<?xml version="1.0" encoding="UTF-8"?>
<rss xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0">
  <channel>
    <title>m1 (turm4)</title>
    <link>https://m1.antville.org/</link>
    <description>the internet residence of m1</description>
    <language>en</language>
    <pubDate>Sun, 07 Jun 2026 10:37:20 GMT</pubDate>
    <dc:date>2026-06-07T10:37:20Z</dc:date>
    <dc:language>en</dc:language>
    <item>
      <title>PCAP December 2020</title>
      <link>https://m1.antville.org/stories/2294726/</link>
      <description>&lt;p&gt;PCAP  December 2020&lt;/p&gt;&lt;p&gt;Due to Covid-19  all on ZOOM&lt;/p&gt;&lt;p&gt;1 December 2020, TuesdayPh.D. seminar/ and workshop B3/ mandatory for ZKF Post-Conceptual Art PracticesTITLE Time of change. New structures of knowledge, Cathérine Lehnerer, Ph.D. student mentor and Marina Gržinić/10 lectures&lt;/p&gt;&lt;p&gt;Lecture 9: 17.00 to 19.15 zoom&lt;/p&gt;&lt;p&gt;MAIZ and das kollektiv in Linz work against racism and discrimination in educational settings. Rubia Salgado in conjunction with references to Henry Giroux and Jacques Rancière.&lt;/p&gt;&lt;p&gt;7 December 2020, MondayStudents, presentations, 2, 3 and 4-year studyingAt 16.00 until 18.15Robert JollyViktoria EliseykinaSophie Anne StadlerDean Maassen&lt;/p&gt;&lt;p&gt;14 December 2020, MondayStudents, presentations, 2, 3 and 4-year studyingAt 16.00 until 18.15Leonie KnezAlireza DaryanavardSisanmi Schuller&lt;/p&gt;&lt;p&gt;15 December 2020, TuesdayStudents, presentations, 2, 3 and 4-year studyingAt 16.00 until 18.15Ju YooValentin PfennigerAaron KimmigAsma Aiad&lt;/p&gt;&lt;p&gt;HOLIDAYS:  21 December 2020 until 6 January 2021&lt;/p&gt;&lt;p&gt;Next 7 January 2021,  Thursday!!!!!!Students, presentations, 2, 3 and 4-year studyingAt 16.00 until 18.15&lt;/p&gt;&lt;p&gt;Nathalie KöbliAli KianmehrElisabeth Taruvinga MtasaSarah Jackel&lt;/p&gt;</description>
      <pubDate>Fri, 27 Nov 2020 19:38:10 GMT</pubDate>
      <guid>https://m1.antville.org/stories/2294726/</guid>
      <dc:creator>concept</dc:creator>
      <dc:date>2020-11-27T19:38:10Z</dc:date>
    </item>
    <item>
      <title>PCAP December 2020</title>
      <link>https://m1.antville.org/stories/2294724/</link>
      <description>&lt;p&gt;PCAP  December 2020&lt;/p&gt;&lt;p&gt;Due to Covid-19  all on ZOOM&lt;/p&gt;&lt;p&gt;1 December 2020, TuesdayPh.D. seminar/ and workshop B3/ mandatory for ZKF Post-Conceptual Art PracticesTITLE Time of change. New structures of knowledge, Cathérine Lehnerer, Ph.D. student mentor and Marina Gržinić/10 lectures&lt;/p&gt;&lt;p&gt;Lecture 9: 17.00 to 19.15 zoom&lt;/p&gt;&lt;p&gt;MAIZ and das kollektiv in Linz work against racism and discrimination in educational settings. Rubia Salgado in conjunction with references to Henry Giroux and Jacques Rancière.&lt;/p&gt;&lt;p&gt;7 December 2020, MondayStudents, presentations, 2, 3 and 4-year studyingAt 16.00 until 18.15Robert JollySophie Anne StadlerDean Maassen&lt;/p&gt;&lt;p&gt;8 December 2020, TuesdayHoliday&lt;/p&gt;&lt;p&gt;14 December 2020, MondayStudents, presentations, 2, 3 and 4-year studyingAt 16.00 until 18.15Leonie KnezAlireza DaryanavardSisanmi SchullerVictoria Eliseykina&lt;/p&gt;&lt;p&gt;15 December 2020, TuesdayStudents, presentations, 2, 3 and 4-year studyingAt 16.00 until 18.15Ju YooValentin PfennigerAaron KimmigAsma Aiad&lt;/p&gt;&lt;p&gt;HOLIDAYS:  21 December 2020 until 6 January 2021&lt;/p&gt;&lt;p&gt;Next 7 January 2021,  Thursday!!!!!!Students, presentations, 2, 3 and 4-year studyingAt 16.00 until 18.15&lt;/p&gt;&lt;p&gt;Nathalie KöbliAli KianmehrElisabeth Taruvinga MtasaSarah Jackel&lt;/p&gt;</description>
      <pubDate>Fri, 27 Nov 2020 19:35:44 GMT</pubDate>
      <guid>https://m1.antville.org/stories/2294724/</guid>
      <dc:creator>concept</dc:creator>
      <dc:date>2020-11-27T19:35:44Z</dc:date>
    </item>
    <item>
      <title>PCAP November 2020</title>
      <link>https://m1.antville.org/stories/2293859/</link>
      <description>&lt;p&gt;PCAP November 2020&lt;/p&gt;&lt;p&gt;DUE to Covid-19, ZOOM/ e-learning&lt;/p&gt;&lt;p&gt;1 November 2020, holiday2 November 2020 Monday, holiday3 November 2020, Tuesdayat 16.00 CLASS TALK ON THE TERRORIST ATTACK IN VIENNA&lt;/p&gt;&lt;p&gt;CANCELED  and shifted on November 19, 20203 November 2020, Tuesday19.00 – NUR ONLINE/ZOOMDepot Kunst und Diskussion VIENNAPresentations of 3 publications inside the research project Genealogy of Amnesia: Rethinking the Past for a New Future of Conviviality.Speaking:&lt;/p&gt;&lt;p&gt;Marina Grzinic, professor, Academy of Fine Arts ViennaSophie Uitz, postdoc researcher, Academy of Fine Arts ViennaJovita Pristovšek, postdoc researcher, Academy of Fine Arts ViennaSefik Tatlic, postdoc researcher, Academy of Fine Arts Vienna&lt;/p&gt;&lt;p&gt;Three publications were published in 2020 within the interdisciplinary arts-and-theory-based research project PEEK Project No. AR 439-G24/IBK, Genealogy of Amnesia: Rethinking the Past for a New Future of Conviviality, Academy of Fine Arts Vienna.The research focuses on three territories and their specific histories and experiences of collective amnesia in regard to traumatic events of their proper and generally wider European past. These are Belgium, colonialism,   Austria, antisemitism, and turbo-nationalism in former Yugoslavia.&lt;/p&gt;&lt;p&gt;Zoom-Link zur Online-Teilnahme:wird am 3. 11. auf www.depot.or.at bekannt gegeben.&lt;/p&gt;&lt;p&gt;9 November 2020, MondayPh.D. seminar/ and workshop B3/ mandatory for ZKF Post-Conceptual Art PracticesTITLE Time of change. New structures of knowledge,Cathérine Lehnerer, Ph.D. student mentor and Marina Gržinić/10 lectures&lt;/p&gt;&lt;p&gt;Lecture 4: 17.00 to 19.15, zoomDiesmal geht es explizit um Comics, deren Sprache und wie sie als kritisch-soziale Praxis zur Gestaltung kultureller Partizipation beitragen können. Der wissenschaftliche Comic „Comics richtig lesen“ von Scott McCloud wird zum Vergleich herangezogen.&lt;/p&gt;&lt;p&gt;10 November 2020, TuesdayPh.D. seminar/ and workshop B3/ mandatory for ZKF Post-Conceptual Art PracticesTITLE Time of change. New structures of knowledge, Cathérine Lehnerer, Ph.D. student mentor and Marina Gržinić/10 lectures&lt;/p&gt;&lt;p&gt;Lecture 5: 17.00 to 19.15, zoomDieses Sitzung widmet sich der „Pädagogik der Unterdrückten“ von Freire. Zudem werden die antihegemoniale kulturellen Praktiken von Gramsci am Beispiel des Comics von Thomas Fatzinek „Die Schönheit der Verweigerung“ diskutiert.&lt;/p&gt;&lt;p&gt;13 November 2020the work MGM, film 1994,  accessible on the platform indee.tvfor discussion, viewing and etc.&lt;/p&gt;&lt;p&gt;text from one of the protagonist in the film&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.nybooks.com/articles/1993/10/21/godot-comes-to-sarajevo/"&gt;www.nybooks.com&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Godot Comes to SarajevoSusan Sontag 1993&lt;/p&gt;&lt;p&gt;16 November 2020, MondayFrom 16.00 to 18.00, zoomSecond part presentation: new students, first semesterMichelle SeidelTimotheus HeßFinn Bagyan (Erasmus)&lt;/p&gt;&lt;p&gt;17 November 2020, TuesdayFrom 16.00 to 18.00, zoom&lt;br /&gt;Discussion contemporary art, theory&lt;/p&gt;&lt;p&gt;19 November 2020, Thursday19.00 – NUR ONLINE/ZOOMDepot Kunst und Diskussion VIENNAPresentations of 3 publications inside the research project Genealogy of Amnesia: Rethinking the Past for a New Future of Conviviality.&lt;/p&gt;&lt;p&gt;Speaking:&lt;/p&gt;&lt;p&gt;Marina Grzinic, professor, Academy of Fine Arts ViennaSophie Uitz, postdoc researcher, Academy of Fine Arts ViennaJovita Pristovšek, postdoc researcher, Academy of Fine Arts ViennaSefik Tatlic, postdoc researcher, Academy of Fine Arts Vienna&lt;/p&gt;&lt;p&gt;Three publications were published in 2020 within the interdisciplinary arts-and-theory-based research project PEEK Project No. AR 439-G24/IBK, Genealogy of Amnesia: Rethinking the Past for a New Future of Conviviality, Academy of Fine Arts Vienna.The research focuses on three territories and their specific histories and experiences of collective amnesia in regard to traumatic events of their proper and generally wider European past. These are Belgium, colonialism, Austria, antisemitism, and turbo-nationalism in former Yugoslavia.&lt;/p&gt;&lt;p&gt;23 November 2020, Monday&lt;br /&gt;Ph.D. seminar/ and workshop B3/ mandatory for ZKF Post-Conceptual Art PracticesTITLE Time of change. New structures of knowledge,Cathérine Lehnerer, Ph.D. student mentor and Marina Gržinić/10 lectures&lt;/p&gt;&lt;p&gt;Lecture 6:  17.00 to 19.15, zoomAntonio Negri's post-operaist concepts of the multitude are juxtaposed with Liv Strömquist's feminist comic strip „Fruit of Knowledge. “ Silvia Federici's contribution.&lt;/p&gt;&lt;p&gt;24 November 2020, TuesdayPh.D. seminar/ and workshop B3/ mandatory for ZKF Post-Conceptual Art PracticesTITLE Time of change. New structures of knowledge, Cathérine Lehnerer, Ph.D. student mentor and Marina Gržinić/10 lectures&lt;/p&gt;&lt;p&gt;Lecture 7:  17.00 to 19.15, zoomcontinuation lecture 6.&lt;/p&gt;&lt;p&gt;30 November 2020, MondayPh.D. seminar/ and workshop B3/ mandatory for ZKF Post-Conceptual Art PracticesTITLE Time of change. New structures of knowledge, Cathérine Lehnerer, Ph.D. student mentor and Marina Gržinić/10 lectures&lt;/p&gt;&lt;p&gt;Lecture 8: 17:30-19:45, zoom// ATTENTION starts at 17.30!The feminist comic strip &amp;quot;Fruit of Knowledge&amp;quot; by Liv Strömquist complements Silvia Federici's contribution. Furthermore Gayatri Chakravorty Spivak and bell hooks.&lt;/p&gt;&lt;p&gt;1 December 2020, TuesdayPh.D. seminar/ and workshop B3/ mandatory for ZKF Post-Conceptual Art PracticesTITLE Time of change. New structures of knowledge, Cathérine Lehnerer, Ph.D. student mentor and Marina Gržinić/10 lectures&lt;/p&gt;&lt;p&gt;Lecture 9: 17.00 to 19.15, zoomMAIZ and das kollektiv in Linz work against racism and discrimination in educational settings. Rubia Salgado in conjunction with references to Henry Giroux and Jacques Rancière.&lt;/p&gt;&lt;p&gt;NEXT:&lt;/p&gt;&lt;p&gt;DECEMBER 7.12.2020, zoomStudents, presentations, 2, 3 and 4-year studying&lt;/p&gt;&lt;p&gt;DECEMBER 14.12.2020, zoomStudents, presentations, 2, 3 and 4-year studying&lt;/p&gt;&lt;p&gt;DECEMBER 15.12.2020, zoomStudents, presentations, 2, 3 and 4-year studying&lt;/p&gt;</description>
      <pubDate>Sat, 31 Oct 2020 16:34:07 GMT</pubDate>
      <guid>https://m1.antville.org/stories/2293859/</guid>
      <dc:creator>concept</dc:creator>
      <dc:date>2020-10-31T16:34:07Z</dc:date>
    </item>
    <item>
      <title>PCAP October 2020</title>
      <link>https://m1.antville.org/stories/2293003/</link>
      <description>&lt;p&gt;PCAP October 2020&lt;/p&gt;&lt;p&gt;DUE to Covid-19, ZOOM e-learning, and as a combination of in space and Zoom methods.&lt;/p&gt;&lt;p&gt;Where: AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1).&lt;/p&gt;&lt;p&gt;5.10.2020 MondayAt 16.00 until 17.00MEETING AT THE ACADEMYWHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)MASK, DISTANCE&lt;/p&gt;&lt;p&gt;12.10. 2020 Tuesday&lt;/p&gt;&lt;p&gt;At 15.00 ZOOM&lt;/p&gt;&lt;p&gt;Presentation diploma Maira Caixeta, for diploma exam november 9&lt;/p&gt;&lt;p&gt;12.10. 2020 Tuesday&lt;/p&gt;&lt;p&gt;At 17.00 to 19.15 ZOOM&lt;/p&gt;&lt;p&gt;Ph.D. seminar/ and workshop B3/ mandatory for ZKF Post-Conceptual Art PracticesTITLE Time of change. New structures of knowledge,Cathérine Lehnerer, Ph.D. student mentor and Marina Gržinić.10 lectures&lt;/p&gt;&lt;p&gt;Lecture no. 1/ from 10  In the first lecture, the approach of post-development is presented. This raises the question of what the &amp;quot;good life&amp;quot; for all may look like in the future. The comic strip &amp;quot;Green&amp;quot; by Frauke Berger, provides the aesthetic framework for the post-development-critical approach.&lt;/p&gt;&lt;p&gt;19.10.2020 Monday&lt;/p&gt;&lt;p&gt;Ph.D. seminar/ and workshop B3/ mandatory for ZKF Post-Conceptual Art PracticesTITLE Time of change. New structures of knowledge,Cathérine Lehnerer, Ph.D. student mentor and Marina Gržinić.10 lectures&lt;/p&gt;&lt;p&gt;At 17.30 to 19.45 ZOOM&lt;/p&gt;&lt;p&gt;Lecture no. 2/ from 10&lt;/p&gt;&lt;p&gt;According to Theodor W. Adorno, the most crucial goal of education is that Auschwitz should not repeat itself. This demand for pedagogy is made using the example of the Graphic novel „Maus- A Survivor´s Tale“ by Art Spiegelman.&lt;/p&gt;&lt;p&gt;20.10.2020 Tuesday&lt;/p&gt;&lt;p&gt;Ph.D. seminar/ and workshop B3/ mandatory for ZKF Post-Conceptual Art PracticesTITLE Time of change. New structures of knowledge,Cathérine Lehnerer, Ph.D. student mentor and Marina Gržinić.10 lectures&lt;/p&gt;&lt;p&gt;At 17.00 to 19.15 ZOOM&lt;/p&gt;&lt;p&gt;Lecture no. 3/ from 10&lt;/p&gt;&lt;p&gt;The radical democratic pedagogy is the topic of the third lecture. The two main characters of the comic strip &amp;quot;Lauter Leben&amp;quot; by Nicolas Wouters and Mikael Ross, try to live their lives in a self-determined way. Their approach to life will be compared with the philosophical theories of Ernesto Laclau and Chantal Mouffe.&lt;/p&gt;&lt;p&gt;26.10.2020, Monday&lt;/p&gt;&lt;p&gt;HOLIDAY, academy closed&lt;/p&gt;&lt;p&gt;27.10.2020 ibk conference anbild internal meeting&lt;/p&gt;&lt;p&gt;29.10.2020, Thursday&lt;br /&gt;At 17.00 to 19.00 ZOOMpresentation portfolio or project, discussion&lt;/p&gt;&lt;p&gt;we start with 10 minutes intro mag. Christine Fasching that will join us for questions of services at the Akbildthen we go on as announced&lt;/p&gt;&lt;p&gt;New studentsKyra Sophie WilhelmsederDemian KeihslerIklim Dogan&lt;/p&gt;&lt;p&gt;NEXT1 November 2020 holiday2 November  2020 holiday&lt;/p&gt;&lt;p&gt;3 November 2020&lt;br /&gt;19.00 – NUR ONLINE/ZOOMDepot Kunst und Diskussion VIENNA&lt;/p&gt;&lt;p&gt;Presentations of 3 publications insidethe research project Genealogy of Amnesia: Rethinking the Past for a New Future of Conviviality.&lt;/p&gt;&lt;p&gt;speaking:&lt;/p&gt;&lt;p&gt;Marina Grzinic, professor, Academy of Fine Arts ViennaSophie Uitz, postdoc researcher, Academy of Fine Arts ViennaJovita Pristovsek, postdoc researcher, Academy of Fine Arts ViennaSefik Tatlic, postdoc researcher, Academy of Fine Arts Vienna&lt;/p&gt;&lt;p&gt;Three publications were published in 2020 within the interdisciplinaryarts-and-theory-based research project PEEK Project No. AR 439-G24/IBK, Genealogy of Amnesia: Rethinking the Past for a New Future of Conviviality, Academy of Fine Arts Vienna.&lt;/p&gt;&lt;p&gt;The research  focuses on three territories and their specific histories and experiences of collective amnesia in regard to traumatic events of their proper and generally wider European past. These are Belgium,colonialism,   Austria, antisemitism,  and turbo-nationalism  in former Yugoslavia.&lt;/p&gt;&lt;p&gt;Zoom-Link zur Online-Teilnahme:wird am 3. 11. auf www.depot.or.at bekannt gegeben.&lt;/p&gt;</description>
      <pubDate>Wed, 30 Sep 2020 19:48:01 GMT</pubDate>
      <guid>https://m1.antville.org/stories/2293003/</guid>
      <dc:creator>concept</dc:creator>
      <dc:date>2020-09-30T19:48:01Z</dc:date>
    </item>
    <item>
      <title>new protocol june 2020</title>
      <link>https://m1.antville.org/stories/2289891/</link>
      <description>&lt;p&gt;June 1, 2020 Holiday&lt;/p&gt;&lt;p&gt;June 2, 2020, Tuesday&lt;/p&gt;&lt;p&gt;PCAP REGULAR ZOOM MEETING (10)at 15.00&lt;/p&gt;&lt;p&gt;Presentation  work in the MA in critical Studies&lt;/p&gt;&lt;p&gt;Susanna Nuwordu-A.&lt;/p&gt;&lt;p&gt;Presentation  with discussion:open questions art/identity/content/formAsma Aiad&lt;/p&gt;&lt;p&gt;June 8, 2020, MondayPCAP REGULAR ZOOM MEETING (11)at 15.00&lt;/p&gt;</description>
      <pubDate>Thu, 28 May 2020 20:09:55 GMT</pubDate>
      <guid>https://m1.antville.org/stories/2289891/</guid>
      <dc:creator>concept</dc:creator>
      <dc:date>2020-05-28T20:09:55Z</dc:date>
    </item>
    <item>
      <title>new protocol may 2020</title>
      <link>https://m1.antville.org/stories/2289076/</link>
      <description>&lt;p&gt;May 1, 2020 Friday&lt;/p&gt;&lt;p&gt;May 4, 2020 Monday, PCAP REGULAR ZOOM MEETING (6)11.00 to 13.00&lt;/p&gt;&lt;p&gt;presentations&lt;/p&gt;&lt;p&gt;Rizvana Bradley – presentation by Pauline Stroux&lt;/p&gt;&lt;p&gt;Dionne Brand – presentation by Susanna Nuwordu-A.&lt;/p&gt;&lt;p&gt;Toni Morisson – presentation by Iklim Dogan&lt;/p&gt;&lt;p&gt;reading and intervening (2)Rizvana Bradley—A Gathering of Aporetic Form&lt;a href="https://www.e-flux.com/journal/105/302971/a-gathering-of-aporetic-form/"&gt;www.e-flux.com&lt;/a&gt;WORKING ON POSITIONS IN THE TEXT:Rizvana BradleyDionne BrandToni MorrisonAngela DavisAxelle KareraAlexis Pauline GumbsAudre LordeJames BaldwinJacques RancièreDenise Ferreira da SilvaAracelis GirmaySaidiya HartmanSimone WhiteChristina Sharpe&lt;/p&gt;&lt;p&gt;Students make a research of positions from the text and we draw parallels discourse art.&lt;/p&gt;&lt;p&gt;Alexandra Tatar presentation&lt;/p&gt;&lt;p&gt;Title of presentation: The teleported subject – preliminary notes on the phenomena of the self-made satellite dish in Romania&lt;/p&gt;&lt;p&gt;(title of the dissertation work: “The teleported subject. Perspectives on the Eastern European Subject - a case study in post-socialist Romania”)&lt;/p&gt;&lt;p&gt;Short bio:Alexandra Tatar: born in Dej, Romania, studied fine art at the Academy of Fine Arts Vienna and painting at the University of Art and Design Cluj Napoca, Romania. Currently she is a doctoral candidate at the Academy of Fine Arts Vienna, researching on the topic of post-soviet subjectivities. In her work she focuses on the communicational codes and conventions of mainstream culture and their influence on the construction of imagery and identities.&lt;/p&gt;&lt;p&gt;May 5, 2020, Tuesdaywatching,  reading,  working on positions&lt;/p&gt;&lt;p&gt;May 11, 2020 Monday,PCAP REGULAR ZOOM MEETING (7)15.00 to 17.00&lt;/p&gt;&lt;p&gt;presentations&lt;/p&gt;&lt;p&gt;Angela Davis– presentation by Pauline Stroux&lt;/p&gt;&lt;p&gt;Axelle Karera – presentation by Leonie Knez&lt;/p&gt;&lt;p&gt;reading and intervening (3)Rizvana Bradley—A Gathering of Aporetic Form&lt;a href="https://www.e-flux.com/journal/105/302971/a-gathering-of-aporetic-form/"&gt;www.e-flux.com&lt;/a&gt;WORKING ON POSITIONS IN THE TEXT:Rizvana BradleyDionne BrandToni MorrisonAngela DavisAxelle KareraAlexis Pauline GumbsAudre LordeJames BaldwinJacques RancièreDenise Ferreira da SilvaAracelis GirmaySaidiya HartmanSimone WhiteChristina Sharpe&lt;/p&gt;&lt;p&gt;Students make a research of positions from the text and we draw parallels discourse art.&lt;/p&gt;&lt;p&gt;May 11, 2020 Monday,B3 with guest artist Arye Wachsmuth, posters proposal overview, zoom17.00 to 19.00&lt;/p&gt;&lt;p&gt;May 12, 2020, Tuesdaywatching,  reading,  working on positions&lt;/p&gt;&lt;p&gt;May 18, 2020 Monday, PCAP REGULAR ZOOM MEETING (8)15.00 to 18.00&lt;/p&gt;&lt;p&gt;Intro Grzinic&lt;/p&gt;&lt;p&gt;concise 15 minutes presentations,  these is the line of appearance of the names:&lt;/p&gt;&lt;p&gt;Alexis Pauline Gumbs – presentation by Valentine&lt;/p&gt;&lt;p&gt;Simone White  – presentation by Pauline&lt;/p&gt;&lt;p&gt;James Baldwin – presentationby Sophie  and Julien&lt;/p&gt;&lt;p&gt;Audre Lorde  – presentation by Dominik&lt;/p&gt;&lt;p&gt;Jacques Rancière  – presentation by Nathalie&lt;/p&gt;&lt;p&gt;Denise Ferreira da Silva – presentation by Mika&lt;/p&gt;&lt;p&gt;Aracelis Girmay – presentation by Sarah&lt;/p&gt;&lt;p&gt;Saidiya Hartman, Christina Sharpe – presentation by Grzinic&lt;/p&gt;&lt;p&gt;reading and intervening (4, last)Rizvana Bradley—A Gathering of Aporetic Form&lt;a href="https://www.e-flux.com/journal/105/302971/a-gathering-of-aporetic-form/"&gt;www.e-flux.com&lt;/a&gt;&lt;/p&gt;&lt;p&gt;May 19, 2020,  Tuesday, watching,  reading, preparing presentations&lt;/p&gt;&lt;p&gt;May 25, 2020 Monday,PCAP REGULAR ZOOM MEETING (9)15.00 to 18.00&lt;/p&gt;&lt;p&gt;Evgeniya Kostomarova presentation&lt;/p&gt;&lt;p&gt;Title of the presentation: “Zero Kama, Nekrophile Rekords, and its place in the occult underground of industrial music ”&lt;/p&gt;&lt;p&gt;(title of the dissertation work: “Zero Kama, Nekrophile Rekords, and the occult underground of industrial music”)&lt;/p&gt;&lt;p&gt;Short bio:&lt;/p&gt;&lt;p&gt;Evgeniya Kostomarova: born in Moscow region, Russia. Studied Journalism at the Lomonosov Moscow State University.Currently she’s writing her doctorate dissertation work at the Academy of  Fine Arts Vienna, researching on the topic of the occult underground of industrial music. In her work she focuses on the the topic of what makes the fascination of industrial music and what kind of role Zero Kama has played there.&lt;/p&gt;&lt;p&gt;discussion after presentation&lt;/p&gt;&lt;p&gt;FOLLOWING:&lt;/p&gt;&lt;p&gt;Presentation Thesis on Race by Sisanmi Eureka Schuller&lt;/p&gt;&lt;p&gt;Presentation of Viktoria Eliseykina, art work, projects&lt;/p&gt;&lt;p&gt;May 26, 2020, Tuesdaywatching,  reading, preparing presentations&lt;a href="https://www.akbild.ac.at/Portal/institute/bildende-kunst/fachbereiche/konzeptuelle-kunst"&gt;www.akbild.ac.at&lt;/a&gt;&lt;/p&gt;</description>
      <pubDate>Wed, 29 Apr 2020 18:25:57 GMT</pubDate>
      <guid>https://m1.antville.org/stories/2289076/</guid>
      <dc:creator>concept</dc:creator>
      <dc:date>2020-04-29T18:25:57Z</dc:date>
    </item>
    <item>
      <title>new protocol april 2020</title>
      <link>https://m1.antville.org/stories/2288340/</link>
      <description>&lt;p&gt;We are on HOLIDAYS from  4.04 until 19.04.On the 7.04 2020, optionally zoom for a good hour at 16.0014.04 we pause.&lt;/p&gt;&lt;p&gt;Pcap work:Video to watch, text to read, in April we will have  A.Mbembe interview. Will be send, mid April 2020.&lt;/p&gt;&lt;p&gt;APRIL: 20 04.2020 at 15.00/PCAP REGULAR ZOOM MEETING (4)We dive into this interview&lt;/p&gt;&lt;p&gt;“Africa is the last frontier of capitalism”, interview with Achille Mbembe&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.buala.org/en/face-to-face/africa-is-the-last-frontier-of-capitalism-interview-with-achille-mbembe"&gt;www.buala.org&lt;/a&gt;&lt;/p&gt;&lt;p&gt;April 21, 2020sending of the work to watch(WEEKLY WATCHING)&lt;/p&gt;&lt;p&gt;April 27, 2020 at 15.00/PCAP REGULAR ZOOM MEETING (5)reading and discussion&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.e-flux.com/journal/105/302971/a-gathering-of-aporetic-form/"&gt;www.e-flux.com&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Rizvana Bradley—A Gathering of Aporetic FormArt critics fetishize the purity of form. When art critics emphasize pure form, do they realize pure form is the consequence of perfect black death? Perhaps we need a thorough renovation of the aesthetic. Where can we locate black aesthetic praxis in the violent reduction of both pure matter and pure form? After Dionne Brand, what would it mean to call for the death of an aesthetic of imperialism?&lt;/p&gt;&lt;p&gt;APRIL 28, 2020sending of the work to watch(WEEKLY WATCHING)&lt;/p&gt;&lt;p&gt;Workshop b3 as announced27-28.04 2020.&lt;/p&gt;&lt;p&gt;May 2020&lt;/p&gt;&lt;p&gt;MAY 4-5.05 2020MAY 11-12.05 2020MAY 18-19.05 2020MAY 25-26.05.2020&lt;/p&gt;</description>
      <pubDate>Fri, 03 Apr 2020 13:17:40 GMT</pubDate>
      <guid>https://m1.antville.org/stories/2288340/</guid>
      <dc:creator>concept</dc:creator>
      <dc:date>2020-04-03T13:17:40Z</dc:date>
    </item>
    <item>
      <title>new protocol march 2020</title>
      <link>https://m1.antville.org/stories/2287881/</link>
      <description>&lt;p&gt;Corona times March-April 2020&lt;/p&gt;&lt;p&gt;16.03 2020Watching&lt;/p&gt;&lt;p&gt;&lt;a href="https://archiveofamnesia.akbild.ac.at/?videos=assimina-gouma"&gt;archiveofamnesia.akbild.ac.at&lt;/a&gt;Dr. Assimina GoumaDr. Assimina Gouma is a communication scientist, writes her dissertation at the University of Vienna and is a member of the research group “Critical Migration Research [KriMi]”. In addition to migration and media, her research focuses on transnationalism, critical journalism and the empirical methods of social science. Fields of expertise include migration and antiracism research, media sociology, gender research, empirical methods, action research. Works as an external lecturer at the Institute for German studies at the University of Vienna.Date: 09/10/2019Place: Academy of Fine Arts Vienna, AustriaInterviewer: Marina Gržinić, Šefik TatlićFilming: Valerija ZabretEditing: Marina Gržinić, Valerija Zabret&lt;/p&gt;&lt;p&gt;17.03 2020 at 16.00Topic: PCAP 1 meetingJoin Zoom Meeting&lt;/p&gt;&lt;p&gt;23.03 2020Watching&lt;/p&gt;&lt;p&gt;&lt;a href="https://archiveofamnesia.akbild.ac.at/?videos=rubia-salgado&amp;amp;_sft_territories=linz"&gt;archiveofamnesia.akbild.ac.at&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Dr. Luzenir CaixetaDr. Luzenir Caixeta is one of the founding members of MAIZ (Autonomous Integration Center of and for Migrant Women in Linz) and the coordinator of maiz research and advice center. She is a philosopher and feminist theologian. She completed her doctorate in social ethics on “Migrant women in sex work.” At MAIZ she works in the fields of counseling and education for migrant women, and in research projects on the topic of migrant women’s work, among others. As a social scientist, she is also an active writer and works as an external lecturer at different universities.Rubia SalgadoRubia Salgado is one of the co-founders of MAIZ – Autonomous Center of and for Migrants, Linz. Salgado has a teaching degree (Portuguese and Literary Studies) that she obtained in Rio de Janeiro / Brazil. She works as an external lecturer at universities and colleges. She works in research and development projects in the field of adult education for migrants, (German as a second language, literacy, cultural education) and in the education and training of teachers. She is presently active inside  the association das kollektiv (&lt;a href="https://www.das-kollektiv.at/"&gt;www.das-kollektiv.at&lt;/a&gt;)MAIZ, Linz, Austria (&lt;a href="https://www.maiz.at"&gt;www.maiz.at&lt;/a&gt;) is an independent association of and for migrants with the aim to improve the living and working situation of migrants in Austria and to promote their political and cultural participation as well as to change their existing, unjust social conditions.Date: 11/10/2019Place: Das Kollektiv, Linz, AustriaInterviewer: Marina GržinićFilming: Valerija ZabretEditing: Marina Gržinić, Valerija Zabret&lt;/p&gt;&lt;p&gt;24.03.2020 at 16.00Topic: PCAP 2 meetingJoin Zoom Meeting&lt;/p&gt;&lt;p&gt;30.03 2020watching&lt;/p&gt;&lt;p&gt;&lt;a href="https://archiveofamnesia.akbild.ac.at/?videos=oliver-rathkolb-part-1"&gt;archiveofamnesia.akbild.ac.at&lt;/a&gt;Oliver Rathkolb is currently Professor and Chair of the Department for Contemporary History at the University of Vienna. He is author of several books focusing on contemporary history as well as editor and co-editor of several studies concerning interdisciplinary questions of contemporary history and communications/media history and the managing editor of the journal zeitgeschichte (Contemporary History). His prize-winning study “The Paradoxical Republic. Austria 1945-2005” was published by Berghahn Books (New York/Oxford) in 2010. He is the chairman of the advisory board of the “House of European History” (European Parliament, Brussels) and an elected member of the Senate of the University of Vienna.Date: 10/10/2019Place: University of Vienna, AustriaInterviewers: Marina Gržinić and Šefik TatlićFilming: Valerija ZabretEditing: Marina Gržinić, Valerija Zabret&lt;/p&gt;&lt;p&gt;31.03 2020 at 16.00Topic: PCAP 3 meetingJoin Zoom Meeting&lt;/p&gt;&lt;p&gt;DiscussingPaul B. PreciadoOn life after COVID-19&lt;/p&gt;&lt;p&gt;In parallel  with&lt;/p&gt;&lt;p&gt;Rizvana Bradley A Gathering of Aporetic Form&lt;a href="https://campus.akbild.ac.at/akbild_online/wbLv.wbShowLVDetail?pStpSpNr=144277"&gt;campus.akbild.ac.at&lt;/a&gt;&lt;/p&gt;&lt;p&gt;April 2020&lt;/p&gt;&lt;p&gt;Easter Holdays4.04 to 19.04 2020&lt;/p&gt;&lt;p&gt;Next to be announced 17.04 2020, for the 20.04 until 1.05 2020&lt;/p&gt;&lt;p&gt;dear all,as announced on the class list, all those studying are on the list, we work on three lines&lt;/p&gt;&lt;p&gt;1 line:&lt;/p&gt;&lt;p&gt;Monday we watch worksTuesday we talk through zoom, please install for free zoom on your computer, is easy i will send every Tuesday the link you access and we talk.this 17.03 2020 went welli will also as on the 17.03 be a short time at 17.30 on the Skype connectionzoom is better as it is provided through the academy&lt;/p&gt;&lt;p&gt;2 line:&lt;/p&gt;&lt;p&gt;we write a diary  pcap in quarantine, google docs, it works from 16.03 all the data are pcap-class list&lt;/p&gt;&lt;p&gt;3 line:&lt;/p&gt;&lt;p&gt;we also have a separate activity with the b3 workshop those who signed are to take part&lt;/p&gt;&lt;p&gt;finally we use the pcap class list to exchange for all the details you are all who study on the list and you receive the data of general ifo at once&lt;/p&gt;&lt;p&gt;the B3 worskhop&lt;/p&gt;&lt;p&gt;B3 workshop Marina Grzinic with a guest artist ARYE WACHSMUTH&lt;/p&gt;&lt;p&gt;MIGRATION AND EUROPEAN POLITICS&lt;/p&gt;&lt;p&gt;Assistant: Mika MaruyamaThe workshop focuses on migrant politics of the Occident, the failed refugee politics of Austria, the EU, and Europe. LANGUAGES: English and German.&lt;/p&gt;&lt;p&gt;The outcome is to produce ten posters that will be part of the exhibition “Stories Of Traumatic Pasts” in Weltmuseum in Vienna. The exhibition “Stories Of Traumatic Pasts” with a Subtitle: Counter-Archives For Future Memories is an outcome of the research project “Genealogy of Amnesia.”&lt;/p&gt;&lt;p&gt;IMPORTANT: CONTINUOUS PRESENCE AND ENGAGEMENT IS REQUIRED.&lt;/p&gt;&lt;p&gt;where POST CONCEPTUAL ART PRACTICES StudioAtelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)&lt;/p&gt;&lt;p&gt;when, the session is aprox  90 minutes…&lt;/p&gt;&lt;p&gt;March 23, 2020, MondayAt 17.00 (1 of 5)&lt;/p&gt;&lt;p&gt;March 30, 2020, MondayAt 17.00 (2 of 5)&lt;/p&gt;&lt;p&gt;March 31, 2020, TuesdayAt 14.05 (3 of 5)virtualWeltmuseum Wien (WMW)Burgring 5, Vienna&lt;/p&gt;&lt;p&gt;April 27, 2020, MondayAt 17.00 (4 of 5)&lt;/p&gt;&lt;p&gt;April 28 TuesdayAt 17.00 (5 of 5)&lt;/p&gt;&lt;p&gt;SWSt: SoSe 2020&lt;/p&gt;&lt;p&gt;through zooom&lt;/p&gt;&lt;p&gt;ARYE WACHSMUTHBorn 1962 in Hamburg, Germany, raised in Tel Aviv, Israel. Lives and works in Vienna, Austria.&lt;/p&gt;&lt;p&gt;RECENT AND SELECTED EXHIBITIONS2019/2020Censorship and freedom of expression, Galerie Rudolf Leeb, Vienna / Galerija Forum, Zagreb /MODERNA GALERIJA, Ljubljana (Group show and locations)2018/2020Retracing the Tears, installation at House of Austrian History, Vienna2018VORVORGESTERN, curated by Franziska Lesák, Galerie Raum mit Licht, Vienna (Group show)Notes on the Beginning of the Short 20th Century, Artist House, Tel Aviv (Group show)Die 90er Jahre, 1. Aufzug – Ein Wiener Diwan, MUSA-Wien Museum, Vienna (Group show)2017FUTURE UNDONE, Gruppenausstellung im AIL, curated by ecm, Vienna (Group show)2016What Bird Has Done Yesterday, with Abigail Reynolds, Galerie Raum mit Licht, Vienna2015Hotel Metropole, Der Erinnerung eine Zukunft geben, Into the City - Exhibition during Vienna’sFestival Week (Group show)Suppressed History and Contaminated Places, ROTOR, Graz (Group show)1990-2014Exhibitions in, Paris, London, Toronto, Istanbul, Linz, Bregenz, Stockholm, Los Angeles, Gdansk,Dresden, Belgrade, New York, Berlin, Serralves, Wrocław…&lt;/p&gt;</description>
      <pubDate>Wed, 18 Mar 2020 06:53:17 GMT</pubDate>
      <guid>https://m1.antville.org/stories/2287881/</guid>
      <dc:creator>concept</dc:creator>
      <dc:date>2020-03-18T06:53:17Z</dc:date>
    </item>
    <item>
      <title>PCAP  March 2020</title>
      <link>https://m1.antville.org/stories/2287146/</link>
      <description>&lt;p&gt;PCAP March 2020&lt;/p&gt;&lt;p&gt;March 2, 2020, MondayAt 16.00 to 17.30&lt;/p&gt;&lt;p&gt;Reflection rundgang 2020, summer semester 2020 PCAP plans, space organization&lt;/p&gt;&lt;p&gt;March 2, 2020, MondayAt 17.30 to 18.00&lt;/p&gt;&lt;p&gt;Introduction Erasmus mobility student program: Pauline Stroux (Munich), Erasmus student mentor&lt;/p&gt;&lt;p&gt;March 2, 2020, MondayAt 19.00&lt;/p&gt;&lt;p&gt;Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien, 1. OG Atelier Süd, Post Conceptual Art Practices Studio&lt;/p&gt;&lt;p&gt;Guest talks: Aka Niviâna (Greenland)   and  Oliver Ressler (Vienna)&lt;/p&gt;&lt;p&gt;Barricading the Ice Sheets: Tactics to disrupt climate-wrecking activities&lt;/p&gt;&lt;p&gt;Organized by Marina Grzinic in collaboration with Oliver Ressler.&lt;/p&gt;&lt;p&gt;Oliver Ressler: Barricading the Ice Sheets&lt;/p&gt;&lt;p&gt;Oliver Ressler introduces with his project  Barricading the Ice Sheets methods that bring activists together in situations that might not have arisen otherwise, creating the opportunity for them to speak from platforms that would otherwise have been unavailable, and recording the insights that result from these combinations. Ressler has organized in collaboration with Camera Austria the conference “Barricading the Ice Sheets« in Graz. Among the speakers was Aka Niviâna.  “Barricading the Ice Sheets” is supported by the Austrian Science Fund (FWF: AR 526).  In autumn 2021 it will materialize as an exhibition at Camera Austria.&lt;/p&gt;&lt;p&gt;Aka Niviâna: Climate awareness is for everyoneWhen we talk about the climate crisis, there is a tendency of believing that you have to be a certain kind of person, with a certain position to make impact on the topic. The argument I try to communicate is, that no matter your background it is an issue that we all can participate in solving. We all share the responsibility to change the current way of life on Earth.CV: Aka Niviâna (GL) is a Greenlandic artist based in Nuuk. Aka writes poetry and scripts that focuses on topic regarding climate and our role and responsibility for future generations.&lt;/p&gt;&lt;p&gt;Oliver Ressler (AT)  is an artist and filmmaker from Vienna, and initiator of “Barricading the Ice Sheets”. He works on issues such as economics, democracy, migration, the climate catastrophe, forms of resistance and social alternatives. He has completed thirty-three films that have been screened worldwide in thousands of events of social movements, art institutions and film festivals. Ressler has participated in more than 350 group exhibitions, Kyiv (2017), Gothenburg (2019), Stavanger (2019), and at Documenta 14, Kassel, 2017 (exhibition organized by EMST). &lt;a href="http://www.ressler.art"&gt;www.ressler.art&lt;/a&gt;&lt;/p&gt;&lt;p&gt;March 3, 2020, TuesdayAt 14.00 meeting with the PhD in philosophy students&lt;/p&gt;&lt;p&gt;March 3, 2020, TuesdayAt 17.00 Art. Activism. Politics: screenings, readings (1)&lt;/p&gt;&lt;p&gt;Screening I Am Not Your NegroDirected by Raoul PeckWritten by James Baldwin and Raoul PeckBased on Remember This House by James BaldwinNarrated by Samuel L. Jackson2017, running time 95 minutes&lt;/p&gt;&lt;p&gt;Discussion afterwards&lt;/p&gt;&lt;p&gt;March 4, 2020, Wednesday&lt;/p&gt;&lt;p&gt;At 20.00 Blutiger Sommervon Alireza DaryanavardInszenierung: Alireza DaryanavardDramaturgie: Sogol Pour-Jahan, Mascha MölknerMit: Simonida Selimović, Karim Rahoma, Morteza TavakoliTICKETS: &lt;a href="https://werk-x.at/premieren/blutiger-sommer/"&gt;werk-x.at&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Where: WERK X-PetersplatzPetersplatz 1, 1010 WienWegbeschreibungU-Bahn-Linien: U1 und U3 (Stephansplatz)Bus-Linien: 1A, 2A (Graben/Petersplatz)&lt;/p&gt;&lt;p&gt;March 9, 2020, MondayIn charge Maren Grimm&lt;/p&gt;&lt;p&gt;March 10, 2020, TuesdayIn charge Maren Grimm&lt;/p&gt;&lt;p&gt;March 11, 2020, Wednesday&lt;/p&gt;&lt;p&gt;At 18.00&lt;/p&gt;&lt;p&gt;Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien, 1. OG Atelier Süd, Post Conceptual Art Practices Studio&lt;/p&gt;&lt;p&gt;Lecture »Voices of Disorder, voices of the Academy. A talk with Yuderkys Espinosa«&lt;/p&gt;&lt;p&gt;As part of the dialogue within European Academies about the decolonization of knowledge and studies, the theorist Yuderkys Espinosa Miñoso is invited to talk about her career within and outside the academy. In this presentation, Espinosa will share reflections about her experience that as a black Caribbean migrant subject she had overcome in academic spaces.&lt;/p&gt;&lt;p&gt;This talk will be useful for critical students and academics in the field of social sciences, and especially for those who work, or would like to work, with a decolonial, anti-colonial, and anti-racist feminist perspective. We would like to reflect...What does it mean to be a decolonial thinker and a decolonial artist in a western colonial space like the academy? Which are and how we can use the resources that we have to develop our practices in white predominantly space? What type of negotiations is necessary and/or meaningful in order to redirect our learning in a decolonial way?&lt;/p&gt;&lt;p&gt;The lecture is strongly recommended to Black, Indigenous and People of Color, latinxs, meztizes living in Europe. But we also welcome every student willing to work on self-criticism in relation to their individual position within the academy, the social context, and global geography.&lt;/p&gt;&lt;p&gt;As part of the program, Mariama Diallo, student at the Academy of Fine Arts, will introduce the evening with her reflections and thoughts on her experience as an African woman in the Academy of Fine Arts. In addition, we will end the evening with a performance of Moenani Sisters.&lt;/p&gt;&lt;p&gt;Yuderkys Espinosa Miñoso is a writer, researcher, philosopher, professor and activist of Afro-Dominican origin. She is part of the Latin American Group of Studies, Training and Feminist Action (GLEFAS). Through her work, she explains the necessity of adopting a decolonial feminist perspective by reflecting on and confronting the hegemonic, eurocentric, racist and classist perspectives that are intertwined in the feminist movement. Without warning, she has become one of the fundamental referents of decolonial feminism in Abya Yala. Espinosa has also begun with the formation of a new feminist generation through the educative platform GLEFAS.&lt;/p&gt;&lt;p&gt;Mariama Diallo was born in Guinea. She has applied for asylum in Austria in 2011. Since 2014 she studies Contextual Painting at the Academy of Fine Arts Vienna, Prof. Hans Scheirl. She is a Pan-Africanist. She fights for African dignity, respect for Africans and for the sovereignty of Africa.&lt;/p&gt;&lt;p&gt;Moenani Sisters is an insurgent movement of women from different parts of the world, women who pass on our message of life, respect and love of diversity through dance. It is the answer to the search for community, brotherhood, love and reciprocity and it is the non-hegemonic dance that has brought us together in this school of women.&lt;/p&gt;&lt;p&gt;Lia Kastiyo-Spinósa was born by the Caribbean Sea. Since 2018 she lives and studies in Vienna at the Academy of Fine Arts. Her main media of production are photography, collage, and performance. She is also part of diverse activist collectives and projects like the Frauen*Referat, Migrazine Magazine, and the House Türkis Rosa Lila Villa.&lt;/p&gt;&lt;p&gt;More: &lt;a href="https://www.facebook.com/events/202786310917910/"&gt;www.facebook.com&lt;/a&gt;&lt;/p&gt;&lt;p&gt;March 16, 2020, Monday&lt;/p&gt;&lt;p&gt;At 15.00 to 17.00&lt;/p&gt;&lt;p&gt;Art. Activism. Politics: screenings, readings (2)Reading Rizvana Bradley: A Gathering of Aporetic Formuploaded akbild online Grzinic/concept kunst&lt;/p&gt;&lt;p&gt;March 17, 2020, Tuesday&lt;/p&gt;&lt;p&gt;RESERVE YOUR TIME akbild at  Augasse&lt;/p&gt;&lt;p&gt;13.00 to 15.00The CUKO IBK will meet to discuss about problems and opportunities to improve the curriculum.&lt;/p&gt;&lt;p&gt;15.00 to 18.00There will be the main general assembly where we want to discuss how democratic the academy actually is and where we can improve the situation.&lt;/p&gt;&lt;p&gt;March 23, 2020, Monday13.00 to 14.00Individual meetings Grzinic office&lt;/p&gt;&lt;p&gt;March 23, 2020, MondayAt 14.00 to 16.00&lt;/p&gt;&lt;p&gt;Art. Activism. Politics: screenings, readings (2)Reading Rizvana Bradley: A Gathering of Aporetic Form (conclusion/debate)&lt;/p&gt;&lt;p&gt;March 23, 2020, MondayAt 17.00 until 19.30 (1 of 5)&lt;/p&gt;&lt;p&gt;Workshop with Arye Wachsmuth&lt;/p&gt;&lt;p&gt;MIGRATION AND EUROPEAN POLITICS&lt;/p&gt;&lt;p&gt;The workshop focuses on migrant politics of the Occident, the failed refugee politics of Austria, the EU, and Europe. LANGUAGES: English and German.&lt;/p&gt;&lt;p&gt;Assistant: Mika Maruyama&lt;/p&gt;&lt;p&gt;The outcome is to produce ten posters that will be part of the exhibition “Stories Of Traumatic Pasts” in Weltmuseum in Vienna. The exhibition “Stories Of Traumatic Pasts” with a Subtitle: Counter-Archives For Future Memories is an outcome of the research project “Genealogy of Amnesia.”&lt;/p&gt;&lt;p&gt;IMPORTANT: CONTINUOUS PRESENCE AND ENGAGEMENT IS REQUIRED.&lt;/p&gt;&lt;p&gt;CV: ARYE WACHSMUTHBorn 1962 in Hamburg, Germany, raised in Tel Aviv, Israel. Lives and works in Vienna, Austria.&lt;/p&gt;&lt;p&gt;RECENT AND SELECTED EXHIBITIONS2019/2020 (Censorship and freedom of expression, Galerie Rudolf Leeb, Vienna / Galerija Forum, Zagreb /MODERNA GALERIJA, Ljubljana (Group show and locations)2018/2020 (Retracing the Tears, installation at House of Austrian History, Vienna)2018 (VORVORGESTERN, curated by Franziska Lesák, Galerie Raum mit Licht, Vienna&lt;/p&gt;&lt;p&gt;Numerous group shows:  2018:  Notes on the Beginning of the Short 20th Century, Artist House, Tel Aviv (Group show) Die 90er Jahre, 1. Aufzug – Ein Wiener Diwan, MUSA-Wien Museum, Vienna (Group show); 2017: FUTURE UNDONE, Gruppenausstellung im AIL, curated by ecm, Vienna (Group show); 2016: What Bird Has Done Yesterday, with Abigail Reynolds, Galerie Raum mit Licht, Vienna; 2015 Hotel Metropole, Der Erinnerung eine Zukunft geben, Into the City - Exhibition during Vienna’s; Festival Week (Group show)Suppressed History and Contaminated Places, ROTOR, Graz (Group show);1990-2014 Exhibitions in, Paris, London, Toronto, Istanbul, Linz, Bregenz, Stockholm, Los Angeles, Gdansk, Dresden, Belgrade, New York, Berlin, Serralves, Wrocław…&lt;/p&gt;&lt;p&gt;NEXT WORKSHOP TERMS:March 30, 2020, MondayAt 17.00 until 19.30 (2 of 5)&lt;/p&gt;&lt;p&gt;March 31, 2020, Tuesday14.05 to 16.00 (3 of 5)where:Weltmuseum Wien (WMW)Burgring 5, Vienna&lt;/p&gt;&lt;p&gt;April 27, 2020, MondayAt 17.00 until 19.30 (4 of 5)&lt;/p&gt;&lt;p&gt;April 28 TuesdayAt 17.00 until 19.30 (5 of 5)&lt;/p&gt;&lt;p&gt;March 24, 2020 Tuesday9.00 to 10.00, Individual meetings Grzinic office&lt;/p&gt;&lt;p&gt;March 24, 2020 TuesdayAt 17.00&lt;/p&gt;&lt;p&gt;Where:  mumok kino, Museumsplatz 1070 Vienna&lt;/p&gt;&lt;p&gt;Free entrance&lt;/p&gt;&lt;p&gt;Presentation of the book Opposing Colonialism, Antisemitism, and Turbo-Nationalism: Rethinking the Past for New ConvivialityEdited by Marina Gržinić, Jovita Pristovšek, and Sophie Uitz578 pp., Cambridge Scholars Publishing, UK, 2020Contributors: Jamika Ajalon, Ruth Beckermann, Elisabeth Brainin, Véronique Clette-Gakuba, CMCLD/Collectif Mémoire Coloniale et Lutte contre les Discriminations, Nejra Nuna Čengić, Matthias De Groof, Nicole Grégoire, Marina Gržinić, Adla Isanović, Araba Evelyn Johnston-Arthur, Geneviève Kaninda, Hikmet Karčić, Kasereka Kavwahirehi, Sophie Lillie, Michael Loebenstein, Nikita Mazurov, Berthold Molden, Pedro Monaville, Sir Geoffrey Nice, Jovita Pristovšek, Markus Rheindorf, Drehli Robnik, Tony Kokou Sampson, Birgit Sauer, Max Silverman, Kalvin Soiresse Njall, Shirley Anne Tate, Šefik Tatlić, Claudia Tazreiter, Nevenka Tromp, Hedvig Turai, Sophie Uitz, Tanya Ury, Gloria Wekker, Renée Winter, and Ruth Wodak&lt;/p&gt;&lt;p&gt;The volume focuses on collective amnesia in regards to traumatic events of the European past and the ways in which memory and history are presented for the future. It gathers together reflections on racism and nationalism, empowerment and futurity. As the subtitle indicates, ultimately this volume is about achieving a future conviviality.&lt;/p&gt;&lt;p&gt;On this festive occasion, the editors of the book will present its content, structure and contributors.&lt;/p&gt;&lt;p&gt;The volume is an outcome of the art- and theory-based research project Genealogy of Amnesia: Rethinking the Past for a New Future of Conviviality. It is funded by the Austrian Science Fund (FWF) through its Programme for Arts-based Research (PEEK). The research is developed at the Academy of Fine Arts Vienna, from 2018 to 2020. &lt;a href="https://archiveofamnesia.akbild.ac.at"&gt;archiveofamnesia.akbild.ac.at&lt;/a&gt;&lt;/p&gt;&lt;p&gt;March 30, 2020, MondayEntry exams academy /IBK&lt;/p&gt;&lt;p&gt;March 30, 2020, MondayAt 17.00 until 19.30 (2 of 5)&lt;/p&gt;&lt;p&gt;Workshop with Arye Wachsmuth&lt;/p&gt;&lt;p&gt;MIGRATION AND EUROPEAN POLITICS&lt;/p&gt;&lt;p&gt;The workshop focuses on migrant politics of the Occident, the failed refugee politics of Austria, the EU, and Europe. LANGUAGES: English and German.&lt;/p&gt;&lt;p&gt;Assistant: Mika Maruyama&lt;/p&gt;&lt;p&gt;The outcome is to produce ten posters that will be part of the exhibition “Stories Of Traumatic Pasts” in Weltmuseum in Vienna. The exhibition “Stories Of Traumatic Pasts” with a Subtitle: Counter-Archives For Future Memories is an outcome of the research project “Genealogy of Amnesia.”&lt;/p&gt;&lt;p&gt;IMPORTANT: CONTINUOUS PRESENCE AND ENGAGEMENT IS REQUIRED.&lt;/p&gt;&lt;p&gt;March 31, 2020,  TuesdayEntry exams academy /IBK&lt;/p&gt;&lt;p&gt;March 31, 2020,  Tuesday14.05 to 16.00 (3 of  5)&lt;/p&gt;&lt;p&gt;Workshop with Arye Wachsmuth&lt;br /&gt;MIGRATION AND EUROPEAN POLITICS&lt;/p&gt;&lt;p&gt;The workshop focuses on migrant politics of the Occident, the failed refugee politics of Austria, the EU, and Europe. LANGUAGES: English and German.&lt;/p&gt;&lt;p&gt;Assistant: Mika Maruyama&lt;/p&gt;&lt;p&gt;Visiting the Welt Musem  in Vienna in which  the posters will be displayed as part of the exhibition “Stories Of Traumatic Pasts” with a  Subtitle: Counter-Archives For Future Memories, facilitated by Mika Maruyama.&lt;/p&gt;&lt;p&gt;IMPORTANT meeting atAddress: Weltmuseum Wien (WMW)Burgring 5, Vienna&lt;/p&gt;&lt;p&gt;SEE THE HOLIDAYS: April 2020,  from4.04 2020 until 19.04.2020&lt;/p&gt;&lt;p&gt;Next time (POST) KONZEPT ART Studio work  20.04 2020, Monday at 16.00&lt;/p&gt;</description>
      <pubDate>Wed, 26 Feb 2020 05:40:50 GMT</pubDate>
      <guid>https://m1.antville.org/stories/2287146/</guid>
      <dc:creator>concept</dc:creator>
      <dc:date>2020-02-26T05:40:50Z</dc:date>
    </item>
    <item>
      <title>PCAP January 2020</title>
      <link>https://m1.antville.org/stories/2282519/</link>
      <description>&lt;p&gt;January 2020&lt;/p&gt;&lt;p&gt;January 7, 2020, TuesdayAt 15.30&lt;/p&gt;&lt;p&gt;Presentation diploma workNeda Hosseinyar&lt;/p&gt;&lt;p&gt;January 7, 2020, Tuesday&lt;/p&gt;&lt;p&gt;17.00 to 19.15WHERE: AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)Ph.D. seminar/ and B3/ mandatory for the ZKF Konzept KunstWith the title Images, War and AffectsBy Taida Kusturica, Ph.D. student mentor, and Marina Grzinic&lt;/p&gt;&lt;p&gt;09 lectureTransgression of Visual: Post-representationReferences books by Mark Fisher, Marina Gržinić and Stuart Hall.&lt;/p&gt;&lt;p&gt;Intro in the final overview  Akbild (10 minutes)&lt;/p&gt;&lt;p&gt;January 7, 2020, Tuesday20.00&lt;/p&gt;&lt;p&gt;Film screening Sweet Movie,Written and directed by Yugoslavian director Dušan Makavejev.1974 ‧ Comedy-drama/Art, 1h 38minEnglish subtitles&lt;/p&gt;&lt;p&gt;Languages: English, French, Spanish, Italian, Polish&lt;/p&gt;&lt;p&gt;Warning: it is advised elsewhere that the film contains explicit sexual scenes and obscenities. Decides freely to attend or not.&lt;/p&gt;&lt;p&gt;The proposal for the film is a result of the talk given by Oliver Frljić, theater director, at the first rehearsal at the Burgtheater of the theater play DIE HAMLETMASCHINE (THE HAMLET MACHINE), premiere Burgtheater at Kasino,  17.01.2020.&lt;/p&gt;&lt;p&gt;January 8, 2020, Wednesday&lt;/p&gt;&lt;p&gt;At 9.00 until 10.00 Individual meetingGrzinic office&lt;/p&gt;&lt;p&gt;January 13, 2020, MondayAt 12.00 to 13.30Individual meetingsGrzinic office&lt;/p&gt;&lt;p&gt;January 13, 2020, Mondayat 15.00 discussion on theory and practicescreenings films&lt;/p&gt;&lt;p&gt;January 13, 2020, MondayAt 18.00 to 19.00&lt;/p&gt;&lt;p&gt;Student presentation, IKLMirjana Djotunovic Mustra&lt;/p&gt;&lt;p&gt;January 14, 2020, Tuesday&lt;/p&gt;&lt;p&gt;15.00 to 16.30Talk about the Rundgang system of work, the space confirmation and technical needs, open questions.&lt;/p&gt;&lt;p&gt;January 14, 2020, Tuesday17.00 to 19.15&lt;/p&gt;&lt;p&gt;WHERE: AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)Ph.D. seminar/ and B3/ mandatory for the ZKF Konzept KunstWith the title Images, War and AffectsBy Taida Kusturica, Ph.D. student mentor, and Marina Grzinic&lt;/p&gt;&lt;p&gt;10 lecture/final presentationPost- homospectator: Visual and Sensory NihilismReferences books by Nietzsche, Wendy Chun, Achille Mbembe, and Claire Bishop.&lt;/p&gt;&lt;p&gt;January 20, 2020, MondayRundgang installment in charge Maren Grimm and Muzaffer Hasaltay&lt;/p&gt;&lt;p&gt;January 21, 2020, TuesdayRundgang installment in charge Maren Grimm and Muzaffer Hasaltay&lt;/p&gt;&lt;p&gt;January 22, 2020, WednesdayRundgang installment in charge Maren Grimm and Muzaffer Hasaltay&lt;/p&gt;&lt;p&gt;January 22, 2020, Wednesday Diplome exam Neda Hosseinyar&lt;/p&gt;&lt;p&gt;January 23, 2020,  ThursdayRUNDGANG 2020PCAP (POST CONCEPTUAL ART PRACTICES) /KONZEPT KUNSTWO: Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)&lt;/p&gt;&lt;p&gt;Do. 23. 1.2020 16h-24h&lt;/p&gt;&lt;p&gt;16:00 Opening exhibition RUNDGANGAusstellung &amp;amp; live Programm mitAsma Aiad, Sara Bissen, Lia Castillo Espinosa, Ji Yoon Chung, Alireza Daryanavard, Mirjana Djotunovic, Iklim Dogan, Victoria Eliseykina, Beatriz Ferreira da Mota Freitas, Matthew Gerges, Veronika Hapchenko, HenrieHenrietta Dennis, Sarah Raffaela Jackel, Robert Jolly, Ali Kianmehr, Aaron Kimmig, Leonie Rosa Knez, Nathalie Köbli, Sisan Larboard-Kuke, Grace Marta Latigo, Sophia Liu,Dean Maassen, Mohammad Numan,Johannes Oberhuber,  Valentin Pfenninger,  Julien Segarra, Sophie Anna Stadler, Dominik Aron Szereday, Elisabeth Taruvinga Mtasa Tawanda und Yoo Youngjoo&amp;amp;Gästen&lt;/p&gt;&lt;p&gt;Oliver Frljić, Dudu Kücükgöl, Cathèrine Lehnerer, MAI LING (Yela An und Mika Maruyama), Rubia Salgado, Rawan und Munar&lt;/p&gt;&lt;p&gt;In charge: Gržinić, Grimm und Hasaltay&lt;/p&gt;&lt;p&gt;Booklet Rundgang:  Julia Hohenwarter&lt;/p&gt;&lt;p&gt;Donnerstag  23. 1. 2020&lt;br /&gt;16h-24h&lt;br /&gt;Ausstellung&lt;/p&gt;&lt;p&gt;19:00 VORTRAGWer ist MAI LING? –&lt;br /&gt;Yela An und Mika Maruyama(Mitglieder des Künstler*innen-Kollektivs MAI LING)&lt;/p&gt;&lt;p&gt;In der Projektreihe „Wer ist MAI LING?“ wurden und werden verschiedene Facetten des institutionellen und alltäglichen Rassismus und Sexismus aufgezeigt. Eine Asiatin in Europa zu sein bedeutet häufig, nicht als eigene Person/Individuum wahrgenommen zu werden, sondern vielmehr als Interpretationsfläche für Stereotypen, Vorurteile, Wünsche und Fantasien des Gegenübers.&lt;/p&gt;&lt;p&gt;20:00 PRÄSENTATIONElisabeth Mtasa&lt;/p&gt;&lt;p&gt;Title: Waves of Fluorescent BlackDie Idee von Gesellschaft für sich selbst brechen. Langes Haar ist nicht gleich Weiblichkeit.Mein Durag und ich, die Femininste, die ich sein kann.&lt;/p&gt;&lt;p&gt;20:30 PERFORMATIVE STATEMENT&lt;/p&gt;&lt;p&gt;Title: Lassen Sie uns eintreten: Sie können uns nicht zurückdrängen&lt;/p&gt;&lt;p&gt;21:00 PRÄSENTATIONOffice for Inner Emigration (Julien Segarra, Valentin Pfenniger, Alfredo Coloma, Yul Koh und Sophie Anna Stadler)&lt;/p&gt;&lt;p&gt;Title: Are you the future criminal?Are you the future criminal? Ist Installation und Dienstleistung einer staatlichen Institution, die Ihrer künftigen Straftaten bewertet sowie einschätzt und sich mit der Ausbeutung Innerer Zustände und der vermeintlichen Zweiteilung zwischen okkulten und rationalen Kräften befasst.&lt;/p&gt;&lt;p&gt;21:30 PRÄSENTATIONDominik Aron Szereday&lt;/p&gt;&lt;p&gt;Title: The End of his-story?Rumänien verlor seinen Status als das „Andere“ des Kapitalismus.&lt;/p&gt;&lt;p&gt;22:00 PRÄSENTATIONIklim Dogan&lt;/p&gt;&lt;p&gt;Title: The Hand that SignedDie Präsentation wird auf die Installation The Hand that Signed eingehen. Es ist eine Arbeit, die über Verwaltungsverfahren in Österreich spricht.&lt;/p&gt;&lt;p&gt;22:30 PRÄSENTATIONAaron Kimmig&lt;/p&gt;&lt;p&gt;Title: Crossing the LineCrossing the Line ist eine Installation über die Internalisierung von Zwängen und Disziplinierung durch Technologie im Öffentlichen Raum. Es geht darum &amp;quot;wenn das Überschreiten einer Grenze zu einem Verbrechen wird&amp;quot;, das in kapitalistischen repressiven Gesellschaften weit verbreitet ist.&lt;/p&gt;&lt;p&gt;Freitag 24.1.202010h-22h Schwerpunkttag/ Atelierhaus, (heuer keine Auktion Prospekthof) und IKLAusstellung&lt;/p&gt;&lt;p&gt;14:00–22:00Eat my Concept!performatives Kochen für soziale Ungerechtigkeit&lt;/p&gt;&lt;p&gt;Projekt von Mirjana Djotunovic Mustra, Sophia Yuet See, Mohammad Numan, Matthew Gerges, Sc. Sisan, Sara Bissen, Yuwol und Veronika Hapchenko&lt;/p&gt;&lt;p&gt;Die Gruppe Studierender aus dem Studio Konzeptkunst kocht und verkauft speziell zubereitete Speisen und Getränke, um den Körper zu wärmen und den Geist zu beschäftigen. Das Geld, das wir verdienen werden, wird für eine der vorgeschlagenen Wohltätigkeitsorganisationen verwendet.&lt;/p&gt;&lt;p&gt;15:00–17:00 WORKSHOP Sit and Listen!&lt;br /&gt;Rawan und Munar mit Cathérine Lehnerer&lt;/p&gt;&lt;p&gt;Erinnern Sie sich gerne an Ihre Schulzeit? Welche Bilder entstehen dabei? In diesem Workshop wollen wir einen utopischen Raum ermöglichen, um über einen kritischen Bildungsbegriff nachzudenken. Die Schülerinnen Rawan und Munar sind Expertinnen für Schulfragen. Gemeinsam mit Cathérine Lehnerer haben sie einen Workshop entwickelt.&lt;/p&gt;&lt;p&gt;17:00–18:00 VORTRAGGast: Rubia Salgado&lt;/p&gt;&lt;p&gt;Title: Re-lektüre/Re-escriture&lt;/p&gt;&lt;p&gt;Ausgehend von einer kritischen Bestandsaufnahme zur aktuellen Situation der Erwachsenenbildung mit Migrantinnen und Geflüchteten in Österreich spiegelt der Vortrag unsere Suchbewegungen im Rahmen unserer Bildungspraxis wider.&lt;/p&gt;&lt;p&gt;Gastbiographie&lt;/p&gt;&lt;p&gt;Rubia Salgado ist als Erwachsenenbildner_in und Autor_in in selbstorganisierten Kontexten tätig. Schwerpunkt ihrer Arbeit liegt im Feld der kritischen Bildungsarbeit in der Migrationsgesellschaft. Seit 2015 arbeitet sie im neuen Verein das kollektiv in der kritischen Bildungs-, Beratungs- und Kulturarbeit von und für Migrantinnen in Linz.&lt;/p&gt;&lt;p&gt;18.00–20:00 Tee-Runde: Vorstellungsrunde und Gesprächsrunde&lt;/p&gt;&lt;p&gt;18:00–19:00 Vorstellungsrunde „Spricht sie noch oder schweigt sie schon?“Der Titel ist aus einem Artikel von Dudu Kücükgöl entlehnt.&lt;/p&gt;&lt;p&gt;Gäste: Dudu Kücükgöl, Leonie Knez und Rubia SalgadoModeration: Asma Aiad und Cathérine Lehnerer&lt;/p&gt;&lt;p&gt;Wir laden dazu ein, sich bei einer gemütlichen Tasse Tee gemeinsam mit uns an einen Tisch zu setzen, um das Thema „Bildung“ aus verschiedenen Perspektiven zu betrachten.&lt;/p&gt;&lt;p&gt;Dudu Kücükgöl beschäftigt sich mit den Themen „Sprechen“ / „Wider-Sprechen“ und „Silencing“. Was passiert, wenn Personen oder Gruppen dem dominanten Diskurs widersprechen und welche Mechanismen werden dabei in Gang gesetzt? Leonie Knez erklärt in ihrem Vortrag, welche Rechte Kinder und Jugendliche in Österreich haben. Rubia Salgado setzt – ausgehend von kritisch-emanzipatorischen und queer-dekonstruktiven Ansätzen – eine pädagogische Praxis um.&lt;/p&gt;&lt;p&gt;Gastbiographie&lt;/p&gt;&lt;p&gt;Dudu Kücükgöl ist Feministin, Projekt Managerin  und  Aktivistin zum Thema MuslimInnen in Österreich. Sie war jahrelang in der Muslimischen Jugend Österreich aktiv und setzt sich stark für einen intersektionalen feministischen Diskurs ein.&lt;/p&gt;&lt;p&gt;19:00–20:00 GesprächsrundeModeration: Asma Aiad und Cathérine Lehnerer&lt;/p&gt;&lt;p&gt;Biografie Organisationsgruppe die Schule und Ausbildung zu ändern:Asma Aiad studiert Konzeptuelle Kunst an der Akademie der bildenden Künste, ist Jugendarbeiterin und Aktivistin.&lt;/p&gt;&lt;p&gt;Leonie Knez studiert Konzeptuelle Kunst an der Akademie der bildenden Künste und macht aktuell eine Ausbildung zur Lebens- und Sozialberaterin mit Schwerpunkt auf Kinder-, Jugend- und Elternberatung.&lt;/p&gt;&lt;p&gt;Die künstlerischen Interventionen der PHD-Studentin Cathérine Lehnerer bewegen sich zwischen Kunst, Pädagogik und Philosophie.&lt;/p&gt;&lt;p&gt;20:00 PERFORMANCESilencing gaze. Watch your gaze!&lt;/p&gt;&lt;p&gt;Wir haben davor gelebt, wir leben jetzt und wir werden danach leben. Nichts an uns ist neu, es gibt nichts zu entdecken. Es gibt nur mehr zu lernen. Wir sind hier und wir waren schon davor hier. Beobachte deinen Blick. Hinterfrage die Stille.&lt;/p&gt;&lt;p&gt;20:30 PERFORMANCEJu YooTitle: Gold Hands in Narrow Slit&lt;/p&gt;&lt;p&gt;Wir werden im kapitalistischen System leicht als »Mittel« und nicht als »Zweck« ausgenutzt. Die Hände der Machthaber kümmern sich normalerweise nicht darum, sich in die Menschen hineinzuversetzen, sondern sind damit beschäftigt von ihnen das zu bekommen, was sie wollen.&lt;/p&gt;&lt;p&gt;21:00 PERFORMANCEAlireza DaryanavardTitle: How to transport tradition?&lt;/p&gt;&lt;p&gt;Samstag. 25. 1. 202012h-22hAusstellung&lt;/p&gt;&lt;p&gt;Samstag. 25. 1. 202016:00–17:00 VORTRAG&lt;/p&gt;&lt;p&gt;Gast: Oliver FrljićTitle: Anti -Social Art – Mobilization of the PeopleOliver Frljić inszeniert The Hamletmachine von Heiner Müller am Burgtheater Wien im Januar 2020, gefolgt von der Veranstaltungsreihe Europe Machine. Das Gespräch mit Frljić am Rundgang konzentriert sich auf die Grenzen der künstlerischen und bürgerlichen Freiheit innerhalb und rund um den Kontext des Theaters, mit Fokus auf den Raum des ehemaligen Jugoslawiens und Europas.&lt;/p&gt;&lt;p&gt;Gastbiographie&lt;/p&gt;&lt;p&gt;Oliver Frljić (1976) ist Theaterregisseur und Szenograf aus Bosnien und Herzegowina. Er lebt derzeit in Kroatien. Seine Arbeit in ex-jugoslawischen Ländern befasst sich oft mit den verheerenden Auswirkungen von Krieg, Nationalismus, dem Aufstieg von Ultra-Wing-Bewegungen, Selbst-Viktimisierung, Demokratiedefizit und anderen Anomalien dieser Gesellschaften.&lt;/p&gt;&lt;p&gt;Sonntag, 26 .1. 202012.00 – 18.00Ausstellung&lt;/p&gt;&lt;p&gt;Asma Aiad, Sara Bissen, Lia Castillo Espinosa, Ji Yoon Chung, Alireza Daryanavard, Mirjana Djotunovic, Iklim Dogan, Victoria Eliseykina, Beatriz Ferreira da Mota Freitas, Matthew Gerges, Veronika Hapchenko, HenrieHenrietta Dennis, Sarah Raffaela Jackel, Robert Jolly, Ali Kianmehr, Aaron Kimmig, Leonie Rosa Knez, Nathalie Köbli, Sisan Larboard-Kuke, Grace Marta Latigo, Sophia Liu,Dean Maassen, Mohammad Numan,Johannes Oberhuber,  Valentin Pfenninger,  Julien Segarra, Sophie Anna Stadler, Dominik Aron Szereday, Elisabeth Taruvinga Mtasa Tawanda und Yoo Youngjoo&lt;/p&gt;&lt;p&gt;&amp;amp;GästenOliver Frljić, Dudu Kücükgöl, Cathèrine Lehnerer, MAI LING (Yela An und MikaMaruyama), Rubia Salgado, Rawan und Munar&lt;/p&gt;&lt;p&gt;27.01 2020Technical disinstalling Rundgang&lt;/p&gt;&lt;p&gt;Holidays 31.1.2020 to 1.03.2020Next March 2, 2020 at 16.00&lt;/p&gt;</description>
      <pubDate>Tue, 31 Dec 2019 15:27:56 GMT</pubDate>
      <guid>https://m1.antville.org/stories/2282519/</guid>
      <dc:creator>concept</dc:creator>
      <dc:date>2019-12-31T15:27:56Z</dc:date>
    </item>
  </channel>
</rss>

