m1 (turm4) |
Sunday, 27. November 2011
ef, November 27, 2011 at 4:47:58 PM CET PCAP program December 2011 TIME TABLE WORK PCAP DECEMBER 2011 1.12.2011, Thursday At 19.00 secession, opening, exhibited are David Maljkovic (Croatia), Attila Csörgõ (Hungary), Lecia Dole-Recio (USA).
www.secession.at
Vereinigung bildender KünstlerInnen Wiener Secession
ADDRESS: Friedrichstraße 12, A-1010 Wien At 20.00 M1 Naz Gündogdu presentation,
At 20 until 20.30 Naz reflections on the text she presented in the class
At 20.30 Naz presentation with a title »Hrant Dink assassination« Hrant Dink (1954 – 2007) was a Armenian editor, journalist and columnist. As editor-in-chief of the bilingual Turkish-Armenian newspaper Agos. Dink was a prominent member of the Armenian minority in Turkey. Dink was best known for advocating Turkish-Armenian reconciliation and human and minority rights in Turkey; he was often critical of both Turkey's denial of the Armenian Genocide, and of the Armenian diaspora's campaign for its international recognition Dink was prosecuted three times for denigrating Turkishness, while receiving numerous death threats from Turkish nationalists. Hrant Dink was assassinated in Istanbul in January 2007, by Ogün Samast, a 17-year old Turkish nationalist. This was shortly after the premiere of the genocide documentary Screamers, in which he is interviewed about Turkish denial of the Armenian Genocide of 1915 and the case against him under article 301. While Samast has since been taken into custody, photographs of the assassin flanked by smiling Turkish police and gendarmerie, posing with the killer side by side in front of the Turkish flag, have since surfaced. The photos created a scandal in Turkey, prompting a spate of investigations and the removal from office of those involved. At his funeral, two hundred thousand mourners marched in protest of the assassination, chanting "We are all Armenians" and "We are all Hrant Dink". Criticism of Article 301 became increasingly vocal after his death. 2.12.2011, Friday At 18.00
Reflection on the class study travel to Budapest. At 19.00
Film program: SCREENING Teza and discussion, organized by Caceres and Lobo 6.12.2011, Tuesday
10.00 to 12.00 preparation for the exhibition rundgang, CLASS MEETING with a overview of the works and space and program details rundgang
INSTALLMENT works rundgang, January 2012: 16 and 17 12.00 to 14.00
Neda Hoseinyar
Anna Shestakova
Katharina Wagner
14.00 to 18.00
Agne Bagdziunaite
Anastasia Bruelle
Christian Diaz Orejarena
Laura Nitsch 8.12.2011, holiday 9.12.2011
At 15:00 - 18:00, M1
Emanzipatorische Interventionen als künstlerische Strategie 3, seminar by Can Guelcue 12.12.2011, Monday 14.00 to 17.00 seminar Borderlands – a theory workshop-seminar on border crossing
The workshop will be conducted by guest lecturer Ivana Marjanovic, PhD candidate at Academy of Fine Arts Vienna, part 1.DETAILS IN THE END OF THE PROGRAM DECEMBER. At 17.00 visiting of the Rector and Vice-rectors in the class: Eva Blimlinger, rector Akbild
Andrea B. Braidt, vice-rector for art and research
Karin Riegler, vice-rector for teaching and promotion of early stage artists/researchers Talks with the students, curricula, open questions administration, future proposals.
IT IS VERY IMPORTANT YOU TAKE THIS POSSIBILITY TO INTERVENE AND DISCUSS. THE RECTORAT BODY IS VERY INTERESTED IN YOUR POINTS OF VIEW WHAT IS THE STATUS OF AKBILD, WHAT ARE THE STUDY PROBLEMS, OPEN INSTITUTIONAL QUESTIONS…. At 20.00 do 22.00 part of the seminar film screening, Coco Fusco and some other films on documentary on sex and prostitution
Films, performances by Coco Fusco, organized by Caceres, Grzinic, Lobo, Marjanovic 13.12.2011, Tuesday
At 10.00 to 13.00 individual meetings, office Grzinic
10.00 until 11.00 Meeting MA critical studies students, evaluation 14 to 20.00 seminar Borderlands – a theory workshop-seminar on border crossing
The workshop will be conducted by guest lecturer Ivana Marjanovic, PhD candidate at Academy of Fine Arts Vienna, part 2.DETAILS IN THE END OF THE PROGRAM DECEMBER. At 20.00 until 22.00 part of the seminar film screening of Bamako by Abderrahmane Sissako, Mali, Africa, 2006, Length 120 minutes. The film depicts a trial taking place in Bamako, the capital of Mali, amid the daily life that is going on in the city. In the midst of that trial, two sides argue whether the World Bank and International Monetary Fund, or perhaps corruption, are guilty of the current financial state of many poverty-stricken African countries. 14.12.2011 Wednesday
M1, 15-18h KKPD seminar by Petja Dimitrova 15.12.2011 Thursday
M1, At 15:00
Plattform Geschichtspolitik, seminar by Eduard Freudmann 16.12.2011, Friday
M1, At 18.00
Edi, Petja talk for installment works in the class exhibition… FERIEN 19.12. 2012 until 7.01.2012
FIRST WORKING day 9.01.2012 at 15.30, M1 student presentations
xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx PCAP (POST CONCEPTUAL ART PRACTICES)
SEMINAR BY IVANA MARJANOVIC Language: German and English
Borderlands – a theory workshop-seminar on border crossing The workshop will be conducted by guest lecturer Ivana Marjanovic, PhD candidate at Academy of Fine Arts Vienna. Border is a multiple category referring to many different conceptualizations. It can be viewed as a sight of economical management (global commerce) or biopolticial management (border controls, migration etc), a sight of regulation and control. In such context, it is argued that border is today less and less geographical linear demarcation and rather multiple entity that can be inner, outer, externalized and that can take the form of zones, regions, border lands (Étienne Balibar, Ugo Vlaisavljević). Also border is an ideological category, a site of protection of the conditions of reproduction of class, gender, “race” and other power relations producing divides. Finally, border is an unstable, contingent space of tension where the ordering field and its mechanisms are brought into question, opposed and where they can be bypassed and endangered by border-crossers and border dwellers in the spaces of the geo-political borders, in sights of struggles for knowledge and sights of political action (universities, books, lectures, exhibitions, no-border camps, protests, border-fuckers cabarets etc.) Gloria Anzaldúa, queer theorist and writer defined border and borderlands in following way: Borders are set up to define the places that are safe and unsafe, to distinguish us from them. A border is a dividing line, a narrow strip along a steep edge. A borderland is a vague and undetermined place created by the emotional residue of an unnatural boundary. It is a constant state of transition. The prohibited and forbidden are its inhabitants. Los atravesados live here: the squint-eyed, the perverse, the queer, the troublesome, the mongrel, the mulato, the half-breed, the half-dead; in short, those who cross over, pass over, or go through the confines of the “normal.” (Anzaldúa, 2007 [1987]: 25). and: In the Borderlands
you are the battleground
where enemies are kin to each other;
you are at home, a stranger,
the border disputes have been settled
the volley of shots have shattered the truce
you are wounded, lost in action
dead, fighting back;
.........
To survive the Borderlands
you must live sin fronteras*
be a crossroads. *sin fronteras – without borders
(Anzaldúa 2007 [1987]: 216-217) Subscription will be organized on the day of the course. Please download reading material and read the texts before the workshop: user: ibk-dvd
password: woxoc12S Deadline for students’ proposals for additional texts for the readings is 5.12. Please send proposals to ivana@pips.at ... Comment |
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