<?xml version="1.0" encoding="UTF-8"?>
<rss xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0">
  <channel>
    <title>m1 (turm4)</title>
    <link>https://m1.antville.org/</link>
    <description>the internet residence of m1</description>
    <language>en</language>
    <pubDate>Sun, 07 Jun 2026 10:28:50 GMT</pubDate>
    <dc:date>2026-06-07T10:28:50Z</dc:date>
    <dc:language>en</dc:language>
    <item>
      <title>RESEARCH TRAVEL TO ICELAND 2019</title>
      <link>https://m1.antville.org/stories/2273611/</link>
      <description>&lt;p&gt;RESEARCH TRAVEL TO ICELANDFrom 16.05 to 21.05.2019&lt;/p&gt;&lt;p&gt;Relationship between art,nature, tourism, money, the cultural, the social and political&lt;/p&gt;&lt;p&gt;21 students and 3 teaching staff&lt;/p&gt;&lt;p&gt;Asma AiadMaira Enesi  CaixetaLia Espinosa Castillo&lt;br /&gt;Victoria EliseykinaChristian GuzyĐejmi  HadrovićSarah Raffaela JackelRobert  JollyAaron  KimmigLeonie Rosa  KnezSiegfried KoenigCatherine  Franziska LehnererDean Eno MaassenMika  MaruyamaJuliana MelzerValentin  PfennigerJulien  SegarraSophie Anna  StadlerDominik Aron  SzeredayElisabeth Tawanda Taruvinga MtasaIrene Wallner&lt;/p&gt;&lt;p&gt;Prof. Marina GrzinicMaren GrimmJulia  Hohenwarter&lt;/p&gt;&lt;p&gt;Team organizationMarina Grzinic planning spaces and peopleMaren Grimm Youth hostel, checkingJulien Segarra consultations and logistics and Booklet&lt;/p&gt;&lt;p&gt;TEAM students&lt;/p&gt;&lt;p&gt;Photos: Lia, Irene, VictoriaCooking master mind:  Julien Segarra,  and help Siegfried Koening, Dominik Szereday,&lt;/p&gt;&lt;p&gt;groups cleaning after cooking  in the kitchen youth hostel&lt;/p&gt;&lt;p&gt;THANKS NOTE: Eva Blimlinger, Sibylle Schwarzkogler, Kristgeir Sigurgeirsson, María J. Þorsteinsdóttir, snaeland.is, Ósk Vilhjálmsdóttir, Halla Hannesdottir Kristín Loftsdóttir, Anna Wojtynska, the Mobility and Transnational Iceland project, Claudia Tazreiter, Timothy Heffernan, Megan Auður&lt;/p&gt;&lt;p&gt;HIGHLITS&lt;/p&gt;&lt;p&gt;16.05.2019, Thursday&lt;/p&gt;&lt;p&gt;Arrival retro hostel&lt;/p&gt;&lt;p&gt;20:00: meeting people in the city.&lt;/p&gt;&lt;p&gt;17.05.2019, Friday&lt;/p&gt;&lt;p&gt;Morning: Iceland Academy of Arts - Fine Arts department (Reykjavík)Open doors - Iceland Academy of Arts - Fine Arts department (Reykjavík Rundgang exhibition, meeting students, presentations.Exhibition at Marshal house&lt;a href="https://www.lhi.is/en"&gt;www.lhi.is&lt;/a&gt;&lt;/p&gt;&lt;p&gt;19.00 GROUP EXHIBITION OPENING  SUBURBSat Gerðuberg is söme kind of a cultural center in Breiðholt.&lt;/p&gt;&lt;p&gt;Invitation by  Ósk Vilhjálmsdóttir&lt;a href="http://oskvilhjalmsdottir.is"&gt;oskvilhjalmsdottir.is&lt;/a&gt;CV:Meisterschülerin, prof. Valie Export, 1994Hochschule der Künste Berlin, 1988-1994MHÍ/ the Icelandic Collage of Arts and Crafts, 1984-1986Sorbonne, Paris: Civilisation Française 1983 -1984&lt;/p&gt;&lt;p&gt;18.05.2019, Saturday&lt;/p&gt;&lt;p&gt;Driving day in Snæfellsnes to Snæfellsnes glacier area.the drive around the glacier with all the interesting sites and drivetowards the border of the glaciervisit of the Library of Water (Roni Horn) on the way back to Reykjavík.&lt;a href="https://www.west.is/en/inspiration/services/library-of-water"&gt;www.west.is&lt;/a&gt;Good shoes to walk, warm clothes…etc swimsuit!&lt;/p&gt;&lt;p&gt;OUR GUIDE isÓsk Vilhjálmsdóttir, &lt;a href="http://oskvilhjalmsdottir.is"&gt;oskvilhjalmsdottir.is&lt;/a&gt;OTHER OCCUPATION Ósk Vilhjálmsdóttir&lt;/p&gt;&lt;p&gt;freelance teacher: The Academy of the Arts in Reykjavík, The Reykjavik School of Visual Arts, Universität der Künste in Berlin, Nordiska Konstskolan Kokkola (Finland)&lt;/p&gt;&lt;p&gt;chairman of the board of the Living Art Museum in Reykjavik (artist-run gallery) 2000-2002&lt;/p&gt;&lt;p&gt;organizes and leads tours in endangered areas in the Icelandic highlands&lt;/p&gt;&lt;p&gt;environmental activism since 1997&lt;/p&gt;&lt;p&gt;mountain guide in Iceland since 1992, and in Morocco since 2016&lt;/p&gt;&lt;p&gt;one of the founders of Framtíðarlandið [Land of the Future] an organization dedicated to encouraging nature conservation and creativity in society&lt;/p&gt;&lt;p&gt;19.05.2019, Sunday&lt;/p&gt;&lt;p&gt;Nature, take off, city walks&lt;/p&gt;&lt;p&gt;Cooking - Drinking&lt;/p&gt;&lt;p&gt;20.05.2019, Monday&lt;/p&gt;&lt;p&gt;Morning: meeting with activists atandrými social center&lt;/p&gt;&lt;p&gt;&lt;a href="https://grapevine.is/mag/interview/2016/12/09/a-space-for-everyone-andrymi-reykjaviks-grassroots-activism/"&gt;grapevine.is&lt;/a&gt;&lt;a href="https://www.facebook.com/nobordersiceland/"&gt;www.facebook.com&lt;/a&gt;&lt;a href="https://www.facebook.com/refugeesiniceland/"&gt;www.facebook.com&lt;/a&gt;&lt;a href="https://post-dreifing.is/"&gt;post-dreifing.is&lt;/a&gt;&lt;a href="https://post-dreifing.bandcamp.com/"&gt;post-dreifing.bandcamp.com&lt;/a&gt;&lt;/p&gt;&lt;p&gt;At 13.00 going to theUniversity of IcelandGimli, IS-101, Reykjavík, IcelandRESERVED room Odds 101 booked  20th of May from&lt;/p&gt;&lt;p&gt;14.00 to 17.00&lt;/p&gt;&lt;p&gt;A)LECTURE PRESENTATIONProf. Kristín Loftsdóttir,Professor of Anthropology, University of Iceland,lecture, presentation: Crisis and Coloniality at Europe’s Margins: Creating Exotic Iceland. And etc.&lt;/p&gt;&lt;p&gt;The lecture is supported by  Anna Wojtynska, the project manager for the Mobility and Transnational  Iceland project and Kristín Loftsdóttir&lt;/p&gt;&lt;p&gt;B) 15.00 to 17.00 FOLLOWING:&lt;/p&gt;&lt;p&gt;Students PanelPRESENTATIONS:&lt;/p&gt;&lt;p&gt;Asma Aiad, on the anti-Muslim racism in Austria&lt;/p&gt;&lt;p&gt;Đejmi Hadrović, Zahida is Feminist&lt;/p&gt;&lt;p&gt;Sarah Raffaela Jackel and Aaron Kimmig, on artificial intelligence anddystopia&lt;/p&gt;&lt;p&gt;Dominik Aron Szereday on Rumania, citizenship and second grade citizens&lt;/p&gt;&lt;p&gt;Elisabeth Tawanda Taruvinga Mtasa, on   racism in Austria&lt;/p&gt;&lt;p&gt;University of IcelandElva Björt Stefánsdóttir a MA student will talk about her research onrefugees in Iceland&lt;/p&gt;&lt;p&gt;BIO Prof. Kristín Loftsdóttir, Ph.D.Recently published:*Crisis and Coloniality at Europe’s Margins: Creating Exotic Iceland.2019&lt;a href="Routledge.https://www.routledge.com/Crisis-and-Coloniality-at-Europes-Margins-Creating-Exotic-Iceland/Loftsdottir/p/book/9781138497603"&gt;Routledge.https://www.routledge.com/Crisis-and-Coloniality-at-Europes-Margins-Creating-Exotic-Iceland/Loftsdottir/p/book/9781138497603&lt;/a&gt;*Messy Europe: Crisis, Race and nation-state in a Postcolonial World(ed. Kristín Loftsdóttir, Andrea L. Smith and Brigitte Hipfl) BerghahnPress. &lt;a href="http://www.berghahnbooks.com/title/LoftsdottirMessy"&gt;www.berghahnbooks.com&lt;/a&gt;&lt;a href="https://www.berghahnjournals.com/view/journals/focaal/2018/80/fcl800105.xml"&gt;www.berghahnjournals.com&lt;/a&gt;?&lt;/p&gt;&lt;p&gt;21.05.2019, Tuesday&lt;/p&gt;&lt;p&gt;departure to Keflavík International Airport:departure 15.35 &amp;gt; Vienna airport: arrival 21.55&lt;/p&gt;</description>
      <pubDate>Sat, 25 May 2019 19:43:52 GMT</pubDate>
      <guid>https://m1.antville.org/stories/2273611/</guid>
      <dc:creator>concept</dc:creator>
      <dc:date>2019-05-25T19:43:52Z</dc:date>
    </item>
    <item>
      <title>RESEARCH TRAVEL TO LINZ/pcap 2-4.11.2017</title>
      <link>https://m1.antville.org/stories/2256993/</link>
      <description>&lt;p&gt;RESEARCH TRAVEL TO LINZ//2-4.11.2017;&lt;/p&gt;&lt;p&gt;The studio for Conceptual Art at the Academy of Fine Arts in Vienna was conceptually renamed into Post-conceptual Art Practices (short PCAP)  in 2003. Activism, politics and theory are of utmost importance for the way how we deal with visual practices and politics of representation in PCAP. Art is not a tool that can be simply applied for a certain innocent process of production and distribution of images and knowledge. Education is not a transparent machine for production and circulation of skills.&lt;/p&gt;&lt;p&gt;Taking part in the travel (in many ways of working and exhibiting and organizing)Marwa Abou Hatab, Kreeta Aidla;  Maira-Enesi Caixeta; Victoria Eliseykina; Samira Fux; Christian Guzy;  Jamie Hadrovic; Neda  Hosseinyar; Sarah Raffaela Jackel; Robert Jolly; Aaron Kimmig ; Leonie Rosa Knez; Mathias Kropfitsch; Grace Marta Latigo; Mika Maruyama; Elisabeth Tawanda Taruvinga Mtasa ; Daisy Nutting; Dominik Aron Szereday; Martin Weichselbaumer ; Petja Dimitrova; Muzaffer Hasaltay; Marina Grzinic&lt;/p&gt;&lt;p&gt;Taking part in the exhibition Beyond Territory, Raumschiff Linz, opening 3.11.2017.Other activities: meeting at and with Maiz, Linz, visiting the Mauthausen Memorial.&lt;/p&gt;&lt;p&gt;The  exhibition  Beyond Territory, Raumschiff Linz, opening,  3.11.2017.The participation under the name of CRX/PCAP was organized by Robert Jolly, Maira Enesi Caixeta, supported by many in the process:&lt;/p&gt;&lt;p&gt;Marwa Abou HatabMaira-Enesi CaixetaSamira FuxJamie HadrovicNeda HosseinyarSarah Raffaela JackelRobert JollyMathias KropfitschGrace Marta LatigoMika Maruyama&lt;/p&gt;&lt;p&gt;After the opening 3.11. 2017 program at Beyond Territory, Raumschiff Linz&lt;/p&gt;&lt;p&gt;Maira Enesi Caixeta, performance,   title “Child of Nature”Mika Maruyama, lecture, title “Imaginary narrative and Politics Behind the Terrain”Screening program: Robert Jolly, video, Jamie Hadrovic, video, and Maira Enesi Caixeta animation done in collaboration. Final thoughts on territory; a travelogue by those exhibiting through the works.&lt;/p&gt;&lt;p&gt;Details additionally what we do in Linz:2.11.2017 (Thursday) meeting with and at MaizScharitzerstr 6-8 / 1. Stock.4020 Linz&lt;/p&gt;&lt;p&gt;... Selbstorganisation – Partizipation – Autonomie – Widerstand – Transformation – Utopie… ein unabhängiger Verein von und für Migrantinnen mit dem Ziel, die Lebens- und Arbeitssituation von Migrantinnen in Österreich zu verbessern und ihre politische und kulturelle Partizipation zu fördern sowie eine Veränderung der bestehenden, ungerechten gesellschaftlichen Verhältnisse zu bewirken.Wir handeln für die rechtliche und soziale Besserstellung von allen Migrantinnen und greifen aktiv in die gesellschaftlichen Auseinandersetzungen um Migration und (Anti-)Rassismus ein. Neben Beratungs- und Bildungsangeboten umfassen unsere Aktivitäten daher auch politische Kulturarbeit, öffentliche Aktionen und wissenschaftliche Forschungsprojekte.Wir stellen uns gegen den Opfer-Diskurs und Voyeurismus der Medien und setzen auf Protagonismus, Selbstartikulation und kollektives Handeln.Wichtig dabei ist uns auch die Auseinandersetzung unter Migrantinnen selbst.&lt;/p&gt;&lt;p&gt;3.11.2017 (Friday) The  exhibition  Beyond Territory, Raumschiff Linz, opening&lt;/p&gt;&lt;p&gt;THROUGH THE DAY:&lt;/p&gt;&lt;p&gt;Visiting lentos museumexhibitionVisiting ars electronicaexhibitionVisitingdas Kollektiv, Willy Fried&lt;/p&gt;&lt;p&gt;4.11.2017 (Saturday) Visiting the Mauthausen Memorial&lt;/p&gt;&lt;p&gt;Mauthausen–Gusen concentration camp was the hub of a large group of German concentration camps that was built around the villages of Mauthausen and Sankt Georgen an der Gusen (Gusen) in Upper Austria, roughly 20 kilometers east of the city of Linz.From 1938 to 1945, the Mauthausen concentration camp was at the centre of a system of over 40 subcamps and was the main site of political, social and racist persecution by the National Socialist regime on Austrian territory. Of a total of around 190,000 people imprisoned here, at least 90,000 were murdered. The Mauthausen Memorial is a former crime scene, a place of memory, a cemetery for the mortal remains of thousands of those murdered here and, increasingly, a site of political and historical education. Its task is to ensure public awareness of the history of the Mauthausen concentration camp and its subcamps, the memory of its victims, and the responsibility borne by the perpetrators and onlookers. At the same time it seeks to promote public critical engagement with this history in the context of its significance for the present and future.&lt;/p&gt;&lt;p&gt;At 17.00 Gallery talk with artists from the exhibitionTerritory&lt;/p&gt;&lt;p&gt;Departure at 21.00 to Vienna&lt;/p&gt;</description>
      <pubDate>Sun, 29 Oct 2017 09:01:28 GMT</pubDate>
      <guid>https://m1.antville.org/stories/2256993/</guid>
      <dc:creator>concept</dc:creator>
      <dc:date>2017-10-29T09:01:28Z</dc:date>
    </item>
    <item>
      <title>STUDY TRAVEL BILBAO, SAN SEBASTIAN 2016</title>
      <link>https://m1.antville.org/stories/2246033/</link>
      <description>&lt;p&gt;RESEARCH TRAVEL by  PCAP  to San Sebastian and Bilbao2016&lt;/p&gt;&lt;p&gt;26.10.-30.10.2016&lt;/p&gt;&lt;p&gt;TAKING PART&lt;/p&gt;&lt;p&gt;Aidar  BekchintaevMaira Enesi  CaixetaAghator Clifford ErinmwionghaeMarianne  EberlNeda HosseinyarSarah  JackelRobert JollyBetül  KüpeliJanine  MuckermannEsra   ÖzmenManuel PrammerCamila  RhodiOnur SerdarSongül  SönmezReha Refik TasciCecilia TassoMartin Weichselbaumer&lt;/p&gt;&lt;p&gt;Asist. Petja DimitrovaAsist. Muzaffer HasaltayProfessor Marina  Grzinic&lt;/p&gt;&lt;p&gt;And guest SASA KESIC&lt;/p&gt;&lt;p&gt;PROGRAM SHORT&lt;/p&gt;&lt;p&gt;26.10. 2016 Vienna to San Sebastian,27.10.2016 San Sebastian, city research, TABAKALERA, screening28.10.2016 TABAKALERA, la publika symposium project29.10.2016 Bilbao, visiting Guggenheim Museum Bilbao30.10.2016 Bilbao to Vienna&lt;/p&gt;&lt;p&gt;DETAILED PROGRAM&lt;/p&gt;&lt;p&gt;27.10.2016, THURSDAYTabakalera San SebastiánInternational centre for contemporary cultureScreening videofilms PCAP students&lt;/p&gt;&lt;p&gt;Camila RhodiSongül  SönmezReha Refik TasciManuel Prammer&lt;/p&gt;&lt;p&gt;PRESENTATION POSTERS, VISUALS:Maira Enesi  CaixetaCecilia Tasso&lt;/p&gt;&lt;p&gt;28.10.2016 FRIDAYRadio Symposyum LaPublikaAt Tabakalera, San Sebastian&lt;/p&gt;&lt;p&gt;LaPublika is a project directed and coordinated by consonni, produced by San Sebastian 2016, European Capital of Culture and Tabakalera International Centre for Contemporary Culture with the collaboration of the Faculty of Fine Arts of the UPV/EHU, Azkuna Zentroa, Filmin and Dabadaba and the support of Hotel Silken Amara Plaza, Bilbao Ekintza, EHUKultura (Directorate of Event Programming and University Promotion Bizkaia, UPV/EHU), Regional Council of Bizkaia, EiTB, Casares Radio, 97 FM Radio, Radio Euskadi, Vallekas Radio, Spain´s Public Agency for Cultural Action (AC/E), Fabricas de la Creación de Gobierno Vasco, TEA FM School Radio.&lt;/p&gt;&lt;p&gt;TAKING PART FROM PCAP:&lt;/p&gt;&lt;p&gt;Maira Enesi  CaixetaAghator Clifford ErinmwionghaeNeda HosseinyarBetül  Küpeli and ESRAP aka Esra Özmen&lt;/p&gt;&lt;p&gt;DAY PROGRAM, 10:00-20:30. Tabakalera.CONVERSATIONS:• Rosalyn Deutsche in conversation with Jaime Iregui.• Mutamassik in conversation with Michelle Teran and Elvira Dyangani Ose.• What, How &amp;amp; for Whom/WHW in conversation with Daniel G. Andújar.• El Niño de Elche in conversation with Belén Gopegui.PERFORMANCES, ARTISTIC INTERVENTIONS AND CONCERTS:Sra. Polaroiska, Rosa Casado y Mike Brookes, Daniel G. Andújar,Okela, Sangre Fucsia, PCAP /Akbild Vienna, Oier Iruretagoiena,Societat Doctor Alonso and Moaré Danza, Mugatxoan, grupo de investigación Orea and Aziza Brahim.&lt;/p&gt;&lt;p&gt;29.10.2016, SATURDAYFrom San Sebastian to BilbaoVisiting Guggenheim Museum Bilbao.Visiting Bilbao&lt;/p&gt;&lt;p&gt;30.10.2016 SUNDAYDeparture from Bilbao to Vienna&lt;/p&gt;</description>
      <pubDate>Thu, 17 Nov 2016 09:05:45 GMT</pubDate>
      <guid>https://m1.antville.org/stories/2246033/</guid>
      <dc:creator>concept</dc:creator>
      <dc:date>2016-11-17T09:05:45Z</dc:date>
    </item>
    <item>
      <title>STUDY TRAVEL TO CARINTHIA 2015</title>
      <link>https://m1.antville.org/stories/2223491/</link>
      <description>&lt;p&gt;Study travel in 2015 in Carinthia/KoroškaThe PCAP class travel program to Loibl  Concentration Camp Memorial, Peršmanhof  and Schloss  Lind / Das andere HeimatmuseumTravel conceived    by Joanna Wilk and Martin Weichselbaumer&lt;/p&gt;&lt;p&gt;STUDENTS:&lt;/p&gt;&lt;p&gt;Yela AnMirela BaciakAidar BekchintaevDavid NadjaEzgi ErolSophie HaasNeda HoseinyarFranziska KabischDaria KirillovaNiki KubaczekMika MaruyamaGeorg OberlechnerEsra OezmenPeter PalmeManuel PrammerJamila SchamanekAneta StojnicClaudia TomassettiMartin WeichselbaumerJoanna WilkArin ZadoorianZenker Zwonge&lt;/p&gt;&lt;p&gt;ASSISTANTS:Petja DimitrovaEduard Freudmann&lt;/p&gt;&lt;p&gt;PROFESSOR: Marina Grzinic&lt;/p&gt;&lt;p&gt;15.05 until 17.05.2015, Friday to Sunday&lt;/p&gt;&lt;p&gt;The PCAP class travel program to Loibl  Concentration Camp Memorial, Peršmanhof  and Schloss  Lind / Das andere HeimatmuseumTravel conceived    by Joanna Wilk and Martin Weichselbaumer&lt;/p&gt;&lt;p&gt;*****15.05. 2015, FRIDAYDeparture at 7.00 from ViennaLandstraßer Hauptstraße/Gigergasse&lt;a href="https://goo.gl/maps/vpkt0"&gt;goo.gl&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Tour with Peter Gstettner at theLoibl (North) Concentration Camp MemorialLoibl Süd Concentration Camp Memorial&lt;/p&gt;&lt;p&gt;In charge: Mauthausen Komitee KärntenURL: &lt;a href="http://loibl-memorial.uni-klu.ac.at"&gt;loibl-memorial.uni-klu.ac.at&lt;/a&gt;&lt;a href="http://www.memorialmuseums.org/eng/staettens/view/317/Memorial-at-Loibl-Concentration-Camp-North"&gt;www.memorialmuseums.org&lt;/a&gt;&lt;/p&gt;&lt;p&gt;More than one thousand prisoners were brought to the Loibl Pass from the Mauthausen Concentration Camp from summer 1943 onwards to dig a road tunnel. Two concentration camps were built there; the south concentration camp (today located on Slovenian territory) and the north concentration camp on the Carinthian side of the pass. After twenty months of construction the 1,542 metre tunnel was opened for the first Wehrmacht vehicles to pass through.  The Loibl Concentration Camp was cleared on 7 May 1945 and SS units took some 950 remaining prisoners through the Loibl valley. A day later partisans liberated the column of prisoners before it reached Klagenfurt.  Following the clearance and plundering of the former concentration camp complex, all traces of the Loibl (North) concentration camp were wiped out. The grounds were handed over to private owners and used for forestry.  After renovation work on the Loibl Tunnel was completed in 1964, the »Amicale de Mauthausen« foundation hung a small and inconspicuous memorial plaque at the entrance to the tunnel.  In 1995 an initiative to have the former Loibl (North) Concentration Camp be put under a preservation order resulted in the installation of two large information and remembrance plaques and organized a remembrance ceremony which garnered wide public and international attention. Since 2003 the initiative has stepped up activities aimed at remembering the victims of National Socialist crimes at the Loibl Pass.&lt;/p&gt;&lt;p&gt;The tour will take about 4 hours without a break; we start on the north side and then go to the south side. If bad weather, the hike will be shortened as a result. Recommended are warm clothing and good footwear.&lt;/p&gt;&lt;p&gt;Prof. Peter Gstettner  was teaching from1981 to 2004 at the University of Klagenfurt. In 1994 Peter Gstettner founded  the Mauthausen Committee Carinthia / Koroška and the Association Memorial Carinthia /Koroška.&lt;/p&gt;&lt;p&gt;How to reach the places: The memorial is situated on the Loibl Pass Road, about 1.5 kilometers after the southern entrance of the Loibl Tunnel (border crossing between Austria and Slovenia). The international monument lies to the left of the road, the former concentration camp site is on the right of the road; there are signposted parking spaces on both sides of the road.&lt;/p&gt;&lt;p&gt;*****16.05. 2015, SATURDAY&lt;br /&gt;Peršmanhof. On April 25, 1945, members of SS and Police Regiment 13 shot eleven members of a Slovene family in the Upper Austrian township of Bad Eisenkappel. The family lived on the remote Peršmanhof farm which was an important base for the partisan resistance against the National Socialist regime. Since 1981, there has been a small museum at Peršmanhof. In 1983, a memorial to the Carinthian partisans was set up in the property's forecourt.&lt;/p&gt;&lt;p&gt;URL: &lt;a href="http://www.persman.at/"&gt;www.persman.at&lt;/a&gt;Koprein-Petzen/Koprivna pod Peco 39135 Bad Eisenkappel/Železna kaplaIn charge: Verband der Kärntner Partisanen  und/and  Društvo/Verein Peršman&lt;/p&gt;&lt;p&gt;At Peršmanhof  we will have a hike with Zdravko Haderlap „in the footsteps of the resistance”;  this hike will take 5 hours with break. The walking time will be 2 hours the other 3 hours will be time to talk. Recommended are warm clothing, good footwear and something to eat. After the hike we will have a break and time to eat or cook something an then we have the possibility to have a look in the museum  Peršmanhof.&lt;/p&gt;&lt;p&gt;Zdravko Haderlap  born in 1964 in Bad Eisenkappel / Železna Kapla, grew up in Lepena.  From1990  to 1998 founder  and artistic director of the Dance Theatre / Plesni Teater Ikarus. 1991 Federal Scholarship for theater experience in Bremen / Germany and Sao Paulo / Brazil.&lt;/p&gt;&lt;p&gt;How to reach the place: From the B 52 through the village center in Bad Eisenkappel/Železna kapla towards Bad Vellach (B 82). After 2 km turn off left towards Leppen/Lepena. There  are markers to the Museum.&lt;/p&gt;&lt;p&gt;*****17.05.2015, SUNDAYThe last day we will be at Schloss (Castle)  Lind  in Sankt Marein at Neumarkt in Austria. During the NS period, the castle served as a subcamp of the concentration camp Mauthausen; after 1945, it was left for itself. The artist Aramis, who intensively dealt with the building in his &amp;quot;associative installations&amp;quot; between 1996 and his death in 2010, conceived Das andere Heimatmuseum // The Different Museum of Local History.URL: &lt;a href="http://www.schlosslind.at"&gt;www.schlosslind.at&lt;/a&gt;&lt;/p&gt;&lt;p&gt;How to reach the place: Drive along the main road from Vienna via Semmering towards Klagenfurt and then turn off at the junction beside the sign indicating the end of St. Marein.&lt;/p&gt;&lt;p&gt;Returning to Vienna in the evening.&lt;/p&gt;&lt;p&gt;Texte/Filme&lt;/p&gt;&lt;p&gt;&lt;a href="http://erinnern.at/bundeslaender/kaernten"&gt;erinnern.at&lt;/a&gt;Küchengespräche mit Rebellinnen von Karin Berger et al:&lt;a href="http://www.karinberger.at/filme/kuechengespraeche.htm"&gt;www.karinberger.at&lt;/a&gt;Den Film 'Der Kärntner spricht Deutsch / Andri 1924-1944' (kenne ich nicht): &lt;a href="http://www.hoanzl.at/derkarntner-"&gt;www.hoanzl.at&lt;/a&gt;spricht-deutsch-andri-1924-1944.htmlDann gibt’s da noch eine ORF-Doku 'Vertrieben als Slowenen' in zwei Teilen auf:&lt;a href="http://www.youtube.com/watch?v=mMAp_td44bk&amp;amp;feature=related"&gt;www.youtube.com&lt;/a&gt;und ebenfalls vom ORF: 'Brennpunkt - Die Kärntner Partisanen' in drei Teilen auf dieser PlattformPeter Gstettner. Die Legende von der Selbstbefreiung Kärntens. Alte Töne und neue Varianten am Randedes Gedankenjahres 2005: &lt;a href="http://www.antifa.co.at/antifa/Gstettner.pdf"&gt;www.antifa.co.at&lt;/a&gt;Martin Bolkovac: Die slowenischen Partisanen in Kärnten:&lt;a href="http://home.pages.at/lobotnic/oekoli/content_texte_slowenpartisan_inkaernten.html"&gt;home.pages.at&lt;/a&gt;Die Kärntner Slowenen (unzensiert): &lt;a href="http://www.uni-klu.ac.at/his/downloads/broschuere.pdf"&gt;www.uni-klu.ac.at&lt;/a&gt;KZ zum Bau des Loibltunnels - chronologische Darstellung:&lt;a href="http://linksunten.indymedia.org/de/system/files/data/2010/04/4877451364.pdf"&gt;linksunten.indymedia.org&lt;/a&gt;Martin Bolkovac: Die slowenischen Partisanen in Kärnten:&lt;a href="http://home.pages.at/lobotnic/oekoli/content_texte_slowenpartisan_inkaernten.html"&gt;home.pages.at&lt;/a&gt;KZ Loibl: &lt;a href="http://loibl-memorial.uni-klu.ac.at"&gt;loibl-memorial.uni-klu.ac.at&lt;/a&gt;&lt;/p&gt;&lt;hr /&gt;&lt;p&gt;ACTIVITIES PRIOR THE TRAVEL IN PCAPOrganized by Joanna Wilk and Martin Weichselbaumer&lt;/p&gt;&lt;p&gt;27.04.2015, MondayAt 15.00, M1Film screening „Du wirst es nie verstehen“ by Anja Salomonowitz.&lt;/p&gt;&lt;p&gt;DATA FILM:Anja Salomonowitz,  2003: Das wirst du nie verstehen, 52 min.In meinem Film geht es um drei Frauen, die dem, was in der Geschichtswissenschaft als Täter- und Opfergeneration bezeichnet wird, angehören. Mit ihren unterschiedlichen Lebensgeschichten, unterschiedlichen Erzählungen und Erinnerungen leben sie alle in einer Familie, in meiner Familie (Anja Salomonowitz).&lt;/p&gt;&lt;p&gt;Anja Salomonowitz porträtiert drei Frauen aus ihrer Familie, die während der NS-Zeit fast noch Mädchen waren. Alle drei waren an ihrer Erziehung wesentlich beteiligt. Sie standen auf verschiedenen Seiten, stellen die Geschichte heute unterschiedlich dar, gehören jeweils anderen Erinnerungskollektiven an: Hanka Jassy, ihre Großtante, hat Auschwitz überlebt. Gertrude Rogenhofer, ihr Kindermädchen, war Sozialistin und unterstützte ihren Onkel im Widerstand. Margit Kohlhauser, die Großmutter, lebte während des Krieges in Graz. Sie tat dort, was die meisten taten: Nichts. Der Film stellt sich den familiären Erzählungen, untersucht die Nachwirkungen der Geschichte und die Mechanismen ihrer Tradierung. Während die Großmutter beharrlich behauptet, sich nicht erinnern zu können, erzählt Gertrude Rogenhofer sehr wohl von den Löchern, die die Deportation jüdischer Bekannter im Leben hinterlassen hatten. „Natürlich hat man davon gewusst, dass Menschen deportiert wurden“, weiß sie zu berichten. Hanka wiederum findet keine Worte, um auszudrücken, was zu vergessen sie nicht imstande ist. Anja Salomonowitz konfrontiert sich und ihre Familienmitglieder mit den unterschiedlichen Erinnerungen. Im Zusammenschnitt und in der Off-Stimme reflektiert die Filmemacherin die widersprüchliche Aufgabe, gleichermaßen in der Genealogie des Opfer- wie des Täterkollektivs zu stehen. Sie legt dabei ihre familiäreVerbundenheit ebenso offen, wie sie die Mechanismen der Abwehr, derm Verleugnung, des Erzählens und Verschweigens sichtbar werden lässt. Sie stellt Fragen, und ist, wenn sie ihre Großmutter ins Bild setzt, ebenso sehr Enkelin wie Nachkommende von Überlebenden.&lt;/p&gt;&lt;p&gt;28.04.2015, Tuesday&lt;/p&gt;&lt;p&gt;At 15.00. M1Presentation by and talk with artist Ernst Logar ON Loiblpass (slowenisch: Ljubelj).&lt;/p&gt;&lt;p&gt;Ernst Logar born 1965 in Klagenfurt (A), living in ViennaSelected Solo Exhibitions and Projects:2014 Elements of Remembrance, Theater am Hundsturm/ Volkstheater Wien (A)2013 Place of Unrest, GrazMuseum, Graz (A)2010 Sustainable Transformation, GLOBArt Academy, Krems (A)2009 Monetary Interventions in Public Space, Vienna (A)2008 Invisible Oil, Peacock Visual Arts, Aberdeen (UK)Den Blick hinrichten, Stadtmuseum GrazThe End of Remembering - Carinthian Partisans, Memorial Museum Peršmanhof (A)The End of Remembering - Carinthian Partisans, Culture centre St.Primus/ Kulturni dom Šentprimož (A)The End of Remembering - Carinthian Partisans, District criminal court Vienna (A)The End of Remembering - Carinthian Partisans, The Austrian Parliament, Vienna (A)&lt;/p&gt;&lt;p&gt;5.05. 2015, TuesdayAt 15.00  until 16.00, M1SEMINAR CONNECTED WITH THE PCAP  TRAVELGUEST: ANJA SALAMONOWITZ,Q and A after  screening   in April of Salomonowitz film Das wirst du nie verstehen (2003)Moderated by Joanna Wilk.&lt;/p&gt;&lt;hr /&gt;&lt;p&gt;POST-TRAVEL ACTIVITIES in PCAPOrganized by Joanna Wilk and Martin Weichselbaumer&lt;/p&gt;&lt;p&gt;20.05.2015, WednesdayAt 15.00, M1Guest speaker: Gudrun Blohberger - new Educational Director of the Mauthausen Concentration Camp MemorialGudrun Blohberger (chairwoman of the association Peršmanhof in Carinthia and previously director of museum education at the State Museum in Klagenfurt) was appointed in 2015 as the new Educational Director of the Mauthausen Concentration Camp Memorial.&lt;/p&gt;&lt;p&gt;Talk moderated by Martin Weichselbaumer&lt;/p&gt;&lt;p&gt;OPEN:  AFTER TALK SCREENING&amp;quot;Wilde Minze&amp;quot;, 2009, Ein Dokumentarfilm von Jenny Gand und Lisa RettlA 2009 / 85 min. / DV PALRegie / Kamera / Schnitt: Jenny Gand //Interview / Recherche / Produktion: Lisa Rettl //„Wilde Minze“ erzählt die Geschichte einer Mutter-Tochterbeziehung über den Tod hinaus. In Graz werden am 23. Dezember 1944 nach einem Urteil des Volksgerichtshofs acht Todesurteile vollstreckt. Darunter die Villacher Kommunistin und Widerstandskämpferin Maria Peskoller. Ihre Tochter, die damals knapp 16-jährige Helga, überlebt. 65 Jahre danach geht sie auf eine Zeit- und Erinnerungsreise.www.wildeminze.at&lt;/p&gt;</description>
      <pubDate>Tue, 19 May 2015 16:37:18 GMT</pubDate>
      <guid>https://m1.antville.org/stories/2223491/</guid>
      <dc:creator>concept</dc:creator>
      <dc:date>2015-05-19T16:37:18Z</dc:date>
    </item>
    <item>
      <title>STUDY TRAVEL TO GREECE 2013</title>
      <link>https://m1.antville.org/stories/2179588/</link>
      <description>&lt;p&gt;4.11 to 9.11.2013RESEARCH TRAVEL OF PCAP TO ATHENS, GREECE&lt;/p&gt;&lt;p&gt;Students: Ye La An, Sarah Binder, Nadja David, Miltiadis Gerothanasis, Naz Gündoğdu, Willi Hejda, Imayna Caceres, Neda Hosseinyar, Daria Kirillova, Niki Kubaczek, Nataša Mackuljak,  Esra Özmen, Ceylan Aslıhan Öztürk, Jamila Schamanek, Songül Sönmez, Aneta Stojnić, Reha Refik Tasci, Claudia Tomassetti, Anna Stina Treumund, Irene Wallner, Martin Weichselbaumer, Arin ZadoorianAss. Prof: Petja Dimitrova, Muzaffer HasaltayProfessor:  Marina Grzinic&lt;/p&gt;&lt;p&gt;PROGRAM&lt;/p&gt;&lt;p&gt;4.11.2013, MONDAY8.30Departure. Take S7 from Wien Mitte Metro to Vienna airport. Costs 4.20 Euro.9.30Meeting LOBBY VIENNA AIRPORT, in front of McDonalds; going together to group check in.HAVE YOUR IDENTITY CARD, PASSPORTS, VISAS! and STUDENT CARD;USB keys with your work for the presentations, cameras to record and taking photos.11.20Departure from Vienna airport TRAVEL A3 88114.35Arrival Athens Int. airport El. Venizelos. Minivan takes us from Athens airport to youth hostel (Paid!)YOUTH HOSTEL ACCOMMODATION:Athens International16 Viktoros Hugo Str., 104 38 Athens30-210-5232540, &lt;a href="mailto:info@athens-international.com"&gt;info@athens-international.com&lt;/a&gt;17.00City / gallery tour w artist-performer Aristi Costopoulouwww.aristi.net&lt;/p&gt;&lt;p&gt;5.11.2014, TUESDAY&lt;/p&gt;&lt;p&gt;10.00Visit to Acropolis archeological space. (Tickets booked are already paid, just go to the ticket office and pick up the tickets for zero payments).How to go to AcropolisTake the metro red line in direction to “Agios Dimitrios”. Get off at “Acropolis” station (after 4 stops). Ask there for the entrance of the Acropolis archeological place, it is a 4 min. walk. The Museum of Acropolis will be right beside.12.00City and gallery tour with artist-performer Katerina Fanouraki; going to Plaka, the old historical neighborhood of Athens, clustered around the northern and eastern slopes of the Acropolis.&lt;/p&gt;&lt;p&gt;Visiting  of the exhibition Christian Boltanski, Eyes at The Onassis Cultural Centre.&lt;/p&gt;&lt;p&gt;17.00Going to “Steki Metanaston” (Immigrants’ Place. Address: Tsamadou 13), meeting and discussion with immigrants and others who are part of the Steki. Representatives from LOA (Lesbian Group Athens (Lesviaki Omada Athinas - AOL) &lt;a href="http://www.loa.gr/"&gt;www.loa.gr&lt;/a&gt;) and members  from the  LGBT group  “Ouranio Toxo” (Rainbow) will be there. Maybe Yiannis Albanis will join you. Yiannis Albanis is an activist on human rights and represents the Network for social and political rights.From Steki Vana Kostayola spoke with Nasim Lomani and from LOA with Xaris!20.00Film screening at “Steki Metanaston”The film is called “RUINS” and it is on the HIV women and their manipulation as part of the crisis. Trailer (in Greek): &lt;a href="http://youtu.be/56IYPutvYP0"&gt;youtu.be&lt;/a&gt;RUINS: “Α documentary about a shocking case of HIV criminalization in Greece. The story of the persecution of HIV-positive women who were detained by the Hellenic Police, forcibly tested, charged with felony, imprisoned and publicly exposed, when their mug shots and personal data were published in the media in the run-up to the country’s 2012 national elections.”&lt;/p&gt;&lt;p&gt;6.11.2013, WEDNESDAY&lt;/p&gt;&lt;p&gt;11:00 – 16:00Meeting at Athens Fine Art School with Vassilis Vlastaras, associate professor and Kostis Stafylakis, art theorist and artist. Together they run the project “Unit of Innovation”.Address: Peiraios 256, Moschato TavrosMetro from “Metaxourgio”, direction “Agios Dimitrios”.Get off at “Omonoia” (first stop) to change the line (from red to green). Take the green line with direction “Piraeus”. Get off at station “Kallithea” (5th stop from “Omonia”). From there to the Athens Fine Art School is a 10 min. walk.STUDENT PRESENTATIONS from both sides!PCAP presentations:Naz Gündoğdu/ Niki Kubaczek,Esra Özmen,Nataša Mackuljak/Miltiadis Gerothanasis&lt;/p&gt;&lt;p&gt;At 19.00&lt;/p&gt;&lt;p&gt;Theater Ebros, visiting and short discussion on the situation at Ebros self-managed theater; visit   during their presentation on the subject of Creative Commons.&lt;/p&gt;&lt;p&gt;7.11.2013, THURSDAY&lt;/p&gt;&lt;p&gt;12.00Meeting at The Panteion University of Social and Political Sciences, Athens.12.00 with Voula Touri  around and12.30 with Maria Karamessini, Maria Stratigaki (&lt;a href="http://www.mariastratigaki.gr/en/"&gt;www.mariastratigaki.gr&lt;/a&gt;) and maybe Athena Athanasiou (&lt;a href="http://panteion.academia.edu/AthenaAthanasiou"&gt;panteion.academia.edu&lt;/a&gt;).These professors are working on immigrants, LGBT, biopolitics, (un)employment etc.&lt;/p&gt;&lt;p&gt;15.30 to 21.00 Athens Biennale with and CAMP with Kostis Stafylakis, art theorist, artist and discussion on art and activist practices neo-fascism in Greece and the Greek riots&lt;/p&gt;&lt;p&gt;8.11.2013, FRIDAY&lt;/p&gt;&lt;p&gt;11.30 meeting at BIOSContact person at BIOS: Gabriela TriadafuliAddress:  Panagi Tsaldari, AthensMeeting with the artist Demi Kaia&lt;/p&gt;&lt;p&gt;DEPARTURE TO VIENNA FRIDAY 8.11.2013At 14.00From youth hostel, minivan takes us to airportTRAVEL A3 880 08NOV ATHVIE HK26 1635Arrival in Vienna at 17.50&lt;/p&gt;&lt;p&gt;CONCEPTUALIZATION/ORGANIZATIONTRIP TO / IN ATHENSConceptualization/ content/ research trip Athens:Vana Kostayola and Marina Grzinic (with help by numerous friends, artists, theoreticians and activists).Proposal trip: Neda Hosseinyar and Arin ZadoorianDocumentation of the trip: Ye La An, Irene Wallner.Orientation in Athens and help in situ: Miltiadis Gerothanasis.Technical help and documentation and presentations support: Muzaffer Hasaltay.Work on money, travel and accommodation: Petja Dimitrova, Marina Grzinic, Vana Kostayola.&lt;/p&gt;</description>
      <pubDate>Thu, 31 Oct 2013 20:02:35 GMT</pubDate>
      <guid>https://m1.antville.org/stories/2179588/</guid>
      <dc:creator>concept</dc:creator>
      <dc:date>2013-10-31T20:02:35Z</dc:date>
    </item>
    <item>
      <title>STUDY TRAVEL TO BUDAPEST 2011</title>
      <link>https://m1.antville.org/stories/2093934/</link>
      <description>&lt;p&gt;STUDY TRAVEL TO BUDAPEST: EXCHANGE, VISITING21-23.11.2011PARTICIPANTS, students PCAP:Aleksandra AleksicSarah BinderLisa BolyosAnastasia BruelleClaudia CaceresChristian Diaz OrejarenaMiltiadis GerothanasisCan GuelcueNaz GündogduSophie HaasCornelia HauerWilli HejdaNeda HoseinyarTatiana Kai-BrowneDaria KirillovaSimone  KunzPhilip LeitnerMarissa LoboNatasa MackuljakVerena Melgarejo-WeinandtLaura NitschGeorg OberlechnerPeter PalmeTanel RanderSeraina RenzMaria RodriguezAndreas ScherzAnna ShestakovaClaudia TomassettiKatharina WagnerJoanna Wilk&lt;/p&gt;&lt;p&gt;GENERAL PROGRAM21.11.2011, MONDAY&lt;/p&gt;&lt;p&gt;Arrival and accommodation, LUNCH.Early Afternoon:  VISITING the Academy of Fine Arts in Budapest&lt;/p&gt;&lt;p&gt;The Hungarian University of Fine Arts (&lt;a href="http://en.wikipedia.org/wiki/Hungarian_language"&gt;en.wikipedia.org&lt;/a&gt; Hungarian: MagyarKépzőművészeti Egyetem) is the central&lt;a href="http://en.wikipedia.org/wiki/Hungary"&gt;en.wikipedia.org&lt;/a&gt; Hungarian art school in&lt;a href="http://en.wikipedia.org/wiki/Budapest"&gt;en.wikipedia.org&lt;/a&gt; Budapest.&lt;/p&gt;&lt;p&gt;Address:&lt;/p&gt;&lt;p&gt;1062 Budapest, Andrássy út 69-7,&lt;a href="http://en.wikipedia.org/wiki/Andr%C3%A1ssy_Avenue"&gt;en.wikipedia.org&lt;/a&gt; Andrássy Avenue.&lt;/p&gt;&lt;p&gt;Program first day:&lt;/p&gt;&lt;p&gt;FIRST) Meeting at the  Art Theory Department,  at address 1062 Budapest,Andrassy 69-71,  with  prof. János Szoboszlai, the Head of Art TheoryDepartment and  prof. Eszter Lázár,  curator at the Hungarian University ofFine Arts, where she is a leading member of the exhibition committee.&lt;/p&gt;&lt;p&gt;PRESENTATIONS3 students will have a short presentation (10 min) from the Theory Dept.&lt;/p&gt;&lt;p&gt;Vera Kiss 3rd year stud: presentation of a dept. research project - Archiveof the Hungarian Curatorial Practices&lt;/p&gt;&lt;p&gt;Bea Istvanko 3rd year stud: Urban Spaces Budapest-Berlin. (exhibitionproject at Demo:Gallery)&lt;/p&gt;&lt;p&gt;Zsófia Rechnizer stud: Fictional project based on the short story of theChapel Exhibitions at Balatonboglar (1970-73)&lt;/p&gt;&lt;p&gt;From the side of Conceptual Art class, Akbild, presentations:&lt;/p&gt;&lt;p&gt;-Presentation by Marissa Lôbo   (about Maiz, Linz), migrants' selfempowerment, knowledge, anti racism. Marissa Lôbo  is Black activist (maiz,Linz) and performer.&lt;/p&gt;&lt;p&gt;-Presentation with a title &amp;quot;Solidary struggles against deportation inAustria&amp;quot; by a collective authorship; actions against deportation, activism,anti racism, analysis state hegemony and discrimination, EU policy.&lt;/p&gt;&lt;p&gt;-2 positions presentation, students in the first semester: Sophie Haas andDaria Kirillova&lt;/p&gt;&lt;p&gt;FOLLOWING)  Meeting prof. János Sugar, Intermedia department of the Academy(address: Kmety 26).&lt;/p&gt;&lt;p&gt;&lt;a href="http://www.v2.nl/%7Earns/Projects/Convergence/ClovSu.html"&gt;www.v2.nl&lt;/a&gt;www.v2.nl/~arns/Projects/Converge/ClovSu.html&lt;/p&gt;&lt;p&gt;Janos Sugar studied in the Department of Sculpture at the Hungarian Academyof Fine Arts in Budapest (1979-84). Between 1980-86 he worked with Indigo,an interdisciplinary art group led by Miklos Erdely. Sugar served on theboard of the Balazs Bela Film Studio (1990-95) and has been teaching art andmedia theory in the Intermedia Department of the Hungarian Academy of FineArts since 1990.&lt;/p&gt;&lt;p&gt;EVENING FIRST DAY:  Going to Demo:Gallery that is  run by  students.&lt;/p&gt;&lt;p&gt;Drinks and food.&lt;/p&gt;&lt;p&gt;22.11.2011, TUESDAYAt 10.00&lt;/p&gt;&lt;p&gt;Ludwig Museum-Museum of Contemporary Art&lt;/p&gt;&lt;p&gt;Address:Ludwig Museum - Museum of Contemporary ArtPalace of ArtsKomor Marcell u. 1, Budapest, H-1095Meeting  with the director of Ludwig Museum, Barnabás Bencsik.&lt;/p&gt;&lt;p&gt;Meeting  with  Tijana Stepanovic, curator and  head of  the department ofACAX | Agency for Contemporary Art Exchange department of Ludwig Museum.&lt;/p&gt;&lt;p&gt;Meeting with Rita Kalman, curator, ACAX.&lt;/p&gt;&lt;p&gt;Meeting with Nikolett Erőss, curator of  East of Eden - Photorealism:Versions of Reality&lt;/p&gt;&lt;p&gt;and Yona Friedman: Architecture without building.&lt;/p&gt;&lt;p&gt;Seeing the exhibitions at Ludwig.&lt;/p&gt;&lt;p&gt;LUNCH&lt;/p&gt;&lt;p&gt;At 14.00 House of Terror, museum located at 1062 Budapest, Andrássy út 60.It contains exhibits related to the fascism and communism. The museum openedon February 24, 2002. It is also a memorial to the victims of these regimes,including those detained, interrogated, tortured or killed in the building.&lt;/p&gt;&lt;p&gt;Lecture, guide: Borbala Kriza&lt;/p&gt;&lt;p&gt;Intro proposed by the lecturer to contextualize his lecture:&lt;/p&gt;&lt;p&gt;ZSÓFIA FRAZON - ZSOLT K. HORVÁTH&lt;/p&gt;&lt;p&gt;&amp;quot;The Injured Hungary. The House of Terror as presentation of objects,monument, and political rite&amp;quot;&lt;/p&gt;&lt;p&gt;This essay analyses the political symbolisation and the memorialrepresentation of the House of Terror, inaugurated on 24 February 2002(Memorial Day of the Victims of Communist Dictatorships) by Viktor Orbán,prime minister of Hungary between 1998 and 2002. This sacred commemorativeplace of two dictatorships (the period of Hungarian Nazis assembled in theArrow Cross Party, and subsequently the communist rule), called officially'museum' is, according to our hypothesis, a political monument to the abusesof the recent past. This kind of contemporary history is more than ahistoriographical problem, as it is located in the point of intersection ofhistory (as a discipline) and memory (as a discourse based on thetestimonies of the survivors). First we try to define what the House ofTerror is: with a comparative theoretical framework and a concrete,empirical research, we show that it is impossible to consider it either as amuseum or as an exhibition because the presentation of objects does notcorrespond to the criteria of those cultural institutions. Therefore, weregard the House of Terror as a monument. With a historical approach,supported by methods of the scholarly literature on monuments, we attempt tocharacterize the notions on which this particular monument is founded: thesenotions are 'victim' and 'injury'. Analyzing the connection between theofficial political discourse and the symbolic occupation of public places atthe time of the inaugural ceremony of the House of Terror, we describe theunderlying conception of history and its uses. According to our hypothesis,the House of Terror, based on the notions 'victim' and 'injury', maintainsthe idea of the nation 'injured' by its rivals, invented and used mainlybetween the two World Wars. The House of Terror keeps the structure of thisconcept, but changes a keyword in it - thus becomes a memorialrepresentation of Hungary injured by communism.&lt;/p&gt;&lt;p&gt;At 18.00 back to the Academy of Fine Arts for the McLuhan centenary event.&lt;a href="http://mcluhan100.kibu.hu/en/collective-action/"&gt;mcluhan100.kibu.hu&lt;/a&gt;&lt;a href="http://mcluhan100.kibu.hu/en/collective-action/"&gt;mcluhan100.kibu.hu&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Meeting Prof. Miklós Peternák, head of the Intermedia Department, HungarianAcademy of Arts, Budapest; Director of  C3, Budapest.&lt;/p&gt;&lt;p&gt;About the project: Under the title of Marshall McLuhan in Europe 2011, therehave been a series of events dedicated to the centenary of MarshallMcLuhan's birth throughout Europe.&lt;/p&gt;&lt;p&gt;Marshall McLuhan, (July 21, 1911 - December 31, 1980) was a Canadianeducator, philosopher, and scholar, his work is viewed as one of thecornerstones of the study of media theory, as well as having practicalapplications in the advertising and television industries. McLuhan is knownfor coining the expressions &amp;quot;the medium is the message&amp;quot; and &amp;quot;the globalvillage&amp;quot; and predicted the World Wide Web almost thirty years before it wasinvented.&lt;/p&gt;&lt;p&gt;EVENING: Opening Demo:Gallery and drinks, party in the city with  EszterLázár and the students.&lt;/p&gt;&lt;p&gt;23.11.2011, WEDNESDAY&lt;/p&gt;&lt;p&gt;At 11.45 Intermedia department of the Academy (address: Kmety 26).&lt;/p&gt;&lt;p&gt;Sherif El Azma and Malak Helmy (Cairo)&lt;/p&gt;&lt;p&gt;Presentations of their work&lt;/p&gt;&lt;p&gt;Part of the workshop held by the artists in the framework of the Free Schoolfor Art Theory and Practice organised by tranzit. hu (&lt;a href="http://hu.tranzit.org/en/free_school/"&gt;hu.tranzit.org&lt;/a&gt;&lt;a href="http://hu.tranzit.org/en/free_school/"&gt;hu.tranzit.org&lt;/a&gt;)&lt;/p&gt;&lt;p&gt;tranzit.hu/ Dora Hegyi  and Emese Süvecz&lt;/p&gt;&lt;p&gt;tranzit.hu is a space which cultivates encounters of different formats andcontents  and does so in constant mediation. We follow the idea thatartistic and curatorial thinking- including both theory and practice-produces an excess of knowledge, which can be recycled and used in abroader social discourse. Our ambition is to let our space where culture isproduced, rather then perceived, where values are tested and can be debated&lt;/p&gt;&lt;ul&gt;&lt;li&gt;in continuous awareness of conservative backlash. tranzit. hu welcomes artand ideas that are low-represented or excluded elsewhere (e.g.: in arthistory, or in contemporary canon making)  because being difficult, out offashion, unsellable or not straight. Therefore tranzit. hu is keen oncollaborating not only with well established professionals but also withbright young intellectuals who are willing to take on responsibilities.tranzit. hu is somewhat anarchic, idealistic place where &amp;quot;mistakes&amp;quot; arerendered into  new schemes. We believe that the conversations startedthrough the projects contribute to form a responsible-critical andexperimental attitude towards contemporary life.&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;DEPARTURE late afternoon.&lt;/p&gt;</description>
      <pubDate>Sat, 19 Nov 2011 08:28:46 GMT</pubDate>
      <guid>https://m1.antville.org/stories/2093934/</guid>
      <dc:creator>ef</dc:creator>
      <dc:date>2011-11-19T08:28:46Z</dc:date>
    </item>
    <item>
      <title>PCAP travel to Bratislava 2010</title>
      <link>https://m1.antville.org/stories/2020507/</link>
      <description>&lt;p&gt;TRAVEL TO BRATISLAVA, WITH CLASS PROGRAMORGANIZED BY IVAN JURICA&lt;/p&gt;&lt;p&gt;IN CHARGE FOR THE ORGANIZATION: Edi and Petja&lt;/p&gt;&lt;p&gt;WHEN: 24 to 26.11.2010DEPARTURE:   24.11 at 8.00RETURN IN VIENNA: 26.11 at 20.00&lt;/p&gt;&lt;p&gt;FINANCIAL: STUDENT 10.00 Euro participation (DEPOSIT 30.00, return20.00)FROM THE CLASS BUDGET, paying YOUTH HOSTEL and PARTICIPATION FOOD, COOKING&lt;/p&gt;&lt;p&gt;CONCEPT BY IVAN JURICA:DER DRANG NACH OSTEN – PARALLELS TOWARDS COLONIALITY AND POST-COLONIALISM WITHIN THE CENTRAEUROPEAN SPACE”&lt;/p&gt;&lt;p&gt;Short description of the project:&lt;/p&gt;&lt;p&gt;In November/December 2010 an exhibition project will be realized in the Galéria HIT in Bratislava/Slovakia (opening of the exhibition on 28.10.). Its title „Der Drang nach Osten – Parallels Towards Coloniality And Post-Colonialism Within The Central-European Space“ („Der Drang nach Osten – paralely ku kolonialite a post-kolonializmu v stredoeurópskom priestore“) focuses a re-writing of the official collective history (or rather histories) within the Central-European space.&lt;/p&gt;&lt;p&gt;The aim of the project is to create (through selected artworks and texts) a theoretical base for reconsidering the history and the presence of Central-European Space not just as any history or even nostalgia for the past, but as history of repressions based on borders, ideologies, religion, capital and exploitation (comparable to the history and presence of neo/coloniality). More than else in the world this space is to be thought as a laboratory of ideologies, each of them creating own socio-political systems with own, often completely contradictory, values; i.e. Austro-Hungarian Empire; National Socialism; Soviet Union &amp;amp; its satellites; Post &lt;code&gt;89 transition, but also interior histories as in case of ex-Czechoslovakia or ex-Yugoslavia, or repression of minorities within the state&lt;/code&gt;s system.&lt;/p&gt;&lt;p&gt;As it is an art project, one of the main questions would be, what role had and still has the official art(history) and culture to fulfill within these processes of repression, colonization and its naturalization ..?&lt;/p&gt;&lt;p&gt;Another constitutive part of the project is a small symposium with theoreticians on art and economy (25.11.) and a group workshop on Coloniality between the students of the Academy of Fine Arts (VŠVU), Bratislava (Studio Prof.Ilona Németh) and the PCAP (Post-Conceptual Art Practices; Prof.Marina Gržinić) at the Academy Of Fine Arts in Vienna (24. - 26.11.). All theoretical events will take place at the Academy in Bratislava.&lt;/p&gt;&lt;p&gt;Participating artists/Collectivs/Projects: Muzzaffer Hasaltay, Check Instead, Michal Moravčík, Lina Dokuzovic, IRWIN, Marina Gržinić/Aina Šmid, Joanna Richardson/David Rych, Re-Mapping Mozart, Jaro Varga, Ivan JuricaSpeakers at the symposium: Marina Gržinić, Hannes Hofbauer, Silvia Ruppeldtová, Christian Kravagna (?), Ilona NémethTheoretical texts by: Hannes Hofbauer, Suzana Milevska, Marina Gržinić, Silvia Ruppeldtová, Anetta Mona Chişa, Ivan Jurica&lt;/p&gt;&lt;p&gt;Project conceived and organized by Ivan Jurica and the team of Galéria HIT (Dorota Kenderová, Jaro Varga)&lt;/p&gt;&lt;p&gt;BY DAYS, PREPARED by JURICA&lt;br /&gt;Day 1 (24.11.):  departure by 8.00&lt;/p&gt;&lt;ul&gt;&lt;li&gt;Arriving in Bratislava, going to the VSVU (Academy in Brat.), check the spaces, knowing the partner, talk about the program.&lt;/li&gt;&lt;li&gt;Going to the hotel/hostel - if possible to check-in in the morning, then we`ll do the check-in as first, immediately after the arrival to the town&lt;/li&gt;&lt;li&gt;Having some break for get settled, get some food&lt;/li&gt;&lt;li&gt;In the late afternoon to start the program with the partner; presentations, talks, discussions etc.  OR we go to see the exhibition and have program at the gallery..&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;Day 2 (25.11.):&lt;/p&gt;&lt;ul&gt;&lt;li&gt;Having a walk in the town&lt;/li&gt;&lt;li&gt;Lunch&lt;/li&gt;&lt;li&gt;Presentations / Preparing for the symposium theoretically&lt;/li&gt;&lt;li&gt;students work and exchange together&lt;/li&gt;&lt;li&gt;Symposium&lt;/li&gt;&lt;li&gt;Diner together - students, professors, participants (probably at the Academy as a buffet; because of spatial and financial reasons)&lt;/li&gt;&lt;li&gt;Party ??&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;Day 3 (26.11.)&lt;/p&gt;&lt;ul&gt;&lt;li&gt;Check out of the hostel/hotel (hopefully we can store the luggage at the hotel)&lt;/li&gt;&lt;li&gt;Visiting any relevant institution; maybe some gallery or the Tranzit Studios, or both, with a lunch break in between&lt;/li&gt;&lt;li&gt;returning to Vienna departure at 19.00, Vienna at 20.00&lt;/li&gt;&lt;/ul&gt;</description>
      <pubDate>Thu, 23 Sep 2010 13:36:59 GMT</pubDate>
      <guid>https://m1.antville.org/stories/2020507/</guid>
      <dc:creator>ef</dc:creator>
      <dc:date>2010-09-23T13:36:59Z</dc:date>
    </item>
    <item>
      <title>8.–11. 12. 2009, AVU Prague</title>
      <link>https://m1.antville.org/stories/1953422/</link>
      <description>&lt;img alt="" style="" title="" loading="lazy" src="https://antville.org/static/sites/m1/images/091208-11_PCAP_prague.gif" /&gt;&lt;p&gt;Study exchange: Concept, Politics, EU and the Wall&lt;/p&gt;&lt;p&gt;PROGRAM 8. 12. 2009&lt;/p&gt;&lt;p&gt;17.00 INTRO: Visiting the Academy of Fine Arts in Prague, meeting the students, professors, seeing the space&lt;/p&gt;&lt;p&gt;18.00 PCAP Vienna + CAP Prague presentations, part 1:a) PCAP Vienna: Presentation of RESTRUCTURING EDUCATION/SQUATTING KNOWLEDGE by Sarah Binder, Iris Borovcnik, Isa Cannito, Miltiadis Gerothanassis, Barış Kızıltoprak, Marissa Lobo, Maria Muhar, Ervin Tahirovic, Majda Turkic, Barbara Wilding, Petja Dimitrova, Eduard Freudmann. Students and teachers at the Academy of Fine Arts in Vienna protest against the privatization of the public schooling, bureaucratization and etc. They ask for changes of the educational system. These protests are going on in the Universities in Austria in general and as well in the EU. The presentation will put light to the established demands of change in the Akbild education system in which students and teachers take part.b) CAP Prague: Presentation of personal projects by Erik Sikora, Friederike Höppner20.30 DINNER, drinks, being together&lt;/p&gt;&lt;p&gt;PROGRAM 9. 12. 2009&lt;/p&gt;&lt;p&gt;10.00–12.00 Prague city walk, lunch&lt;/p&gt;&lt;p&gt;14.00–18.00 PCAP Vienna + CAP Prague presentations, part 2:a) PCAP Vienna: Presentation of the project “Check Instead: the Colonial Matrix of Power!” by Sheri Avraham, Iris Borovcnik, Miltiadis Gerothanasis, Tatiana Kai-Browne, Baris Kiziltoprak, Marissa Lobo, Maria Muhar, Marion Oberhofer, Ervin Tahirovic. In the present moment at the Museum of Modern art (MUMOK)  in Vienna is at view the exhibition  “Gender Check,  investigating femininity and masculinity in Eastern European art since the 1960s,” initiated by the Erste Foundation. The exhibition Gender check imposes a neo colonial logic by Western Europe on the former Eastern Europe. Therefore Ana Hoffner and Ivana Marjanovic in collaboration with VBKÖ, Vienna, and supported by PCAP, initiated a counter project (workshop with exhibition) with the title “Check Instead: the Colonial Matrix of Power!”.&lt;br /&gt;b) CAP Prague: Presentation of personal projects by Daniela Halova, David Helan, Natsuko Ishikawa, Linda Mikolaskova, Michaela Danova, Susanne Kassc) PCAP Vienna: Presentation of  students collaborative and individual projects by Barbara Wilding, Muzaffer Hasaltay, Johannes Klemen and Adnan Popovic (collaborative work with Nataša Mačuljak), Saleh Rozati&lt;/p&gt;&lt;p&gt;18.00 dinner&lt;/p&gt;&lt;p&gt;20.30–22.00 Invited speaker: Ivan Mecl (editor in chief of &amp;quot;Umelec&amp;quot; magazine).&lt;/p&gt;&lt;p&gt;PROGRAM 10. 12. 2009&lt;/p&gt;&lt;p&gt;10.00–13.00 PCAP Vienna + CAP Prague, part 3:a) CAP Prague: Presentation of personal projects by Viktor Fucek,  Ilona Janackova, Jan Valik, Jana Vodolanova, Jan Trejbal, Lukas Vrana, Alina Schmutziger, Michal Cabb) PCAP Vienna: Work Presentations by Christoph Kolar,  Ivan Jurica, Cain Chui, Majda Turkic&lt;/p&gt;&lt;p&gt;13.00 lunch&lt;/p&gt;&lt;p&gt;15.00–18.00 gallery visit: Tranzit Display Galerie&lt;/p&gt;&lt;p&gt;19.00 (AVU): Lecture by Lisa Bolyos (PCAP, Vienna): “Activism, intervention, biogenetically changed food, migration, EU”&lt;/p&gt;&lt;p&gt;21.00 party, drinks, food, music&lt;/p&gt;&lt;p&gt;Participants from the Academy of Fine Arts, Vienna – Post Conceptual Art Practices (PCAP):Sheri Avraham, Sarah Binder, Lisa Bolyos, Iris Borovcnik, Isa Cannito, Cain Chui, Miltiadis Gerothanassis, Muzaffer Hasaltay, Flavia Inzikuru, Tatiana Kai-Browne, Barıs Kiziltoprak, Johannes Klemen, Christoph Kolar, Marissa Lobo, Maria Muhar, Marion Oberhofer, Adnan Popovic, Saleh Rozati, Lukas Tagwerker, Majda Turkic, Barbara WildingIvan Jurica, Petja Dimitrova, Eduard Freudmann, Marina Grzinic &lt;a href="http://m1.antville.org/"&gt;m1.antville.org&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Participants from the Academy of Fine Arts, Prague – Conceptual Art Class (CAP):Michaela Danova, Susanne Kass, Vojtech Fröhlich, Viktor Fucek, Natsuko Ishikawa, Ilona Janackova, Jan Valik, Jana Vodolanova, Jan Trejbal, Daneiela Halova, Linda Mikolaskova, Erik Sikora, Lukas Vrana, David Helan, Friederike Höppner, Alina Schmutziger, Pires HelderJana Peterkova, Michal Cab, Milos Sejn&lt;a href="http://www.ozafin.alu.hr"&gt;www.ozafin.alu.hr&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Study exchange conceived by Ivan Jurica&lt;/p&gt;</description>
      <pubDate>Sun, 06 Dec 2009 22:58:53 GMT</pubDate>
      <guid>https://m1.antville.org/stories/1953422/</guid>
      <dc:creator>ef</dc:creator>
      <dc:date>2009-12-06T22:58:53Z</dc:date>
    </item>
    <item>
      <title>Travels PCAP</title>
      <link>https://m1.antville.org/stories/1840110/</link>
      <pubDate>Mon, 29 Sep 2008 07:59:12 GMT</pubDate>
      <guid>https://m1.antville.org/stories/1840110/</guid>
      <dc:creator>concept</dc:creator>
      <dc:date>2008-09-29T07:59:12Z</dc:date>
    </item>
    <item>
      <title>RESEARCH TRIP TO BUCHAREST BIENNALE  3</title>
      <link>https://m1.antville.org/stories/1796589/</link>
      <description>&lt;p&gt;22.05.2008 to 26.05.2008&lt;/p&gt;&lt;p&gt;RESEARCH TRIP TO BUCHAREST BIENNALE  3&lt;/p&gt;&lt;p&gt;BB3 invited students  of the  Post Conceptual Art Practices (PCAP) at The Academy of Fine Arts in Vienna to propose a parallel event as part of the Biennale.&lt;/p&gt;&lt;p&gt;The result is a book project with the title Are you talking to me?Discussions on knowledge production, gender politics and feminist strategies, edited by feminist group  h.arta (Maria Crista, Anca Gyemant, Rodica Tache) from Romania and Katharina Morawek (PCAP student). After an intensive editorial process the book presents PCAP  students positions on questions of knowledge, EU and feminism. These positions are presented together with invited international  writers and artists. The book is published by Löcker Verlag, Vienna, and financially supported by The Academy of Fine Arts in Vienna/Post Conceptual Art Practices and BB3.&lt;/p&gt;&lt;p&gt;PRESENTATION OF THE BOOK and student work AS PART OF BB3 on 25.05 2008,&lt;/p&gt;&lt;p&gt;Bucharest.&lt;/p&gt;&lt;p&gt;Are you talking to me? Discussions on knowledge production, gender politics and feminist strategies.&lt;/p&gt;&lt;p&gt;Editors: H.arta and Katharina Morawek&lt;/p&gt;&lt;p&gt;Publisher: Löcker Verlag, Vienna in collaboration with the Academy of Fine Arts, Vienna and BB3, Bucharest.&lt;/p&gt;&lt;p&gt;English; format: 12,5 x 20,5; pages: 252; black and white&lt;/p&gt;&lt;p&gt;Book contributions are by Carolina Agredo, Anna Artaker, Elke Auer, Zanny Begg, Petja Dimitrova, Lina Dokuzovic, Veronika Eberhart, Eva Egermann , Eva Cruells, Marina Grzinic, Simina Guga, Alex Hache, h.arta, Ana Hoffner, Reni Hofmüller, Maja- Lena Johansson, Ivan Jurica, Vida Knezevic, Katharina Koch, Lisbeth Kovacic, Ladyfest Romania collective, Lovekills, Roxana Marin, Ivana Marjanovic, Julia Mitterbauer, Emil Moise, Katharina Morawek, Crina Morteanu, Lilo Nein, Gerhild Perl, Alina Poşircă, Rosa Reitsamer, Joanne Richardson, Ana Sala, Karin Schneider, Sabine Sölkner, Esther Straganz, Andi Tennis, Lisa Torell, Nuria Verges, Julia Wieger, Veronika Wöhrer, Regina Wuzella, Vina Yun.&lt;/p&gt;&lt;p&gt;Students from PCAP travel to BB3 in order to deepen the intensity of collaboration with different spaces, and to learn from productive antagonisms in different situations and institutions. Taking part in the travel research project to BB3  from PCAP, Akbild are: Aleksandra Aleksic, Carolina Agredo, Lina Dokuzovic, Kevin Dooley, Veronika Eberhart, Juana Gonzalez, Can Gülcü, Muzaffer  Hasaltay, Peter Haselmayer, Ivan Jurica, Johannes Klemen, Christoph Kolar, Katharina Morawek, Adnan Popovic, Lilo Reissert, Jasmin Schienegger, Ruth Weismann, Regina Wuzella  and Petja Dimitrova, Eduard Freudmann, Marina Grzinic.&lt;/p&gt;</description>
      <pubDate>Sat, 17 May 2008 11:16:55 GMT</pubDate>
      <guid>https://m1.antville.org/stories/1796589/</guid>
      <dc:creator>ef</dc:creator>
      <dc:date>2008-05-17T11:16:55Z</dc:date>
    </item>
    <item>
      <title>Thursday, November 30, 2006</title>
      <link>https://m1.antville.org/stories/1521786/</link>
      <description>&lt;p&gt;thank you everybody, it was fantastic!!&lt;/p&gt;</description>
      <pubDate>Thu, 30 Nov 2006 18:41:08 GMT</pubDate>
      <guid>https://m1.antville.org/stories/1521786/</guid>
      <dc:creator>secondhand2</dc:creator>
      <dc:date>2006-11-30T18:41:08Z</dc:date>
    </item>
    <item>
      <title>Classtrip to Dresden and Usti nad Labem</title>
      <link>https://m1.antville.org/stories/1372240/</link>
      <description>&lt;img alt="" style="" title="" loading="lazy" src="https://antville.org/static/sites/m1/images/exkursion%20dresden.jpg" /&gt;&lt;img alt="" style="" title="" loading="lazy" src="https://antville.org/static/sites/m1/images/dresden%20.jpg" /&gt;</description>
      <pubDate>Fri, 14 Apr 2006 10:33:27 GMT</pubDate>
      <guid>https://m1.antville.org/stories/1372240/</guid>
      <dc:creator>evae</dc:creator>
      <dc:date>2006-04-14T10:33:27Z</dc:date>
    </item>
  </channel>
</rss>

