THE BEST TO YOU ALL in 2022!

PCAP JANUAR 2022

JANUARY 10, 2022, Monday ZOOM ONLY At 14.00 to 16.30

Presentations students studying 2, 3, 4 years:

Kyra Sophie Wilhelmseder Timotheus Überall Aaron Kimmig

JANUARY 10, 2022, Monday ZOOM ONLY At 17.00 to 19.15

Ph.D. seminar/ and workshop B3/ mandatory for ZKF Post-Conceptual Art Practices

TITLE The Representation of Contemporary Korean Films through (new) Orientalism and Feminism

Teaching:Yela An, Ph.D. student mentor and Grzinic.

UNITE 10 of 10 KOREAN FEMINISM AND WRAPING UP WITH THE FILM PARASITE

JANUARY 11, 2022, Tuesday
ZOOM ONLY At 12.00 to 15.00

Presentations students studying 2, 3, 4 years:

Asma Aiad Henrie Dennis Valentin Pfenniger

IMPORTANT: JANUARY 14, 2022, FRIDAY ZOOM ONLY At 15.00 to 16.00

RUNDGANG STATE OF THE THINGS: meeting to think and plan strategically regarding Covid-19 measures

PLANNED:

JANUARY 17, 2022, MONDAY INSTALLMENT RUNDGANG IN CHARGE MAREN GRIMM

JANUARY 18, 2022, TUESDAY INSTALLMENT RUNDGANG IN CHARGE MAREN GRIMM

Parallel diplomas Ma in Critical Studies (Grzinic, Sircar, Sonderegger in the commision) Ndidi Iroh at 16.00 BIBLIOTHEK /Schillerplatz

INVITATION

Anka Leśniak, presentation of the project Lost Element. Re-construction of the Witch 18.01.2022, 19.00 h

Ort | Online via Zoom akbild-ac-at.zoom.us Meeting ID 921 5224 1629

Anka Leśniak, presentation of the project Lost Element. Re-construction of the Witch Organized by the Studio for Post-conceptual Art Practices /PCAP/ prof. Grzinic, IBK, Akademie der bildenden Künste Wien. The exhibition, which will open on 13.01.2022 at VBKÖ / Austrian Association of Women Artists/ in Vienna, is an artistic and curatorial project by Anka Leśniak. Other women artists participating in the exhibition are Anna Bochkova, Valerie Habsburg and Violetta Leitner. The exhibition is the next chapter in a joint artistic investigation of Teresa Feodorowna Ries (1866-1956). The sculptor of Jewish-Russian origin was one of the most prominent artists of the Austro-Hungarian monarchy and exhibited several times also in VBKÖ.

In 1938 Teresa Feodorowna Ries had to flee to Switzerland, leaving behind her entire professional life and her works of art. Among the many works she had to leave in her studio was a marble figure of the Witch, before the Witches' Sabbath (1895). The sculpture depicts a powerful nude woman looking directly into the viewer's eyes and smiling wickedly as she trims her toenails with a large pair of scissors. The Witch was later damaged a few times under unexplained circumstances. It has been restored, but the hand with the scissors is still missing.

The Witch by Teresa Ries is a witness of history, political and social changes. The damaged sculpture is an indictment of history, institutions, policies towards women (artists), antisemitism and xenophobia. As part of a research-based art project, the exhibition also raises the question of how the lost element of the witch can be symbolically reconstructed through contemporary interpretations of this work and its history. Through the presentation of works based on historical research and archives, and the use of new media art, the exhibition opens the portal between the past and contemporary women's art practices.

Photo: Anka Leśniak. The Restoration of the Witch, part1, 2019-20, video still. Copyright Leśniak.

Curriculum Vitae: Anka Leśniak is an artist and researcher working in genres such as installation art, video art, performance art, photo collages and site-specific works. She is interested in feminism, issues related to gender, body, ethnic identity, history, language and memory. She is the author of the book Women disconnected from history. Site-specific artworks on abandoned buildings (2017). In 2019 she received the OeAD grant for the project on Teresa Feodorowna Ries (1866-1956), and was based in the Academy of Fine Arts in Vienna (Studio for Post-conceptual Art). She currently heads the Intermedia Studio II at the Faculty of Sculpture and Intermedia of the Academy of Fine Arts in Gdansk, Poland. www.ankalesniak.pl

For Exhibition visiting consult VBKÖ / Austrian Association of Women Artists/, Maysedergasse 2/28 (4. Stock), 1010 Vienna; www.vbkoe.org

JANUARY 19, 2022, WEDNESDAY INSTALLMENT RUNDGANG IN CHARGE MAREN GRIMM

Parallel diplomas IBK (Grzinic in the commission) Leonie Knez at 10.30 MZS

JANUARY 20, 2022 THURSDAY RUNDGANG 2022 Studio for Conceptual Art(Post-conceptual Art Practices)

ANNOUNCED

DONERSTAG 20.01.2022 16-21h

Ort | Akademie der bildenden Künste Wien, Lehárgasse 8, 1060 Wien, 1. OG Atelier Süd Studio for Conceptual Art

16h ERÖFFNUNG DER AUSSTELLUNG: Positionen und Werke Henrie Dennis, Relax-in My Demons Oke Fijal, How to become a monster? und Even Perpetrator get old Saro Gottstein & Tereza Klčova, Dove Rave Love Laura Hvidtfeldt Andersen, Untitled Zora Fuhrmann, Woran denk(en) Mäler? Ali Kianmehr, Art materials or start out! Sebastian Konzett, Save the bees und Network of Life Betül Seyma Küpeli, Fabrik, Arbeiterin, Maschine und Hände Grace Marta Latigo, Fadumo Hirsi – Straße Finn Mühl, Pflege am Boden Mirjana Mustra, Untitled Jonas Nieft, Relevanz 3000 Valentin Pfenniger, Untitled Michelle Seidl, Possession (This cannot continue) Timotheus Überall, Art work number 6: A movie about nature, technology, mythology and humankind. Part 1 Kyra Sophie Wilhelmseder, Sugar coating lies: Femicide in Austria.

FOCUS: WTF is a non-binary University?

17-18h Felix Deiters: WTF is a non-binary University? Lesungen & Beiträge: Felix Deiters, Oke Fijal, Finn Mühl, Isa Schieche und andere „WTF is a non-binary University?“ bedeutet auch sich einen solchen Ort vorzustellen und lädt alle ein, die spüren möchten was es bedeuten könnte, frei von dem cis-binären Monolog zu sein, der darauf besteht, ein Dialog zu sein. Bei „WTF is a non-binary University?“ geht es nicht um die „Gender-Debatte", denn Körper und Identitäten stehen hier nicht zur Diskussion. Wenn überhaupt, dann unterbrechen diese, widersprechen und überschreiten Grenzen, denn sie sind es leid, für sich selbst einzutreten und wagen es stattdessen, rebellisch und nicht verhandelbar zu werden.

19h SCRENNINGS Aaron Kimmig, Hainburg – Ort des Ungehorsams, video in progress, 2022 Adam Tománek, Time to escape, 11 min, 2021

FREITAG 21.01. 2022 11-20h Ort | Akademie der bildenden Künste Wien, Lehárgasse 8, 1060 Wien, 1. OG Atelier Süd Studio for Conceptual Art

AUSSTELLUNG

FOCUS: Acoustic space-time Memory

14-16h Frederika Nelly Arndorf [Nathalie Ann Köbli with Arno Gitschthaler and Felix Huber] Acoustic space-time Memory

Schließlich wollen wir einen Weg finden, einige dieser Ideen nichtlinearer Raumzeitwahrnehmung in algorithmische Musikkomposition umzuwandeln. Dazu zeichnen wir einen Tag des Rundgangs 2022 mit mehreren Mikrofonen auf. Diese Signale werden dann von einem Algorithmus verarbeitet, welcher mehrere space-time Schichten des Rundgangs zufällig verarbeitet. Da ein reiner Zufallsalgorithmus nur white noise generieren würde, schränken wir diese Zufälligkeit leicht ein, um Klänge mit einer gewissen Variation zu präsentieren. Durch die Eingriffe in den Algorithmus erzeugen wir gemeinsam mit einer Maschine die resultierenden Klangwelten.

17-18h Felix Deiters: WTF is a non-binary University? Lesungen & Beiträge: Felix Deiters, Oke Fijal, Finn Mühl, Isa Schieche und andere

19h SCREENINGS Benjamin Janzen, InsideTheJellyBasin, 12 min, 2021 Fedor Shmelkin, Being Nuclear. Along Techa River, excerpt, 2021.

SAMSTAG 22.01.2022 Akademie der bildenden Künste Wien,Studio for Conceptual Art

im Freien

Ort: Keplerplatz (neben der Kirche),Wien

12-13h Performance DOVE RAVE LOVE
von Taske pop kollektiv

SAMSTAG 22.01.2022 11-20h Ort | Akademie der bildenden Künste Wien, Lehárgasse 8, 1060 Wien, 1. OG Atelier Süd Studio for Conceptual Art

AUSSTELLUNG

FOCUS: Was ist Freiheit?

15h SCREENINGS Ju Yoo and Asma Aiad, Because I am the Thunder, 7 min, 2022 Ein Projekt in Zusammenzuarbeit mit einem tollen Team.: Gedicht: Meryem Polat; Bühnenbil-dnerin: Zula Tuvshinbat; Grafische Entwürfe: Ali Kianmehr; Film-Team: Hatice Koca, Anna Lisa Kropf, Lina Iwana Lorenz, Kateřina Šafářová, Paulina Huber, Lin Wolf, Schnitt: Ju Yoo, Musik: Lilian Müller.

“Because I am the Thunder” ist ein performativer Film, der auf die Situation sichtbar muslimi-sche Frauen in unserer Gesellschaft und welche Blicke auf sie gerichtet sind aufmerksam macht. Die Filmautorinnen Asma Aiad und Ju Yoo, wollen zeigen, wie leicht und oft der Blick der Betrachtenden das Bild von muslimischen Frauen kreiert und ihre Realitäten und Heterogenität unterdrückt.

Conviviality as Potentiality, Touching Pain, 30 min, 2022

17-18h Felix Deiters: WTF is a non-binary University? Lesungen & Beiträge: Felix Deiters, Oke Fijal, Finn Mühl, Isa Schieche und andere

18.30-19h Özgür Sevinç, experimentelle Noise-Live-Performance

SONTAG 23.01.2022 12-18h Ort | Akademie der bildenden Künste Wien, Lehárgasse 8, 1060 Wien, 1. OG Atelier Süd Studio for Conceptual Art

AUSSTELLUNG

January 24, 2022, Monday disassembling Rundgang exhibition

January 26, 2022, Wednesday diploma works, view by the commission award AkBild 2021/2022

FEBRUARY 2022 SEMESTER HOLIDAYS

START Summer semester 2022

February 28, 2022, Monday at 16.00