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Tuesday, 26. May 2015
concept, May 26, 2015 9:12:00 PM CEST PCAP program JUNE 2015 PCAP Program JUNE 2015 1.June 2015, Monday WHERE: Academy of Fine Arts Vienna, PRESENTATION: JAFARI S. ALLEN In this presentation, I will provide some broad outlines of my new work-in-progress, Black/Queer Here and There: An Ethnography of an Idea. This new work seeks to re-narrativize the meaning and significance of Black desire for political empowerment or autonomy; for fun and carefree play in the face of social suffering; and erotic desire for one another. Black/Queer Here & There traces power and differential agency in the lives and works of Black gender non-conformists and sexual minorities across borders of geography, nationality, class, gender, sexuality and citizenship – examining a variety of subjective motivations, scenes and scales. CV: Jafari S. Allen is Associate Professor of African American Studies and Anthropology at Yale University, and works at the intersections of [queer] sexuality, gender and blackness. Allen is the author of the critical ethnography “¡Venceremos?: The Erotics of Black Self-Making in Cuba“, and editor of “Black/Queer/Diaspora – a special issue of GLQ: A Journal of Lesbian and Gay Studies“. www.jafariallen.com Eine Kooperation von: Gender Talk - Referat Genderforschung Universität Wien / Institute für Queer Theorie / Institut für Kunst- und Kulturwissenschaften, Netzwerk für Frauenförderung, Post-Conceptual Art Practices (Akademie der bildenden Künste Wien) 2.June 2015, Tuesday 10.00 to 13.00, Grzinic office At 13.00, M1 2.June 2015, Tuesday Jamila Schamanek 3.June 2015, Wednesday 13.00 until 17.30 3.June 2015, Wednesday WHERE: Universität Wien (University of Vienna) Entrance to Hof 9: Garnisongasse corner of Beethovengasse LECTURE PERFORMANCE by ASHLEY BAILEY A lecture performance discussing the context and recent developments on her recent performance for Purrr!_Femme!-ance! at the Academy of Fine Arts Vienna. CV: Ashley Bailey is a queer feminist person of colour, based in London, (UK). Lecture organized by Noit Banai, Institut für Kunstgeschichte, Universität Wien, Marina Grzinic, Post Conceptual Study Program, IBK, Akademie der bildenden Künste Wien and Julischka Stengele, Post Conceptual Study Program, IBK, Akademie der bildenden Künste Wien. INSTALLING DIPLOMAS 9.06.2015, Tuesday Decolonizing Knowledge The lecture is organized as part of the Kültürgemma Fellowship for 2014/2015 awarded to Clifford Erinmwionghae project “Interactive Photography” and in collaboration with two institutions: Secession, Brunnenpassage and the Post Conceptual Study Program (PCAP)/IBK at the Academy of Fine Arts Vienna. Erinmwionghae´s project will consists among other activities of 3 events organized from June to October 2015. The first event is the lecture performance by Grada Kilomba (Portugal, Berlin). Kilomba is a writer, theorist and interdisciplinary artist. Her work draws on memory, trauma, and post-colonialism intertwining the academic and artistic languages in a variety of formats, from print publications to staged reading and performances. Kilomba is the author of Plantation Memories, a compilation of episodes of After the lecture a talk will follow in between Grada Kilomba, Clifford Erinmwionghae (refugee activist and cultural event promoter in Vienna, currently studying Post Conceptual Art at the Academy of Fine Arts Vienna) and the artist Marissa Lôbo (one of the coordinator and curator of the Kültürgemma project, which is the only artist grant for Migrants and Refugees in Vienna). The audience is invited to participate and to re-imagine the concepts of knowledge and power with opening new spaces for decolonial thinking. The whole event is held in English. 10, 11, and 12, june 2015 10.06 11.06 15.06.2015, Monday 16.06.2015, Tuesday 16.June 2015, Tuesday WHERE: Academy of Fine Arts, Institut für das künstlerische Lehramt GUEST LECTURE by Araba Evelyn Johnston-Arthur The lecture treats the politics of memory and representation in connection to marginalized resistances. Examining the dialects of repression and resistance, the talk focuses on Austria as a neocolonial and postnazistic space. Araba Evelyn Johnston-Arthur is the cofounder of PAMOJA – The Movement of the Young African Diaspora in Austria and the Researchgroup on Black Austrian History and Presence/Pamoja. She is currently working on her interdisciplinary doctoral thesis on Resistances in the African Diaspora in Austria and teaching at Howard University in Washington D.C., USA. Lecture moderated by Njideka Stephanie Iroh Njideka Stephanie Iroh is a poet, writer, artist and activist. Her work focuses on youth and education in the context of language, linguistics, power relations, decolonisation and empowerment. Her political work is part of PAMOJA – The Movement of the Young African Diaspora in Austria and in cooperation with other local and global Black and migrant organisations. Lecture organized by Elke Krasny, Institut für das Künstlerische Lehramt IKL, Fachbereich Kunst und Bildung, Akademie der bildenden Künste Wien, Noit Banai, Institut für Kunstgeschichte, Universität Wien, and Marina Grzinic, Post-Conceptual Study Program, IBK, Akademie der bildenden Künste Wien. 17.06.2015, Wednesday 17.06.2015, Wednesday 17.06.2015, Wednesday WHERE: GUEST LECTURE by Alexander Alberro My paper centers around three fundamental questions. Is it possible to reestablish the lost link between contemporary art and a consistent art historical narrative? Second, can the art of the past quarter century be seen in structural terms – that is, is it organized around a structure? And third, are there theoretical and practical tools that could help us to comprehend both the governing principle of regional traditions, and the alleged globalization of the art world in recent years? To date, the answers given to such crucial questions have established only a limited connection between a regional or national art space on the one hand and a transnational or global art space on the other. In order to move beyond this division, I will propose that the art of the past several decades exists in a mediating space between these two poles: a parallel territory, relatively autonomous from the political domain, and dedicated as a result to questions, debates, inventions of a specifically artistic nature. Here struggles of all sorts are refracted, diluted, deformed or transformed according to an artistic logic, and in artistic forms. My hope is that working from this hypothesis, while trying to envisage all its theoretical and practical consequences, an understanding of art that is at once regional and transnational can be developed: in other words, a concept that could give a unified account of, say, the development of recent art forms, or the aesthetics of the artworks, and their connection to the political, economic and social world. CV: Alexander Alberro, Virginia Bloedel Wright Professor of Art History at Barnard College and Columbia University in New York City. He is the author and editor of a number of books on contemporary art, including Institutional Critique: An Anthology of Artists Writings (2009); Art After Conceptual Art (2007); and Conceptual Art and the Politics of Publicity (2004). His current book project is “Abstraction in Reverse,” a study of the emergence and development of abstract art in Latin America. He is also at work on a volume that explores new forms of art and spectatorship that have crystallized in the past two decades Lecture supported by Kunsthistorische Gesellschaft, Institut für Kunstgeschichte der Universität Wien. Lecture organized by Noit Banai, Institut für Kunstgeschichte, Universität Wien, Sabeth Buchmann, Institut für Kunst- und Kulturwissenschaften, Akademie der bildenden Künste Wien, and Marina Grzinic, Post Conceptual Study Program, IBK, Akademie der bildenden Künste Wien. 24.06.2015, Wednesday The symposium Fragments of Empire brings together critical research and interventions in the history of spaces / and the history of mobilization that have taken / and are currently taking place. Its theoretical and artistic lectures are situated in the social and political fields of textile and media histories and focus on the relation of labour, capital, migration, and archives. 25.06.2015, Thursday 25.06.2015, Thursday Guest lecture by Ianina Prudenko, Ukraine. With screenings and presentation of the site of Open archive of Ukrainian media art archive. CV: Ianina Prudenko, PhD, Independent curator. Assistant professor and doctoral candidate of cultural studies department of National Pedagogical Dragomanov University (Kiev). The lecture is taking part within the symposium FRAGMENTS OF EMPIRE. A collaboration between the Institute for Education (IKL) in the Arts/Fashions and Styles and Postconceptual Art Practices (PCAP) /Institute for Fine Arts at the Academy of Fine Arts Vienna. This lecture is possible thanks to the Artists-in-Residence program of the Austrian Federal Chancellery and KulturKontakt Austria. 26.06.2015, Friday NEXT: 5.10.2015 at 15.00 5.10.2015 ... Comment |
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