Monday, 4 December, 2017

10.00 to 13.00 WORKSHOP A2 mit Marika Schmiedt (Wien)

MEETING 5: Brainstorming,Projektorganisation und Entwicklung der Ausstellung

INTEGRATION NEIN DANKE! Perspektiven & Widerstände Die Ergebnisse werden beim jährlichen Rundgang der Akademie der bildenden Künste, am 25. Jänner 2018, in einer Plakatausstellung präsentiert. Den Abschluss und eine Zusammenfassung des Projektes, bildet die Präsentation einer Broschüre, im März 2018.

CV: Marika Schmiedt, geb. 1966, Künstlerin und Aktivistin. Seit 1999 Recherchen (Zeitzeugen und Gegenwart) zur Verfolgung von Roma und Sinti. www.marikaschmiedt.wordpress.com

Monday, 4 December, 2017

13.00 to 15.00 Ind. Meetings, Grzinic office

Monday, 4 December, 2017

15.00 to 16.30

Seminar: Towards an historical-materialism of cinema: cinema and labor Seminar für Diplomand_innen und Dissertant_innen und PCAP (und auch workshop B3) Diana Bulzan, Phd in Philosophy student, prepared by Diana Bulzan in collaboration with Marina Gržinić Topic(6): Modes of cinematic representation in Post WWII cinema.

a. addresses the rebirth of realism and the criticism put forth by A. Bazin b. reading material: „What is Neorealism?” and „«Cinematic Realism and the Italian School of the Liberation»”, in A. Bazin, ed. by B. Cardullo, André Bazin and Italian Neorealism, pp. 18 – 50.

Monday, 4 December, 2017 17.00 to 19.00 Ind. Meetings, Grzinic office

Tuesday, 5 December, 2017 10.00 to 13.00 Ind. Meetings, Grzinic office

Tuesday 5 December, 2017 14.00 to to 17.00

Conclusion: Reading the text by Étienne Balibar The Genealogical Scheme: Race or Culture? (published in 2011) as a reflection of the 30 anniversary of the publishing of the book RACE, NATION, CLASS: AMBIGUOUS IDENTITIES by Etienne Balibar and Immanuel Wallerstein (First published in Paris, 1988). discussion and open questions sites.uci.edu Presentations and discussion, reading

Tuesday, 5 December, 2017 At 18.00

WHERE: PCAP (POST CONCEPTUAL ART PRACTICES) STUDY PROGRAM, Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)

Kim Kielhofner, Canada Levi Orta, Cuba Salome Tsagareishvili, Georgia

The presentation is possible thanks to the Artists-in-Residence program of the Austrian Federal Chancellery and KulturKontakt Austria.

Kim Kielhofner, Canada Title: Lessons on Collecting

Kim Kielhofner will present recent projects using her practice of video, text, and projected images. Functioning somewhere between voice over, commentary, and essay, her presentation will demonstrate her interest in modes of association, collection, and layered narratives.

CV: Kim Kielhofner is an artist working in Montreal. She studied at Central Saint Martins College of Art and Design and Concordia University. She makes videos, drawings, and books. Her work has been shown internationally at festivals and exhibitions, most recently at VOX (Montreal, 2015), Sporobole (Sherbrooke, 2017), LUX (London, 2017) and Dazibao (Montreal, 2017).

Levi Orta, Cuba Title: I'm the fool of the Right-Wing Political Art

Can we talk about Right-Wing Political Art? That kind of art really exists? As a political artist what should be my position? For these lecture, Levi Orta will sail on these questions through three of his artworks. Levi Orta’s works explores the creative component of politics, focusing on the inaccuracies of the art- political boundary. He reproduces mechanisms, strategies and behavior of political-artistic situations that have been filed, thus highlighting its most subversive undertone; always from a cynical stance that threatens the hegemonic.

CV: Levi Orta (born in 1984, Cuba), graduated from the Instituto Superior de Arte of Havana (2010), from Cathedra Arte de Conducta (2009) and the Home Work Program of Ashkal Alwan of Beirut (2016). In recent years, Orta has participated in exhibitions in several countries like Germany, Austria, EEUU, Spain, France, Israel, Brazil, Mexico, Canada, Croatia, United Kingdom, China, Japan, Lebanon and Cuba.

Salome Tsagareishvili, Georgia

Title: Waiting/Longing for — permanent state of mind and the main instrument to communicate reality

What is to be the part of ideologically constructed space? How can you built your national identity from the ruins of your expectations? Salome will interpret these rhetorical questions through the symbolic text of her images.

CV: Salome Tsagareishvili (born 1982, Georgia) is a painter from Georgia. In 2005 she graduated from Tbilisi State Academy of Arts, Faculty of Visual Arts. Since 2002 her paintings have been presented in various exhibitions in Georgia. She worked as an invited artist in feminist Art Studio "Spero" (2009-2010), Tbilisi. In 2012 She was an invited guest at Sinopale (International Sinop Biennial,Turkey); Her painting were exhibit at Mtskheta International Art Festival (2016), Georgia. Currently lives and works in Tbilisi, Georgia.

Monday, 11 December, 2017 15.00 to 18.00

Seminar: Towards an historical-materialism of cinema: cinema and labor Seminar für Diplomand_innen und Dissertant_innen und PCAP (und auch workshop B3) Diana Bulzan, Phd in Philosophy student, prepared by Diana Bulzan in collaboration with Marina Gržinić

Topic(7): Projection of the film by Roberto Rossellini Germany Year Zero (1948). Followed by a short discussion. a. quick recapitulation of Italian Neorealism. b. projection of a film from R. Rossellini – Germany Year Zero

Tuesday, 12 December, 2017 individual or group work on the Rundgang projects, poster projects by Marika Schmiedt

Holidays starts 18.12.2017 until 5.01.2018.

Next 8.01.2018 at 13.00 PRESENTATIONS: diploma, Ma in critical studies and Rundgang student new works