m1 (turm4)

PCAP December 2022

concept — Sat, 26 Nov 2022 19:05:29 GMT

PCAP DECEMBER 2022 TIME TABLE

OCCUPATION OF THE AKBILD AULAstarted on 21. 11 2022 the days that follow are open

we will have the announced seminars for those who come, it is an open situation and is nothing to add, everyone decides what and how. i fully support any of your decision.

Equalize - World AIDS Day 2022

The inequalities which perpetuate the AIDS pandemic are not inevitable; we can tackle them. This World AIDS Day, 1 December, UNAIDS is urging each of us to address the inequalities which are holding back progress in ending AIDS.

December 2, 2022, Fridayat 14.00zoom with the bip students, would be great to come and would be great if some of you could talk and explain what is going on. This will be really important so check out the zoom invitation as well.

Marina Grzinic Mauhler is inviting you to a scheduled Zoom meeting.

Topic: meeting all bip 2Time: Dec 2, 2022 14:00 Vienna

Join Zoom Meetingakbild-ac-at.zoom.us

Meeting ID: 994 4096 3078

December 5, 2022, Monday11.30 to 13.00 indiv. meetings

December 5, 2022, MondayAt 15.00-20.00 with pause and food

Workshop B4 will be a collaboration between Grzinic and 2 scholars Mag. Polina Baitsym (Ukraine) and dr. Saša Kesić (Belgrade) that are in the winter semester 2022/2023 in PCAP (Studio Post-conceptual Art Practices).

Mag. Baitsym (Ukraine) researcher in PCAP for her doctorate will focus on art in Ukraine before the war and after, the implication on art history, etc. the avant-gardes on the relation Russia /the Soviet period - Ukraine in the 20 century.

Dr. Kesić (Belgrade) will discuss main points of what he developed in his research regarding definitions of queer, homonationalism, pinkwashing. Examples from art and theory regarding pride parade and geopolitics will be exposed.

They will both develop discourses, and visuals touching the theme of former Eastern Europe, specifically Ukraine-Russia/the Soviets and former Yugoslavia/Serbia. The Soviet Union, officially the Union of Soviet Socialist Republics (USSR), was a transcontinental country that spanned much of Eurasia from 1922 to 1991.

The goal is, historically and presently, to discard the psychotic systematic violence against the Lgbtqi+ community /Serbia/ or to see the relations of the Soviet Modernism in Ukraine, in the light of the aggression on Ukraine.

CVs

Polina Baitsym is an art historian and curator specializing in the history of Ukrainian Soviet visual arts. Currently, she is a PhD Candidate in Comparative History at Central European University (Budapest, Hungary/Vienna, Austria) and curator of the Museum of Contemporary Art NGO (MOCA) Library, Kyiv, Ukraine. In 2018, Baitsym launched a research initiative dedicated to Ukrainian children’s illustration of the 1960-1990s, within which she curated two exhibitions in 2019. In 2020, she published a book Ukraine: Art for Architecture: Ukraine: Soviet Modernist Mosaics 1960 to 1990 /in collaboration with Yevgen Nikiforov/ Dom Publishers. Presently affiliated with the Studio for Post-conceptual Art Practices.

Saša Kesić is an art teacher and independent researcher from Belgrade, Serbia. He received his PhD from the Department of Theory of Arts and Media, University of Arts in Belgrade in 2016. In 2020, he published the book Tako se kalio kvir… u savremenoj istočnoevropskoj umetnosti i kulturi (That’s How the Queer Grew ... in Contemporary Eastern European Art and Culture), in which he connected queer, performativity and presentation. In 2022 he has been awarded a one-year (01.07.2022 to 30.06.2023) Scholarship of the Scholarship Foundation of the Republic of Austria Postdoc, by Austria’s Agency for Education and Internationalisation (OeAD), for the research project “Conviviality of the Queer Community Austria-Serbia: Learning from the Austrian Practice”, which he currently does at the Academy of Fine Arts Vienna (Akademie der bildenden Künste Wien), in the Post-Conceptual Art Studio, Prof. Marina Gržinić, Institute of Fine Arts.

December 6, 2022, Tuesdayat 8.30 to 11.00individual meetings11.00- 13.00 pauseat 13.00 to 15.00 ind. meeetings

At 15.00 to 17.15Technology, Subject, Romania, Europe

WHO: PhD candidate Alexandra Tatar in collaboration with Marina Grzinic

UNIT 7 Grzinic: Fiction Reconstructed: Eastern Europe, Post-Socialism & the Retro Avant-Garde (2000); Videowork Luna 10 (1994)

Theorizing decoloniality in Southeastern Europe: Vocabularies, politics, perspectives (2019) Excurse: Global capitalism, Electronic cultures studies, the global capitalist Subject: Net_cultures publication 2001

The Question of Citizenship and digital coloniality (book)

December 9, 2022, FridayAt 14.00Topic: ZOOM BIP 3rd meeting

Join Zoom Meetingakbild-ac-at.zoom.us

Meeting ID: 912 4769 0307

December 12, 2022, MondayAULA OCCUPIED ACADEMY open call through the OEH to all of us to join....

December 12, 2022, Monday14.00 to 16.00Workshop B4 (Gržinić/Kesić)

dr. Saša Kesić, Queering Europe, Queering Serbia and former Yugoslavia,queering Austria, a concluding lecture and discussion.

December 12, 2022, Monday,At 18.00 to 20.15Technology, Subject, Romania, EuropeWHO: PhD candidate Alexandra Tatar in collaboration with Marina GrzinicUNIT 8 Short History of satellite technologyCold war: the space raceLisa Parks – satellites“our world” tv show 1967 - first live multinational multi-satellitetelevision productionPopular approach. Excurse: radio transmissions history – radioamateurs’ networksSatellite dish: artworks (various approaches)

December 13, 2022, TuesdayAt 12.00 to 13.50Workshop B4 (Gržinić Baitsym)

Mag.Polina Baitsym,a concluding lecture and discussion, UKRAINE; RUSSIA; ARTS, SOCIETYand PERIODIZATIONS.

December 13, 2022, Tuesday14.00 to 16.00Das Arbeitstreffen Internationalisierung findet am Dienstag 13.Dezember um 14:00 Uhr im Sitzungssaal statt. Die Sitzung beginnt, wieandie Abteilungs- und Institutsleitungen vor einigen Wochen kommuniziertund im Programmablauf genannt, um 14 Uhr.

December 13, 2022, Tuesday16.00 to 18.15Technology, Subject, Romania, EuropeWHO: PhD candidate Alexandra Tatar in collaboration with Marina GrzinicUNIT 9 Media Archaeology: what it is? Book: Parikka, Jussi. “What IsMedia Archaeology?” 2012; Friedrich Kittler; Berlin school of mediaarcheology, Siegfried Zielinski

December 16, 2022, FRIDAY zoom for PCAP only ON BIP AND RUNDGANG, veryIMPORTANT

At 11.00 to 12.30Marina Grzinic Mauhler is inviting you to a scheduled Zoom meeting.

Topic: LAST MEETING ONLY PCAP BIP and RUNDGANG last detailsTime: Dec 16, 2022 11:00 Vienna

Join Zoom Meetingakbild-ac-at.zoom.us

Meeting ID: 995 6175 8309

Last details BIP inside the PCAP, dynamics, works, printing,food….RUNDGANGTechnology (Maren Grimm checking the list to be issued to thetechnical pool)

HOLIDAYS START on the 17.12.2022 until 8.01 20223

see you MONDAY, JANUARY 9, 2023

at 15.00PCAP STUDIO MEETINGpresentations, bip planning, rundgang planning

18.00 to 20.15 gran finale seminar with A.Tatar

January 10, 2023, Tuesday,14.00 to 16.00 PCAP students visiting in the preparation of the BIP: Dokumentationsarchiv des österreichischen Widerstandes (DÖW)Altes Rathaus, Wipplinger Str. 6-8, 1010 Wien

January 10, 2023, Tuesday,at 19.00 coming together 2023

PCAP November 2022

concept — Tue, 01 Nov 2022 12:19:33 GMT

Anti Covid-19 measures: read regularly the online portal akbild. In general, from 1.10 2022: Wear FFP2 masks in all classes and whenever the minimum distance cannot be maintained, test yourself regularly weekly for yourself and us.

Follow the program regularly on the blog: m1.antville.org

PCAP NOVEMBER 2022 TIME TABLE

November 1, 2022, Tuesday HOLIDAY! Academy closedNovember 2, 2022, Wednesday, All Souls' Day is NOT a public holiday.

IMPORTANT FOLLOW THE GYM THE PERFORMANCES START from November 2, 2022Betül Seyma INVITATION: The Gym is a hybrid place that combines exhibition, trainings andperformances and can be perceived as a counterproject to stereotypicalbody cultures, market-conforming standardization and other forms ofneoliberal self-optimization. Link:partnerincrime.euEnglish Version:partnerincrime.eu

November 3, 2022 at 18.00Where: KUNSTLERHAUS, ViennaThe Nest Collective: Freie Wand!Screening und Künstlerinnengesprächin the frame of the exhibition LOVING OTHERSModelle der ZusammenarbeitKünstlerinnen: Bar du Bois, ____fabrics interseason & friends, FEMPLAK, Forensic Architecture, Group Material, House of Ladosha, INVASORIX, Karpo Godina, Suzanne Lacy, The Nest Collective, ruangrupa - lumbung, Total Refusal, Anna Spanlang & Klitclique, ZIP Group

November 7, 2022, MondayWHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1Early meeting at 14.00 talking on many things

November 7, 2022, Monday,at 15.00 to 18.00.WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1Focus presentations documenta fifteen a group talk with images by the students PCAP for the STUDENTS PCAP, bring your images on USB KEY and think sharply in a short time. join us all

November 8, 2022, TuesdayAt 16.00 in Charge Maren GrimmWHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1

November 10, 2022, ThursdayLJUBLJANA, SLOVENIA BUT DIGITAL, OPEN SOURCE:FOR PASSIONATE ARCHIVIST and THEORETICAL MINDS, FREE ACCESSSee the story of the alternative movement 1978- to media culture and the 1977 PUNK movement online, browse, travel, think the world is big though in your vicinityAt the Institute of Contemporary History, research data collections and scientific publications are permanently and comprehensively stored digitally and made freely accessible. One of the systems for this is the Git version control repository GitHub (github.com), which also houses the project Parallel Histories of Slovenia’s Empowerment and Urbanity 1980–1990–2000. All files related to the project are stored on our internal server.

sistory.github.io

Zbirko gradiva je sestavila / The collection of material was compiled by Marina Gržinić - Avtorica spremnih tekstov / Author of the accompanying texts: Marina Gržinić - Asistentka Marini Gržinić pri pripravi materiala / Assistant to Marina Gržinić in the preparation of the material: Jovita Pristovšek - Pregled in urejanje zbirke / Review and editing of the collection: Ana Cvek, Karin Konda - Digitalizacija / Digitalization: Urška Svetina, Karin Konda - Spletna zasnova in tehnična izvedba / Web design and technical implementation: Mihael Ojsteršek

November 14, 2022, MondayWHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1we meet at 14.00 and work a couple of hours, presentations by newly RE_entered students in the Pcap and ErasmusMirjana DjotunovicURBAN GORGON/Saro and TerezaJohannes Rips

PAUSA

Julian KamilMelina Johanna VeselyJasmin Sproule

We see if any food left afterwards, no cooking but maybe bread and cheese and humus? We make a pause and eat and go on!

November 15, 2022, TuesdayIndividual meetings at 10.00 until 15.00Grzinic office full.

November 15, 2022, TuesdayAt 15.00 to 17.15TATAR and GRZINIC SEMINAR on RUMANIA, SATELITE DISH, TECHNOLOGYWHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)UNIT 4 Tuesday 15.11 2022 15.00 to 17.15Deleueze „Postscript on the Societies of Control” 1992What does east(ern) Europe designate? Anca Parvulescu

November 15, 2022, TuesdayWHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1At 17.30We as PCAP MAKE A ROUND discussion on the RUNDGANG protocol JANUARY 2023 AND BIP!collaboration in that time hosted by PCAP.

SPECIAL: November 16, 2022, Wednesday18.30WHERE Seminarraum 1, Department of Slavonic Studies, Spitalgasse 2-4, Hof 3, 1090 WienA DRAG QUEEN AND HARD CORE THEORY!COME! FREE ENTRANCE, only be careful and taking into account the Covid-19 measuresQueerness in (Post-)Yugoslavia: History and ActivismPanel discussion:Prof. Dr. Marina Grzinic, Academy of Fine Arts ViennaDr. Saša Kesic Academy of Fine Arts ViennaMarkiza de Sada / Vladimir Bjelicic, Ephemeral Confessions, independent curator/performermoderated byAleksandar Rankovic+ Miranda Jakiša, University of Viennaslawistik.univie.ac.at

17 November 2022, ThursdayAt 14.00 VIA ZOOM1 BIP MEETING VIENNA, BARCELONA, MAINZ

STUDENTS AND PROFESSORS

17 November 2022, ThursdayAt 18.00 VIA ZOOM

Public lecture // RingvorlesungThe lecture series of the INSTITUTE FOR FINE ARTS (IBK)Organized by the Studio for Post-conceptual Art Practices /Prof. Grzinic

LECTURE by dr. JOSHUA SIMON (ISRAEL)In English

TITLE: The Digital Revolution is a Counter-Revolution

Technology has many definitions, but all involve a relationship to a device. It may seem redundant to say so, but technology is already embedded in social relationships. Yet, we can observe that as part of a larger assault on the social, the foreclosure of the political is being normalized through technological means - applying technological solutions to social problems. From apps to memes, echo chambers to drones, the matrix of body-device-location will be addressed in the talk as a form of metabolic synchronization that connects the biopolitical and the necropolitical.

In his talk, Dr. Simon will present a long history of the self-proclaimed digital revolution as counter-revolution; from Hobbes' notion of the sovereign as an "Artificial Soul" to the corporate control of so-called "Artificial Intelligence." Within this counter-revolution, disproportionate technological capabilities are used to normalize existing power relations of discrimination and inequality and to suppress any change in the matrix of power. This research by Dr. Simon wasconducted in preparation of the manuscript for his forthcoming book, Metastability.

BIO:Dr. Joshua Simon is a Tel Aviv-Jaffa based curator and writer working on the project "The Digital Image" at Leuphana University, Lüneburg, Germany. Simon is the author of "Neomaterialism" (Sternberg Press, 2013) and the editor of "Being Together Precedes Being: A Textbook for The Kids Want Communism" (Archive Books, 2019). His recent exhibitions include: "The Dividual" at Los Angeles Contemporary Archive (April-May 2022) and at Kunstraum of Leuphana University Lüneburg (July 2021), "The Kids Want Communism" (Berlin, Ljubljana, Warsaw, Melbourne, Prague, Kiev, Athens, Bat Yam, 2016-2018), and "In The Liquid" (PrintScreen New Media Festival, 2018).

ZOOM DETAILS:Topic: JOSHUA SIMON LECTURE RINGVORLESUNG
Time: Nov 17, 2022 18:00 ViennaJoin Zoom Meetingakbild-ac-at.zoom.usMeeting ID: 937 9347 5105

November 21, 2022, MondayAt 16.00 in Charge Maren GrimmWHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

November 22, 2022, TuesdayAt 16.00 in Charge Maren GrimmWHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

OCCUPATION OF THE AKBILD AULAstarted on 21. 11 2022 the days that follow are open

we will have the announced seminars for those who come, it is an open situation and is nothing to add, everyone decides what and how. i fully support any of your decision.

REGARDING the 2.12.2022 at 14.00 is a zoom with the bip students, would be great to come and would be great if some of you could talk and explain what is going on. This will be really important so check out the zoom invitation as well.

November 28, 2022, Monday 15.00 to 17.00 WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

FIRST PART: PRESENTATIONS Anton Bennent Lukas Brunner

SECOND PART: TALK ON RUNDGANG AND BIP PROJECT IMAGINING, MATERIALIZATION

November 28, 2022, Monday At 18.00 to 20.15 TATAR and GRZINIC SEMINAR on RUMANIA, SATELITE DISH, TECHNOLOGY WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

UNIT 5 Monday 28.11 2022 18.00 to 20.15 What does east(ern) Europe designate? Ovidiu Tichindeleanu Manuela Boatca: proposal of Multiple Europes Eduard Said: Orientalism Decolonial horizons

November 29, 2022, Tuesday At 12.00 until 14.30 Grzinic office, ind. Meetings

November 29, 2022, Tuesday At 15.00 to 17.15 TATAR and GRZINIC SEMINAR on RUMANIA, SATELITE DISH, TECHNOLOGY WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1) UNIT 6 Tuesday 29.11 2022 15.00 to 17.15

Transition from unit 5: Epigonal Europe traits seen in Romanian context – free discussion Excurse: Ulrich Seidl Sparta 2022 Maria Todorova: Imagining the Balkans (1997) / Scaling the Balkans (2019) Gayatri Chakravorty Spivak “Can the subaltern speak” Cristian Nae: The Performative Production of Eastern European ldentity

INVITATION for 2.12 2022 ZOOM Marina Grzinic Mauhler is inviting you to a scheduled Zoom meeting. Topic: meeting all bip 2Time: Dec 2, 2022 14:00 Vienna Join Zoom Meetingakbild-ac-at.zoom.us Meeting ID: 994 4096 3078 NEXT DECEMBER 2022

December 5, 2022 at 15.00 WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

PCAP October 2022

concept — Wed, 28 Sep 2022 04:59:13 GMT

We meet always if not differently announced in our studio space: AkBild building known as Atelierhaus, street Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)Please see that we share the space on Wednesday prof. Covi and Thursday with teachers animation Renolder and Popovic. Please do not cook in that periods work in the back taking care of the sound. THANKS!

PCAP OCTOBER 2022 TIME TABLE

3 October 2022, Monday14.00 to 16.00WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

Staaaart: we meet in the Studio space, introducing all of us to each other, the programs and paths in the school year.

3 October 2022, Monday16.00 Semester WelcomeWhere: Aula SchillerplatzRectorat wellcom, drinks and welcome words, masks mandatory

4 October 2022, Tuesday2 days’ intensive workshop situation take fully the chanceTITLE: Recognizing and confronting structural racism:Reflecting on the Role of Contemporary Art and Culture in the Critique of Racism.Workshops; Lecture; Round Table

WHEN: 4./5.10. 2022WHERE: Schillerplatz, Aula und Seminarräume/ Aula and Seminar rooms

Conceived by Ingrid Schacherl in cooperation with the Student Welcome Center, Institute for Artistic Teaching, Studio for Post-conceptual Art Practices and Studio for Contextual Painting.

Special thanks to Asma Aiad (Muslim*Contemporary), Marina Grzinic (Studio for Post-conceptual Art Practices), Ruby Sircar (Studio for Contextual Painting), Valerie Lange (Institute for Artistic Teaching), Vitória Monteiro (Assistant and Design), Wiktoria Pelzer (Stadtkino), to the contributers, the NGOs involved, and the Rectorate of the Academy of Fine Arts Vienna.

4 October 2022, Tuesday10:00-14:00Raum M13a, Mezzanin, SchillerplatzWorkshop: Studying Critically of Racism - Community-Oriented Through Everyday Student Lifewith Persy-Lowis Bulayumi

FOOD in the corridor in front of the Sitzungssaal EG, Schillerplatz

15:00-17:00Sitzungssaal EG, SchillerplatzWorkshop: The Flaw in the System: Racism in (Educational) Institutions.with Amani Abuzahra(in collaboration with Studio for Post-conceptual Art Practices and Studio Contextual Painting).

cv of dr. Abuzahra that is a very prominent speaker. dr. Amani Abuzahra, philosopher, author, public speaker and trainer is one of the best-known speakers on the subject of Islam and anti-Muslim racism in Austria - other focal points are intersectional feminism, interculturality and anti-racism education. Whether on television, as a guest in podcasts or in her community work, her approach is to deconstruct and empower people is at the foreground. EDITION F and DIE ZEIT honored her with the 25 Women Award in the category "Women who change society with their voice". Her book “More head than a cloth. Muslim women speaking" (2017 Tyrolia) will be published in autumn 2022 in the 3rd and extended edition. Abuzahra taught as a lecturer in philosophy and intercultural education at the Church University of Education in Vienna/Krems. She works as a postdoctoral researcher at the Sigmund Freud Private University in Vienna.

17:30-19.30Opening rectorate in the Aula, SchillerplatzLecture: Racist exclusion mechanisms and the freedom of art and sciencewith Dudu KücükgölModeration: Asma Aiad

5 October 2022, Wednesday

10:00-12.15Sitzungssaal EG, SchillerplatzWorkshopRacism-critical Languagewith Claudia Lomoschitz, Melinda Tamás

FOOD

5 October 2022, WednesdayGRZINIC IND. MEETINGS13.00 to 14.30Individual meetings, Grzinic officeWhere AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1 first floor metal door, in front the elevator, ring a bell; contact me by email for appointment

5 October 2022,Wednesday, 15:00-17:00Aula Schillerplatz, Round TableWays of acting against structural racism: What are demands on art and the art universities?with representatives from the association ZARA, the Documentation Center for Anti-Muslim Racism, the anti-racism petition Black Voices, the Ombud for Equal Treatment, and Salam Oida/ Muslim*ContemporaryIntroduction: Asma Aiad

FOCUS RESEARCH TUESDAY

11 October 2022, TuesdayAt 12.00 to 14.00

Where: AkBild building known as Atelierhaus, street Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

Title: Post-documenta15: where we stand?

Organized by the Studio Post-conceptual Art Practices at IBK/Akbild/prof. Grzinic

Presentation and talk with ruangrupa, the curators of documenta fifteen in Kassel, Germany (2022).

Moderation: Marina Grzinic

(Talk is supported by FWF-PEEK AR 679 (Conviviality as Potentiality)

MASK FFP2 is mandatory to enter the class/studio space!

11 October 2022, Tuesday

At 16.00 to 18.15

Where: akbild building known as Atelierhaus, street Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

Start of ten lectures winter seminar with PHD student mentor. Mag Alexandra Tatar and Grzinic

TITLE: Technology, Subject, Romania, Europe

The introduction of satellite television technology on a large scale in Western Europe in the late 1980s raises the question (promise) of globality of the Western world. The former Eastern Europe has also been excluded from Western Europe's new technological achievements in satellite technology. The seminar proposes an interdisciplinary approach to the former Eastern Europe by looking at its entanglements with technology through the filters of globality, inter-imperiality, technological hegemony, electronic cultures, and media archeology, combining decolonial and postcolonial theories.

Unit 1: Romanian Revolution Televised

The television set played the most important role in the events, helping to construct reality through television. We will look together at sequences from Ujica and Farocki's Videograms of a Revolution (1992) and discuss the media-reality relationship.

SPECIAL INVITATION NOT TO MISS THE WEEK OF MUSLIM* CONTEMPORARY, it lasts from 10.10.2022 to 16.10.2022.

MUSLIM* CONTEMPORARY, a week of events.The first edition was in 2021. The second edition brings into focus a transalpine connection of Austria, Germany, Switzerland.The project is proposed by Asma Aiad, Salam Oida, in collaboration with various partners and individuals.

Check the full program always under under WWW.MUSLIMCONTEMPORARY.AT

10 October 2022, Monday 19.00 to 22.00 Muslim* Contemporary opening of the exhibition with program and food, AULA Schillerplatz!

12 October 2022, Wednesday15.30 to 17.00

Where: AULA, Akbild, Schillerplatz 3 1010 Vienna.

Guided tour by curator Asma Aiad and artists of the exhibition in conversation with A3 participants and PCAP students.

12 October 2022, Wednesday 18.00 to 21.00

Where: room M13, Akademie der Bildenden Künste, Schillerplatz 3 1010 Wien

Panel: "What should and can our culture of remembrance actually achieve?" Carla Bobadilla-Jeria (Decolonizing in Vienna) ∙ Danijela Cicvarić, BA (Romano Centro) ∙ Arnon Hampe, Dipl.-Pol. (Jüdisches Museum Hohenems) ∙ Hannan Salamat, M.A. (Coalition for a Pluralistic Public Discourse) ∙ Mag.ª Anne Wiederhold Daryanavard, Brunnenpassage / Bunker-16. Moderation: Ramazan Yıldız

13 October 2022, Thursday 17:00

"Eskot we Etbokh I Shut up and cook!" Reclaiming Food Culture: Communal Cooking∙Where: community cooking, Kulturhaus Brotfabrik, Absberggasse 27, Stiege 3, EG, Top 2 1100 Vienna

13 October 2022, ThursdayAt 18.00

Where: Atelierhaus, Lehargasse 8, 1060 Wien, 1.OG Atelier Süd (M1)

Workshop „Plötzlich Islamist“ mit Fabian Goldmann Regelmäßig sehen sich Muslim*innen medialen Kampagnen ausgesetzt, werden als „Islamisten“, „Muslimbrüder“ oder „Agenten des Politischen Islam“ aus dem öffentlichen Leben gedrängt. In dem zweieinhalbstündigen Workshop erklärt Journalist Fabian Goldmann, wie es einige seiner Kollegen immer wieder schaffen, selbst die engagiertesten Demokraten zu Extremisten zu machen. Gemeinsam soll außerdem über Möglichkeiten nachgedacht werden, solchen Kampagnen zu entkommen.

For more check always WWW.MUSLIMCONTEMPORARY.AT

17 October 2022, Monday15.00 to 17.00Where: Akademie der Bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien, 1.OG Atelier Süd (M1)

Recapitulation of what was going on in the last 2 weeks of work, art, civic activations, representation, politics, communities

17 October 2022, Monday18.00 to 20.15Where: Akademie der Bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien, 1.OG Atelier Süd (M1)Seminar with PHD student mentor. Mag Alexandra Tatar and GrzinicTITLE: Technology, Subject, Romania, Europeby PhD candidate Alexandra Tatar in collaboration with Marina Grzinic

Unit 2: PAUL VIRILIOThis lecture will introduce the line of thinking of Paul Virilio and his concept of dromology, through which he proposes Speed as the main factor in the uniformization of the world since Modernity.

18 October 2022, Tuesday

GRZINIC IND. MEETINGS9.00 to 10.00 office grzinic

follows in the studio space

10.00 to 12.00Where AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1060 Wien, 1OG Atelier Süd

Meeting with new students in the class, Erasmus, Ma in critical studies, ikl. Mandatory we discuss strategical plan how to work, the rundgang and also lists the presentations dates and hours. Do not miss please.

at 12.00 to 13.30individual meetings grzinic office

19 October 2022, Wednesdayopen to all in the academy:Action Day on the topic of Mob.Mobility, prepared by the internal advisory Board of Academy | Art | Public Sphere (AKÖ). We would like to ask you to save the date in order to participate. Together we want to discuss issues of sustainable and sustainable mobility in workshops with various guests, speakers, artists and activists

higlights:

14 h SchillerplatzOffizielle EröffnungRede des Rektorats (Johan F. Hartle, Ingeborg Erhart und Werner Skvara) zur Klima Aktion Oktober und zur Rolle der Nachhaltigkeitspolitik an der Akademie

14:15 h SchillerplatzAkademie | Kunst | Öffentlichkeit: Projektpräsentationen und FilmprogrammEröffnung des Indoor-Kurzfilmprogramms Mob.Mobility und Kurzpräsentation einer Auswahl der durch das Referat Akademie | Kunst | Öffentlichkeit bezuschussten Projekte für 2022. Tomash Schoiswohl kündigt sein Projekt Geile Knoten, das am 22.10. Verkehrsknoten in Wien künstlerisch und diskursiv thematisieren wird, an. Mariama Sow berichtet von ihrem Schwarzen Stadtspaziergang (re)claming our bodies in the city, der im Juli stattgefunden hat und Johannes Wiener stellt sein Projekt „Von den Kirschbäumen getragen“ vor. Moderation: Johan F. Hartle, Rektor

14:30 h SchillerplatzPaneldiskussion Mob.MobilityMit dem Begriff des Mobs werden geringschätzig Lebensformen und Verhaltensweisen beschrieben, die die geordneten Gefüge des sozialen Raumes überschreiten. Einerseits gehören einige dieser Formen von Überschreitung zu Grundprinzipien demokratischer Praxis (die Inbesitznahme von öffentlichen Räumen). Andererseits sind einige Formen geordneter Mobilität (Autoverkehr, Flugverkehr, Kreuzfahrtschiffverkehr) von äußerster Destruktivität. Diese Destruktivität setzt ihre eigene Mobilität frei – unter anderem in Form von Migrationsbewegungen, die mit einer zunehmend katastrophischen Klimasituation unvermeidbar sind. Zu den Themenkomplexen der Klimamigration, den Grenzen und Möglichkeiten einer Energiewende bzw. der Inbesitznahme des öffentlichen Raums sprechen der Politikwissenschafter Alexander Behr (Uni Wien) mit der Kommunal- und Regionalentwicklungsexpertin Nina Svanda (TU Wien) und der Architektin Lisa Schmidt-Colinet (Institut für Kunst und Architektur, Akademie).Moderation: Jens Kastner, Sozialwissenschafter, Institut für Kunst- und Kulturwissenschaften.

Alexander Behr ist Politikwissenschaftler und Journalist. Neben seiner Lehrtätigkeit an Universitäten, an Schulen und bei Gewerkschaften engagiert er sich in weltweit vernetzten sozialen Bewegungen. Schwerpunktmäßig ist er in antirassistischen Zusammenhängen aktiv sowie in Klimabewegungen und Bewegungen für eine nachhaltige bäuerliche Landwirtschaft. Er arbeitet in einem Netzwerk zur Unterstützung von Landarbeiter_innen in der Gemüseproduktion und gründete das Netzwerk Afrique-Europe-Interact mit, das westafrikanische und europäische Basisbewegungen vereint. Als Journalist hat er mehrere Bücher von Geflüchteten übersetzt und herausgegeben. Behr ist wissenschaftlicher Mitarbeiter bei Diskurs. Das Wissenschaftsnetz sowie Kuratoriumsmitglied der Hilfsorganisation medico international. Sein neuestes Buch Globale Solidarität. Wie wir die imperiale Lebensweise überwinden und die sozial-ökologische Transformation umsetzen. ist bei Oekom Verlag als Taschenbuch erschienen.

Nina Svanda studierte Raumplanung und Raumordnung an der TU Wien und war von 1996-2004 in einem Planungsbüro in nationalen und internationalen Kommunal- und Regionalentwicklungsprojekten in Österreich und Südamerika tätig. Seit 2004 lehrt und forscht sie am Institut für Raumplanung der TU Wien. 2013 hat sie ihre Dissertation zum Thema "Building Bridges - Brückenschlag zwischen Internationaler Humanitärer Hilfe und Entwicklungszusammenarbeit: Der Beitrag der Stadtentwicklungsplanung“ abgeschlossen. Die Themen Katastrophen und Krisen und wie diese mit Unterstützung der Raumplanung bewältigt bzw. Katastrophenprävention betrieben werden kann, ziehen sich durch ihre Lehr-, Forschungs- und Projekttätigkeit und haben sie von Naturkatastrophen über kriegerische Konflikte aktuell zur Klimakrise als Forschungsschwerpunkt geführt. Klimagerechte Raumplanung und ihre Umsetzung auf regionaler und stadtregionaler Ebene sind Nina Svanda ein besonderes Anliegen.

16 h SchillerplatzPanel-Diskussion: Wie beeinflusst die Klimakrise Kunst und Kunstproduktion?Die von der ÖH.Akbild organisierte Paneldiskussion thematisiert mit Gästen von Artists for Future, Museums for Future und Künstler_innen die Auswirkungen der Klimakrise in Hinblick auf Fragen zur aktuellen Kunstproduktion. Teilnehmer_innen: Maria Christine Holter von Artists for Future, Elisabeth Feinig von Museums for Future, Georg Russegger, Wissenstransfer Zentrum, und Vizerektor Werner Skvara.

Maria Christine Holter ist international tätige Kunsthistorikerin, Kuratorin und Programmgestalterin für Gegenwartskunst. Zudem ist sie Autorin zahlreicher einschlägiger Publikationen und arbeitet im Bereich der Kunstkommunikation. Initiiert von Regisseur Werner Boote ist Holter Mitbegründerin von Artists For Future Austria und agiert seit 2019 im Organis

ationsteam sowie als Aktivistin für diese Allianz der Fridays-For-Future-Bewegung.

17 h Exhibit GalerieDiskussionsrunde: Ecologically Responsible Exhibition-MakingAngesichts der anhaltenden Klimakrise hat sich der Kunstindustrie zunehmend Begriffen wie Care und Solidarität sowie ökologischer und artenübergreifender Fürsorge zugewandt. Die Abhängigkeit der Industrie von Billigflügen, fossiler Energie und materieller Akkumulation hat dazu veranlasst, das Transformationspotenzial von Institutionen hin zu einem nachhaltigeren und umweltfreundlicheren Modell zu untersuchen. Wie können wir im Ausstellungsbereich unsere Bedingungen und Produktionsmittel ändern, obwohl wir im Rahmen des neoliberalen globalen Kapitalismus agieren? Es sprechen Ewa Chomicka, Christopher J. Garthe und Elke Krasny. Moderiert und konzeptualisiert von Mirela Baciak and Fanny Hauser.

Zoom-Link:akbild-ac-at.zoom.usMeeting-ID: 960 2137 1546

17 h SchillerplatzAnna Khodorkovskaya - "Texten"Zeichnen macht es möglich, auch in beengtem Raum und mit geringen ökonomischen Ressourcen künstlerisch und politisch tätig zu sein. Anna Khodorkovskaya gibt im Workshop, der aktuelle emanzipierende zeitgenössische Zeichenformen, politische Artikulation und solidarische ästhetische Praxis verbindet, Anleitung zum künstlerischen Selbstausdruck.

18 h Schillerplatz Finissage KreidezeichnungThe Bigger Picture

18:15 h Akademie Aula, SchillerplatzWider den fossilen Kapitalismus! Mit Kunst Awareness schaffen und aktivistisch agierenVorträge mit anschließender Diskussion Im abschließenden Panel zu Fragen von Kunst, Klima und Aktivismus diskutieren die Künstlerin Katrin Hornek und der Künstler Oliver Ressler mit Vizerektorin Ingeborg Erhart und den Teilnehmer_innen des Aktionstages Perspektiven zeitgenössischer künstlerischer Interventionen zur Klimakrise. Ausgangspunkte sind die Arbeiten der beiden Künstler_innen, um eine Diskussion über die Frage der Wirkmächtigkeit von künstlerischen Protestformen im Lichte gesellschaftlicher Gesamttendenzen zu führen. Wie stark können künstlerisches Aufzeigen von Missständen und Aktionen über das bloß Symbolische hinauswirken und reale gesellschaftliche Veränderungen anstoßen? Kann mit künstlerischen Strategien gegen den fossilen Kapitalismus angekämpft werden?

Katrin Hornek, Alumna der Akademie der bildenden Künste Wien, Otto Mauer Preisträgerin 2021 und Betreiberin des vom WWTF geförderten interdisziplinären Forschungsprojekts „The Anthropocene Surge - evolution, expansion and depth of Vienna‘s urban environment“, verfolgt seit Jahren eine künstlerische Herangehensweise, die untersucht, wie Auswirkungen des Kapitalismus, des Kolonialismus und der Ausbeutung sich in die Beschaffenheit der Erde einschreiben.

Oliver Ressler, Absolvent der Universität für Angewandte Kunst, ist Künstler, Filmemacher und Aktivist. Die Klimakrise und Formen des Widerstands sind Themen, die er seit langem bearbeitet und damit aufzeigt, dass Umweltfragen untrennbar mit ökonomischen und sozialpolitischen Inhalten verknüpft sind. In seinem seit 2019 laufendem FWF-Forschungsprojekt „Barricading the Ice Sheets“ zeichnet er Mobilisierungen, Aktivitäten, Versammlungen und Arbeitstreffen von Klimaaktivist_innen nach und begleitet Aktionen zivilen Ungehorsams.

24 October 2022, Monday15.00 to 18.00Where: Akademie der Bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien, 1.OG Atelier Süd (M1)Presentations Erasmus and new students.

15.00 Luciana

15.30 Rawan

16.00 Kato

16.30 Jasmin

17.00 Nanna

17.30 Serin

18.00 Food art class, cooking as community building, and toasting to the new school year.

25 October 2022, TuesdayAt 11.30 to 14.30 individual meetingsoffice Grzinic

Tuesday 25.10 202215.00 to 17.15Unit 3: Romanian theory on Romanian TV revolutionThe implications on the construction of reality and presence through media by media theorists, as well as artists (Sei, Virilio, Morse, Mustata, Farocki and Ujică).

on tuesday short encounter phd in philosophy at 17.30 studio space, some ideas and information by phd student organization

IMPORTANT: 31 October 2022, Monday working on art projects INDIVIDUALLY no Studio meeting

1 November 2022, Tuesday HOLIDAY! Academy closedNovember 2, 2022 as well.

November 3 2022option to go to Kunstlerhaus, Vienna, the Nest collective, invitation to talk check online modalities

We come together physicallyNovember 7, 2022at 15.00 to 18.00.

Focus presentations documenta fifteen a group talk with images by and with the students PCAP and guest visiting researchers and Grzinic and Grimm

PCAP June 2022

concept — Fri, 27 May 2022 09:47:40 GMT

PCAP JUNE 2022

1 to 12 June 2022preparing the works as a result of the workshop Izzadora Sá and Talu Reis in collaboration with Marissa Lobo.

Several zoom meetings and discussions, individual, group program Belvedere 21, PCAP!

3 June 2022, FridayAt 19.00

Opening exhibitionAaron Kimmig: Instead of Being Omniscient

Photon Gallery Vienna:Zieglergasse 341070 Vienna

The exhibition at Photon Gallery Vienna presents works by the winner of the 9th consecutive edition of the Different Worlds 2021 Open Call, Aaron Kimming.

Aaron Kimmig convinced the international jury with his cleverly conceived and executed project Xinjiang Sentinel-2 (2021). The conceptual basis of the project is rooted in the critique of human rights violations in the context of AI technology, geopolitics, state oppression and dictatorship or, as he calls it, the "dictatorship of algorithms" in relation to the Muslim Uyghur minority in China, visually articulated through publicly available satellite images.

In the aforementioned winning project Xinjiang Sentinel-2 (2021), the artist refers to the increasing use of algorithms by the Chinese authorities to suppress and control the Muslim minority, often leading to their detention in internment camps. On the other hand, algorithms and satellite imagery help document cultural destruction and human rights violations by the Chinese state. The project charts the growth of these camps and the destruction of cultural heritage in Xinjiang using publicly available satellite images/photos that Kimmig overlays into abstract compositions. The original satellite images of the detention camps can be found on his website dc.nanu-c.org.

Aaron Kimmig (1989, AT) graduated in International Development from the Main University of Vienna in 2019. In 2017, he embarked on postgraduate studies in Post-conceptual Art at the Academy of Fine Arts, Vienna, and has been working at the self-organized webdesign/full-stack development collective convive.io since 2016. His work is focused on society, technology and representations of nature. He exhibited in various solo and group shows.

13 June 2022, Monday14.00 to 17.00

WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

LAST FIFTH of 5 sessions workshopIzzadora Sá and Talu Reis in collaboration with Marissa Lobo

Izzadora Sá is a creator, developer, visual artist and data enthusiast immersed in the experience. Talu Reis is a researcher, visual artist and activist (human rights and communication.

With presentation of students works from the workshop for the show in BELVEDERE 21.

13 June 2022, MondayAt 18.00WHERE: AULA SCHILLERPLAZ

www.akbild.ac.at

Promotion of the zine by the leaders of the workshop A2 on wtf is non binary university?

Yours sincerely,A… non-binary University

Establishing itself as a non-binary university is a declared aim of the Academy of Fine Arts Vienna. For this, the academy has already received the Diversitas Award in 2016.

Until recently, it was not possible for all students of this non-binary academy to study under their name, if this name did not match the legal names on their ID cards. We, the non-binary university, now stand by this name and stand by our trans and non-binary students, as we do not want to make empty promises.Yours sincerely,A… non-binary University

Bio:

WTF is a non-binary University... This is a question the non-binary and trans students at the Academy of Fine Arts Vienna, have been asking ourselves for a while now. This semester, a few of us got together and discussed what's actually going on...

Realized in the workshop A2, Studio Conceptual Art, IBK. The workshop was supported by the Coordination Office for Advancement of Women | Gender Studies | Diversity; Mag.a Dr.in Ingrid Schacherl

Carli Fridolin Biller, Jupiter Rhea Braun, Felix Deiters, Oke Fijal, Mathea Hoffmann, Finn Mühl, Tubi Malcharzik

14 June 2022, Tuesday14.00 to 16.00

TWO CRITICAL-THEORETICAL INTERVENTIONS by MIKA MARUYAMA, PHD in PHILOSOPHY CANDIDATE at Akbild

WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

at 14.00, FIRST

REFLECTIONS ON THE VENICE BIENALLE EDITION 2022,by Grzinic and Mika Maruyama

at 15.00, SECOND

www.akbild.ac.at

Mika Maruyama, lectureTitle: Intimacies from Colonial Division to Technological Surveillance

Mika Maruyama talks about her doctoral research on intimacy: how and what intimacy has been (re)used and naturalized to shape society through everyday practices? Discussions of intimacy that play out on multiple levels are monitored and punished as invisible and instrumentalized by being linked to the construction of gender, sexuality, and race through media and surveillance technology with new forms of security and governmentality. Confronting invisible/visible relationships that are intimately connected through different lines of demarcation is a way to understand how different conditions are interconnected and sometimes bridge the differences created by centuries of colonial structures.

CV Mika Maruyama

Mag. Mika Maruyama, born in Japan, lives in Vienna. She is a writer, curator, and researcher whose theoretical work focuses on the intersections of queer and feminist theory, as well as the convergence of media culture and the politics of the body. She holds a master's degree in philosophy from Yokohama National College in Japan and is currently a PhD candidate at the Academy of Fine Arts Vienna. Her interdisciplinary practice ranges from curating and zine-making to collaborative artistic practices motivated by her interest in counter-narratives and transcultural representation that challenge dominant historical narrative and normativity. In 2018, she co-founded Multiple Spirits, a queer feminist art zine, with artist Mai Endo.

14 June 2022, TuesdayAt 19.00 lecture presentation, introducing artist-in-residence Zara Julius at WeltMuseum Wien.

WHERE: Welt Museum Wien, Heldenplatz, 1010 Wien

FREE TICKETS AVAILABLE

CV: Zara Julius is an interdisciplinary social practice artist, researcher and vinyl selector based in Johannesburg, South Africa. She is also the founder of Pan-African creative research and cultural storytelling agency, KONJO. With a background in anthropology, religious studies and photography, her work is concerned with the relationship between performativity, frequency, concealment and fugitivity in the settler (post) colony. Working with sound, video, performance and object based installation, Zara Julius' practice involves the collection, selection, and creation of archives through extensive research projects. The bulk of Zara's projects have focused on the performance of sonic, spiritual and oceanic mobilities of rapture and socio-political rupture across the (post)colony, and on (post)apartheid narratives around race, place and music as they pertain to intimate archiving practices as sites of refusal. She holds a BAHons in social anthropology from the University of Cape Town and a MAFA in Fine Art from the University of the Witwatersrand, both with distinction.

IMPORTANT: STUDENTS PCAP GOING TO KASSEL DOCUMENTA IN SEPTEMBER 2022.

17 June 2022, FRIDAY,at 10.00 ZOOM!!!!

with mag. Angelina Kratschanova head Int. office Akbild, she will present details agreement and travel and staying in Kassel 2022, part of BIP grant.

21 JUNE 2022, TUESDAY, at 15.00 ZOOM!!!

FIRST MEETING BIP TRAVELERS STUDENTS PCAP and Kaseel Students PROFESSORS KASSEL, Vienna, BARCELONA.Invitation will be sent by Cecilia Vallejos and Matthijs de Bruijne, professors of the host ART STUDIO in Kassel.

INTRODUCTION, WORK IN KASSEL and presentation one student position Kassel, one student position Vienna.

Position from PCAP: Asma Aiad.

27 June 2022, MondayAt 18.00WHERE: A...kademie der bildenden Künste WienACADEMY OF FINE ARTS VIENNAAtelierhaus, Studio for Post-conceptual Art (PCAP)/IBK/Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

Open to the general public."Will you marry me?"Marriages of convenience in times of crises. The Nazi era and nowadays.

With Henrie Dennis and Prof. (FH) Dr. Irene Messinger, FH Campus Wien, social work

Organized by the Post-Conceptual Art Studio/IBK / prof. Marina Grzinic/Academy of Fine Arts Vienna. Event supported by Afro Rainbow Austria.www.akbild.ac.at

SUMMARY:Marriages of convenience (MOC) during the Nazi regime allowed persecuted women to flee from the Third Reich to a country of exile, to ensure their stay there or to prevent deportation, by marrying a foreign national for papers only. Irene Messinger traced and analyzed 100 cases of women who tried to save their life that way. Their stories underline the importance of pre-existing networks, be it family members or politically like-minded people as an active part in escaping from the Nazi regime (Irene Messinger).

In reference to nowadays, why are there doubles standards? Who profits from these standards? Who sustains these standards? Whose safety is justified and prioritized? Who deserves to marry to save a life and who deserves to be married to be saved?

Cv'sHenrie Dennis is art curator and activist who advocates for the visibility, lives, and realities of queer Africans.

Irene Messinger is a political scientist whose award-winning PhD thesis and book deals with MOC in the Austrian Alien Law (2012) from an intersectional perspective. 2013-2016 she was focusing on MOC during the Nazi period. In 2017, she published the commented memoirs of Anita Bild, a persecuted Viennese dancer who continued her career in the UK due to a MOC in 1939. Her research agenda focuses on Migration Policies and Migration Research, as well as Biographies, Gender and Social Justice. She teaches at the University of Vienna and at the University of Applied Sciences, Department for Social Work.

ON MONDAY 27.06.2022at 12.00 meeting in the PCAP: BELVEDERE 21: INSTALLATION MAP, TECHNOLOGY, STRATEGIES

ON MONDAY 27.06.2022at 20.30 meeting in the PCAP: KASSEL DOCUMENTA TRAVEL AND ACCOMODATION

ON FRIDAY 1 .07.2022 at 15.00 BRING THE WORKS ELEMENTS PCAP, PUNCTUALLY, TRANSPORT TO BELVEDERE STORAGE FOR INSTALLMENT.

ON SATURDAY 2.07.2022 at 8.00 INSTALLMENT BELVEDERE 21, EVENT SPACE UNTIL 13.00.OPENING SHOW AT 15.00.

ON FRIDAY July 1 2022, AkBild, Lehargasse 8,

10.00 to 12.00

FESTIVITY: end of the semester, diploma papers, awards and drink.

FESTIVAL FINAL PROGRAM AND INVITATION

Festival of Vocabularies LifeSmashing Wor(l)ds: Cultural Practices for re/Imagining & un/Learning Vocabularies

June 30 2022 - July 3 2022Belvedere 21, Arsenalstraße 1, 1030 Wien

www.akbild.ac.at

This festival is the outcome of partnership "Smashing Wor(l)ds: Cultural Practices for re/Imagining & un/Learning Vocabularies" of kulturen in bewegung (Main coordination of the project), Stiftung Inna Przestrzeń [Other Space] (Poland); BOZAR - Centre for Fine Arts Brussels (Belgium); Associated Partners are: Africa Museum (Belgium), Afro Rainbow Austria [ARA], Queer Base, Silent University in Austria, and Students of the Post-Conceptual Art Practices Studio [PCAP] at the Academy of Fine Arts Vienna.

Funded by the Creative Europe Program of the European Union and BMKÖS/Sek.IV and (Department of Cultural Affairs Vienna (MA 7)).

PROGRAM:JUNE 30 2022, Thursday

12:00 to 14:00 (Blickle Kino) General Assembly of the citizen science and arts-based research project "Memories and Imaginaries" (FWF TCS 119). With Felix Deiters and Cathérine Lehnerer.

14:00 to 18:00 Gathering, Food and Drinks with Buffet.

18:00 to 18:45 (Blickle Kino) Mirjana Mustra: WIR KOMMEN MIT DEN NADELN, film screening.

19:00 to 19:30 (Blickle Kino) Welcome speeches.

19:30 to 20:00 (Blickle Kino) Asma Aiad and Ines Mahmoud: I, the Intellectual Cleaning Lady*. A message to the nation. Lecture performance.

20:00 to 20:30 (Blickle Kino) Queer Base lecture with Axmed Maxamed.

20:40 to 21:15 (Blickle Kino) Araba Evelyn Johnston-Arthur: Resistances and the Decolonizing Art of Mattering (embodied) Memory. Lecture performance.

21:15 to 21:30 (Tiefhof) Touraj Daryaee and Negin Rezaie: Smelling the past Un/Learning the language. Lecture performance.

21:40 to 22:10 (Tiefhof) mirabella paidamwoyo* dziruni: Why did your playful tickle turn into burning scratches? Performance.

22:10 to 23:30 (Tiefhof) Ironica Los Culos / La Machi: Smashing Wor(l)ds Celebration after the end of the World. Music and visual mapping.

JULY 1 2022, Friday

22:00 (Sendeschluss, Ruckergasse 39, 1120 Wien)

Nadia Granados: LA FULMINANTE.

[Bar opening at 21:30. Free entrance but tickets are mandatory. Limited seats available.]

JULY 2 2022, Saturday

15:00 to 17:00 (Event space and Tiefhof)

Opening of the Exhibition: Cartographies of affective vocabularies, escaping normativity and violence.

INTERVENTIONS, PERFORMANCES, WORKS by PCAP and Friends: Asma Aiad & Ines Mahmoud, Laura Hvidtfeldt Andersen, Felix Deiters, Oke Fijal, Zora Fuhrmann, Slug and Saliva (Kyungrim Lim Jang & Hannah Sakai), Ali Kianmehr, Tereza Klčová & Sebastian Konzett, GORGON URBAN, Sebastian Konzett, Pramila Lama, Cathérine Lehnerer, Dean Maassen, Mirjana Mustra, Valentin Pfenniger, Amelie Schlaeffer, Sisanmi Eureka Schuller, Fedor Shmelkin, Tatiana Sukhareva, WTF is a non-binary University, Kyra Sophie Wilhelmseder, Katja Wettstein; General Assembly of the citizen science and arts-based research project “Memories and Imaginaries” (FWF TCS 119).

Invited Artists and Associated Partners: Pati Avish, Marisel Bongola, Topoke, Cortina and Sándalo-Sandra López Dávila, Vivian Crespo Zurita, Colectivo Futuñeras, Daniel Sea, Negin Rezaie, Afro Rainbow Austria (Content Creators and Performers: Ishola Sofia Juliet, Bamingo Donatus, Oluchukwu Akusinanwa (LoveMore), Jecinta Muchemi, Philip Masembe, Sisanmi Eureka Schuller, Denry Mandy, Ehigiamusoe Blessing, Igwe Kenneth, Ekwulugo Celestine, Henrie Dennis), Silent University in Austria (Majla Zeneli), Queer Base (MELODY of the OTHERS VERnacular).

In Focus/Invited Guests: Zara Julius, Araba Evelyn Johnston-Arthur, Joëlle Sambi Nzeba, Nadia Granados, Maque Pereyra, Talu Reis, Izzadora Sá, Bassano Bonelli Bassano, Denise Palmieri, ironica los culos, La Machi, Collective gyenjam, Mai Ling, NAYA, Touraj Daryaee, AYGYUL

Opening program with performances:

15:00 to 17:00

Speech-Act (Slug and Saliva) will hand out printouts during the performative act by Kyungrim Lim Jang.

Yours sincerely, A… non-binary University. Performative readings by Felix Deiters and Finn Mühl.

How many stones until… (I have completely exhausted myself), site-specific, durational performance by Felix Deiters.

Vocabularios espirituales, performance ritual by Vivian Crespo Zurita.

Oríkìori, muituê, cabeça, ori, ori-gem, divinity, “ki”, praise, evocation, oriki, cabaça, cuia, cumbuca, igbá, evocation with origins that resides in our head, into orí. By Izzadora Sá and Talu Reis.

17:00 to 17:40 (Tiefhof) Joëlle Sambi Nzeba: sound and poetry installation.

17:40 to 18:30 (Event space) Afro Rainbow Austria: Ekwenti, The Cable Connection. Multimedia installation and performance.

18:30 to 19:20 (Tiefhof) “gyenjaimma haleem -- invitation to listen, eat, and read"

19:30 to 20:00 (Tiefhof) Denise Palmieri: Coyolxauhqui Manifested, performance.

20:00 to 20:30 (Tiefhof) Bassano: cascamondo, performance.

20:30 to 21:00 (Blickle Kino) NAYA (Aka Lux Venérea): stand-up comedy.

21:00 to 21:40 (Blickle Kino) Nadia Granados: mi cuerpo como un detonante vivo (my body as a live trigger), lecture-presentation.

21:40 to 22:00 (Sculpture Garden) Nadia Granados: Caminar, cadáveres, genocidio. Performance intervention.

22:00 to 23:30 (Tiefhof) Closing concert and Dj Set Maque Pereyra

JULY 3 2022, Sunday

11:00 to 18:00 (Event space and Tiefhof) Exhibition on view.

13:00 to 15:00 (Sculpture Garden) Silent University in Austria, WIESE - Wie Es Ist and Versatorium: Translation: Të polli gjeli. (Dir wurde vom Hahn gekalbt.). Workshop on translation.

15:30 to 16:00 (Blickle Kino) Sisanmi Eureka Schuller: SMASHING THOUGHT II. Performative intervention with screening.

16:30 to 17:30 (Blickle Kino) Zara Julius: Archives & Refusal, lecture performance.

17:30 to 18:00 (Blickle Kino) Mai Ling Speaks #7 with Guests.

18:00 to 18:30 (Sculpture Garden) Pramila Lama: Nobody wanted to hear the screaming of the women, nobody wanted to hear our screaming. Performance.

18:30 to 19:00 (Sculpture Garden) Queer Base: Vocabularies of bodies performativities.

19:00 to 20:00 (Sculpture Garden) AYGYUL. Uniting dance/electronic and future pop flows.

Concept: Marissa Lobo, Galina Baeva (kulturen in bewegung), Henrie Dennis (ARA), Marina Gržinić (Prof. in charge of PCAP at Academy of Fine Arts Vienna); Silent University in Austria (Helmut Ege, Birgit Waltenberger in collaboration with Versatorium, WIESE), Queer Base (Faris Cuchi Gezahegn).

Artistic producers: Negin Rezaie, Mika Maruyama.

Logistic production (kulturen in bewegung): Maria Herold, Gaby Pflügl, Horst Watzl.

Researcher for the catalog: Jovita Pristovšek (AkBild Wien)

We start the semester 3.10.2022 at 14.30Lehargasse 8

We meet in september 11 09 2022 going to Documenta in Kassel, 15 students 2 professors Grzinic and Jovita Pristovsek, coming back 17.09 2022 in the morning to Vienna

PCAP May 2022

concept — Fri, 29 Apr 2022 16:58:01 GMT

PCAP (POST CONCEPTUAL ART PRACTICES) Art Studio

Professor: Marina Grzinic

Assistant: Maren Grimm

Student Mentor: Kristina Sokolova

WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

BLOG: m1.antville.org

REGULATIONS: READ MANDATORY COVID-19 prevention published on the academy portal. Come with the mask FFP 2, mask is MANDATORY!

PCAP (POST CONCEPTUAL ART PRACTICES) Art StudioMAY 2022 work table

1 May 2022, MAYDAY!

2 May 2022, MONDAY

At 16.00

WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

lecture by Grzinic and dr. Sophie Uitz (3rd session).Displays against colonialism, antisemitism, and turbo nationalism

Guest: Mika Maruyama, curator and PhD in philosophy student, Akbild

At 19.00WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

presentation work Ju Yoo, studying in PCAP

3 MAY 2022, TUESDAY3.05.2022 (Tuesday)at 14.00

WHERE: Bibliothek at Schillerplatz enter the building up the staircase follow sign bibliothek

Introduction to hand apparat Dani Gal and hand apparat PCAP: hand apart books, videos for free to study in the bibliothek daily with your student card.

3.05.2022 (Tuesday)

at 16.00WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

Lecture on Dani Gal by Marina Grzinic and mag. Taida Kusturica (PhD in philosophy student, Akbild).

Introduction. Open lecture for the students AkBild. Come to this lecture does not matter if you are part of the workshop (in the week 11-13 05 2022) with Dani Gal.

3.05.2022 (Tuesday)at 18.00

WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

Talking in between us, dreaming together with Izzadora Sá and Talu Reis (Brazil)

Artists in residence staying in Vienna 1.05.2022 until 5.07.2022

Proposed and organized by the EU project “Smashing Wor(l)ds: Cultural Practices for re/Imagining & un/Learning Vocabularies” (2020–2022) / Marissa Lôbo.

With them we will work, May and June 2022, to present works at the Festival Vocabularies of Life, from 30 June to 3 July 2022, Belvedere 21 (Arsenalstraße 11030 Wien, Austria).

9 MAY 2022, MONDAYNO lectures: working on artistic projects

10 MAY 2022, TUESDAYAt 15.00

WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

LECTURE ON DOCUMENTA KASSEL, history, curators, artists, politics

By Grzinic and dr. Jovita Pristovsek

(we are going to visit it September 11-17, 2022)

10 MAY 2022, TUESDAYAt 19.00

WHERE: IKA lecture hall (room 211), Akbild, Schillerplatz

LECTURE by Dani Gal: The Performativity of the Witness and the Politics of Silence.

Open lecture for everybody, does not matter if you are in workshop or nor (that starts the next day!).

PCAP: this position is one of the most challenging artistic positions, COME it is an exceptional opportunity.

The lecture and workshop with Dani Gal (11.05-13.05.2022) done in collaboration with the Institut für Kunst und Architektur | Institute for Arts and Architecture (Prof.dr. Angelika Schnell).

11 MAY 2022, WEDNESDAY at 10.30Address: BELVEDERE 21 Arsenalstraße 1, 1030 Wien, Austria

Meeting in front the museum BELVEDERE 21, where we will have the show opening 2.07 2022. We go to see the space we meet in front look at the garden, and then go in the exhibition space. take photographs and start to visualize and see our work inside as a project coming from the activation with the artists in residence and or an individual project dealing with words, vocabularies, body language speaking etc.

11 MAY 2022, WEDNESDAYAt 18.30

WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

Miguel González Cabezas, PhD in philosophy student, Akbild

PRESENTATION OF THE PHD research that will be conducted in the next years.

The title proposed for the PhD: “Multiplicities in Singularity. Ambivalence and Democracy in the Present Global Capitalist World”

11 MAY 2022, WEDNESDAY to 13 MAY 2022, FRIDAY

For those registered:A Workshop by Dani Gal - Dialogical Notions of History(for registered B3 workshop participants only)

11.05.2022, Wednesday, IKA Räumen K5 / K7 im AOL 13.00- 17.0012.05. 2022, Thursday, room M13 AKBILD at Schillerplatz: 9:30 - 14.3013.05.2022, Friday, room M13 AKBILD at Schillerplatz: 9:30 - 14.00

16 MAY 2022, MONDAYNO LECTURES ENTRY EXAMS 2 ROUND

17 MAY 2022, TUESDAYNO LECTURES ENTRY EXAMS 2 ROUND

18 MAY 2022, WEDNESDAYAt 18.00

WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

PUBLIC TALK by Izzadora Sá and Talu Reis (Brazil)

ARTISTS IN RESIDENCE at the Academy of Fine Arts Vienna/IBK/ Studio for Post-conceptual Art Practices /prof. Marina Grzinic.

Staying from 1.05.2022 until 5.07.2022.

Proposed and organized by the EU project “Smashing Wor(l)ds: Cultural Practices for re/Imagining & un/Learning Vocabularies” (2020–2022) / Marissa Lôbo.

The talk will be introduced by Marissa Lôbo.

PRESENTATION OPEN TO ALL.

Izzadora Sá is a creator, developer, visual artist and data enthusiast immersed in the experience. Born in the interior of Bahia and raised in Baixada Fluminense in Rio de Janeiro - Brazil. She researches, develops ideas and produces different media and codes related to memories, races, intersectionality, dissidence, colonial critique, immersive technologies and black affectivities that actively promote dissident and powerful narratives, visions and bodies.

Talu Reis is a researcher, visual artist and activist (human rights and communication) born in Salvador. He grew up between a dialogue between the capital of Bahia and an inland city called Terra Nova. His work aims at visual communication and artistic expressions as strategies to fight epistemic violence. He also believes that this "artvism" focuses on technological practices, gathering actions in the BigData context.

19 MAY 2022, THURSDAYat 12.00 to 14.00 meeting in the back kitchen 20 pupils CITIZEN SCIENCE only for the group!

19 MAY 2022, THURSDAYAt 18.30

WHERE: Academy of Fine Arts Vienna, Room M13a, Schillerplatz 3, Mezzanin

PRESENTATIONRe-Activating Critical Thinking in the Midst of Necropolitical Realities: For Radical Change

Book volume edited by Marina Gržinić and Jovita Pristovšek

Re-Activating Critical Thinking in the Midst of Necropolitical Realities: For Radical Change assembles 23 articles that develop strategies for radical change. The authors are scholars who do not necessarily collaborate or know each other, but who are currently forming a radical structure that is viral in thought production and reflective on the current global recalibration of social relations, brought about by the necropolitical and necrocapitalist governmentality emerging worldwide.

Taking part in the presentation are contributors from Austria:

Yela An, Diana Bulzan, İklim Doğan, Kyungrim Lim Jang, Taida Kusturica, Cathérine Lehnerer, Mika Maruyama

Moderation: Marina Gržinić and Jovita Pristovšek

PRESENTATION OPEN TO ALL.

Bios:Yela An is an artist, and a PhD candidate in philosophy at the Academy of Fine Arts Vienna.

Diana Bulzan is a PhD candidate at the University of Art and Industrial Design Linz (under c o-mentorship of M. Gržinić), and a Junior Fellow at VALIE EXPORT Center Linz.

İklim Doğan studies at the Academy of Fine Arts Vienna artist whose work spans a variety of fields and practices, including lectures, writings, installations, fabrics, film, and video art.

Kyungrim Lim Jang is an artist, and a PhD candidate in philosophy at the Academy of Fine Arts Vienna.

Taida Kusturica is a PhD candidate in philosophy at the Academy of Fine Arts Vienna.

Cathérine Lehnerer is a teacher and artist, and a PhD candidate in philosophy at the Academy of Fine Arts Vienna.

Mika Maruyama is a writer, curator and researcher, and a PhD candidate in philosophy at the Academy of Fine Arts Vienna.

[An, Jang, Kusturica, Lehnerer, and Maruyama are PhD candidates in philosophy under the mentorship of M. Gržinić.]

Jovita Pristovšek is a postdoctoral researcher at the Academy of Fine Arts Vienna, and an Assistant Professor at the Academy of Visual Arts, Ljubljana.

All contributors in the book: Yela An, Esther (Mayoko) Ortega Arjonilla, Maja Breznik, Diana Bulzan, Lucrecia Masson Córdoba, Nina Cvar, Antonio Fuentes Diaz, İklim Doğan, Liliana Conlisk Gallegos, Lina Gonan, Mia Gonan, Marina Gržinić, Kyungrim Lim Jang, Tjaša Kancler, Saša Kesić, Taida Kusturica, Cathérine Lehnerer, Mika Maruyama, iki yos piña narváez funes, Stanimir Panayotov, Jovita Pristovšek, Piro Rexhepi, Joshua Simon, Šefik Tatlić.

www.cambridgescholars.com

23 MAY 2022, MONDAYAt 14.00 until 17.00

WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

FIRST of 5 SESSIONS WORKSHOP Izzadora Sá and Talu Reis in collaboration with Marissa Lobo

Izzadora Sá is a creator, developer, visual artist and data enthusiast immersed in the experience. Talu Reis is a researcher, visual artist and activist (human rights and communication.

23 MAY 2022, MONDAYAt 18.00

Proposed by Mika Maruyama instead the lecture Venice Bienalle

Reweaving our world(s) anew: decolonial art geographies as spaces of “refuturing”

Time18h–20:30h

Lecture by Madina Tlostanova

Locationmumok kinoMuseumsplatz 11070 Vienna

24 MAY 2022, TUESDAY SPECIAL WORKSHOP 9.30 to 14.30 in the studio space, please NOT disturb. Grzinic in charge. Project CITIZENS SCIENCE

24 MAY 2022, TUESDAYAt 15.00 until 17.30

WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

SECOND of 5 SESSIONS WORKSHOP Izzadora Sá and Talu Reis in collaboration with Marissa Lobo

Izzadora Sá is a creator, developer, visual artist and data enthusiast immersed in the experience. Talu Reis is a researcher, visual artist and activist (human rights and communication).

30 MAY 2022, MONDAY

SPECIAL WORKSHOP 9.30 to 14.30in the studio space, please NOT disturb. Grzinic in charge. Project CITIZENS SCIENCE

30 MAY 2022, MONDAYAt 15.00 until 17.30

WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

THIRD of 5 SESSIONS WORKSHOP Izzadora Sá and Talu Reis in collaboration with Marissa Lobo

Izzadora Sá is a creator, developer, visual artist and data enthusiast immersed in the experience. Talu Reis is a researcher, visual artist and activist (human rights and communication.

30 MAY 2022, MONDAYat 19.00 OPEN AS INVITATIONWHERE: Depot – Kunst und Diskussion, Breite Gasse 3, 1070 WienI am Jugoslovenka! Book by JASMINA TUMBAS

Book presentation Jasmina Tumbas, “I am Jugoslovenka!” Feminist Performance Politics During and After Yugoslav Socialism,

Manchester University Press, 2022

I am Jugoslovenka argues that queer-feminist artistic and political resistance were paradoxically enabled by socialist Yugoslavia’s unique history of patriarchy and women’s emancipation. Spanning performance and conceptual art, video works, film and pop music, lesbian activism and press photos of female snipers in the Yugoslav wars, the book analyses feminist resistance in a range of performative actions that manifest the radical embodiment of Yugoslavia’s anti-fascist, transnational and feminist legacies. It covers celebrated and lesser-known artists from the 1970s to today.

In the presentation, we will discuss the book in detail and try to answer the question of how the central thesis of the book co-relates to the genocide in Srebrenica (1995) in Bosnia and Herzegovina. What is to be done?

Taking part:

Marina Gržinic, Professor, Academy of Fine Arts Vienna

Natasa Mackuljak, Phd in Philosophy candidate, Academy of Fine Arts Vienna/WIENWOCHE

Mirjana Mustra, Student, Academy of Fine Arts Vienna

Jasmina Tumbas, Assistant Professor, University at Buffalo/NY, USA

31 MAY 2022, TUESDAYAt 14.00 until 17.00

WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

FOURTH of 5 SESSIONS WORKSHOP Izzadora Sá and Talu Reis in collaboration with Marissa Lobo

Izzadora Sá is a creator, developer, visual artist and data enthusiast immersed in the experience. Talu Reis is a researcher, visual artist and activist (human rights and communication.

NEXT: JUNE 20221 to 12.06 2022 preparing the works as a result of the workshop.

13 .06. 2022, MONDAY14.00 to 17.00

WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

LAST FIFTH of 5 sessions workshopIzzadora Sá and Talu Reis in collaboration with Marissa Lobo

Izzadora Sá is a creator, developer, visual artist and data enthusiast immersed in the experience. Talu Reis is a researcher, visual artist and activist (human rights and communication.

With presentation of students works from the workshop for the show in BELVEDERE 21.

PCAP April 2022

concept — Thu, 31 Mar 2022 16:07:34 GMT

APRIL PCAP 2022

Anti Covid-19 measures: from 25.04 2022
wear FFP2 masks in all classes and wherever spontaneous encounters may happen – especially in hallways and meeting areas – and whenever the minimum distance cannot be maintained.

4 and 5 April, 2022, Monday and Tuesday

NO PCAP LECTURES! Entry exams IBK, FIRST PART

6 April 2022, Wednesday

IMPORTANT MEETING

at 14.00

WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

MEETING 15 students that go to Kassel preparation of details

TRAVEL 11/12 September 2022, night train, Vienna to KasselBACK 16/17 September 2022, night train, Kassel to Vienna

IN KASSEL PRESENTATIONS IN THE KUNSTSCHULE KASSEL, GOING TOGETHER TO DOCUMENTA, RESEARCH, PLANNING A FILM, ZINE….Confirmed:

Asma AiadLaura AndersenHenrie DennisOke Fijal
Zora FuhrmannAaron KimmigSebastian KonzettPramila LamaDean MaassenFinn MuehlJonas NieftValentin PfennigerFedor ShmelkinSisanmi SchullerKyra Wilhemseder

6 April 2022, WednesdayAt 16.00WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

ERASMUS STUDENTS PRESENTATIONS

Amelie Schlaeffer

Katja Wettstein

6 April 2022, WednesdayAt 18.00 to 20.00INDIVIDUAL MEETINGS contact me office Grzinic

EASTER HOLIDAYS !!!!!!!11.04.2022 24. 04.2022

25 April 2022, MondayAt 15.00WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)Meeting work discussion, talking loud on May and June 2022

25 April 2022, MondayAt 16.00

WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

TALK: ANNA SOROKOVAYA, Ukrainian artist, photographer, curator talks about her utopian practices with Soshenko 33 and her personal practice

Lecture organized by Studio for Post-conceptual Art (PCAP)/IBK/prof. Grzinic, and Margarethe Makovec, ROTOR, Graz.

Anna Sorokovaya is based from April 2022, in Forum Stadtpark Graz, connected with Office Ukraine. Shelter for Ukrainian artists. www.artistshelp-ukraine.at

Anna Sorokovaya uses an interdisciplinary approach in her practice, combining different positions – artist, curator, researcher, activist. She focuses on such issues as forced landscape changes, the impact of political and economic factors on the urban and natural environment, collectivity as a phenomenon and its meaning in the context of the atomization of society, "private and public," non-hierarchical forms of interaction based on cooperation and care. In recent years, together with Taras Kovach, she has been involved in the creation of an alternative educational and artistic space – Soshenko 33 – based on the building of the postgraduate education workshops of the National Academy of Fine Arts in Kyiv. An important principle of this place is the creation of an autonomous zone within a conservative academic system, as well as a space for critical reflection and communication. Recently, she worked on a project that addressed the preservation of the natural space and former garden surrounding the art center. This involved collaboration with architects, residents, and municipal authorities, as well as artistic and critical reflection on issues of ecology, sustainable development, and the coexistence of humans and non-humans.

IMPORTANT: To consider valid COVID-19 protective measures is mandatory. The measures are displayed on the academy's online portal. Registration until 24.04.2022: konzeptkunst@akbild.ac.atCOVID-19 prevention:_All visitors must provide a valid 2,5G certificate at the entrance: Vaccinated OR recovered OR valid PCR test._Contact details of visitors (name, e-mail address and/or telephone number) will be - optionally - verified as preregistration or collected at the entrance for possible contact tracing._FFP2 masks must be worn throughout the event.

26 April 2022, TuesdayAt 12.00 until 14.30

WORKSHOP: WTF is a non-binary University?

Der Workshop wird von fünf trans und nicht-binären Studierenden geleitet: Jupiter Rhea Braun; Felix Deiters; Oke S. Fijal; Mathea Hoffmann; Finn Mühl.ONLY FOR THOSE WHO REGISTERED after talking with the workshop leaders. WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1) or digital, will be an-nounced to the participants directly.Es ist uns wichtig explizit klarzustellen, dass es ein Workshop ist der nur Personen einlädt, die NICHT cis sind und es Bestandteil des Konzeptes ist einen temporären Raum in der Akade-mie zu schaffen, der für cis Personen nicht zugänglich ist. Eine Anmeldung für den Workshop erfolgt deswegen ausschließlich per Mail bis zum 01.03.2022. an: wtfisanonbinaryuniversity@gmail.com

27.04.2022, Wednesday

2 diplomas in MZSIbk/from PCAP: Victoria EliseykinaMa in critical studies: Mashima Kalwert

26 - 27. APRIL 2022

Where: Post-Conceptual Art Practices StudioAtelierhaus, Lehárgasse 8, 1060 Wien, 1OG Atelier Süd (M1)

follow anti-covid19 measures announced akbild portal.

KONFERENCIJAKONFERENZ ÜBER DIE KUNST UND KULTUR VON DEN EX-YU KÜNSTLERINNEN, KURATORINNENUND KULTUR ARBEITER*INNEN IN ÖSTERREICH

KONFERENCIJA is the first gathering of women* artists, curators, and cultural workers from the ex-Yu countries living and working in Austria, to examine, negotiate and discuss their art and activist practice from a socio-political perspective. The two-day event includes an exhibition, performance, book presentation, lecture, and workshop in a public space.KONFERENCIJA is the cooperation of Mirjana Mustra with the Post Conceptual Art Practices Studio/IBK. The project is part of the network D/Arts project office for diversity and urban dialogue.

Program:

26 APRIL 2022, TUESDAY

18h KONFERENCIJA opening

EXHIBITION with Marija Šabanović, Milena Gajić, Negra Bernhard, Neda Nikolić, Aida Jakubović, Isidora Krstić, Anđa Živadinović, Bojana Novicic, Maša Đuričić, Đenana Hadžić, and Mirjana Mustra

19h A Talk in between Jasmina Tumbas and Marina Gržinić on feminist performance politics in former-Yugoslavia.Jasmina Tumbas is Assistant Professor, University at Buffalo/NY, USA. Tumbas is the author of “I am Jugoslovenka!” Feminist Performance Politics During and After Yugoslav Socialism, Manchester University Press, 2022.

20h Music PerformanceSevdah of Lost Identity by Sanja Lasić

22h End

27 APRIL 2022, WEDNESDAY

09:30h Start of Day Two: Meet and Greet

10h Lecture and Discussion

Jelena Jokić-BornsteinYU.Go Girl: Transnational art and its role in the (re)construction of memory and identity in post-conflict societies. The case of the Bosnian female artists in Vienna.

11:30h Performance Lecture

Nataša Mackuljak

On Historical Continuities between Radical Leftist Women’s Actions and Feminist Performance Art in Former Yugoslavia

12:30h Lunch pause

14h WorkshopDo you hear me? by Smirna Kulenović

17:30h End

The exhibition will be open until 8. May 2022. To arrange your visit, please write to mirjana@mustra.art

IMPORTANT:

Anti Covid-19 measures to consider to wear FFP2 masks in all classes and wherever spontaneous encounters may happen – especially in hallways and meeting areas – and whenever the minimum distance cannot be maintained.

NEXT meeting in May 2022:

1 May 2022, MAYDAY!

2 May 2022, MONDAY

At 16.00 lecture by Grzinic and dr. Sophie Uitz (3rd session).

Displays against colonialism, antisemitism, and turbo nationalism

guest: Mika Maruyama, curator and Phd in philosophy student, Akbild

18.00 presentation work Ju Yoo, studying in PCAP

PCAP March 2022

concept — Thu, 24 Feb 2022 16:02:46 GMT

PCAP MARCH 2022

IMPORTANT 1: MANDATORY TO FOLLOW COVID-19 REGULATIONS THAT WILL BE IMPLEMENTED AND ARE ONLINE AkBild portal, front page published; www.akbild.ac.at

Enter the studio room at LEHARGASSE 8 KONZEPT KUNST SPACE with mask (FFP2). 2,5 G regulations apply.

IMPORTANT 2: IF YOU HAVE ANY RISQUÉ TO JOIN ANY GROUP, WE WILL FIND THE WAY. IN GENERAL, PLEASE TAKE CARE, BE SAFE, BE HEALTHY!!!

IMPORTANT 3: IN THE BIBLIOTHEK of THE ACADEMY (IT IS HERE: Schillerplatz 3, M7 1010 Wien, MEZANINE room 7) IT IS a HAND APARAT, that means BOOKS and texts to READ, I PREPARE FOR THE SCHOOL YEAR 2022. MOSTLY BOOKS I BROUGHT FROM MY HOME LIBRARY and GAVE FOR EVER TO THE BIBLIOTHEK.GO THERE AND DIVE WE WILL DO AS WELL TOGETHER IN THE FOLLOWING WEEKS.

DATES AND HOURS AND IDEAS WHAT WE DO:

February 28, 2022, Monday

At 16. 00 WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

Informal talk in the class, what is the state of the things, where we are, what we see as an agenda in the very near future.

March 1, 2022, Tuesday

At 16. 00 WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

First formal day of the semester, new students, Erasmus, we discuss what we will do in the next months, planning until 1.07.2022, diplomas and presentations, workshops and lectures and guests.

WE WILL DISCUSS OUR TRAVEL TO KASSEL TO THE DOCUMENTA 15, WE HAVE THE DATES! THE APPLICATION IS ENTERED, THE MONEY FOR 15 STUDENTS POSITIONS IBK /PCAP CONFIRMED by the academy. WE HAVE 2 PARTNERS ONE FROM KASSEL (the host) and FROM BARCELONA (The academy in Barcelona). Wonderful positions and collaborative possibilities.

March 3, 2022, Thursday

ONLY ONLINEAt 19.00 DISCUSSION: The regime of digital coloniality

Event organized by the Studio for Post-conceptual Art Practices (PCAP/IBK) at the Academy of Fine Arts Vienna in collaboration with Depot – Kunst und Diskussion, WienTo take part online register via depot@depot.or.at ( put in the message title "Registration 3.3.")

With:Marina Gržinić, Professor, Academy of Fine Arts ViennaAdla Isanović, Assoc. Professor, Academy of Fine Arts, University of SarajevoJovita Pristovšek, postdoctoral researcher, Academy of Fine Arts ViennaŠefik Tatlić, PhD, theorist in the fields of political philosophy and decolonial theory, BiH

A discussion based on the book by Adla Isanović, The Regime of Digital Coloniality: Bosnian Forensic Contemporaneity (Frankfurt am Main: CEEOLPRESS, 2021). This book problematizes how databases are conceived and how they relate to knowledge production in the current environment of global capitalism, biopolitics, and necropolitics. The book is indispensable for discussing about the consequences of the war in Bosnia and Herzegovina in the 1990s and BiH contemporary transformation from a genocide into a forensic site.

We will talk over two main points. Contemporary database logic (beyond the biopolitical archive) that organizes media, social networks, state governance, politics, legal processes and military interventions, and as well a wider range of art practices, including contemporary presentation/exhibition models and forms. The forensic shift is the prevailing forensic methodology and aesthetics that is occurring in a variety of forums, including international humanitarian politics, law, and art. What are the consequences?

March 7, 2022, Monday

At 16. 00

WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

Presentation future diplomas: Mahsima Kalweit Diploma in Ma in Critical studies, presentation of the work and discussion (term April 2022)

March 8, 2022, Tuesday

International Women's Day (IWD) is a global holiday celebrated annually on March 8 to commemorate the cultural, political, and socioeconomic achievements of women. It is also a focal point in the women's rights movement, bringing attention to issues such as gender equality, reproductive rights, and violence and abuse against women.

March 8, 2022, Tuesday12.00 bis 14.30

WORKSHOP: WTF is a non-binary University?

Der Workshop wird von fünf trans und nicht-binären Studierenden geleitet: Jupiter Rhea Braun; Felix Deiters; Oke S. Fijal; Mathea Hoffmann; Finn Mühl.

ONLY FOR THOSE WHO REGISTERED after talking with the workshop leaders.

WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1) or digital, will be an-nounced to the participants directly.

Es ist uns wichtig explizit klarzustellen, dass es ein Workshop ist der nur Personen einlädt, die NICHT cis sind und es Bestandteil des Konzeptes ist einen temporären Raum in der Akade-mie zu schaffen, der für cis Personen nicht zugänglich ist. Eine Anmeldung für den Workshop erfolgt deswegen ausschließlich per Mail bis zum 01.03.2022.an: wtfisanonbinaryuniversity@gmail.com

Beschreibung What the fuck is a non-binary University?’ ist eine aufrichtige Frage, die von trans und nicht-binären Studierenden der Akademie der bildenden Künste Wien gestellt wird, wenn wir fest-stellen, dass diese institutionelle Verlautbarung sich noch nicht auf die bedingungslose Ände-rung des eigenen Namens im System der Akademie erstreckt. ‘What the fuck is a non-binary University?’ stellt sich ebenfalls einen solchen Ort vor und lädt diejenigen ein, die herausfinden möchten, was es bedeuten könnte, freier zu werden von dem cis-binären Monolog, der darauf besteht, ein Dialog zu sein. ‘What the fuck is a non-binary University?’ hat nichts mit der "Gender Debatte" zu tun, denn Körper und Identitäten stehen hier nicht zur Diskussion. Wenn überhaupt, dann stören sie, widersprechen, überschreiten Grenzen, sind es leid, für sich selbst einzutreten und wagen es stattdessen, nicht konform und nicht verhandelbar zu sein.

Dieser Workshop ist eine offene Einladung an alle trans und nicht-binären Studierenden, die sich die Frage stellen, was es für die bedeutet im institutionellen Rahmen einer Kunstakade-mie zu existieren. Der Workshop soll ein offener Gruppenprozess sein. Hier kann Raum sein, um über Erfahrun-gen in dieser Institution zu sprechen; Erfahrungen, die sonst in dem cis-dominierten Dialog verloren gehen.

Durch das Teilen von individuellen Erfahrungen können wir nach einem Weg suchen, gemeinsam an dieser Institution damit einen Umgang zu finden. Es kann auch ein Ort sein, um über künstlerische Arbeiten zu sprechen und sich Feedback ein-zuholen. Wir möchten gerne einen Raum mit möglichst wenig Hierarchien schaffen, ein Platz für trans Kollaborateurinnen und Gender Saboteurinnen.

Die Organisator*innen wollen den Rahmen dafür zur Verfügung stellen: Raum, Zeit und Plattform, sowie eigene Erfahrungen und Anre-gungen einbringen, um ihn für alle Teilnehmenden zu öffnen. Der Output des Workshops kann, für alle, die wollen, eine gemeinsame öffentliche Arbeit sein.

Dies kann ein Manifest, ein Zine, einzelne oder mehrere Performances oder künstlerische Intervention aller Art sein, mit der wir unsere Ideen, Wut, Vorschläge oder Forderungen sichtbar machen könne.

Der Workshop wird unterstützt von der Koordinationsstelle Frauenförderung | Geschlechter-forschung | Diversität (Mag.a Dr.in Ingrid Schacherl).

March 8, 2022, Tuesday12.00 to 14.00individual meetings GRZINIC office, contact me by mail

March 8, 2022, TuesdayAt 16. 00 until 18.00

WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

Lecture by Marina Grzinic and Sophie Uitz

A series of lecture on Tuesdays from March to June 2022.

New artistic approaches, politics and aesthetics Recent artistic projects that work with trauma, amnesia, video-films, installations, sound, projects.

Postdoctoral researcher (2021–2024): Dr. Sophie Uitz holds a PhD in political science and has three years of postdoc work experience on the arts- and theory-based research project “Genealogy of Amnesia” (FWF-PEEK AR439, 2018–2021). Her areas of specialization (a.o. decolonial theories, history and memory, violence, political resistance, gender studies, comparative cultural studies) as well as her practical experience in arts-based research directly correspond to the aims and objectives of this project. Her postdoctoral expertise includes editorial and curatorial work, organization of and participation in international academic and artistic events.

SPECIAL OPEN POSSIBILITYTuesday, 8.03.2022

from 18.00 on, until 22.00Exhibition Opening Infrastruktur als Form und Handlung

The opening takes place on 8.3., at 6 pm, in the Aula at Schillerplatz.

Exhibit Gallery and Exhibit Eschenbachgasse – the two locations of this exhibition – are open from 6 to 10 pm. There are numerous events in context of the opening. We are very much looking forward to seeing you!

Covid-19 regulations: the 2.5 G rule applies for access to all locations. Attention: for the bar area in the Aula the 2G plus rule applies (vaccinated, recovered and PCR tested) – do not forget the PCR test!

March 14, 2022, Monday

At 16. 00WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

Presentation by students in the PCAP: Pramila Lama

18.30WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

Presentation by Kader Muzaqi, PhD in philosophy: space, communities, futures

March 15, 2022, Tuesday

16.00WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

Alireza Daryanavard, student PCAP, theater practice

Lua Mauff, Kim Sanou - MA in Critical studies, presentation

March 21, 2022, Monday

16.00WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

Presentation by Elisa R. Linn, PhD in philosophy: AIDS, DDR, Act-up

March 21, 2022, MondayGUEST SPEAKER!!!!!

at 19.30Prof. Dr. Farid Hafez

Ort: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)Studio for Post-Conceptual Art Practices (PCAP)

Prof. Dr. Farid Hafez

Lecture: Post-colonial and post-national socialist perspectives on racism in Austria // Postkoloniale und postnationalsozialistische Perspektiven auf Rassismus in Österreich//

Summary: Why is it so difficult for us in Austria to recognize racism, to address it and to discuss it (self-)critically? This lecture discusses postcolonial and post-Nazi perspectives on racism as a structural challenge in Austria. The lecture will be held in German.

Moderation: Asma Aiad

Organized by the Studio for Post-Conceptual Art Practices (PCAP/IBK), Prof. Marina Grzinic.

Cv: Prof. PD Mag. Dr. Farid Hafez, M.Sc. is currently a visiting professor of International Studies at Williams University (class of 1955). He has also been a non-resident researcher with Georgetown University's The Bridge Initiative since 2017. Previously, he was a senior researcher at the University of Salzburg from 2014 to 2021. In 2017, he was a Fulbright-Botstiber Visiting Professor of Austrian American Studies at the Centre for Race and Gender at the University of California, Berkeley. In 2014, he was a visiting scholar at the Middle East Institute at Columbia University, New York. Since 2010, Hafez has been the founding editor of the Islamophobia Studies Yearbook and, since 2015, co-editor of the annual European Islamophobia Report. He received the Bruno Kreisky Prize for Political Book of the Year for his anthology Islamophobia in Austria (co-edited with John Bunzl, 2009) and has published more than 100 books and scholarly articles. Since 2020, Hafez has also served on the editorial board of the Journal of Austrian-American History (Pennsylvania State University Press). Hafez has taught and written on race, far-right politics in Europe, Muslim minorities, and political thought. His most recent books include the monograph Feindbild Islam. Zur Salonfähigkeit von Rassismus (2019, Böhlau) and the anthology Islamophobia in Muslim Majority Societies (with Enes Bayrakli, 2019 Routledge). Forthcoming is Coloniality, Race, and Islam: The Rise of Global Islamophobia in the War on Terror (with Naved Bakali, Manchester University Press).

Pre-registration mandatory: konzeptkunst@akbild.ac.atPre-registration deadline: 21/03/2022 at 14.00.

Due to Covid-19 prevention, maximum number of participants: 30.The following rules apply: 2.5G rule, no drinking, no eating and FFP2 masks are mandatory at all times.

March 22. 2022, Tuesday

At 10.00 Grzinic office, individual meetings, contact me by email for an appointment

March 22. 2022, Tuesday

12.00 bis 14.30WORKSHOP: WTF is a non-binary University?

Der Workshop wird von fünf trans und nicht-binären Studierenden geleitet: Jupiter Rhea Braun; Felix Deiters; Oke S. Fijal; Mathea Hoffmann; Finn Mühl.

ONLY FOR THOSE WHO REGISTERED after talking with the workshop leaders.WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1) or digital, will be an-nounced to the participants directly.

Es ist uns wichtig explizit klarzustellen, dass es ein Workshop ist der nur Personen einlädt, die NICHT cis sind und es Bestandteil des Konzeptes ist einen temporären Raum in der Akade-mie zu schaffen, der für cis Personen nicht zugänglich ist.Eine Anmeldung für den Workshop erfolgt deswegen ausschließlich per Mail bis zum 01.03.2022. an: wtfisanonbinaryuniversity@gmail.com

March 22. 2022, Tuesday

At 16.00WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

Lecture no 2 by Marina Grzinic and Sophie Uitz

New artistic approaches, politics and aestheticsRecent artistic projects that work with trauma, amnesia, video-films, installations, sound, projects

March 28, 2022, Monday

At 16.00WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

Maren Grimm in charge

March 29 2022, Tuesday

12.00 bis 14.30WORKSHOP: WTF is a non-binary University?

Der Workshop wird von fünf trans und nicht-binären Studierenden geleitet: Jupiter Rhea Braun; Felix Deiters; Oke S. Fijal; Mathea Hoffmann; Finn Mühl.

ONLY FOR THOSE WHO REGISTERED after talking with the workshop leaders.WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1) or digital, will be an-nounced to the participants directly.

Es ist uns wichtig explizit klarzustellen, dass es ein Workshop ist der nur Personen einlädt, die NICHT cis sind und es Bestandteil des Konzeptes ist einen temporären Raum in der Akade-mie zu schaffen, der für cis Personen nicht zugänglich ist.Eine Anmeldung für den Workshop erfolgt deswegen ausschließlich per Mail bis zum 01.03.2022. an: wtfisanonbinaryuniversity@gmail.com

March 29 2022, Tuesday

At 16.00WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

Maren Grimm in charge

FOLLOW: April 20224 and 5 April, 2022, NO PCAP LECTURES! Entry exams ibk, FIRST PART6 April 2022, Wednesday

at 14.00WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)MEETING 15 students that go to Kassel preparation of details

6 April 2022, WednesdayAt 16.00WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)ERASMUS PRESENTATIONSAmelie SchlaefferKatja Wettstein

Next is Easter holidays until 25.04.2022, Monday, we meet at 16.00

PCAP January 2022

concept — Fri, 31 Dec 2021 15:04:10 GMT

THE BEST TO YOU ALL in 2022!

PCAP JANUAR 2022

JANUARY 10, 2022, MondayZOOM ONLYAt 14.00 to 16.30

Presentations students studying 2, 3, 4 years:

Kyra Sophie WilhelmsederTimotheus ÜberallAaron Kimmig

JANUARY 10, 2022, MondayZOOM ONLYAt 17.00 to 19.15

Ph.D. seminar/ and workshop B3/ mandatory for ZKF Post-Conceptual Art Practices

TITLE The Representation of Contemporary Korean Films through (new) Orientalism and Feminism

Teaching:Yela An, Ph.D. student mentor and Grzinic.

UNITE 10 of 10KOREAN FEMINISM AND WRAPING UP WITH THE FILM PARASITE

JANUARY 11, 2022, Tuesday
ZOOM ONLYAt 12.00 to 15.00

Presentations students studying 2, 3, 4 years:

Asma AiadHenrie DennisValentin Pfenniger

IMPORTANT: JANUARY 14, 2022, FRIDAYZOOM ONLYAt 15.00 to 16.00

RUNDGANG STATE OF THE THINGS: meeting to think and plan strategically regarding Covid-19 measures

PLANNED:

JANUARY 17, 2022, MONDAYINSTALLMENT RUNDGANGIN CHARGE MAREN GRIMM

JANUARY 18, 2022, TUESDAYINSTALLMENT RUNDGANGIN CHARGE MAREN GRIMM

Parallel diplomas Ma in Critical Studies (Grzinic, Sircar, Sonderegger in the commision)Ndidi Iroh at 16.00 BIBLIOTHEK /Schillerplatz

INVITATION

Anka Leśniak, presentation of the project Lost Element. Re-construction of the Witch18.01.2022, 19.00 h

Ort | Online via Zoomakbild-ac-at.zoom.usMeeting ID 921 5224 1629

Anka Leśniak, presentation of the project Lost Element. Re-construction of the WitchOrganized by the Studio for Post-conceptual Art Practices /PCAP/ prof. Grzinic, IBK, Akademie der bildenden Künste Wien.The exhibition, which will open on 13.01.2022 at VBKÖ / Austrian Association of Women Artists/ in Vienna, is an artistic and curatorial project by Anka Leśniak. Other women artists participating in the exhibition are Anna Bochkova, Valerie Habsburg and Violetta Leitner. The exhibition is the next chapter in a joint artistic investigation of Teresa Feodorowna Ries (1866-1956). The sculptor of Jewish-Russian origin was one of the most prominent artists of the Austro-Hungarian monarchy and exhibited several times also in VBKÖ.

In 1938 Teresa Feodorowna Ries had to flee to Switzerland, leaving behind her entire professional life and her works of art. Among the many works she had to leave in her studio was a marble figure of the Witch, before the Witches' Sabbath (1895). The sculpture depicts a powerful nude woman looking directly into the viewer's eyes and smiling wickedly as she trims her toenails with a large pair of scissors. The Witch was later damaged a few times under unexplained circumstances. It has been restored, but the hand with the scissors is still missing.

The Witch by Teresa Ries is a witness of history, political and social changes. The damaged sculpture is an indictment of history, institutions, policies towards women (artists), antisemitism and xenophobia. As part of a research-based art project, the exhibition also raises the question of how the lost element of the witch can be symbolically reconstructed through contemporary interpretations of this work and its history. Through the presentation of works based on historical research and archives, and the use of new media art, the exhibition opens the portal between the past and contemporary women's art practices.

Photo: Anka Leśniak. The Restoration of the Witch, part1, 2019-20, video still. Copyright Leśniak.

Curriculum Vitae: Anka Leśniak is an artist and researcher working in genres such as installation art, video art, performance art, photo collages and site-specific works. She is interested in feminism, issues related to gender, body, ethnic identity, history, language and memory. She is the author of the book Women disconnected from history. Site-specific artworks on abandoned buildings (2017). In 2019 she received the OeAD grant for the project on Teresa Feodorowna Ries (1866-1956), and was based in the Academy of Fine Arts in Vienna (Studio for Post-conceptual Art). She currently heads the Intermedia Studio II at the Faculty of Sculpture and Intermedia of the Academy of Fine Arts in Gdansk, Poland. www.ankalesniak.pl

For Exhibition visiting consult VBKÖ / Austrian Association of Women Artists/, Maysedergasse 2/28 (4. Stock), 1010 Vienna; www.vbkoe.org

JANUARY 19, 2022, WEDNESDAYINSTALLMENT RUNDGANGIN CHARGE MAREN GRIMM

Parallel diplomas IBK (Grzinic in the commission)Leonie Knez at 10.30 MZS

JANUARY 20, 2022 THURSDAYRUNDGANG 2022Studio for Conceptual Art(Post-conceptual Art Practices)

ANNOUNCED

DONERSTAG 20.01.202216-21h

Ort | Akademie der bildenden Künste Wien, Lehárgasse 8, 1060 Wien, 1. OG Atelier SüdStudio for Conceptual Art

16hERÖFFNUNG DER AUSSTELLUNG: Positionen und WerkeHenrie Dennis, Relax-in My DemonsOke Fijal, How to become a monster? und Even Perpetrator get oldSaro Gottstein & Tereza Klčova, Dove Rave LoveLaura Hvidtfeldt Andersen, UntitledZora Fuhrmann, Woran denk(en) Mäler?Ali Kianmehr, Art materials or start out!Sebastian Konzett, Save the bees und Network of LifeBetül Seyma Küpeli, Fabrik, Arbeiterin, Maschine und HändeGrace Marta Latigo, Fadumo Hirsi – StraßeFinn Mühl, Pflege am BodenMirjana Mustra, UntitledJonas Nieft, Relevanz 3000Valentin Pfenniger, UntitledMichelle Seidl, Possession (This cannot continue)Timotheus Überall, Art work number 6: A movie about nature, technology, mythology and humankind. Part 1Kyra Sophie Wilhelmseder, Sugar coating lies: Femicide in Austria.

FOCUS: WTF is a non-binary University?

17-18hFelix Deiters: WTF is a non-binary University?Lesungen & Beiträge: Felix Deiters, Oke Fijal, Finn Mühl, Isa Schieche und andere„WTF is a non-binary University?“ bedeutet auch sich einen solchen Ort vorzustellen und lädt alle ein, die spüren möchten was es bedeuten könnte, frei von dem cis-binären Monolog zu sein, der darauf besteht, ein Dialog zu sein. Bei „WTF is a non-binary University?“ geht es nicht um die „Gender-Debatte", denn Körper und Identitäten stehen hier nicht zur Diskussion. Wenn überhaupt, dann unterbrechen diese, widersprechen und überschreiten Grenzen, denn sie sind es leid, für sich selbst einzutreten und wagen es stattdessen, rebellisch und nicht verhandelbar zu werden.

19hSCRENNINGSAaron Kimmig, Hainburg – Ort des Ungehorsams, video in progress, 2022Adam Tománek, Time to escape, 11 min, 2021

FREITAG 21.01. 202211-20hOrt | Akademie der bildenden Künste Wien, Lehárgasse 8, 1060 Wien, 1. OG Atelier SüdStudio for Conceptual Art

AUSSTELLUNG

FOCUS: Acoustic space-time Memory

14-16hFrederika Nelly Arndorf [Nathalie Ann Köbli with Arno Gitschthaler and Felix Huber]Acoustic space-time Memory

Schließlich wollen wir einen Weg finden, einige dieser Ideen nichtlinearer Raumzeitwahrnehmung in algorithmische Musikkomposition umzuwandeln. Dazu zeichnen wir einen Tag des Rundgangs 2022 mit mehreren Mikrofonen auf. Diese Signale werden dann von einem Algorithmus verarbeitet, welcher mehrere space-time Schichten des Rundgangs zufällig verarbeitet. Da ein reiner Zufallsalgorithmus nur white noise generieren würde, schränken wir diese Zufälligkeit leicht ein, um Klänge mit einer gewissen Variation zu präsentieren. Durch die Eingriffe in den Algorithmus erzeugen wir gemeinsam mit einer Maschine die resultierenden Klangwelten.

17-18hFelix Deiters: WTF is a non-binary University?Lesungen & Beiträge: Felix Deiters, Oke Fijal, Finn Mühl, Isa Schieche und andere

19hSCREENINGSBenjamin Janzen, InsideTheJellyBasin, 12 min, 2021Fedor Shmelkin, Being Nuclear. Along Techa River, excerpt, 2021.

SAMSTAG 22.01.2022Akademie der bildenden Künste Wien,Studio for Conceptual Art

im Freien

Ort: Keplerplatz (neben der Kirche),Wien

12-13hPerformance DOVE RAVE LOVE
von Taske pop kollektiv

SAMSTAG 22.01.202211-20hOrt | Akademie der bildenden Künste Wien, Lehárgasse 8, 1060 Wien, 1. OG Atelier SüdStudio for Conceptual Art

AUSSTELLUNG

FOCUS: Was ist Freiheit?

15hSCREENINGSJu Yoo and Asma Aiad, Because I am the Thunder, 7 min, 2022Ein Projekt in Zusammenzuarbeit mit einem tollen Team.: Gedicht: Meryem Polat; Bühnenbil-dnerin: Zula Tuvshinbat; Grafische Entwürfe: Ali Kianmehr; Film-Team: Hatice Koca, Anna Lisa Kropf, Lina Iwana Lorenz, Kateřina Šafářová, Paulina Huber, Lin Wolf, Schnitt: Ju Yoo, Musik: Lilian Müller.

“Because I am the Thunder” ist ein performativer Film, der auf die Situation sichtbar muslimi-sche Frauen in unserer Gesellschaft und welche Blicke auf sie gerichtet sind aufmerksam macht. Die Filmautorinnen Asma Aiad und Ju Yoo, wollen zeigen, wie leicht und oft der Blick der Betrachtenden das Bild von muslimischen Frauen kreiert und ihre Realitäten und Heterogenität unterdrückt.

Conviviality as Potentiality, Touching Pain, 30 min, 2022

17-18hFelix Deiters: WTF is a non-binary University?Lesungen & Beiträge: Felix Deiters, Oke Fijal, Finn Mühl, Isa Schieche und andere

18.30-19hÖzgür Sevinç, experimentelle Noise-Live-Performance

SONTAG 23.01.202212-18hOrt | Akademie der bildenden Künste Wien, Lehárgasse 8, 1060 Wien, 1. OG Atelier SüdStudio for Conceptual Art

AUSSTELLUNG

January 24, 2022, Mondaydisassembling Rundgang exhibition

January 26, 2022, Wednesdaydiploma works, view by the commission award AkBild 2021/2022

FEBRUARY 2022SEMESTER HOLIDAYS

START Summer semester 2022

February 28, 2022, Monday at 16.00