PCAP (POST CONCEPTUAL ART PRACTICES) STUDY PROGRAM Prof. Marina Grzinic Academy of Fine Arts, Vienna M1, first floor, Semper Depot, Lehargasse 8, Vienna m1.antville.org

TIME TABLE WORK PCAP JANUARY 2011

20 December 2010 until 7 January 2011, HOLIDAYS

10-15, January, 2011, Monday -Friday Harun Farocki film seminar

13. January 2011, Thursday 18.00 Plattform Geschichtspolitik, Jour Fixe (general meeting)

14. January, 2011, Monday INSTALMENT RUNDGANG EXHIBITION In charge Edi and Petja

15. January, 2011, Tuesday INSTALMENT RUNDGANG EXHIBTION (finalization) In charge Edi and Petja

16. January 2011, Tuesday 15.30 to 19.30 Individual meeting, office Grzinic CONTACT ME FOR APPOINTMENT

17. January 2011, Wednesday Preopening exhibition PCAP! At 14.00

18. January 2011, Wednesday 9.00 to 11.00 Individual meeting, office Grzinic CONTACT ME FOR THE APPOINTMENT

19. January 2011, Friday 10.00 to 15.00 Editorial board book, meeting, office Grzinic

20. January 2011, Saturday 11 to 15.00 Editorial board book, meeting, office Grzinic

RUNDGANG PCAP 2011 PROGRAMO

19. January 2011, Wednesday at 14.00 PRE-OPENING EXHIBITION

20. January 2011, Thursday

16.00 h: Ausstellungseröffnung und Arbeitspräsentationen//OFFICIAL OPENING EXHIBITION and TALK ABOUT THE WORKS 18.00 h: Decolonizing Knowledge and Life through Theory and Art, Workshop konzipiert und organisiert von Ivana Marjanovic, Gastpräsentation: Rubia Salgado/maiz, Linz// GUEST TALK: Rubia Salgado/maiz, Linz

19.30 h: Interventionen und Führungen der Gruppe »Emancipatory interventions as artistic strategy« in Kooperation mit »Projekt Kunst und Kommunikation« von Nora Sternfeld// INTERVENTION AS ARTISTIC STRATEGY

20.00 h: Buchpräsentation Ljubomir Bratic´: Politischer Antirassismus. Selbstorganisation, Historisierung als Strategie und diskursive Interventionen (Löcker, Wien 2010)// BOOKPRESENTATION: Ljubomir Bratic, Vienna

22.00 h- bis/until 1.00 »The darker side of the Academy«, Interventionsveranstaltung mit Musik und Getränken, Soli-Küche und Diskussionen. PARTY, TALKS, FOOD, from 22.30 to 1.00

21. January 2011, Friday

16.00 h: Lecture-Performance des Studenten Miltiadis Gerothanassis: »Greece, democracy, strategies of commemoration« (Arbeitstitel eines Work-in-progress- Projekts). STUDENT LECTURE: Miltiadis Gerothanassis 18.00 h: Decolonizing Knowledge and Life through Theory and Art, Workshop konzipiert und organisiert von Ivana Marjanovic, Präsentationen: Njideka Stephanie Iroh sowie Lisa Lnenicka und Annalisa Cannito (Studierende). GUEST LECTURE: Njideka Stephanie Iroh STUDENT PRESENTATIONS: Lisa Lnenicka und Annalisa Cannito

22. January 2011, Saturday

16.00 h: Interventionen und Führungen der Gruppe »Emancipatory interventions as artistic strategy« in Kooperation mit »Projekt Kunst und Kommunikation« von Nora Sternfeld. INTERVENTION AS ARTISTIC STRATEGY

17.00 h: Decolonizing Knowledge and Life through Theory and Art, Workshop konzipiert und organisiert von Ivana Marjanovic, Präsentationen: Tatiana Kai-Browne, Verena Melgarejo Weinandt und Niki Kubaczek (Studierende). STUDENT PRESENTATIONS: Tatiana Kai-Browne, Verena Melgarejo Weinandt und Niki Kubaczek

18.30 h: Präsentation der Installation »Iron Mask – White Torture« von Marissa Lôbo im Dialog mit Alessandra Klimpel STUDENT PRESENTATIONS: Marissa Lôbo, Alessandra Klimpel

24. January 2011, Monday and 25. January 2011, Tuesday DIPLOMA INSTALLMENT, students from other classes in PCAP space!!!!

25. January, 2011, Wednesday

At 16.00 until 20.00 Reading, discussion, watching

Workshop Decolonizing Knowledge and Life through Theory and Art. Conducted by guest lecturer Ivana Marjanovic, PhD candidate, Academy of Fine Arts Vienna. Topic in this semester is readings of the text form the class book project VOCABULARY OF DECOLONIALITY.

READINGS with discussion:

Beyond the overarching Imaginary : Vocabularies, Parallels and Trajectories in Global Coloniality of Power Festus Ikeotuonye

VOCABULARY OF DECOLONIALITY introduces the concept of decoloniality as an option for the contention of contemporary forms of subjugation under neo-liberal global capitalism that is based on historical colonialism and maintains continuities with it. Reading writers such as Frantz Fanon, bell hooks, Belinda Kazeem, Nicola Lauré al-Samarai, Walter Mignolo and Peggy Piesche and relating their ideas to the current state of capitalism, migration, racism, class, gender etc., the editors with the name “Editorial Group for Writing Insurgent Genealogies ” decided that it is necessary to reformulate the existing vocabulary and to re-propose new terminology and meaning connecting art and politics.

VOCABULARY OF DECOLONIALITY is a project initiated by the alumni and students of the Post-Conceptual Art Practices class at the Academy of Fine Arts in Vienna, PhD candidate Ivana Marjanović and Professor Marina Gržinić within the context of the project of theory and arts: “Seminar Decolonizing Knowledge and Life through Theory and Art” that has been organized in the class for Post Conceptual Art Practices class, Akbild, since 2009 by Ivana Marjanović. The Editorial Group for Writing Insurgent Genealogies consists of Carolina Agredo, Sheri Avraham, Iris Borovčnik, Annalisa Cannito, Miltiadis Gerothanasis, Niki Kubaczek, Marissa Lobo and Ivana Marjanović. The group was constituted through a hard process of reading, discussions and activation.

26. January, 2011, Wednesday

At 20.30 screening video film 'Red Tours' Joanne Richardson / David Rych, 2010 (Shown in the exhibition 'Der Drang nach Osten', Hit Gallery, Bratislava, curated by Ivan Jurica)

info: www.kuda.org

screening proposed and moderated by Kevin Dooley

27. January 2011 and 28.January 2011 DIPLOMA 2 days: !!! Grzinic in the commission, take a chance and follow the exams! Do not litter in the space PCAP, do not cook, especially on the 28.01!!! as we will have students from other classes in our space presenting the diploma work!!

29.01.2011 to 28.02.2011 FERIEN/HOLIDAYS

28.02. 2011 START OF THE NEW SEMESTER!! MARCH 2011 we will watch on 8.03.2011 from 9.00 until 23.00: SHOAH by Claude Lanzmann, completed in 1985 about the Holocaust, it is long cca 10 hours, we will watch in its entirety. In charge for screening is Freudmann. We will have a pause for eating.

All what is going on in the class if not said differently is open to the academy as a whole and the most general public.