic and real violence to their influence on cultural processes. What actions need to be taken to reclaim democracy in a time when it became a fetish to cover the political alternative? How do ideological polarizations in contemporary societies affect the way the artistic field operates? Instead of speculating about what art and culture can bring to politics, it's the artists themselves who must proclaim – where art fails only politics can help?

CV: Vasyl Cherepanyn is Head of the Visual Culture Research Center (VCRC, Kyiv) and a lecturer at the Cultural Studies Department of the University of Kyiv-Mohyla Academy. He has been lecturing at European University Viadrina in Frankfurt (Oder), University of Helsinki, Free University of Berlin, Merz Akademie in Stuttgart, Masaryk University in Brno, Institute for Advanced Studies of the “Political Critique” in Warsaw, Greifswald University. He was a visiting fellow at the Institute for Human Sciences in Vienna. He recently co-edited Guidebook of the Kyiv International (Medusa Books, 2018) and '68 NOW (Archive Books, 2019) and curated The European International and Hybrid Peace projects. VCRC is the organizer of The School of Kyiv – Kyiv Biennial 2015 and The Kyiv International – Kyiv Biennial 2017. VCRC has received the European Cultural Foundation's Princess Margriet Award for Culture in 2015, and the Igor Zabel Award Grant for Culture and Theory 2018.

May 15, 2019, Wednesday13.00 to 17.00Grimm/Krameritsch: LV Film und Fernsehen/Medientheorie

WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

May 16 to May 21, 2019PCAP RESEARCH TRAVEL TO ICELAND

SOME HIGHLITS OF THE PROGRAM

17.05.2019 FridayIceland Academy of Arts - Fine Arts department (Reykjavík).Open doors - Rundgang exhibition, meeting students, presentations.

18.05.2019 Saturday

Driving day in Snæfellsnes to Snæfellsnes glacier area.visit of the Library of Water (Roni Horn) on the way back to Reykjavík.

19.05.2019 Sunday

Museums and off spaces

20.05.2019 Monday14.00 to 17.00University of Iceland,Gimli, IS-101, Reykjavík, Iceland

ROOM 101 booked

Lecture by Kristín Loftsdóttir (Prof. in Anthropology)Crisis and Coloniality at Europe’s Margins: Creating Exotic Iceland.

Lecture for the PCAP supported by the Mobility and Transnational project in Iceland

After the lecture panel exchange students Reykjavík and Vienna.

21.05 to 23.05. 2019, ViennaSecond part entry exam AKBILD/IBK

May 22 2019, Wednesday

13.00 to 17.00Grimm/Krameritsch: LV Film und Fernsehen/Medientheorie

WHERE: ROOM TO BE ANNOUNCED

May 27, 2019, MondayWHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)PCAP: at 16.00 in charge Maren Grimm

May 28, 2019, TuesdayWHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)PCAP: at 16.00 in charge Maren Grimm

May 29, 2019, Wednesday13.00 to 17.00Grimm/Krameritsch: LV Film und Fernsehen/MedientheorieWHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

NEXTJune 3, 2019, Monday at 16.00

PCAP April 2019

concept — Thu, 28 Mar 2019 10:43:11 GMT

April 1, 2019, MondayEntry exams

April 1, 2019, Monday

At 18.00 discussion kunsthalle project!!!!!WHERE: AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

At 20.30Erasmus presentation:Maisie Jowett

April 2, 2019, TuesdayEntry exams

April 2, 2019, Tuesday

At 18.00

WHERE:SEMINAR ROOM 2, BUILDING 9.2INSTITUT FÜR KUNSTGESCHICHTE, UNIVERSITY OF VIENNAUNIVERSITY CAMPUS, HOF 9GARNISONGASSE 13, 1090 VIENNA

COLLABORATION WITH prof. Noit Banai

GUEST: Edith Jeřábková: Diverse Curating

CV: Edith Jeřábková is interested in experimental approaches to curatorial work mostly within the field of contemporary art. She is the head of the Sculpture Studio at the Academy of Arts, Architecture, and Design in Prague together with the artist Dominik Lang. In 2012, she co-founded the collective Are | are-events.org (2012–present) with her colleague Zuzana Blochová and, in 2018, she co-founded the Institute of Anxiety. From 2010 to 2012, Jeřábková worked at the Academic Research Centre of the Academy of Fine Arts in Prague on the project Islands of Resistance. Between the First and Second Modernity 1985–2012, exhibited at the National Gallery in Prague. She also worked as a head curator at the Fotograf Gallery and as a deputy director at the Museum of Modern Art Klatovy/Klenová.

April 8, 2019, MondayWHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)PCAP: at 16.00 in charge Maren Grimm

April 9, 2019, TuesdayWHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)PCAP: at 16.00 in charge Maren Grimm

April 10, 2019, WednesdayWHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

13.00 to 17.00Grimm/Krameritsch: Film und Fernsehen 2 + Medientheorie 3

April 15.04 to 28.04 2019EASTER HOLIDAYS

April 29, 2019, MondayAt 10.00

WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)Work on the kunshalle project, discussions, working processes, finalization, time plan, maybe cooking in the office kitchen, eating together, class?

April 29, 2019, Monday

At 19.00WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

GUEST LECTURE: Claudia Tazreiter (Australia)

Talk title: Art, writing and activism from the prison camp on Manus Island (PNG)

Art, writing and activism from the prison camp on Manus Island (Papua New Guinea) focuses on the work of journalist, writer and filmmaker Behrouz Boochani, imprisoned on Manus Island for the past six years. The talk considers responses to the presence of refugees in cycles of empathy as well as cycles of hatred. The continued salience of racialised neo-colonial logics that dehumanise through creating a hierarchy of human is considered. In contrast, the ideal of global justice that sketches alternative futures alongside the concepts of haunting and memory are used to understand the systematic abuses and crimes of state power.www.meaa.org

CV: Claudia Tazreiter is Associate Professor of sociology at the University of New South Wales, Sydney. Her research focuses on the social and affective impacts of forced and irregular migration; on human rights culture; the role of civil society in social change; and gender in migration. She is the author of numerous books, journal articles and book chapters. Claudia’s recent book, Fluid Security in the Asia Pacific: Transnational Lives and State Control, is a collaboration with Sharon Pickering, Leanne Weber, Marie Segrave and Helen McKernan (Palgrave 2016). She is an associate of the Institute for Human Rights, serves on the Management Committee of the Gilbert and Tobin Centre for Public Law and the Steering Committee of the Kaldor Centre for International Refugee Law. She is the convenor of the multidisciplinary Forced Migration Research Network.

April 30, 2019, Tuesday

at 10.00 meeting Phd in Philosophy

at 14.00 ind. meetings

April 30, 2019, Tuesday

WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

At 19.00

CECILIA TRASLAVIÑA GONZÁLEZ (Bogotá, Colombia)

Artist in Residence at the Academy of Fine Arts Vienna

From April to June 2019 Cecilia Traslaviña González is Artist in Residence at the Academy and will be affiliated with the Studio of Film and Art and with the Animation Lab.

She will give a lecture about her artistic work, open to all students, in the Studio of Conceptual Art (Post-conceptual Art Practices).

Title presentation: The architecture of memories

Memories come to us, they arise from hidden layers of our life experience to guide our conscious self. I often confront my own memories in the experience of living in a city: an old wall brings forth what I though had been forgotten, inhabiting a house guides me back to past lives, the sight of an old factory carries the sense of a younger version of myself, or the tombstones in a cemetery speak of the living. My animation process is, in a sense, the act of peeling the layers of the visible city to reveal the memories they carry on me.

CV: Cecilia Traslaviña is a visual artist, animator and magister in literature. She works as professor and researcher in the Department of Visual Arts at the Javeriana University in Bogotá, Colombia.

May 1, 2019HOLIDAY: MAY DAY!!!!

NEXT OPENING 6.05.2019, MondayAt 18.00Where:Skulpturenplatz@Kunsthalle Wien Karlsplatz

Project by the Studio for Conceptual Art [Post-conceptual Art Practices//PCAP]Academy of Fine Arts Vienna in collaboration with Kunsthalle Wien

BITTE SEIEN SIE ACHTSAM. ANDERE BRAUCHEN IHREN KARLSPLATZ VIELLEICHT NOTWENDIGER.Exhibition, lecture, workshops, interventions, screening, rapping, performances

When: 6.05, 7.05 and 8.05. 2019

Where: Skulpturenplatz@Kunsthalle Wien Karlsplatz and Kunsthalle Wien Museumsquartier

and passers-by&GUESTS:Mindj Panther, Heba Y. Amin, James Nguyen, Faris Cuchi, Marissa Lobo, maiz

Organization:Studio for Conceptual Art [Post-conceptual Art Practices]Prof. Marina Grzinic, Maren Grimm, Julia Hohenwarter, Mika Maruyamawww.akbild.ac.atkunsthallewien.at

HIGHLIGHTS of the program

6.05.2019, MondayAt 18.00 Opening at Skulpturenplatz@Kunsthalle Wien Karlsplatz

At 19.00 Skulpturenplatz@Kunsthalle Wien KarlsplatzSocial food: »Beim Essen kommen die Leute Zam«Cooking by Asma Aiad, Manuel Prammer with help by Cathérine Lehnerer

At 20.00 Skulpturenplatz@Kunsthalle Wien KarlsplatzScreening by Đejmi HadrovićEUROPA and Silent Observer

At 21.00 Skulpturenplatz@Kunsthalle Wien KarlsplatzPerformance with rapping by Mindj Panther (Simonida and Sandra Selimović, Vienna)

The performance is also connected with the major holiday for the Roma community, Feast of Saint George. It is celebrated on 6th May 2019.

7.05. 2019, Tuesday

At 12.00 to 15.00 Skulpturenplatz@Kunsthalle Wien KarlsplatzWorkshop by Heba Y. Amin with students and passers-byTitle workshop: Intimate Bureaucracy

Followed by interventions in space with talks and screenings.

At 15.00 Skulpturenplatz@Kunsthalle Wien KarlsplatzSocial food: »Beim Essen kommen die Leute Zam«

At 19.00 Kunsthalle Wien MuseumsquartierMuseumsplatz 1, 1070, Vienna

Public lecture by Heba Y. AminTitle lecture: Female Subjectivities and Technological Dystopias

8.05.2019, Wednesday

At 12.00 to 15.00 Skulpturenplatz@Kunsthalle Wien Karlsplatz

Workshop by James Nguyen in situ with students and passers-by

At 15.00 Skulpturenplatz@Kunsthalle Wien KarlsplatzSocial food: »Beim Essen kommen die Leute Zam«

At 20.00 Skulpturenplatz@Kunsthalle Wien Karlsplatz

Screenings byMAI LING, My name is Mai LingJACK Kollectiv, The Suitcase-SuitSoli-Video-Kollektiv, MAIZ SOLI –VIDEO's

Cooking by Asma Aiad, Manuel Prammer with help by Cathérine Lehnerer

Sound equipment and sound providing by Robert Jolly

Zine concept by Megan Auður, Victoria Eliseykina, Cathérine Lehnerer, and Anna Sophie Stadler

PCAP March 2019

concept — Tue, 26 Feb 2019 20:35:38 GMT

PCAP March 2019

March 4, 2019, Monday

IMPORTANT: UNTIL 17.00 hearings of the candidates for Rector election. All courses are suspended until 17.00 by decision of the Rektorat.

AT 17.00WHERE: AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

INTRO new Erasmus students, new students and researcher in the PCAP, new semester plans

March 4, 2019, Monday

At 18.00WHERE: PCAP (POST CONCEPTUAL ART PRACTICES) STUDY PROGRAM,Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien,1 OG Atelier Süd (M1)

Guest artists’ presentations:

Jiajia Qi (China)Meta Drčar (Slovenia)

Organized by Marina Grzinic, Studio for Conceptual Art (Post -conceptual Art Practices) at the Academy of Fine Arts in Vienna. The presentation is possible thanks to the Artists-in-Residence program of the Austrian Federal Chancellery and KulturKontakt Austria.

Jiajia Qi, ChinaTitle: Shaped by the Labyrinth

Jiajia Qi will introduce Arakawa and Madeline Gins architec¬tural procedure and philosophical theories, and discuss how to combine Ludwig Wittgenstein’s Tractatus Logico-Philosophicus (1921) with Arakawa and Gins’s Architectural Body (2002). This in order to analyze the meaning of perception and to rethink her own research thesis Shaped by the Labyrinths (2018). Jiajia Qi will as well talk on her work The Visible Distance, created during the residency in Advance Contemporary Museum, Changsha, China. When the audience enters the “empty” space, they feel the contradiction between the abstract distance and concrete visual experience. So the questions Qi poses are “What is far?” and “What is close?”CV: Jiajia Qi was born in Zhejiang, China and is currently living and working in The Hague, The Netherlands. She graduated from Interactive Media Design at the Royal Academy of Art in The Hague. She also holds a bachelor degree in Sociology from Zhejiang A&F University, Zhejiang, China.

Meta Drčar, SloveniaTitle: Architecture as a perceptive experience

Meta Drčar creates performative sculptures that activate architectural settings to promote the viewer’s spatial engagement. Over the course of the past ten years, she has used site-specific live performances to explore the mediums of body movement and projected light in various architectural contexts. As architecture continues to play an important and evolving role in her creation, she seeks to investigate new modes of establishing parallels between sculpture and space in her current practice. Her ambition is to create sculptural scenarios that not only amplify the concept of the space but also its sensation for the viewer.

CV: Meta Drčar, born in 1985 in Slovenia, is a Paris-based artist. She received her BA Hons in Fine Art from Central Saint Martins, College of Art and Design, London in 2009 and her MA in Dance Theatre; Body in Performance from Trinity Laban Conservatoire of Music and Dance, London in 2012. She has exhibited at various venues across Europe, including Royal Festival Hall, London, UK (2011), Zabludowicz Collection, 176, London, UK (2011), Galerija Skuc, Ljubljana, Slovenia (2011), ICA, London, UK (2013), Nuit Blanche, Paris, France (2017) and ArtNight London, UK (2018). In June 2017 she was nominated for the Tesla Award by MoTa Museum of Transitory Art, Ljubljana, Slovenia.(Also workshop A2, 1 of 5)

March 5, 2019, Tuesday

IMPORTANT: UNTIL 17.00 hearings of the candidates for Rector election. All courses are suspended until 17.00 by decision of the Rektorat.

At 17.00WHERE: AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)Introduction to the project: QUEERING MIGRATION – POLITICIZING THE BODYYour thoughts for possibilities for proposals in relation exhibition to the topic & space at Karlsplatz (exhibition in May 2019 with workshops)(11.3.2019 : Deadline for INTERNAL PCAP Project Proposals)

INTRO: RESERCH TRAVEL ICELAND, in May 2019

March 5, 2019, Tuesday

at 19.30Presentation Anka Leśniak (Poland)
OeAD scholarships for mobility in research.

Institution: Academy of Fine Arts in Gdansk, PolandPosition: assistant professor at the Sculpture and Intermedia Faculty

Title of the research project:A reconstruction and recontextualisation of cultural discourse by themeans of transmedia art. The Witch by Teresa Feodorovna Ries – a case study

Scholarship in Vienna: from 01.03.2019-30.06.2019

The starting point of the research will be the figure of Teresa Feodorovna Ries, a Russian immigrant of Jewish origin and a sculptor, active in Vienna at the turn of 19th and 20th century, and in particular – her sculpture entitled The Witch (Die Hexe), whose fragment was lost. T. Ries on one hand represents a problem of a female artist who was conscious of her artistic potential and who, despite of limitations imposed on her gender in that epoch, fulfilled her artistic aims. On the other hand, the life of Teresa Ries reminds of a motif of a newcomer from a remote place, who searches for opportunities to make her professional and private plans real, but cannot be completely assimilated, mainly because of her Jewish origin.

CV: Anka Lesniak, PhD, artist and researcher, member of the Art and Documentation Association based in Lodz, assistant professor at the Faculty of Sculpture and Intermedia of the Academy of Fine Arts in Gdansk (Poland)

Active as an artist in genres such as: installation, performance, video-art, digital art. She has participated in more than 90 individual and group shows and projects in Poland and abroad, among others in Germany, Austria, South Korea, Italy, Ukraine. In 2003 she graduated from Art History in the University of Lodz. In 2004 she graduated from the Academy of Fine Arts in Lodz with honors. She received a grant of the Ministry of Culture and National Heritage in Poland (2011), a grant of the Mayor of the city of Lodz for artists and culture animators (2015), a grant from the city of Gdansk (2016). In 2016, she was chosen for the Artists-in-Residence programme in Vienna, run by KulturKontakt in cooperation with the Federal Chancellery of Austria. In 2019, she received an OeAD scholarship. She is the author of the book "Invisible inVisible. Women disconnected from history. Site-specific artworks on abandoned buildings". (Lodz: Art & Documentation Association), 2017.

March 6, 2019, Wednesday

At 9.00

WHERE: AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)meeting Erasmus

At 10.00

WHERE: AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)ADDITIONAL REFLECTION, thoughts on the project: QUEERING MIGRATION – POLITICIZING THE BODYYour thoughts for possibilities for proposals in relation exhibition to the topic & space at Karlsplatz (exhibition in May 2019 with workshops)

March 6, 2019, Wednesday

At 19.00

WHERE: PCAP (POST CONCEPTUAL ART PRACTICES) STUDY PROGRAM,Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien,1 OG Atelier Süd (M1)

GUEST: MAPU HUNI KUIN (Rio Branco, Brazil)Spiritual leader of the Huni Kuin people

Moderation: Luisa Lobo and Marissa LoboOrganized by the Institute of Art Theory and Cultural Studies, IKW, and the Studio for Post-conceptual Art Practices, IBK, in collaboration with Marissa Lobo.Mapu Huni Kuin leads a cultural center project named Huwã Karu Yuxibu. His work aims to rescue and strength the Huni Kuin cultural identity among socially vulnerable indigenous people living outside their lands, attracted by the idea of non-indigenous way of life. The Huwã Karu Yuxibu Center that was established in August 2015 promotes actions such as farming, permaculture, bio-construction, research of traditional medicines, family interaction and knowledge exchange between indigenous and non-indigenous people among others. The center have been weaving a living network of exchange and sharing, and it’s the housing space for indigenous families and young people who leave their villages to study in the capital city of Rio Branco. The financing of such projects are made independently of governmental support. Brazil’s right-wing President-elect Jair Bolsonaro sees indigenous people and their lands as a threat to the country’s progress. He already stated that he will deny new land claims by indigenous people and favors opening their land to commercial mining and farming. A war was declared on Brazil’s Indigenous people. Mapu’s project is one among the many ways in which resistance takes place in Brazil.(Also workshop A2, 2 of 5)

March 11, 2019, Monday

at 14.00 Augasse plenum Rektor election

March 11, 2019, Monday

17.00 to 19.15, workshop B3 on Hanna Arendt (1 of 5) by Ruth Kager (Peek, Genealogy of Amnesia)

At 19.30 Open discussion PCAP on Kunsthalle project, other open questions

March 12, 2019, Tuesday

At 10.00 Kunsthalle project visiting the place and discussion

12.30 - 13.30, Raum 3.06WHERE: Akademie der bildenden Künste Wien IKL, Karl-Schweighofer Gasse 3, 1070 Wien

DANI GALLecture: Noise Sources and Blind Spots

Dani Gal (born 1975, Jerusalem) lives and works in Berlin.He studied at the Bezalel Academy for Art and Design inJerusalem; the Staatliche Hochschule für Bildende KünsteStädelschule in Frankfurt; and the Cooper Union in New York.His films and works have been shown widely, including: 54thVenice Biennale (2011), The Istanbul Biennale (2011), NewMuseum New York (2012), Kunsthalle St. Gallen Swizerland(2013), The Jewish museum New York (2014), Berlinale ForumExpanded (2014), Kunsthaus Zurich (2015) Kunsthalle Wien(2015), Documenta 14 (2017), Centre Pompidou (2018).

March 12, 2019, Tuesday

15.00

Presentations Ma in cultural studiesJennifer Ndidi IrohPatricia Gerger

March 12, 2019, Tuesday

17.00 to 19.15 workshop B3 on Hanna Arendt (2 of 5) by Ruth Kager

March 13, 2019, Wednesday13.00 to 17.00Grimm/Krameritsch: Film und Fernsehen 2 + Medientheorie 3

March 18, 2019, Monday

At 11.00 to 13.00discussion Kunsthalle project

At 13.00 to 14.00
Presentation IBK:mwoyo

15.00 to 17.15 workshop B3 on Hanna Arendt (3 of 5) by Ruth Kager

March 18, 2019, MondayAt 19.00

WHERE: PCAP (POST CONCEPTUAL ART PRACTICES) STUDY PROGRAM,Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien,1 OG Atelier Süd (M1)

Guest artists’ presentations:

Nikolche Slavevski (North Macedonia)Sandra Lieners (Luxembourg)Vikenti Komitski (Bulgaria)

Organized by Marina Grzinic, Studio for Conceptual Art (Post -conceptual Art Practices) at the Academy of Fine Arts in Vienna. The presentation is possible thanks to the Artists-in-Residence program of the Austrian Federal Chancellery and KulturKontakt Austria.

Nikolche Slavevski,North MacedoniaTitle: Art and Politics

A decade after the crisis of 2008 that provoked deep political and economic emergencies, nothing is solved. Therefore the presentation will pose some questions as: What is the role of Art and artists in society today? How can Art contribute to the transformation of society? Can Art be non-political at all? Further the questions of the relations of industrial production and cultural production and services will be confronted, as these processes are all processes of commodification; everything that is produced becomes a commodity because of the general mode of production. Art is not an exception.

CV: Nikolche Slavevski (born in 1989 in Bitola, Macedonia) graduated from the academy of Fine Arts in Skopje, painting in the class of prof. Zaneta Vangeli. He has been active in Leftist movement “Solidarity,” member of the Initiative Board and Central Committee of “Levica” (The Left) and also member of Marxist Organization “CRVENI” (REDS), a volunteer Section of the International Marxist organization for Former Yugoslavia. He had his first solo exhibition titled "Painted it Red" at the Center for Culture - Bitola in 2017 and took part in numerous group shows, as "Pop Up AKTO Festival," 2017, Bitola, Macedonia; "3rd International Exhibition of Artists and Art Teachers," 2017, Evora, Portugal and others.

Sandra Lieners, LuxembourgTitle: Visual and conceptual fragmentation in contemporary painting

Sandra Lieners integrates into her work the most recent aspects of figuration. She refers to postmodernism while combining formal configurations inherited from Cubist and Dadaist collages, but all seen through the glasses of pop art.

CV: Sandra Lieners (born in 1990 in Luxembourg) graduated in 2016 from the University of Applied Arts in Vienna with an exchange stay at the Academy of Fine Arts in Florence. The most important of her three solo shows so far was in 2016 at CAPE – Center for plurial arts in Ettelbrück. Her works are in different private and public collections such as the Museum for art and history (MNHA), the Ministry of Foreign Affairs and the Ministry of Culture in Luxembourg. In 2017, she was invited to New York for a Painting and Mixed Media artist residency with a concluding exhibition. Lieners is the youngest laureate of the Pierre Werner price and was nominated for the Edward Steichen Award in 2017.

Vikenti Komitski, BulgariaTitle: Seeing as Habit

The presentation will depart from the psychoanalytical concept of the Mirror Stage as developed by Jacques Lacan that proposes that human infants pass through a stage in which an external image of the body gives rise to the mental representation of an "I". Komitski claims that such recognition of one’s own image is a base ground of human subjectivity, and that from that moment on the world keeps being perceived as an image. René Magritte’s painting Not To Be Reproduced (1937) will be used as an illustration to the talk that also relates to topics of deconstruction and reproduction of the image in artistic context. In the last part of the presentation Komitski will make reference to W. J. T. Mitchell’s book What Do Pictures Want?: The Lives and Loves of Images (2006) and to a proper artistic practice.

CV: Vikenti Komitski (born in 1983, Sofia) graduated Sculpture at the National Academy of Art in Sofia. He works in a vast variety of media including installation, video and photography. His work often relates to theory and psychoanalysis, sometimes in a critical or ironic way. Some of his solo shows were at Joey Ramone Gallery, Rotterdam, Krinzinger gallery, Vienna (2015) and at ICA Sofia (2013). He lives and works in Berlin.(Also workshop A2, 3 of 5)

March 19, 2019, Tuesday

10.00 to 13.00VISITING: Haus der Geschichte ÖsterreichThe House of Austrian History – a forum for discussionADRESS: Hofburg, Heldenplatz, 1010 Wienwww.hdgoe.at

HAVE THE STUDENT CARD and 2 euro.The House of Austrian History is the republic’s first museum of contemporary history. Presented in a modern and insightful way, the new museum invites visitors to the Hofburg to examine and discuss Austria’s history. Starting with the founding of the democratic republic in 1918, the exhibition focuses on social change and political fault lines. While the questions it asks are aimed at the past, they remain relevant to the present as well.a)Guided tour by ARYE WACHSMUTH and dr. SOPHIE LILLIEb)Guided tour by the curators in the Museum

ARYE WACHSMUTH, born in Hamburg in 1962. Grown up in Tel-Aviv. Lives as an artist in Vienna. Exhibitions (selection)2016 What Bird Has Done Yesterday ... - dialogue exhibition together with Abigail Reynolds, Gallery Room with Light; 2015 Hotel Metropole. Giving the memory a future, Into the City / Exhibition, Wiener Festwochen Vot Ken You Mach, MWW - Muzeum Współczesne Wroclaw, etc.

Dr. SOPHIE LILLIE is an Austrian art and contemporary historian. Lillie studied art history in Vienna and graduated from Columbia University with a Master of Arts degree. Between 1995 and 2001 she worked for the Jewish Community Vienna in the field of restitution. Since 2001 she works freelance in provenance research. She’s written in the Jewish cultural magazine Nu. Awards: 2003 book What was once. Bruno Kreisky Prize for the political book, recognition prize; 2009 Award of the City of Vienna in the field of science; 2013 Johanna Dohnal Award. Books by Lillie: What was once. Handbook of expropriated art collections in Vienna. Czernin Verlag, Vienna 2003; Enemy powers. The struggle for Gustav Klimt’s Beethoven fries. Czernin Verlag, Vienna 2018.

VISIT organized in collaboration with the Department of Art History, Uni Wien, prof. Noit Banai.(Also workshop A2, 4 of 5)

March 19, 2019, Tuesday

At 15.00 to 16.45Kunsthalle project reflection proposals and the framing of the project

March 19, 2019, Tuesday

17.00 to 19.15 workshop B3 on Hanna Arendt (4 of 5) by Ruth Kager

ADDITIONAL SPACE TO TALK 19.30 to 21.00KUNSTHALLE PROJECT, open questions PCAP

March 25, 2019, Monday

At 12.00 to 14.00 kunsthalle project QUEERING MIGRATION – POLITICIZING THE BODY

rounding of the ideas, work to do14.00 to 17.00Presentations Erasmus and new students in the PCAP

Presentation Erasmus:Karin Keisu
Ida Thuresson
Megan Grimsdottir AudurNeige Sanchez
Patrick Peljhan

PCAP students:
Dafi SylejmaniIklim Dogan

March 25, 2019, MondayAt 19.00WHERE: PCAP (POST CONCEPTUAL ART PRACTICES) STUDY PROGRAM, Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)

Panel discussion: Beyond the Gaze: On Orit Ishay’s Someone Has Been Sleeping In My Bed Project

With Orit Ishay, Basak Senova, and Christine Bruckbauer, moderated by Marina Grzinic

The panel departs from Orit Ishay exhibition "Someone Has Been Sleeping In My Bed," curated by Basak Senova that opens in Vienna on the 21.03.2019 at philomena+ (Heinestraße 40/7, 1020 Vienna). The exhibition is part of Foto Wien.www.fotowien.at

Basak Senova will introduce the photographs by Orit Ishay. For Senova the photographs question our perception of reality and the medium of photography itself by creating layers of complexity of vision and gaze on space, time and perspective.

Taking part in the discussion:

Orit Ishay (Israel) is a prominent photographer and visual artist working with video and installation. She is a lecturer in photography. Ishay deals with interactions of people and places, and the way they influence the formation of identity and nationalism. The social, political and security-related changes of the contemporary world are linked to her works, making them both local and globally relevant. Her works were shown widely and they are included in the collections of MOCAK Krakow, MUMOK Wien, The Israel Museum Jerusalem and etc.

Basak Senova (Turkey) is a curator and designer. She curated the pavilions of Turkey and Republic of Macedonia at the Venice Biennale (2009 and 2015). She co-curated the 2nd Biennial of Contemporary Art, D-0 ARK Underground (Bosnia and Herzegovina); curated the Helsinki Photography Biennial in 2014; and acted as the Art Gallery Chair of (ACM) SIGGRAPH 2014 (Vancouver). She is working on the CrossSections project in Vienna, Helsinki, and Stockholm (2017–2019).

Christine Bruckbauer (Austria) is with Negar Hakim founder of philomena+, Vienna. Bruckbauer is an independent art writer, curator and lecturer, focusing on contemporary art practices in South Asia, Middle East and North Africa. She holds a PhD in Art History from University Vienna in Austria and worked as an organizer of contemporary art exhibitions at the Secession Vienna, Austria. In the period 2001–2014 she has lived and worked in Islamabad (Pakistan), London (UK) and Tunis (Tunisia).

(Also workshop A2, 5 of 5)

March 26, 2019, Tuesday

14.00 to 16.15workshop b3 on Hanna Arendt (5 of 5) by Ruth Kager

March 26, 2019, Tuesday

18.00 in collaboration with prof. Noit Banai

Where: UNI WIEN, Institut fur Kunstgeschichte , Ground Floor of theBuilding 9.2, Seminar Room 3

ADDRESS: Garnisongasse 13, Universitätscampus Hof 9, 1090 WienEntrance to Hof 9, directly across from "Billa Box" on Garnisongasse.

LECTURE:SUBSENSORIAL ACTIVISM?

Pia Lindman (Finland)

In recent years, Pia Lindman has explored artistic research and practice working within the fields of performance art, healing-as-art, installation, microbes, architecture, painting, and sculpture. To mention one, in her project “Nose, Ears, Eyes” (Sao Paulo Biennale, 2016) Lindman gave treatments to the audience in a hut designed by her and built by local craftsmen specialized in traditional Brazilian building techniques (Pau a Pique, bamboo and mud).During treatments, Lindman made diagrams, i.e., drawings and paintings based on the visions she saw during the treatments. A result of many years of investigation into the body and its place within the cultural space, Lindman's work responds to a contemporary desire to mend the fission between science and art, healing and creativity – and moves beyond the human body proper to multiple realms of life.BIO: A recent Professor of Environmental Art at Aalto University (2013-18), Pia Lindman received her second MA degree at Massachusetts Institute of Technology, U.S.A. in 1999. After ten years of residing in New York, a professorship at Yale University School of Art, and a research fellowship at M.I.T., she now builds an eco-village in Fagervik, Finland. In 2011, Lindman was commissioned to create “Poison and Play” and exhibition at Haus der Kulturen der Welt in Berlin. Residencies include “Field_Notes” at the Biological Research Station in Kilpisjärvi, Lapland, hosted by Bioartsociety (2013 and 2018) and Kuenstlerhaus Bethanien, Berlin, Germany (2008). She is currently a doctoral candidate at Lapland University.

March 27, 2019, Wednesday13.00 to 17.00Grimm/Krameritsch: Film und Fernsehen 2 + Medientheorie 3

Next:1.04.2019, Monday

WHERE: AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

At 18.00 discussion kunsthalle project, travel Iceland

PCAP January 2019

concept — Mon, 31 Dec 2018 16:15:08 GMT

PCAP January 2019

January 7, 2019 MondayAt 15.00WHERE: AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

Student presentationRobert Jolly

Ma in Critical studies presentationsPatricia GergerYul Koch

Next: Talk about the installment, Rundgang 2019

January 8, 2019, Tuesday

11.00 to 14.00Individual meetings, Grzinic office

January 8, 2019, TuesdayAt 17.00 to 19.15WORKSHOP B3 and the SEMINAR: toward questions of representation of the body and esthetics Marina Grzinic and Mika Maruyama PhD in philosophy mentorWHERE: AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)The seminar will consist of discussions on the body inside the relation in between art and media theory. The interventions of gender, race, class on the body will be exposed.

January 9, 2019, Wednesday14.00 to 17.00WHERE: AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)Maren Grimm: LV Film und Fernsehen// FILM and TV

January 14, 2019, Monday

17.00 to 19.00Video screening, presentation and discussion proposed and moderated by student mentorDominik Szereday

Screening of In Transit by Joanne Richardson, video, 30min, 2008

In Transit is a diary of a journey through space and time, made up of subjective impressions of the present and childhood memories of the past. While traveling across Romania in the year of its EU accession, the monologue reflects on the meaning of transition, the re-writing of history and the relation between images and memory.

CV Joanne Richardson was born in Romania and grew up in New York. She studied philosophy and cultural studies at NYU and Duke Univerity. Richardson has lived for the past years between Romania, Hungry and Croatia and was co-organiser of several events including Tactical Media Lab. She is also a filmmaker, founder of D Media Association in Romania, a digital democracy NGO organizing workshops on digital culture and editor of Subsol Webzine. Her work is mostly about social movements, post-colonialism, immaterial work, copyleft and film/video in Eastern Europe.

January 15, 2019, Tuesday

14.00 to 16.00PhD in Philosophy PROPOSAL presentation

Mag. Đejmi Hadrović

January 15, 2019, Tuesday

At 17.00 to 19.15 (CONCLUSIVE SESSION 10 of 10)

WORKSHOP B3 and the SEMINAR: toward questions of representation of the body and esthetics Marina Grzinic and Mika Maruyama PhD in philosophy mentor

WHERE: AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)The seminar will consist of discussions on the body inside the relation in between art and media theory. The interventions of gender, race, class on the body will be exposed.

January 16, 2019, Wednesday

14.00 to 17.00WHERE: AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)Maren Grimm: LV Film und Fernsehen// FILM and TV

January 21, 2019, Monday

Installment RUNDGANG in charge Maren Grimm, Julia Hohenwarter

January 22, 2019, Tuesday

Installment RUNDGANG in charge Maren Grimm, Julia Hohenwarter

January 23, 2019, Wednesday

Installment RUNDGANG in charge Maren Grimm, Julia Hohenwarter

RUNDGANG 2019: 24., 25., 26., and 27., January 2019PCAP (POST CONCEPTUAL ART PRACTICES)WO: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

PERFORMANCES, EVENTS, TALKSDonnerstag, 24.01.2019

Um 16.00h Ausstellungseröffnung PCAP
Um 21.00hAaron KimmigTitel: DisruptionLECTURE PERFORMANCE (visual / sound /open frameworks )Was heißt Utopie für Sinus? Er soll eine Antwort geben und wird uns durch alltägliche Routinen, Komplexitäten, Wiederholungen und Chaos führen.
Um 22.00hAlireza DaryanavardTitel: Democracy in IranTHEATRE PERFORMANCEDie Machtinhaber im Iran waren immer gegen die künstlerische Freiheit. Die Geschichte von mehr als 150 Jahren Kampf um Demokratie.

Freitag 25.01.2019PCAP (POST CONCEPTUAL ART PRACTICES)

PCAP OPEN SPACE AND FORMAT: Vermittlung, Politiken und HartnäckigkeitPerformances, Filmvorführungen, Projektpräsentationen mit Essen und Theorie

von 15.00 bis 17.00h

Um 15.00hMaira Enesi CaixetaTitel: Allamanda Cathartica Podre (Rotten Buttercup Flower)PERFORMANCEDie Performance »Allamanda Cathartica Podre (Rotten Buttercup Flower)« besteht aus 7 Gedichten, die sich thematisch mit Distanz, Nation und Gewalt auseinandersetzen.

Um 15.30hAaron KimmigTitel: DisruptionLECTURE PERFORMANCE (visual / sound /open frameworks )Was heißt Utopie für Sinus? Er soll eine Antwort geben und wird uns durch alltägliche Routinen, Komplexitäten, Wiederholungen und Chaos führen.

Um16.00hAlireza DaryanavardTitel: Democracy in IranTHEATRE PERFORMANCEDie Machtinhaber im Iran waren immer gegen die künstlerische Freiheit. Die Geschichte von mehr als 150 Jahren Kampf um Demokratie.

Filmvorführungen, Projektpräsentationen mit Essen und Theorie

Samstag 26.01 2019PCAP (POST CONCEPTUAL ART PRACTICES)

von 17.00 bis 20.00h#nichtmitunsMit: Asma Aiad // Marissa Lobo // Fiona Idahosa // Henrie Dennis // Rami Ali // Faika El-Nagashi und anderen.

Beim Rundgang werden Aktivist*innen von #nichtmituns über Performance, Inputs, Lesungen und Erzählungen zu solidarischen Bündnissen einladen.#nichtmituns ist ein Space für konkrete Strategien des Widerstands.

Sonntag, 27.01.2019PCAP (POST CONCEPTUAL ART PRACTICES)

von 15.00 bis 17.00hJACK KollektivTitle: Solidarische Versteigerung15.00 Präsentation und Besichtigung der Kunstwerke16.00 Beginn der VersteigerungWir wollen alle Besucher_innen des Rundgangs zur solidarischen Versteigerung einladen und dazu ermutigen sich Gedanken darüber zu machen, wie der Rassismus, der von staatlichen Institutionen ausgeht und unsichtbar gemacht wird, überwunden werden kann.

MONDAY 28.01.2019 TECHNICAL clearing RUNDGANG

FEBRUARY HOLIDAYS

NEXT 4.3.2019 MONDAYAt 15.00