PCAP Program November 2017

Wednesday 1 November 2017, national holiday

Thursday 2 November to Saturday 4 November, 2017
RESEARCH TRAVEL PCAP to LINZ

Departure 2.11 2017 from WESTBANHOF, lobby meeting at 10.10.

Marwa Abou Hatab, Kreeta Aidla; Maira-Enesi Caixeta; Victoria Eliseykina; Samira Fux; Christian Guzy; Jamie Hadrovic; Neda Hosseinyar; Sarah Raffaela Jackel; Robert Jolly; Aaron Kimmig ; Leonie Rosa Knez; Mathias Kropfitsch; Grace Marta Latigo; Mika Maruyama; Elisabeth Tawanda Taruvinga Mtasa ; Daisy Nutting; Dominik Aron Szereday; Martin Weichselbaumer

The exhibition Beyond Territory, Raumschiff Linz, opening, 3.11.2017.
The participation under the name of CRX/PCAP was organized by Robert Jolly, Maira Enesi Caixeta, supported by many in the process:
location: Raumschiff, Linz, Austria (www.raum-schiff.at)
3.11.2017 Eröffnung / Opening / Vernissage

Marwa Abou Hatab
Maira-Enesi Caixeta
Samira Fux
Jamie Hadrovic
Neda Hosseinyar
Sarah Raffaela Jackel
Robert Jolly
Mathias Kropfitsch
Grace Marta Latigo
Mika Maruyama

After the opening 3.11. 2017 program at Beyond Territory, Raumschiff Linz

Maira Enesi Caixeta, performance, title “Child of Nature”
Mika Maruyama, lecture, title “Imaginary narrative and Politics Behind the Terrain”
Screening program: Robert Jolly, video, Jamie Hadrovic, video, and Maira Enesi Caixeta animation done in collaboration.

Final thoughts on territory; a travelogue by those exhibiting through the works.

A view on what we do in Linz:
2.11.2017 (Thursday) meeting with and at Maiz at 18.00
Scharitzerstr 6-8 / 1. Stock.
4020 Linz

... Selbstorganisation – Partizipation – Autonomie – Widerstand – Transformation – Utopie… ein unabhängiger Verein von und für Migrantinnen mit dem Ziel, die Lebens- und Arbeitssituation von Migrantinnen in Österreich zu verbessern und ihre politische und kulturelle Partizipation zu fördern sowie eine Veränderung der bestehenden, ungerechten gesellschaftlichen Verhältnisse zu bewirken.

3.11.2017 (Friday) The exhibition Beyond Territory, Raumschiff Linz, opening , program

4.11.2017 (Saturday) Visiting the Mauthausen Memorial

Mauthausen–Gusen concentration camp was the hub of a large group of German concentration camps that was built around the villages of Mauthausen and Sankt Georgen an der Gusen (Gusen) in Upper Austria, roughly 20 kilometers east of the city of Linz.
From 1938 to 1945, the Mauthausen concentration camp was at the centre of a system of over 40 subcamps and was the main site of political, social and racist persecution by the National Socialist regime on Austrian territory. Of a total of around 190,000 people imprisoned here, at least 90,000 were murdered. The Mauthausen Memorial is a former crime scene, a place of memory, a cemetery for the mortal remains of thousands of those murdered here and, increasingly, a site of political and historical education. Its task is to ensure public awareness of the history of the Mauthausen concentration camp and its subcamps, the memory of its victims, and the responsibility borne by the perpetrators and onlookers. At the same time it seeks to promote public critical engagement with this history in the context of its significance for the present and future.

RETURN 4.11 2017 evening back to Vienna from Linz, train at 21.00 Linz to Vienna

Monday, 6 November 2017
9.15 until 11.00

Individual meetings, Grzinic office, contact me for an appointment

Monday, 6 November 2017
14.00 to 16.00

WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)

Marika Schmiedt und Sebastian Bubner (Künstler und Lehrer)

Im Rahmen der Workshop mit Gastvorträgen, Videoprojektionen und Arbeitssitzungen; Gastkünstlerin: Marika Schmiedt (Wien). Im Fokus steht eine künstlerisch-politische Intervention, in Zusammenarbeit mit der Akademie der bildenden Künste Wien, Fachbereich Konzeptuelle Kunst (Post-conceptual Art Practices).

Rassismus im Schulsystem zur Sprache bringen – Aspekte und emanzipatorische Strategien. In seinem Vortrag beschäftigt sich Sebastian Bubner mit den verschiedenen Arten und Weisen, institutionell, individuell, diskursiv – in welchen sich Rassismus im deutschen Schulsystem täglich stützt und hält. Als Sekundarschullehrer und Teamleiter des sogenannten Willkommensklassenbereichs (für Schülerinnen mit geringen
Deutschkenntnissen) an einer Schule in Berlin hat Bubner Einblicke in die „Feinmechanik“ der Rassismusproduktion und ist gefordert, auf diesen Zustand zu reagieren. Anhand einiger Fallbeispiele werden die Bausteine des schulischen Rassismus erläutert und es wird dazu eingeladen, selbst über mögliche Interventionen und Umgehensweisen mit diesen Situationen und systemischen Voraussetzungen nachzudenken.

CV: Sebastian Bubner geb. 1968, ist Künstler und Lehrer und schreibt zu antidiskriminatorischen Themen.
www.skipgan-blahstift-spitzer.blogspot.co.at

Monday, 6.November, 2017
At 18.00

WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)

Meeting PhD in philosophy, discussions

Tuesday, 7 November 2017
16.30 to 19.30

WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)

SEMINAR/Workshop B3: Towards an historical-materialism of cinema: cinema and labor.
Seminar für Diplomand_innen und Dissertant_innen und PCAP with Diana Bulzan, Phd in Philosophy student,
prepared by Diana Bulzan in collaboration with Marina Grzinic

Topic (4): On the work of Bertolt Brecht and Walter Benjamin
This seminar would be centered on Bertolt Brecht and Walter Benjamin
a. main text: A Short Organum for the Theatre
b. key concepts: epic theatre (and dialectical theatre), dialectical materialism, alienation as a method for acting, scientific vs. entertainment (the break Brecht sees as being introduced between epistemology and the arts with the emergence of the scientific age). Through all of this, Brecht’s conception of history needs to be made apparent.
c. main text: Walter Benjamin The Work of Art in the Age of Mechanical Reproduction, alongside fragments from On the Concept of History.
d. Walter Benjamin connection with Brecht
e. additional text: Walter Benjamin „The Author as Producer”

Monday, 13 November 2017

At 14.00

WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)
PRESENTATIONS:

Franziska Kabisch, presentation new work in progress, diploma june 2018
Juliana Melzer (new in the PCAP)
Sara Bissen (1 year studying)

Reading the text by Étienne Balibar The Genealogical Scheme: Race or Culture? (published in 2011)
as a reflection of the 30 anniversary of the publishing of the book RACE, NATION, CLASS: AMBIGUOUS IDENTITIES by Etienne Balibar and Immanuel Wallerstein (First published in Paris, 1988).
sites.uci.edu

Tuesday, 14 November, 2017
At 11.15 to 14.00
individual meetings, Grzinic office

Tuesday, 14 November, 2017
14.00 to 17.00

WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)

Reading the text by Étienne Balibar The Genealogical Scheme: Race or Culture? (published in 2011)
as a reflection of the 30 anniversary of the publishing of the book RACE, NATION, CLASS: AMBIGUOUS IDENTITIES by Etienne Balibar and Immanuel Wallerstein (First published in Paris, 1988).
discussion and open questions
sites.uci.edu

Tuesday, 14 November, 2017
At 18.00

WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)

Guest artists’ presentations:

Vida Guzmić, Croatia
Alexandru Raevschi, Moldova
Mary-Audrey Ramirez, Luxembourg

Vida Guzmić, Croatia
Title: Slippage of representation

Using audio, video and text I research forms of female visibility and presence without ever producing her’s image. With the interest on the passivity of the female character, the male gaze, masquerade, cut up methods, the aim is to examine the possible inverses of imposed representations in a collage of voices and collision of different visual impacts.

CV: Vida Guzmić (born 1986 in Zagreb, Croatia), graduated in 2012 Academy of fine arts, University of Zagreb, Croatia as Summa cum laude magister. She also completed Women's Studies Course, Center for Women's Studies (CWS) and Curatorial Platform programme, Zagreb, Croatia. Organizes projects, workshops and exhibitions in the art collective Space is tactics and Studio Pangolin. Her works has been shown in a number of exhibitions in Croatia and abroad.

Alexandru Raevschi, Moldova
Title: Restoring the balance inside the Armenian and Japanese societies through artistic practices

Alexandru Raevschi will share his curatorial experience while realizing the project “Universe 69” in Armenia and Japan (a workshop and two exhibitions in Gyumri and Tokyo). The focus of the project was connected with the tragic events that took place in Armenia and Japan: the earthquake, which happened in Armenia on December 7, 1988 and the events that occurred in the aftermaths of the earthquake on March 11, 2011 in Japan. The curatorial project is as well connected toward a reflection on hyper patriarchal society settings in both contexts, Armenia and Japan, especially in reference to the Armenian society.

CV: Alexandru Raevschi is a Moldavian artist who is presently a PhD student at the Aalto University School of Arts, Design and Architecture, Helsinki, Finland. Current research projects focus on combination of biological science with art through climate change, politics of invisibility, search for the national identity and etc.

Mary-Audrey Ramirez, Luxembourg
Title: Scrolling/Crying/Cringing

Scrolling is a natural habit for us: constantly on the phone or computer, looking at ever renewing material, a simple post on the internet can make us feel happy or sad. Comfort and discomfort are so close that our attempts to define these categories leave us with further confusion. I'm interested in failure, disappointment, technological bugs, and uncertainties and try to explore this realm between the technological and natural for possible modes of interaction (or understanding).

CV: Mary-Audrey Ramirez is born 1990 in Luxembourg (city); she studied at Universität der Künste in Berlin with Thomas Zipp. In the past years she had two solo shows at Martinetz (Cologne) in 2015 and 2017. She also participated in group shows at Tropez (Berlin, 2017), Guido W. Baudach (Berlin, 2017), Svit (Prague, 2017), Haus Mödrath (Kerpen, 2017), Kai10 (Düsseldorf, 2017) or Kai Erdmann (Hamburg, 2016).

Monday, 20 November, 2017
At 16.00

WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)

Presentation of Diploma January 2017: Miguel Gonzalez Cabezas

Reading the text by Étienne Balibar The Genealogical Scheme: Race or Culture? (published in 2011)
as a reflection of the 30 anniversary of the publishing of the book RACE, NATION, CLASS: AMBIGUOUS IDENTITIES by Etienne Balibar and Immanuel Wallerstein (First published in Paris, 1988).
discussion and open questions

Monday, 20 November, 2017
At 19.00

WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)

Marika Schmiedt und Marissa Lôbo (Künstlerin und Aktivistinen)

Im Rahmen des Workshops Intregration Nein Danke! mit Gastvorträgen, Videoprojektionen und Arbeitssitzungen; Gastkünstlerin: Marika Schmiedt (Wien). Im Fokus steht eine künstlerisch-politische Intervention, in Zusammenarbeit mit der Akademie der bildenden Künste Wien, Fachbereich Konzeptuelle Kunst (Post-conceptual Art Practices).

Der Vortrag wird sich mit Praktiken im künstlerischen und kulturellen Feld
auseinandersetzen und andere Narrative erzeugen, die ungehorsam der folkloristischen
Kultur, der Integration und rebellisch, gegenüber Anpassung und „Weißmachung“ sind.

CV: Marissa Lôbo, koordinierte viele Jahre den Kulturbereich von maiz, wo sie Projekte
entwickelte, die programmatisch Politik, Bildung und Kunst verbinden.
Co-Kuratorin des Projekts „Bodies of Knowledge“ und Co-Leiterin von „kültüř gemma!“.
2008, Studium für postkonzeptuelle Kunst an der Akademie der Bildenden Künste Wien.
Seit 2014 Doktoratsstudentin der Philosophie.

Tuesday, 21 November, 2017

10.00 to 13.00 individual meetigs, Grzinic office

Tuesday, 21 November, 2017
14.00 to 17.00

WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)

Reading the text by Étienne Balibar The Genealogical Scheme: Race or Culture? (published in 2011)
as a reflection of the 30 anniversary of the publishing of the book RACE, NATION, CLASS: AMBIGUOUS IDENTITIES by Etienne Balibar and Immanuel Wallerstein (First published in Paris, 1988).
discussion and open questions

Tuesday, 21 November, 2017
At 18.00

WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)

Guest artists’ presentations:
Dalila Gonçalves, Portugal
Mila Panić, Bosnia and Herzegovina

Dalila Gonçalves, Portugal
Title: Object and matter
From experimental play Dalila Gonçalves tests the permeability of materials and processes of artistic practice and daily life.
By using video, photography and installation she conceives objects that do not always imply real transformation of things but rather materializations of subtle unexpected, ironic, absurd and metaphorical use of matter. She plays with the very relation of “perception” and the idea of “evidence”.
CV: Dalila Gonçalves (born 1982, Castelo de Paiva). Degree in Fine Arts - Painting from the Faculty of Fine Arts, University of Porto (FBAUP, 2005) and Master’s Degree in Visual Arts Education (MA) from the Faculty of Fine Arts and Faculty of Psychology and Education Sciences, University of Porto, 2009 . Regularly exhibits in Institutions and in Galleries in different countries of Europe and South America since 2006.

Mila Panić, Bosnia and Herzegovina
Title: Landscape is a work of the mind
Landscape is not a space.
Landscape is not just a view. It is not a stage.
Landscape is not static.
CV: Mila Panić (born in 1991, Bosnia and Herzegovina). Graduated from Academy of Arts in Banja Luka (BiH) and hold the Master Degree of Fine Arts at Bauhaus-Universitat Weimar, Germany, department of Art in Public Space and New Artistic Strategies. Live and works in Berlin.

Monday, 27 November 2017
12.00 to 14.40
INDIVIDUAL MEETINGS , Grzinic office

Monday, 27 November 2017
15.00 to 18.00

WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)

SEMINAR/Workshop B3: Towards an historical-materialism of cinema: cinema and labor
Seminar für Diplomand_innen und Dissertant_innen und PCAP with Diana Bulzan, Phd in Philosophy student,
prepared by Diana Bulzan in collaboration with Marina Grzinic

Topic(5): On the work of Thedor Adorno (and M. Horkheimer ) on the culture industry, and S. Kracauer.
a. main text – The Culture Industry. Enlightenment as Mass Deception; b.the discussion will also be framed by the text „The Concept of Enlightenment” and will seek there the philosophical and political historical conditions for the unity and standardization that subtends the production of mass culture; c. S. Kracauer, the discussion will be around Theory of Film. The Redemption of Physical Reality; d. texts: „Space, Time and Apparatus: The Optical Medium Theory of Film”, in Gertrud Koch, Siegfried Kracauer: An Introduction (pp. 95– 113); e. chapters from Theory of Film. The Redemption of Physical Reality: „The Establishment of Physical Existence” (pp. 41– 60), „The Film of Fact” (pp.193 – 215), „The Redemption of Physical Reality” (pp. 300 – 313).

Tuesday, 28 November, 2017
15.00 to 19.00

WHERE: Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)
RUNDGANG TECHNICAL LIST

Presentation new work by Sarah Jackel

Reading the text by Étienne Balibar The Genealogical Scheme: Race or Culture? (published in 2011)
as a reflection of the 30 anniversary of the publishing of the book RACE, NATION, CLASS: AMBIGUOUS IDENTITIES by Etienne Balibar and Immanuel Wallerstein (First published in Paris, 1988).
discussion and open questions

NEXT: DECEMBER 4, 2017