November 4, 2019, Monday WHERE: AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1) PCAP: at 16.00 in charge Maren Grimm

November 5, 2019, Tuesday WHERE: AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1) PCAP: at 16.00 in charge Maren Grimm

November 11, 2019, Monday 11.00 to 13.30 workshop A2 WHERE: AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1) Comics, education, intervention with Ph.D. student Cathérine Lehnerer TIME TABLE 1 meeting

1. Paulo Freire und Jaques Rancière
2. Collective reading of these two authors key text (theory and practice)//Kollektives Lesen (Theorie und Praxis)
3. Comic (theory/Theorie)
4. Comic (practice/Praxis)

November 11, 2019, Monday 15.00 to 17.00 presentation WHERE: AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1) First semester Youngjoo Yoo

Erasmus presentations Chung, Ji Yoon Liu, Sophia

November 11, 2019, Monday Its online www.akbild.ac.at At 19.00 also workshop A2

WHERE: Akademie der bildenden Künste Wien, Atelierhaus, Lehargasse 8, 1060 Wien, 1 OG Atelier Süd (M1)

Selma Selman (Bosnia and Herzegovina) and Peter Lee (USA)

Nika Rukavina (Croatia)

Organized by Marina Grzinic, Studio for Conceptual Art (Post-conceptual Art Practices) at the Academy of Fine Arts in Vienna. The presentation is possible thanks to the Artists-in-Residence program of the Austrian Federal Chancellery and KulturKontakt Austria.

Selma Selman / Peter Lee Title: Superpositional Art & Politics

About two and a half years ago, the first working quantum computer proved the principle of physical superposition. This theoretical principle, and now empirical phenomena, operates on the fact that all physical matter exists in all states at once. What are the implications of this fact for art first, and inevitably politics? Selma Selman and Peter Lee have made works that play with this fact at different realms and scales, including performance art, technology, research and organizing.

CV: Selma Selman / Peter Lee have formed over the past 3 years a fluid collaboration that weaves together both of our individual and collective practices and research trajectories. The common thread anchoring us is the use of research, technology, media and aesthetics to produce new functional artworks. We have an umbrella project titled The Museum of Travelling Dreams that is comprised of multiple parts including: 1. Superpositional Performance ‒ use of performance and pop culture to interrupt the logics of violence; 2. No Space ‒ use of technology to question the use of space; 3. The Children's Intelligence Agency ‒ use of conceptual art games that can educate through social media; 4. The Fuck Collection ‒ an anti-fascist conceptual fashion collection.

Their work, “Children’s Intelligence Agency” was presented at EMSUB, a military academy of Colombia (2018), “Superposition 3 – Attacking the Attack,” Rijeka, Croatia (2018). “I wish I had German Passport,” Regensburg, Germany (2017). ‘’Happy Birthday,” Washington, D.C. (2018). Guest Lecturer at George Mason University (2018). “Upside Down World,” Washington, D.C. (2018)

Nika Rukavina Title: Who are we, why do we act in certain ways?

Within my performance work I deal with the question of the manifestation and influence of present political and economic frameworks on a individual, its way of perceiving and acting. The time when civil liberties are violated, is the time when human rights are to be defended. When the capital dictates the values of every person, whether they are aware of it or not they have an engraved target on their chest, the only question is when they are going to be hit.

In this talk I will introduce and discuss my performances: Hunting season 2019, Word whipping 2017, In the end it’s all about the money 2016, I have earned my star 2016, Lost in transition 2014, Don’t put your cross on me 2013, etc.

CV: Nika Rukavina lives in Rijeka, Croatia. She holds a BA in sculpture of Academy of Fine Arts in Venice and works in different media from performance, installations, painting, sculpture and video. Her primary interest is trying to find a different perspective on commonly accepted views. She exhibited in: frei_raum Q21, Vienna, Austria; Museum of Contemporary Art , Zagreb; Galerie 5020, Salzburg, Austria; MLZ Art - Dep, Trieste, Italy; Kunsthaus, Graz, Austria; Magazzini del Sale, Venice, Italy; Museum of Modern and Contemporary Art , Rijeka, Croatia; Pyramida, Tirana, Albania; Cultural Center, Belgrade, Serbia; Gallery A + A, Venice, Italy; Gallery Bevilacqua La Masa, Venice, Italy; Gallery Nuova Icona, Venice, Italy.

November 12, 2019, Tuesday

14.00 to 16.00 WHERE: AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1) Erasmus presentations Ferreira da Mota Freitas, Beatriz Hapcheko, Veronika

17.00 to 19.15 WHERE: AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1) Seminar for diploma students and Ph.D. candidates / and workshop B3/ mandatory for the ZKF Konzept Kunst 04 Lecture “Crisis of representation?” Modes of Visual after Post-colonial, Post-Cold war, and Post-modern capitalism. a) War/militant image

The lecture will examine the causal links and spaces of the emergence of the "crisis of representation" in the post-modern visual context and the emergence of a new militant epistemology of the image. Image and visual culture can no longer be considered on the basis of the metaphysical or ontological structures of the continuation of the visual as a historical continuum, but rather, as an autonomous political-ideological system of perpetuating the contemporaneous regime of capitalism. The focus will be on part a) war/militant image. Book: • Brian Massumi, Ontopower: War, powers, and the state of perception (Duke University Press, 2015)

Additional reading: • Judith Butler, Frames of War: When is life grievable? (Verso Books, 2016)

Jacques Derrida, Specters of Marx, trans. Peggy Kamuf, (New York, London: Routledge, 1994)

Projection of video: • Spomenicima ne treba verovati (Don’t Believe in Monuments), Dušan Makavejev,1958. • Harun Farocki and Andrei Ujică “Videograms of revolution” 1992. • Harun Farocki “Auge / Maschine, I-III , (2001- 2003),

Additional readings: • Fredric Jameson, “Cognitive Mapping,” in Marxism and the Interpretation of Culture, ed. Cary Nelson and Lawrence Grossberg (Champaign: University of Illinois Press, 1988).

November 18, 2019, Monday WHERE: AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

12.00 until 15.00 Discussion of students studying in the Pcap, 2, 3, 4 year what to present in the rundgang

Aiad Asma
Castillo Espinosa Lia Daryanavard Alireza
Dogan Iklim Eliseykina Victoria Jackel Sarah Raffaela Jolly Robert Kimmig Aaron Knez Leonie Rosa Latigo Grace Marta Maassen Dean Pfenniger Valentin Prammer Manuel Rexhepi Xjelane Segarra Julien Stadler Sophie Anna Szereday Dominik Aron Taruvinga Mtasa Elisabeth

November 19, 2019, Tuesday

9.00 to 10.30 Ind. Meetings Grzinic office

November 19, 2019, Tuesday

11.00 to 13.30 workshop A2 WHERE: AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1) Comics, education, intervention with Ph.D. student Cathérine Lehnerer

Guest: Susanne Songli Griem, a performance artist, dancer and a colleague of Lehnerer will accompany the workshop A2. Procedure: body and theory (a experiment) drawing from your own experience dialogue/reflection comic session with tea and gingerbread

This time we will draw in any case, so please bring pencils, ink, pencils or whatever you like.

November 19, 2019, Tuesday

16.00 to 18.15 WHERE: AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1) Ph.D. seminar/ and B3/ mandatory for the ZKF Konzept Kunst With the title Images, War and Affects By Taida Kusturica, Ph.D. student mentor, and Marina Grzinic

05 Lecture “Crisis of representation?” Modes of Visual after Post-colonial, Post-Cold war, and Post-modern capitalism.

b) Image-capitalism

In the second part of the crisis of representation we will deal with b)Image-capitalism. The twentieth century did not just mean a new order of geographical and economic colonization that was called Imperialism; it also meant colonization and privatization of the visible world and more broadly of the sensory experience. Therefore, post-representation as a contemporary phenomenon does not seek to portray or disassemble any reality as a temporal issue, but to point out on new-media and cultural hybrid global wars, which have themselves become the goal of culture as war and vice versa. The problem of Europe and the crisis has become the normative framework of contemporary art, so the image of the Balkans, the Third World, and West Europe increasingly points to a programmed and visual crisis of capital, but not to the ontological-phenomenological problem of the crisis of two or more worlds.

READING OF Tina M. Campt, Listening to Images (Durham, NC: Duke University Press, 2017).

ADDITIONAL READING Book • Wendy Hui Kyong Chun, “Crisis, Crisis, Crisis, or Sovereignty and Networks” (Theory, Culture & Society 2011 (SAGE, Los Angeles, London, New Delhi, and Singapore), Vol. 28(6): 91-112 PDF:pdfs.semanticscholar.org

Projection of video: • Harun Farocki and Andrei Ujică “Videograms of revolution” 1992. • Harun Farocki “Auge / Maschine, I-II I, (2001- 2003),

November 25, 2019, Monday

WHERE: AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1) 14.00 to 18.00 Presentations rundgang ideas and concepts

Jackel Sarah Raffaela

Szereday Dominik

Taruvinga Mtasa Elisabeth

Second round discussion space technology and program rundgang

November 26, 2019, Tuesday

9.00 to 10.30 Ind. Meetings Grzinic office

November 26, 2019, Tuesday

11.00 to 13.30 workshop A2 WHERE: AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1) Comics, education, intervention with Ph.D. student Cathérine Lehnerer This time there are several theory sessions, which are interrupted by small practical exercises.

1. History of comics + exercise "create your own comic figure"
2. Comic theory + exercise "change the bubble text"
3. Selection of feminist comics + exercise "draw your own comic strip"
4. Literatura del cordel + exercise "styrodur print"

November 26, 2019, Tuesday 17.00 to 19.15 WHERE: AkBild, Atelierhaus, Lehargasse 8, 1060 Wien, 1OG Atelier Süd (M1)

Ph.D. seminar/ and workshop B3/ mandatory for the ZKF Konzept Kunst With the title Images, War and Affects By Taida Kusturica, Ph.D. student mentor, and Marina Grzinic

06 Lecture Pictorial Turn The lectures will expos some crucial ground in understanding the shift in art and culture from the linguistic turn,” to “pictorial turn. According to W.J.T. Mitchell, the pictorial turn is about that the pictures that surround us do not only transform our world and identity, but also form social life. In this way, pictures are playing an important role in the construction of our social and emotional reality. Mitchell argues for the necessity of a picture science and art history, which accepts the different approach to pictures as a system of autonomous power. Book: • W. J. T. Mitchell: “The pictorial turn” in: Picture Theory. Essays on Verbal and Visual Representation, (Chicago: 1994), 11-35.

Additional readings: • Marie-José Mondzain, "Can images kill?" Critical Inquiry 36, no. 1 (2009): 20-51. • Jonathan Beller, The Message is Murder: Substrates of Computational Capital (London: Pluto Press, 2018).